Life Begins at 40
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A Hundred Years of British Piano Miniatures Butterworth • Fricker • Harrison Headington • L
WORLD PREMIÈRE RECORDINGS A HUNDRED YEARS OF BRITISH PIANO MINIATURES BUTTERWORTH • FRICKER • HARRISON HEADINGTON • L. & E. LIVENS • LONGMIRE POWER • REYNOLDS • SKEMPTON • WARREN DUNCAN HONEYBOURNE A HUNDRED YEARS OF BRITISH PIANO MINIATURES BUTTERWORTH • FRICKER • HARRISON • HEADINGTON L. & E. LIVENS • LONGMIRE • POWER • REYNOLDS SKEMPTON • WARREN DUNCAN HONEYBOURNE, piano Catalogue Number: GP789 Recording Date: 25 August 2015 Recording Venue: The National Centre for Early Music, St Margaret’s Church, York, UK Producers: David Power and Peter Reynolds (1–21), Peter Reynolds and Jeremy Wells (22–28) Engineer: Jeremy Wells Editors: David Power and Jeremy Wells Piano: Bösendorfer 6’6” Grand Piano (1999). Tuned to modern pitch. Piano Technician: Robert Nutbrown Booklet Notes: Paul Conway, David Power and Duncan Honeybourne Publishers: Winthrop Rogers Ltd (1, 3), Joseph Williams Ltd (2), Unpublished. Manuscript from the Michael Jones collection (4), Comus Edition (5–7), Josef Weinberger Ltd (8), Freeman and Co. (9), Oxford University Press (10, 11), Unpublished. Manuscript held at the University of California Santa Barbara Library (12, 13), Unpublished (14–28), Artist Photograph: Greg Cameron-Day Cover Art: Gro Thorsen: City to City, London no 23, oil on aluminium, 12x12 cm, 2013 www.grothorsen.com LEO LIVENS (1896–1990) 1 MOONBEAMS (1915) 01:53 EVANGELINE LIVENS (1898–1983) 2 SHADOWS (1915) 03:15 JULIUS HARRISON (1885–1963) SEVERN COUNTRY (1928) 02:17 3 III, No. 3, Far Forest 02:17 CONSTANCE WARREN (1905–1984) 4 IDYLL IN G FLAT MAJOR (1930) 02:45 ARTHUR BUTTERWORTH (1923–2014) LAKELAND SUMMER NIGHTS, OP. 10 (1949) 10:07 5 I. Evening 02:09 6 II. Rain 02:30 7 III. -
A GARLAND for JOHN MCCABE Monica Mccabe’S Reflections on a Life Lived for Music Agenda British Music Society’S News and Events British Music Scores Search
BRITISH MUSIC SOCIETY nAPRIL 2018 ews AMBASSADOR FOR BRITISH MUSIC IN USA Madeleine Mitchell across the pond A GARLAND FOR JOHN MCCABE Monica McCabe’s reflections on a life lived for music Agenda British Music Society’s news and events British music scores search org Schneider from the German for piano and winds (1890) wind ensemble Four Points One • George Alexander Osborne Chairman’s J(www.four-point-one.de) is on Quintet for piano and winds the hunt for scores the following (1889) (Yes - he is actually Irish) compositions by British composers: If anyone from the BMS welcome • Marian Arkwright Quintet for network could help him track down piano and winds these scores please get in touch with MS member Madeleine Mitchell is back • Edith Swepstone Quintet for him at [email protected]. piano and winds Jorg is also on the look out for from America and has submitted the first • Henry David Leslie Quintet for any information about the Sir BBMS Ambassador report from her visit to piano and winds op.6 Michael Costa Prize 1896 Anyone the Kansas State University (see opposite page). • Edward Davey Rendall Quintet know anything about this? The committee is closely monitoring the progress of this new scheme and are always interested to hear members’ views. Reviving Victorian opera For those of you with access to the internet, a visit to the BMS website now offers the preced - ictorian Opera Northwest to revise Nell Gwynne by inviting B have made full opera C Stevenson (a librettist of Sullivan’s ing Printed News that opens by clicking on the recordings of works by Balfe, The Zoo) to write the new book. -
FOSIL News & Views XIII 24Th September 2020
FOSIL News & Views XIII 24th September 2020 St Ives Library Opening Hours 9.30am – 4.00pm Monday – Saturday Email: [email protected] Tel: 01736 796297 Did you try Tony’s latest code breaker challenge? BXDBWLDFGPOFOYBXDHDAWYCKFWWGBWOFDBOHDFDABGOKODCHWUDBXOYTBWCW LOBXPCPUPTDCXDPBOYTDFUDYBNYKWGBNPDBDFQOBXPHBWGDUPOYOYNHDPHBXDK OGHBFWWOHHBOFFRFWAVDCBXPYVHBWUGRGQPYBHDJIDGOUYBHLOBXPXAUBXDH’OM DPYCHXPIDWKPXNUPYXDPCSNHBRDAGDKNFLXDYQWNEDTWBLDBXPYCHBXPBHPFF If you need help Tony says: A substitution code, even one without spacing between words, can be decrypted by using frequency analysis (provided there is enough text). The most common letters used in English are e,t,and a in that order. Where two letters next to each other are the same then the most common are ss, ee, and tt. Look for sequences of 3 letters that are the same, they may (or may not !!)represent common 3 letter words. No one cracked it this time – so perhaps we should offer a chocolate prize as an incentive. Please send your ‘cracked code’ to [email protected]. The solution and winner will be published in the next ‘News & Views’. that initial love of reading that I had experienced as a child. I came across the author, Max Porter being interviewed by Rick O’Shea on Shelf Analysis (available on Youtube). Sometimes that’s a good way of discovering living authors so that you meet them first. Porter was formerly a bookshop manager and editor so I knew that his books would be different if only because he understood the market. Grief is the Thing with Feathers, was his highly acclaimed first novel which won the Sunday Times PFD Young Writer of the Year Award in 2016, as well as the Books Are My Bag Readers' Award for fiction and the International Dylan Thomas Prize. -
Six Folk Songs from Norfolk
1 Six folk songs from norfolk Voice & Piano by E.J. Moeran VOCAL SCORE 2 This score is in the Public Domain and has No Copyright under United States law. Anyone is welcome to make use of it for any purpose. Decorative images on this score are also in the Public Domain and have No Copyright under United States law. No determination was made as to the copyright status of these materials under the copyright laws of other countries. They may not be in the Public Domain under the laws of other countries. EHMS makes no warranties about the materials and cannot guarantee the accuracy of this Rights Statement. You may need to obtain other permissions for your intended use. For example, other rights such as publicity, privacy or moral rights may limit how you may use the material. You are responsible for your own use. http://rightsstatements.org/vocab/NoC-US/1.0/ Text written for this score, including project information and descriptions of individual works does have a new copyright, but is shared for public reuse under a Creative Commons Attribution NonCommercial (CC BY-NC 4.0 International) license. https://creativecommons.org/licenses/by-nc/4.0/ Cover Image: ”Peace (detail)” by Benjamin Williams Leader, 1915 3 The “renaissance” in English music is generally agreed to have started in the late Victorian period, beginning roughly in 1880. Public demand for major works in support of the annual choral festivals held throughout England at that time was considerable which led to the creation of many large scale works for orchestra with soloists and chorus. -
To Download the Full Archive
Complete Concerts and Recording Sessions Brighton Festival Chorus 27 Apr 1968 Concert Dome Concert Hall, Brighton Brighton Festival Belshazzar's Feast Walton William Walton Royal Philharmonic Orchestra Baritone Thomas Hemsley 11 May 1968 Concert Dome Concert Hall, Brighton Brighton Festival Kyrie in D minor, K 341 Mozart Colin Davis BBC Symphony Orchestra 27 Oct 1968 Concert Dome Concert Hall, Brighton Brighton Philharmonic Society Budavari Te Deum Kodály Laszlo Heltay Brighton Philharmonic Orchestra Soprano Doreen Price Mezzo-Soprano Sarah Walker Tenor Paul Taylor Bass Brian Kay 23 Feb 1969 Concert Dome Concert Hall, Brighton Brighton Philharmonic Society Symphony No. 9 in D minor, op.125 Beethoven Herbert Menges Brighton Philharmonic Orchestra Soprano Elizabeth Harwood Mezzo-Soprano Barbara Robotham Tenor Kenneth MacDonald Bass Raimund Herincx 09 May 1969 Concert Dome Concert Hall, Brighton Brighton Festival Mass in D Dvorák Václav Smetáček Czech Philharmonic Orchestra Soprano Doreen Price Mezzo-Soprano Valerie Baulard Tenor Paul Taylor Bass Michael Rippon Sussex University Choir 11 May 1969 Concert Dome Concert Hall, Brighton Brighton Festival Liebeslieder-Walzer Brahms Laszlo Heltay Piano Courtney Kenny Piano Roy Langridge 25 Jan 1970 Concert Dome Concert Hall, Brighton Brighton Philharmonic Society Requiem Fauré Laszlo Heltay Brighton Philharmonic Orchestra Soprano Maureen Keetch Baritone Robert Bateman Organ Roy Langridge 09 May 1970 Concert Dome Concert Hall, Brighton Brighton Festival Mass in B Minor Bach Karl Richter English Chamber Orchestra Soprano Ann Pashley Mezzo-Soprano Meriel Dickinson Tenor Paul Taylor Bass Stafford Dean Bass Michael Rippon Sussex University Choir 1 Brighton Festival Chorus 17 May 1970 Concert Dome Concert Hall, Brighton Brighton Festival Fantasia for Piano, Chorus and Orchestra in C minor Beethoven Symphony No. -
British and Commonwealth Concertos from the Nineteenth Century to the Present
BRITISH AND COMMONWEALTH CONCERTOS FROM THE NINETEENTH CENTURY TO THE PRESENT A Discography of CDs & LPs Prepared by Michael Herman Composers I-P JOHN IRELAND (1879-1962) Born in Bowdon, Cheshire. He studied at the Royal College of Music with Stanford and simultaneously worked as a professional organist. He continued his career as an organist after graduation and also held a teaching position at the Royal College. Being also an excellent pianist he composed a lot of solo works for this instrument but in addition to the Piano Concerto he is best known for his for his orchestral pieces, especially the London Overture, and several choral works. Piano Concerto in E flat major (1930) Mark Bebbington (piano)/David Curti/Orchestra of the Swan ( + Bax: Piano Concertino) SOMM 093 (2009) Colin Horsley (piano)/Basil Cameron/Royal Philharmonic Orchestra EMI BRITISH COMPOSERS 352279-2 (2 CDs) (2006) (original LP release: HMV CLP1182) (1958) Eileen Joyce (piano)/Sir Adrian Boult/London Philharmonic Orchestra (rec. 1949) ( + The Forgotten Rite and These Things Shall Be) LONDON PHILHARMONIC ORCHESTRA LPO 0041 (2009) Eileen Joyce (piano)/Leslie Heward/Hallé Orchestra (rec. 1942) ( + Moeran: Symphony in G minor) DUTTON LABORATORIES CDBP 9807 (2011) (original LP release: HMV TREASURY EM290462-3 {2 LPs}) (1985) Piers Lane (piano)/David Lloyd-Jones/Ulster Orchestra ( + Legend and Delius: Piano Concerto) HYPERION CDA67296 (2006) John Lenehan (piano)/John Wilson/Royal Liverpool Philharmonic Orchestra ( + Legend, First Rhapsody, Pastoral, Indian Summer, A Sea Idyll and Three Dances) NAXOS 8572598 (2011) MusicWeb International Updated: August 2020 British & Commonwealth Concertos I-P Eric Parkin (piano)/Sir Adrian Boult/London Philharmonic Orchestra ( + These Things Shall Be, Legend, Satyricon Overture and 2 Symphonic Studies) LYRITA SRCD.241 (2007) (original LP release: LYRITA SRCS.36 (1968) Eric Parkin (piano)/Bryden Thomson/London Philharmonic Orchestra ( + Legend and Mai-Dun) CHANDOS CHAN 8461 (1986) Kathryn Stott (piano)/Sir Andrew Davis/BBC Symphony Orchestra (rec. -
Download Booklet
CYAN MAGENTA YELLOW BLACK ACTAEON 1. Actaeon ©Prima Vista Musikk Gareth Wood 17.27 2. Prelude on Three Welsh Hymn Tunes ©SP&S Ralph Vaughan Williams 6.43 3. Visions of Gerontius ©SP&S Kenneth Downie 17.29 4-7. Symphony No. 10 ‘November Journeys’ ©Band Press VOF George Lloyd arr. Vertommen 28.34 I. Allegro Moderato 8.20 II. Calma 6.19 III. Andante Grazioso 7.18 IV. Energico 6.37 Total CD Playing Time 70.33 DOY CD241 Code No. Booklet-Pgs16&1 CYAN MAGENTA YELLOW BLACK Introduction This latest recording by the current British Open and European Brass Band Champions showcase the Cory Band in an eclectic mix of music based on journeys, myths and legends. Designed as a follow up to the successful release of The Promised Land, Actaeon consists of world première recordings by significant British composers. The music is varied in style, from the dramatic and violent depiction of Actaeon’s death to the beautiful inner movements of George Lloyd’s November Journeys inspired by English Cathedrals. The inclusion of Kenneth Downie’s Visions of Gerontius has been eagerly awaited since the Cory Band under the direction of Dr. Robert Childs gave the winning performance of the work at the ‘British Open’ held in Birmingham’s Symphony Hall in September 2007. Executive Producer: Trevor Caffull Producer: John Maines Engineer: Richard Scott Digital Editing & Mastering: R.E. Editing Production Manager: Julian Bright Project Manager: Kevin J Coates MBE Cover Design & Artwork: GK Graphic Design Photography: John Stirzaker Recorded during April 2008 at Ysgol Gyfun Rhydywaun, Aberdare. -
Kevin Raftery Chamber Music
Kevin Raftery chamber music 1 String Quartet No. 1 15:41 Heath Quartet First Companion 16:00 2 I. To Canterbury and back – 5:06 3 II. Melodies 5:23 4 III. Vivace 5:31 Berkeley Ensemble Pleasantries 15:51 5 I. A little bird told me 1:27 6 II. You can say that again 1:19 7 III. A bit windy 1:48 8 IV. I was gobsmacked 1:17 9 V. I’m so sorry 2:06 10 VI. Go on, then 1:38 11 VII. Those were the days 1:28 12 VIII.How pathetic 2:53 13 IX. Reading between the lines 1:50 Berkeley Ensemble “Friedhof” Quintet 18:40 14 I. Andante non tranquillo 5:26 15 II. Cantabile 6:26 16 III. Vivace 6:48 Animare Ensemble total duration 66:13 The music notes by the composer String Quartet No. 1 (2012) in memory of Richard Oake, who loved string quartets For over 35 years I refrained from composing a string quartet, daunted by the medium’s history of sublime works by great composers. But on the day I heard of my friend Richard Oake’s death, I was struck by the necessity of contributing something in his memory. String quartets were his great love. I’d spent many happy hours listening to and discussing quartets with Richard. We sometimes disagreed, but that was part of the liveliness of the occasion. I hope that this composition would have met with his approval. The main “movement” bears some similarity to classical sonata form. A warm first subject is presented, and contrasted with a delicato second subject. -
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Current Review The RIAS Amadeus Quartet Recordings - Modernism aud 21.429 EAN: 4022143214294 4022143214294 www.new-classics.co.uk (2016.10.04) source: http://www.new-classics.co.uk/html/chamb... Celebrated for their performances of the Viennese Classics, the Amadeus Quartet dominated the British chamber music scene for over 40 years and was one of the most respected ensembles of the twentieth century. The Quartet championed the music of their contemporaries, and for the radio they recorded string quartets written by the major English composers of their time, Benjamin Britten and Michael Tippett. The Hungarian composer Mátyás Seiber introduced the Amadeus Quartet to the works of his fellow countryman Béla Bartók. By recording Henry Purcell’s string fantasias, they followed references between Britten and the cradle of English chamber music. For volume IV in the RIAS Amadeus Quartet Recordings series the ensemble plays twentieth century Hungarian andd English works. The Baroque composer Henry Purcell is also represented - as a reference point for Benjamin Britten’s Second String Quartet. This edition substantially broadens the view of the Amadeus Quartet and demonstrates the inquisitiveness and assuredness with which Norbert Brainin and his three colleagues explored the music of their contemporaries. Under the direction of Michael Tippett, a group of young composers, including Mátyás Seiber and Peter Racine Fricker, wrote new string quartets for the Amadeus Quartet. Apart from Michael Tippett, it was first and foremost Benjamin Britten who, around 1950, established his reputation as Britain’s most renowned composer. His Second String Quartet was conceived as a reminiscence of Henry Purcell, a progenitor of English music, for the 250th anniversary of his death. -
Contents Price Code an Introduction to Chandos
CONTENTS AN INTRODUCTION TO CHANDOS RECORDS An Introduction to Chandos Records ... ...2 Harpsichord ... ......................................................... .269 A-Z CD listing by composer ... .5 Guitar ... ..........................................................................271 Chandos Records was founded in 1979 and quickly established itself as one of the world’s leading independent classical labels. The company records all over Collections: Woodwind ... ............................................................ .273 the world and markets its recordings from offices and studios in Colchester, Military ... ...208 Violin ... ...........................................................................277 England. It is distributed worldwide to over forty countries as well as online from Brass ... ..212 Christmas... ........................................................ ..279 its own website and other online suppliers. Concert Band... ..229 Light Music... ..................................................... ...281 Opera in English ... ...231 Various Popular Light... ......................................... ..283 The company has championed rare and neglected repertoire, filling in many Orchestral ... .239 Compilations ... ...................................................... ...287 gaps in the record catalogues. Initially focussing on British composers (Alwyn, Bax, Bliss, Dyson, Moeran, Rubbra et al.), it subsequently embraced a much Chamber ... ...245 Conductor Index ... ............................................... .296 -
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A Composer Goes to War: E. J. Moeran and the First World War IAN MAXWELL Introduction Just over one hundred years ago, in the early morning of 3 May 1917, Lieutenant Ernest John Moeran, along with tens of thousands of other officers and men of the British and Australian armies, took part in what would later become known as the Second Battle of Bullecourt—a major effort by the Allied Command to break German resistance at the so-called Hindenburg Line. At some point during the morning, Moeran was injured, and the story of this injury and its consequences has evolved into a compelling and persistent narrative that has generally informed writing on the composer and his music.1 Moreover, the ordeals that he is believed to have endured during his wartime service have placed Moeran on a pedestal of circumstances that has engendered a sympathetic and favourable response to virtually every aspect of his later life and career. However, a comparative examination of the various accounts of Moeran’s experiences during the First World War exposes inconsistencies that raise suspicions regarding the reliability of much of the story. Extensive research has 1 For example: Philip Heseltine, ‘E. J. Moeran’, Music Bulletin, 6/6 (June 1924), 170–4: 171; Sir Arnold Bax, ‘E. J. Moeran: 1894–1950’, Music & Letters, 32/2 (April 1951), 125–7; Geoffrey Self, The Music of E. J. Moeran (London: Toccata Press, 1986), 19–20, 233–4 and 245–7; Trevor Hold, Parry to Finzi: Twenty English Song Composers (Woodbridge: Boydell & Brewer, 2002), 373; Geoffrey Self, ‘Moeran, Ernest John Smeed (1894–1950)’, in Oxford Dictionary of National Biography (Oxford University Press, 2004), https://doi- org.jproxy.nuim.ie/10.1093/ref:odnb/35052; Anthony Payne, ‘Moeran, E. -
September 2020
wttw wttw Prime wttw Create wttw World wttw PBS Kids wttw.com THE GUIDE 98.7wfmt The Member Magazine wfmt.com for WTTW and WFMT Brandis Friedman, Black Voices host and Hugo Balta, Latino Voices host SAT/SUN | 6 PM BEGINNING SEPT 12 September 2020 ALSO INSIDE On WFMT, we celebrate Hispanic Heritage Month featuring works by Spanish and Latin-American composers and musicians, and on wfmt.com, we explore Chicago’s rich cultural landscape as we talk to some of the city’s best Latin music and performing arts groups. From the President & CEO The Guide Dear Member, The Member Magazine for WTTW and WFMT As all of us face this uniquely challenging year, WTTW News has been out report- Renée Crown Public Media Center ing from the neighborhoods, talking with residents who are sharing their stories. 5400 North Saint Louis Avenue This coverage has illuminated how the COVID-19 crisis Chicago, Illinois 60625 disproportionately affects Black and Latino communi- ties in Chicago, and it is moments like these that compel Main Switchboard us to sharpen our focus on how we use our public media (773) 583-5000 Member and Viewer Services platform to serve our diverse community. (773) 509-1111 x 6 This month, we will launch Chicago Tonight: Latino Voices and Chicago Tonight: Black Voices, two additions Websites to our news and public affairs lineup and an extension wttw.com of WTTW’s flagship news show. The VOICES series will wfmt.com provide thoughtful and accurate coverage of current events to inform and engage the public, and create op- Publisher portunities for real conversation.