Antiques & Fine

Total Page:16

File Type:pdf, Size:1020Kb

Antiques & Fine Hugo Marsh Neil Thomas Forrester Director Shuttleworth Director Director Antiques & Fine Art Auction Tuesday 6th October 2020 at 10.00 Viewing on a rota basis by appointment only Special Auction Services Plenty Close Off Hambridge Road NEWBURY RG14 5RL (Sat Nav tip - behind SPX Flow RG14 5TR) Telephone: 01635 580595 Email: [email protected] www.specialauctionservices.com Harriet Mustard Helen Bennett Antiques & Antiques & Fine Art Fine Art Due to the nature of the items in this auction, buyers must satisfy themselves concerning their authenticity prior to bidding and returns will not be accepted, subject to our Terms and Conditions. Additional images are available on request. Buyers Premium with SAS & SAS LIVE: 20% plus Value Added Tax making a total of 24% of the Hammer Price the-saleroom.com Premium: 25% plus Value Added Tax making a total of 30% of the Hammer Price 1. After Thomas Abbott, a pair of 9. A Belle Époque style bottle of 17. Manner of W A S Benson, a bronze figural candlestick holders, taking Perrier Jouey special reserve Epernay copper and brass oil lamp base, supported the form of cranes supporting bowls, with France, Champagne c1976, with original on a tri-form base, height 17cm crowns around their necks, standing upon seal, unopened, 75cl £70-100 rocky outcrops, the bases with impressed £50-100 mark ‘Abbott’, height 39cm 18. An early 19th Century or earlier £400-600 10. A pair of bottles of Moet et ivory child’s bilboquet cup and ball toy, Chandon Eperney France, Champagne the carved cup supported on an adjustable 2. A pair of 19th Century ormolu Cuvee Dom Perignon, c1971, both with reeded column, lacking ball, length 27cm candlestick holders, each with a putto seals intact and unopened,(2) £70-100 supporting a cornucopia of grapes, one £150-250 riding upon a crocodile the other astride 19. A quantity of brass and treen a winged mythical lizard, each supported 11. An Oetzmann & Co of London candlestick holders, one pair with an on claw and ball feet, height 22cm, with twin handled rectangular silver plated inscription to the bottom reading ‘made accompanying provenance (2) tray, raised on four rococo style feet, 82cm from the roof of St George’s Chapel circa £400-600 x 50cm, together with an oval example (2) 1480 Windsor’, height 13cm, together £50-100 with several hip flasks, a large copper 3. Five Spode Copelands china bowl, diameter 27cm and other assorted plates originally retailed at Harrods, 12. A brass carriage timepiece, the brassware (18+) with gilt swag decoration on a royal blue enamel dial with Roman numerals, with £30-50 ground, diameter 26cm (5) glass surround and original case, height £60-80 10cm 20. A quantity of silver plated wares, £60-100 to include a candelabra, height 24cm, 4. A Royal Albert part tea set, on two wine bottle coasters, one marked a cream ground, decorated with neo- 13. A Royal Worcester hand painted ‘Harrods’, diameter 13cm and two twin classical swags and urns and a Greek key ewer with handle in the form of a handled campagna shaped wine buckets border, with gilt heightening, (18+) mythical scaly creature, with graduated (18+) £40-60 pink ground, hand painted decoration of £50-100 poppies and other wild flowers and base 5. Three blanc de chine oxen, with puce cipher ‘Worcester Prismatic 21. Five early 20th Century green height 6cm, a pair of Continental figures Enamels’, height 29cm wine glasses, with hobnail diamond and two Staffordshire spaniels, height £80-120 decoration, height 12cm (5) 25cm (7) £40-60 £30-50 14. James Hadley for Royal Worcester, a youthful young male figure 22. Six 20th Century drinking glasses 6. A pair of Davenport raised dishes with a basket, possibly a European with hobnail diamond design, height with hand painted decoration of a rural fisherman, in the blush ivory colourway, 14cm, together with six larger glasses with idyll, 28cm x 21cm x 6cm, together with the base with Royal Worcester impressed bulbous stems, height 18cm, and other four complimentary plates, all marked mark, puce cipher, model no 1202, rd no glassware (14) ‘Davenport Longport Staffordshire’ (6) 67079, with incised ‘Hadley’ signature to £40-70 £80-100 reverse, height 45cm £120-160 23. A Mary Gregory style jug with 7. A Staffordshire tea service decoration of a boy, height 16cm, c1860, with pink borders, gilt floral 15. A 19th Century transfer printed together with a silver collared decanter decoration and finial, to include teapot, cheese dish and cover, the design based with hallmarks for a London maker, 28cm x 10cm, twin handled bowl, slop on Aesop’s Fables and mice with a motto initials indistinct, height 24cm, with a bowl, cream jug, square plates, cups and “ too much cheese” , 6cm x 15cm x 19cm, plated Whisky label, and other assorted saucers (30+) together with a Delftware vase raised on glassware (8) £70-100 four scrolling feet with floral decoration, £50-100 a pair of Continental vases with Kauffman 8. A George VI hallmarked silver style decoration, height 32cm, and several 24. A three sectioned hip flask dressing table set, London Maker, other 19th Century wares (8) holder, the three inner bottles fitting consisting of four brushes, one comb £60-100 together to a cylindrical shape, height and a mirror, in original retailers box of 19cm, together with a ‘Weiss’ carriage ‘Goldsmiths & Silversmiths Company, 16. A pair of French bisque figures timepiece, height 14cm (2) Regent Street London’ of children with baskets, height 18cm, £20-40 £80-100 together with a Capodimonte casket and French transfer printed pot (3) £40-60 Buyers Premium with SAS & SAS LIVE: 20% plus Value Added Tax making a total of 24% of the Hammer Price the-saleroom.com Premium: 25% plus Value Added Tax making a total of 30% of the Hammer Price 2 www.specialauctionservices.com 25. A gilt metal and onyx mantle 35. Four Edwardian mahogany 42. A George III London hallmarked clock surmounted by the bust of a neo- mantel clocks, for restoration, together silver spoon c1814, makers mark ‘IB’, classical female, raised on four scrolling with a 19th Century brass carriage together with six Victorian London silver feet, the dial lacking a cover, with Roman timepiece (5) spoons, a George Smith & William Fearn numerals, height 37cm £50-100 silver spoon c1787 three more assorted £40-70 Georgian and Victorian silver teaspoons , 36. A Victorian oak eight day and silver plated cutlery (50+) 26. Four boxed Burago model movement mantle clock, of domed shape, £80-100 vehicles, the ‘Dodge Viper’, ‘Jaguar the silvered dial with filigree fretwork XJ220’, the ‘Ferrari Testa Rossa 1957’ and and Roman numerals, with brass filigree 43. An Edward VII hallmarked ‘Mercedes Benz 300 SL’, (4) panels, raised on shaped feet, 39cm x Sheffield silver trumpet vase, maker £30-50 26.5cm x 13cm James Dixon and Sons height 20cm, £80-120 together with a hallmarked silver part 27. A moulded frosted glass dressing table set and other wares lampshade after Lalique with encircling 37. A Regency mahogany eight day including a hallmarked silver bottle and dancers, diameter 23.5cm movement bracket clock, from Robert inkwell (10) £80-120 E. Hogben, the silvered round dial with £40-60 Arabic numerals, above a fretwork panel, 28. A collection of various wooden moulded top and bottom, brass carrying 44. A quantity of pewter and silver boxes, some 19th Century, including handles and bun feet, 34cm x 23cm x plated wares, to include a candelabra on rosewood, mahogany, ebony, and others 13cm an octagonal base, height 20cm, a boxed (17) £150-200 set of fish knives and forks, and a Sheffield £50-100 pewter coffee pot (14) 38. A contemporary brass miner’s £50-80 29. Nine 19th Century rosewood lamp, together with an early 20th Century writing slopes of various sizes, for oak wall cupboard, and with a collection 45. A Stirling Denmark silver spoon restoration (9) of oval composite gilt picture frames with nude female seated on rocks, £70-100 (quantity) together with various other souvenir £40-60 spoons including an example with a 30. An early 20th Century oak pierced handle forming the letters ‘Hong canteen cutlery box, 33cm x 37cm, 39. A quantity of predominantly Kong’ marked silver and another with together with a collection of other various British china cups and saucers, to Russian spoon ‘Mockba’ with enamel 19th Century boxes including writing include examples by Copelands, Royal bowl and finial (15+) slopes, jewellery etc (9) Worcester, Crescent China, mostly with £40-60 £70-100 floral decoration, swags and bows etc, two teapots and a Doulton Series ware plate 46. A 19th Century silver plated 31. Four 19th Century walnut boxes, (70+) biscuit barrel, of hexagonal form, with to include jewellery, writing etc, together £70-100 geometric foliate decoration, raised on with an early 20th Century oak canteen, a three footed salver stand with pierced 24cm x 37cm x 9cm, for restoration, (5) 40. A late 19th Century or early 20th design, the base with Victorian registration £80-120 Century Continental porcelain covered mark, height 16cm vase, on a cream and yellow ground, £40-60 32. Six 19th Century wooden boxes, with cartouches and borders of floral for restoration, various woods, writing, decoration, the base with interlaced l’s 47. An 18th Century part porcelain jewellery etc (6) and ‘s’ mark, possibly Paris or a regional tea service, the teapot of rococo boat £60-80 French factory, together with an ‘Augustus shape, on a cream ground with gilt Rex’ cup and saucer and reticulated heightening, incised marks to base ‘+B’, Continental plate (3) height 19cm, the sugar bowl of similar 33.
Recommended publications
  • European Art & Decorative Arts Wall Text and Extended Labels
    European Art & Decorative Arts Wall Text and Extended Labels FIRST FLOOR The Morgan Memorial The construction of the Morgan Memorial, completed in two sections in 1910 and 1915, more than doubled the size of the original Wadsworth Atheneum that opened in 1844. The building is dedicated to Junius Spencer Morgan, whose bust by William Wetmore Story stands at the top of the western stairs. Morgan was a Hartford man who founded a banking empire, and his son, J. Pierpont Morgan, chose to build the museum’s new wing as a tribute to his father. The total cost of the Memorial—over $1,400,000—represents the largest of J. Pierpont Morgan’s generous gifts. He spent over twelve years purchasing the several properties on which the Memorial stands, and was involved in its construction until his death in 1913. Benjamin Wistar Morris, a noted New York architect, was selected to design what was to be a new home for the Wadsworth Atheneum’s art collection. It was built in the grand English Renaissance style, and finished with magnificent interior details. Four years after J. Pierpont Morgan’s death, his son, J. Pierpont Morgan Jr., followed the wishes outlined in his father’s will and gave the Wadsworth Atheneum a trove of ancient art and European decorative arts from his father’s renowned collection. Living in the Ancient World Ordinary objects found at sites from the countries surrounding the Mediterranean Sea and the Middle East reveal a great deal about daily life in the ancient world. Utensils for eating and drinking, glassware, lamps, jewelry, pottery, and stone vessels disclose the details of everyday life.
    [Show full text]
  • Movers & Shakers in American Ceramics
    A Ceramics Monthly Handbook Movers & Shakers in American Ceramics: Defining Twentieth Century Ceramics A Collection of Articles from Ceramics Monthly Edited by Elaine M. Levin Movers & Shakers in American Ceramics: Defining Twentieth Century Ceramics Movers & Shakers in American Ceramics: Defining Twentieth Century Ceramics A Collection of Articles from Ceramics Monthly Edited by Elaine M. Levin Published by The American Ceramic Society 600 N. Cleveland Ave., Suite 210 Westerville, Ohio 43082 USA The American Ceramic Society 600 N. Cleveland Ave., Suite 210 Westerville, OH 43082 © 2003, 2011 by The American Ceramic Society, All rights reserved. ISBN: 1-57498-165-X (Paperback) ISBN: 978-1-57498-560-3 (PDF) No part of this book may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying, microfilming, recording or otherwise, without written permission from the publisher, except by a reviewer, who may quote brief passages in review. Authorization to photocopy for internal or personal use beyond the limits of Sections 107 and 108 of the U.S. Copyright Law is granted by The American Ceramic Society, provided that the appropriate fee is paid directly to the Copyright Clearance Center, Inc., 222 Rosewood Drive, Danvers, MA 01923 U.S.A., www.copyright.com. Prior to photocopying items for educational classroom use, please contact Copyright Clearance Center, Inc. This consent does not extend to copyright items for general distribution or for advertising or promotional purposes or to republishing items in whole or in part in any work in any format. Requests for special photocopying permission and reprint requests should be directed to Director, Publications, The American Ceramic Society, 600 N.
    [Show full text]
  • Philippa H Deeley Ltd Catalogue 17 Oct 2015
    Philippa H Deeley Ltd Catalogue 17 Oct 2015 1 A Pinxton porcelain teapot decorated in gilt with yellow cartouches with gilt decoration and hand hand painted landscapes of castle ruins within a painted botanical studies of pink roses, numbered square border, unmarked, pattern number 300, 3824 in gilt, and three other porcelain teacups and illustrated in Michael Bertould and Philip Miller's saucers from the same factory; Etruscan shape 'An Anthology of British Teapots', page 184, plate with serpent handle, hand painted with pink roses 1102, 17.5cm high x 26cm across - Part of a and gilt decoration, the saucer numbered 3785 in private owner collection £80.00 - £120.00 gilt, old English shape, decorated in cobalt blue 2 A Pinxton porcelain teacup and saucer, each with hand painted panels depicting birds with floral decorated with floral sprigs and hand painted gilt decoration and borders, numbered 4037 in gilt landscapes with in ornate gilt surround, unmarked, and second bell shape, decorated with a cobalt pattern no. 221, teacup 6cm high, saucer 14.7cm blue ground, gilt detail and hand painted diameter - Part of a private owner collection £30.00 landscape panels - Part of a private owner - £40.00 collection £20.00 - £30.00 3 A porcelain teapot and cream jug, possibly by 8A Three volumes by Michael Berthoud FRICS FSVA: Ridgway, with ornate gilding, cobalt blue body and 'H & R Daniel 1822-1846', 'A Copendium of British cartouches containing hand painted floral sparys, Teacups' and 'An Anthology of British Teapots' co 26cm long, 15cm high -
    [Show full text]
  • Cladding in Architecture: Its Projection Towards New Technologies from a Retrospective View
    CASTELLÓN (SPAIN) CLADDING IN ARCHITECTURE: ITS PROJECTION TOWARDS NEW TECHNOLOGIES FROM A RETROSPECTIVE VIEW (1) M.C. Vacca, (2) J. Avellaneda (1) PhD student of Architecture – Architectural Buildings Universidad Politécnica de Cataluña, Barcelona, Spain (2) Doctor of Architecture – Architectural Buildings I Universidad Politécnica de Cataluña, Barcelona, Spain 1 CASTELLÓN (SPAIN) 1. PRESENTANTION This paper is based on the doctoral thesis, directed by Doctor Jaume Avellaneda Diaz-Grande and prepared for the Universidad Politécnica de Cataluña, by the architect María Celina Vacca entitled “The Cladding of Architectural Surfaces with Ceramic Tiles – a Comparative Study of the Evolution of Materials, Manufacturing Techniques and Installation in the Main Production Centres in Spain and Other Countries from the Industrial Revolution to the Present”. The primary reason for writing this thesis is to identify the role of ceramics in the history of Spanish architecture. Based on the Spanish-Arab tradition and passed on over the centuries, the industry started with the first earthenware tiles made in Malaga in the XIIIth century, then in Manises in the XVth century and in Catalonia in the XIXth century. It was in that century that Spain was recognized throughout Europe as the country with the longest historical tradition in this material. This is why this thesis focuses on studying ceramics in the period from the Industrial Revolution to the present day from the perspective of new trends and technological advances in the manufacture, installation,
    [Show full text]
  • Glasunternehmen Vista Alegre Atlantis Group Und Glaswerk IVIMA, Portugal
    Pressglas-Korrespondenz 2006-2 Dieter Neumann, Ralph Sadler, SG März 2006 Glasunternehmen Vista Alegre Atlantis Group und Glaswerk IVIMA, Portugal Guten Tag Herr Neumann, tons per day in 1974, and therefore creating opportuni- ties in new markets. The Atlantis crystal was by then die Firma IVIMA ist unseres Wissens 1998 von der being exported to 20 different countries and has become "Grupo Atlantis" gekauft worden. (siehe unten) famous as one of the purest crystals in the world. Die Website ist folgende: During that same year, 1974, the glass factory in Ma- http://www.atlantis-cristais-de- rinha Grande was converted to produce automatic- alcobaca.pt/ivima/pt/flash/en/index.html made glass in Portugal, which is nowadays, commer- Anschrift und Ansprechpartner finden Sie unter: cialized under the name CRISAL GLASS. http://www.atlantis-cristais-de- In 1985 Atlantis decided do build a new factory to pro- alcobaca.pt/ivima/pt/flash/en/contactos.html. duce 10 tons of crystal per day, and moved to Casal da Mit freundlichen Grüßen, Areia, also in Alcobaça. In 1986 the company was listed António Teixeira on the Lisbon Stock Exchange. [email protected] In 1991 the production capacity of the Marinha Gran- Tauentzienstrasse 7 b/c – 10789 Berlin de factory was increased to 50 tons/day. Tel. +49 30 254106 15, Fax +49 30 254106 99 http://www.portugalinbusiness.com http://www.visitportugal.com http://www.atlantis-cristais-de- alcobaca.pt/ivima/pt/flash/en/historia.html In 1972 the factory was converted to produce top quali- ty handmade lead crystal - the Atlantis crystal, which was launched on the American market that same year.
    [Show full text]
  • Lot 1 Royal Worcester Cabinet Cup and Saucer, Circa 1933, Decorated
    Byrne's Auctioneers - The Fine Sale - Starts 18 Sep 2019 Lot 1 Royal Worcester cabinet cup and saucer, circa 1933, decorated with sheep in a Highland landscape by E Barker, the cup with a gilded interior, the saucer 9.5cm diameter Estimate: 80 - 120 Fees: 21% inc VAT Lot 2 Royal Worcester cabinet cup and saucer, circa 1931, decorated with a stag in a Highland landscape by James Stinton, the cup with a gilded interior, the saucer 9.5cm diameter Estimate: 80 - 120 Fees: 21% inc VAT Lot 3 Royal Worcester cabinet cup and saucer, circa 1932, decorated with a red breasted Robin by E Barker, white glazed interior and gilded border Estimate: 40 - 60 Fees: 21% inc VAT Lot 4 Royal Worcester cabinet cup and saucer, circa 1932, decorated with Highland cattle by James Stinton, the cup with a gilded interior, the saucer 9.5cm diameter Estimate: 80 - 120 Fees: 21% inc VAT Lot 5 Royal Worcester cabinet cup and saucer, circa 1932, decorated with blackberries by Kitty Blake, gilded exterior, the saucer 9.5cm diameter Estimate: 80 - 120 Fees: 21% inc VAT Lot 6 Royal Worcester cabinet cup and saucer, circa 1932, decorated with roses by Spilsbury, the cup with a gilded exterior, the saucer 9.5cm diameter Estimate: 50 - 80 Fees: 21% inc VAT Lot 7 Royal Worcester cabinet cup and saucer, circa 1926, hand decorated with fruits by F Harper, and with a gilded exterior, printed marks, the saucer 9.5cm diameter Estimate: 80 - 120 Fees: 21% inc VAT Lot 8 Chinese medallion bowl, early 20th Century, decorated in famille rose colours, Qianlong seal mark, 18.5cm diameter
    [Show full text]
  • And, If Investors Are Resident in a Member State of the European Economic Area, a Qualified Investor)
    Disclaimer THIS DOCUMENT IS AVAILABLE ONLY TO INVESTORS WHO ARE OUTSIDE THE UNITED STATES (AND, IF INVESTORS ARE RESIDENT IN A MEMBER STATE OF THE EUROPEAN ECONOMIC AREA, A QUALIFIED INVESTOR). THIS DOCUMENT MAY NOT BE DISTRIBUTED IN OR INTO AUSTRALIA, CANADA, JAPAN OR THE UNITED STATES. IMPORTANT: You must read the following before continuing. The following applies to the attached document and you are therefore required to read this disclaimer carefully before accessing, reading or making any other use of the attached document. In accessing the attached document, you agree to be bound by the following terms and conditions, including any modifications to them from time to time, each time you receive any information from us as a result of such access. You agree you will not forward, reproduce or publish this electronic transmission or the attached document to any other person. Failure to comply with this directive may result in a violation of the Securities Act or the applicable laws of other jurisdictions. Restrictions: Under no circumstances shall the attached document constitute an offer to sell or the solicitation of an offer to buy nor shall there be any sale of the securities described in the attached document in any jurisdiction in which such offer or solicitation would be unlawful. The securities described in the attached document have not been, and will not be, registered under the Securities Act, or with the securities regulatory authority of any state or other jurisdiction in the United States, and may not be offered, sold, exercised or otherwise transferred except pursuant to an exemption from, or in a transaction not subject to, the registration requirements of the Securities Act and in compliance with any applicable state law.
    [Show full text]
  • ORIENTAL and EUROPEAN CERAMICS and GLASS
    SECOND DAY’S SALE WEDNESDAY 9th JULY 2014 ORIENTAL AND EUROPEAN CERAMICS AND GLASS Commencing not before 10.00pm Oriental and European Ceramics and Glass will be on view on: Friday 4th July 9.00am to 4.00pm Saturday 5th July 9.00am to 1.00pm Sunday 6th July 2.00pm to 4.00pm Monday 7th July 9.00am to 5.15pm Tuesday 8th July 9.00am to 5.15pm Limited viewing on sale day Enquiries: Andrew Thomas Enquiries: Nic Saintey Tel: 01392 413100 Tel: 01392 413100 Email: [email protected] Email: [email protected] 321 A clear glass decanter of mallet shaped form, wheel cut with three shield shaped panels between narrow bands of printies below a facet cut neck and star cut lozenge shaped stopper, early 19th century, 30.5cm high. £180 - 220 322 An airtwist wine glass the bell shaped bowl set on a straight single series airtwist stem on a fold over foot, circa 1740-60, 18cm high. £100 - 150 326 323 An opaque twist wine glass the rounded funnel shaped bowl set on a slightly tapering double series opaque twist stem comprising a lace twist within spiral threads, on a conical foot, circa 1760-80, 14.5cm high. £80 - 120 324 A Regency cut glass water jug, probably Irish of oval form with faceted and hobnail cut decoration, star cut base, 21cm high [small chip to base of handle]. £80 - 120 325 327 328 A large Continental painted and enamelled glass vase in Lobmeyr style, applied with 327 328 eight prunts and on spreading A Rindskopf art glass vase A cameo glass vase by Fritz foot, decorated with stylised of slender garlic-shaped form, Heckert of frosted clear and flowers, foliage and iron red the green body applied with a pink colour cut with trees and cartouches on a green ground, textured and iridescent silver foliage, signed, circa 1905/10, late 19th century, 32cm high.
    [Show full text]
  • Auction Results SA240421 Saturday, 24 April 2021
    Auction Results SA240421 Saturday, 24 April 2021 Lot No Description 2 A Victorian blue and white transfer meat plate liner printed with dog rose border to/w various other ceramics, including Royal £25.00 Worcester Astley coffee service, jasper ware, Japanese eggshell coffee service etc (box) 4 Two cut-glass ring-neck decanters and stoppers to/w three claret jugs with ep tops and give various other decanters (box) £70.00 5 Studio glass lustrous vase, signed Siddy Langley 1997 to/w an Imari cache-pot, Victorian china fruit dishes with matching £85.00 sauce tureens, Denby fruit bowl etc (box) 6 Two boxed Bilston enamel Easter eggs to/w two patch-boxes and two Halcyon Days boxes, lot also includes Victorian £65.00 rosewood tea caddy, coach lamp and eight various pewter mugs (box) 8 A Victorian Shelley blue and white cylindrical vase printed with dragons to/w various collectables including silver oddments, £40.00 Pathescope Ace projector, three Decca Toytown gramophone records, candles etc (box) 9 AnA Clarice 18th century Cliff honey-glazed style enamel dinner box with service hinged with cover, green painted banded with decoration, courting couples37 pieces in includingArcadian tureenssettings, and 9.5 cover cm wide to/w a £40.00 10 (possibly) Capodimonte box with painted interior to lid depicting 18th century family scene, Royal Doulton terrier cleaning £110.00 plate HN1158, Karl Ens owl, Dresden floral-painted heart-shaped pin-dish and an advertising jug for Worthingtons beer 11 A PottschapelMeakin pottery (Dresden) 'Nordic' Carlpattern
    [Show full text]
  • Cersaie Product Review Architectural Products
    www.cstdmag.com | WINTER 2015 Cersaie Product Review Architectural Products www.msistone.com Floor to Ceiling Tile... Take your tile style up a notch with a seamless design approach combining natural stone, porcelain tile, and glass mosaic to complete this stunning kitchen. By bringing the very best surfacing products to you, MSI transforms dreams into realities with over 70 million sq. ft. of flooring, countertop, wall tile, and hardscape products. Floor: Focus Graphite Porcelain Backsplash: Mochachino Hexagon Countertop: River White Granite Atlanta • Baltimore • Boston • Chicago • Charlotte • Dallas • Dulles • Edison, NJ • Houston • Kansas City Minneapolis • Northern CA • North Hollywood • Orange, CA • Phoenix • South Florida • Seattle • Toronto, Canada FOR ULTIMATE PROTECTION AGAINST STAINS, TRUST FUSION PRO. ¡¡Unsurpassed Stain Resistance ¡¡Never Needs Sealing ¡¡Easy to Spread and Clean ¡¡Ultimate Color Consistency CUSTOM’s unique single component formula installs quickly, won’t shade, Patented 8,349,068, 8,357,238, 8,876,966 mottle or effloresce and delivers exceptional stain resistance without ever needing to be sealed. Accept no substitute. Ask about Fusion Pro today. CustomBuildingProducts.com Available at The Home Depot 800-272-8786 and tile distributors nationwide. It’s a work of ART, live your life in STONE. ABC stone New York 718.389.8360 Long Island 516.997.9412 LILAC AMAZONITE ABCworldwidestone.com marble limestone sandstone artisan mosaic exterior french flooring granite travertine quartzite semi-precious landscape stone
    [Show full text]
  • History and Description of English Porcelain Pdf, Epub, Ebook
    HISTORY AND DESCRIPTION OF ENGLISH PORCELAIN PDF, EPUB, EBOOK William Burton | 277 pages | 01 Jun 1988 | E.P. Publishing | 9780854099023 | English | United Kingdom History and Description of English Porcelain PDF Book Twitchett, John. Ltd : Hanley, , earthenware, ironstone, etc. Mackenzie, Sir Compton. Brears, Peter C. Hughes, G. Blue and White Transfer Ware, A Qing plate depicts Christ being baptized by John—with magnolia trees blossoming in the background. Today, one can still marvel at the strange game of decorative, Orientalist telephone that this development created. King, William. Reprint Philadelphia: Seifer, Both the French and the English porcelain of the 18th century is of the artificial kind using powdered glass - with the frequent addition in England of ash from charred bones, beginning the specifically British tradition of bone china. Pine, Lynda and Nicholas Pine. This level of materialism, after all, is never about necessity. During the 17th century imports of china become much more common, particularly of delicate wares to accomodate Europe's new craze of tea-drinking. Spode logo since London: Chapman and Hall, In general a better substance. John, Willliam D. Crown Derby Porcelain. This is despite it being fired at the same high vitrifying temperature as hard-paste porcelain. A Century of Potting in the City of Worcester from I am doing my best to raise the phoenix from the ashes with my ongoing company making English bone china figurines. Another patent was applied for by Frye on 17 November , and the specification was enrolled 17 March Since the site had been a 'potworks' and at the time of the Spode purchase it was described as including: ' potworks potovens pothouses workhouses warehouses compting house… '.
    [Show full text]
  • Comment Language in Ceramics
    October 1995 1 Spencer L. Davis...Publisher and Acting Editor Ruth C. Butler......................... Associate Editor Kim Nagorski..........................Assistant Editor Tess Galvin..............................Assistant Editor Lisa Politz............................ Editorial Assistant Randy Wax....................................Art Director Mary Rushley.....................Circulation Manager Mary E. May.......Assistant Circulation Manager Connie Belcher..................Advertising Manager Editorial, Advertising and Circulation Offices 1609 Northwest Boulevard Post Office Box 12788 Columbus, Ohio 43212-0788 (614) 488-8236 FAX (614) 488-4561 Ceramics Monthly {ISSN 0009-0328) is published monthly except July and August by Professional Publications, Inc., 1609 Northwest Boulevard, Columbus, Ohio 43212-0788. Second Class post­ age paid at Columbus, Ohio. Subscription Rates: One year $22, two years $40, three years $55. Add $10 per year for subscrip­ tions outside the U.S.A. In Canada, add GST (registration number R123994618). Change of Address:Please give us four weeks advance notice. Send the magazine address label as well as your new address to: Ceramics Monthly, Circulation Department, Post Office Box 12788, Columbus, Ohio 43212-0788. Contributors: Manuscripts, announcements, news releases, photographs, color transparencies (including 35mm slides), graphic illustrations and digital TIFFor EPSimages are welcome and will be considered for publication. Mail submis­ sions to Ceramics Monthly, Post Office Box 12788, Columbus, Ohio 43212-0788.
    [Show full text]