The Marvelous Mrs. Maisel

Total Page:16

File Type:pdf, Size:1020Kb

The Marvelous Mrs. Maisel The Marvelous Mrs. Maisel Shh… don’t tell anyone but I spent some time this week binging The Marvelous Mrs. Maisel. It’s a new series available to those who have Amazon Prime. (Not sure if you can pay for it if you don’t have prime.) The Marvelous Mrs Maisel – A Little Background The Marvelous Mrs. Maisel comes from the creators of Gilmore Girls, Amy and Daniel Palladino. It’s set in the late 1950s in NYC, specifically backdropped against The Upper West Side and The Village (or really in contrast with). In it, we’re told the story of Miriam “Midge” Maisel, college- educated mother of two who seems to have the perfect apartment, perfect husband and acts the perfect wife. Of course, it’s not long before this all falls apart. Trust me, I’m not giving anything away here that you couldn’t figure out from the commercials. Gilmore Girls Reincarnated? Like the Gilmore Girls this show has an assortment of quirky characters intermixed with some real life personalities (e.g., Lenny Bruce as played by Luke Kirby). Also like the Gilmore Girls, the show is filled with quick, witty banter. Furthermore, you may recognize Alex Borstein as Susie. Alex played the harp player early on in the Gilmore Girls series. Also, similar themes run through this show as the Gilmore Girls: mother- daughter relationships, daughter-parent relationships, relationships between friends, independence and what does that mean, etc. There are probably more similarities too between the shows but let’s talk a bit more about what’s different. First off, this is not a show I would watch with my tween and teen daughters as I did with Gilmore Girls. I think Midge or Suzie must drop the F-Bomb at least three times a show. Where Gilmore Girls paid hommage to small town life, this does not. We are in bright lights, big city mode here with a special nod to the West Village (love the mention of Cafe Wha!). There’s more vivid talk about sex – though not more vivid sex scenes. And lastly, we’re in full on Jew mode. Midge, her family and really her social circle up until the point the show starts are all Jewish. The Marvelous Mrs. Maisel – My Thoughts I’ve watched the entire season, and want more. There were definitely some problems. For example, I recognized the arc of Midge and Joel’s relationship from the start. There are also some inaccuracies. Such as, it’s not Yom Kippor Dinner, it’s break fast. At break fast we usually eat breafast food – not roast meats. Yet as we enter what feels like a second women’s movement, it’s incredibly interesting to see some insight into what it may have been like at the beginning of the last movement. It’s especially interesting to see it reflected in what is still the male- dominated field, of stand-up comedy. So if you’re a fan of the Palladino’s and the shows they produce, give this one a shot. I don’t think you will be disappointed..
Recommended publications
  • Television Academy Awards
    2019 Primetime Emmy® Awards Nomination Press Release Outstanding Character Voice-Over Performance F Is For Family • The Stinger • Netflix • Wild West Television in association with Gaumont Television Kevin Michael Richardson as Rosie Family Guy • Con Heiress • FOX • 20th Century Fox Television Seth MacFarlane as Peter Griffin, Stewie Griffin, Brian Griffin, Glenn Quagmire, Tom Tucker, Seamus Family Guy • Throw It Away • FOX • 20th Century Fox Television Alex Borstein as Lois Griffin, Tricia Takanawa The Simpsons • From Russia Without Love • FOX • Gracie Films in association with 20th Century Fox Television Hank Azaria as Moe, Carl, Duffman, Kirk When You Wish Upon A Pickle: A Sesame Street Special • HBO • Sesame Street Workshop Eric Jacobson as Bert, Grover, Oscar Outstanding Animated Program Big Mouth • The Planned Parenthood Show • Netflix • A Netflix Original Production Nick Kroll, Executive Producer Andrew Goldberg, Executive Producer Mark J. Levin, Executive Producer Jennifer Flackett, Executive Producer Joe Wengert, Supervising Producer Ben Kalina, Supervising Producer Chris Prynoski, Supervising Producer Shannon Prynoski, Supervising Producer Anthony Lioi, Supervising Producer Gil Ozeri, Producer Kelly Galuska, Producer Nate Funaro, Produced by Emily Altman, Written by Bryan Francis, Directed by Mike L. Mayfield, Co-Supervising Director Jerilyn Blair, Animation Timer Bill Buchanan, Animation Timer Sean Dempsey, Animation Timer Jamie Huang, Animation Timer Bob's Burgers • Just One Of The Boyz 4 Now For Now • FOXP •a g2e0 t1h Century
    [Show full text]
  • ALEX NEPOMNIASCHY, ASC Director of Photography Alexnepomniaschy.Com
    ALEX NEPOMNIASCHY, ASC Director of Photography alexnepomniaschy.com PROJECTS Partial List DIRECTORS STUDIOS/PRODUCERS THE MARVELOUS MRS. MAISEL Daniel Palladino AMAZON STUDIOS / Nick Thomason Season 4 Amy Sherman-Palladino MIXTAPE Ti West ANNAPURNA PICTURES Series NETFLIX / Chip Vucelich, Josh Safran L.A.’S FINEST Eagle Egilsson SONY PICTURES TELEVISION Series Mark Tonderai Scott White, Jerry Bruckheimer WISDOM OF THE CROWD Adam Davidson CBS Series Jon Amiel Ted Humphrey, Vahan Moosekian Milan Cheylov Adam Davidson GILMORE GIRLS: A YEAR IN THE LIFE Amy Sherman- WARNER BROS. TV / NETFLIX Mini-series Palladino Daniel Palladino Daniel Palladino Amy Sherman-Palladino THE AMERICANS Thomas Schlamme DREAMWORKS / FX Season 4 Chris Long Mary Rae Thewlis, Chris Long Daniel Sackheim Joe Weisberg, Joel Fields THE MENTALIST Chris Long WARNER BROS. / CBS Season 7 Simon Baker Matthew Carlisle, Bruno Heller Nina Lopez-Corrado Chris Long STANDING UP D.J. Caruso ALDAMISA Janet Wattles, Jim Brubaker Ken Aguado, John McAdams BLUE BLOODS David Barrett CBS Seasons 4 & 5 John Behring Jane Raab, Kevin Wade Alex Chapple Eric Laneuville I AM NUMBER FOUR D.J. Caruso DREAMWORKS Add’l Photography Sue McNamara, Michael Bay BIG LOVE Daniel Attias HBO Season 4 David Petrarca Bernie Caulfield THE EDUCATION OF CHARLIE BANKS Fred Durst Marisa Polvino, Declan Baldwin TAKE THE LEAD Liz Friedlander NEW LINE Diane Nabatoff, Michelle Grace CRIMINAL MINDS Pilot Richard Shepherd CBS / Peter McIntosh NARC Joe Carnahan PARAMOUNT PICTURES Nomination, Best Cinematography – Ind. Spirit
    [Show full text]
  • 2010 Annual Report
    2010 ANNUAL REPORT Table of Contents Letter from the President & CEO ......................................................................................................................5 About The Paley Center for Media ................................................................................................................... 7 Board Lists Board of Trustees ........................................................................................................................................8 Los Angeles Board of Governors ................................................................................................................ 10 Media Council Board of Governors ..............................................................................................................12 Public Programs Media As Community Events ......................................................................................................................14 INSIDEMEDIA Events .................................................................................................................................14 PALEYDOCFEST ......................................................................................................................................20 PALEYFEST: Fall TV Preview Parties ...........................................................................................................21 PALEYFEST: William S. Paley Television Festival ......................................................................................... 22 Robert M.
    [Show full text]
  • Gilmore Girls”
    For Immediate Release THE UP FAMILY EXPANDS UP Acquires Full Seven-Season Run of Award-Winning, Fan-Favorite Series “Gilmore Girls” Family Network to Begin Airing Episodes in the Fall LOS ANGELES / Television Critics Association – July 30, 2015 – UP announced today it has acquired the full seven-season run of "Gilmore Girls," the award-winning, fan-favorite family drama starring Lauren Graham ("Parenthood"), Alexis Bledel (The Sisterhood of the Traveling Pants), Melissa McCarthy ("Mike & Molly,” Spy), Keiko Agena “(“Shameless,” Transformers of the Dark Moon), Yanic Truesdale (“Reumeurs"), Scott Patterson ("CSI Miami"), Liza Weil ("Stir of Echoes"), Jared Padalecki ("Supernatural"), Milo Ventimiglia ("Heroes"), Sean Gunn (Guardians of the Gun, Pearl Harbor) and Kelly Bishop ("Bunhead," “The Good Wife”), with special appearances by the late Edward Herrmann (The Wolf of Wall Street, The Lost Boys) and recurring guest star Liz Torres ("Devious Maids,” ”Scandal"). UP acquired "Gilmore Girls" from Warner Bros. Domestic Television Distribution and will begin airing the 153 one-hour episodes of the series in the fall. The announcement was made by Amy Winter, evp and general manager, UP. She said, "We’ve acquired one of the most beloved shows in family TV history and we are thrilled to add such a critically acclaimed family series to our line up.” The acquisition of "Gilmore Girls" was negotiated by Sophia Kelley, svp programming, UP, who said, "'Gilmore Girls' is a fan-favorite series that retains a very large and passionate following. The strong and loving mother- daughter relationship portrayed in ‘Gilmore Girls’ is a beautiful testament to the wonderful power of family drama.
    [Show full text]
  • 2020 Primetime Emmy® Awards Nomination Press Release
    2020 Primetime Emmy® Awards Nomination Press Release Outstanding Character Voice-Over Performance Big Mouth • How To Have An Orgasm • Netflix • Netflix Maya Rudolph as Connie the Hormone Monstress Central Park • Episode One • Apple TV+ • 20th Century Fox Television Leslie Odom Jr. as Owen Crank Yankers • Bobby Brown, Wanda Sykes & Kathy Griffin • Comedy Central • Kimmelot, ITV, Central Productions, LLC Wanda Sykes as Gladys The Mandalorian • Chapter 8: Redemption • Disney+ • Lucasfilm Ltd. Taika Waititi as IG-11 The Simpsons • Better Off Ned • FOX • Gracie Films in association with 20th Century Fox Television Nancy Cartwright as Bart Simpson, Nelson, Ralph, Todd The Simpsons • Frinkcoin • FOX • Gracie Films in association with 20th Century Fox Television Hank Azaria as Professor Frink, Moe, Chief Wiggum, Carl, Cletus, Kirk, Sea Captain Outstanding Animated Program Big Mouth • Disclosure The Movie: The Musical! • Netflix • Netflix Bob's Burgers • Pig Trouble In Little Tina • FOX • 20th Century Fox Television BoJack Horseman • The View From Halfway Down • Netflix • Tornante Productions, LLC Rick And Morty • The Vat Of Acid Episode • Adult Swim • Rick and Morty, LLC The Simpsons • Thanksgiving Of Horror • FOX • Gracie Films in association with 20th Century Fox Television Outstanding Short Form Animated Program Forky Asks A Question: What Is Love? • Disney+ • Pixar Animation Studios Robot Chicken • Santa's Dead (Spoiler Alert) Holiday Murder Thing Special • Adult Swim • Stoopid Buddy Stoodios Steven Universe Future • Fragments • Cartoon Network • Cartoon Network Studios Page 1 Outstanding Production Design For A Narrative Contemporary Program (One Hour Or More) Big Little Lies • What Have They Done? • The Bad Mother • I Want To Know • HBO • HBO Entertainment in association with Blossom Films, Hello Sunshine, David E.
    [Show full text]
  • The Marvelous Mrs. Maisel Season 2 Press
    OUTSTANDING COMEDY SERIES EMMY AWARD WINNER 2018 OUTSTANDING DIRECTING FOR A COMEDY SERIES EMMY AWARD WINNER 2018 OUTSTANDING LEAD ACTRESS IN A COMEDY SERIES EMMY AWARD WINNER 2018 OUTSTANDING WRITING FOR A COMEDY SERIES EMMY AWARD WINNER 2018 OUTSTANDING SINGLE-CAMERA PICTURE EDITING FOR A COMEDY SERIES EMMY AWARD WINNER 2018 OUTSTANDING CASTING FOR A COMEDY SERIES EMMY AWARD WINNER 2018 OUTSTANDING SUPPORTING ACTRESS IN A COMEDY SERIES EMMY AWARD WINNER 2018 OUTSTANDING MUSIC SUPERVISION EMMY AWARD WINNER 2018 INDIVIDUAL ACHIEVEMENT IN COMEDY TCA AWARD WINNER 2018 BEST ACTRESS IN A COMEDY SERIES CRITICS’ CHOICE TELEVISION AWARD WINNER 2018 BEST PERFORMANCE BY AN ACTRESS IN A TELEVISION SERIES MUSICAL OR COMEDY GOLDEN GLOBE WINNER 2018 PEABODY AWARD WINNER 2017 PRIME ORIGINAL SYNOPSIS After Midge’s triumph at the Gaslight, she still has to deal with the fallout from her takedown of Sophie Lennon, making her move up the comedy ladder more challenging and fraught than ever. Midtown may seem like a few blocks north, but it’s a world away for Midge and Susie. From Paris to the basement of B. Altman, from the Catskills to a nightclub in DC, Midge’s choice to pursue stand-up makes her more aware of the bubble she’s lived in and of the sexism she faces every day. Midge’s decisions have a ripple effect on all the people in her orbit: Abe and Rose question the life they lead; Joel grows up and becomes the man he always knew he could be; and Susie starts thinking about her future as a manager of talent.
    [Show full text]
  • Man Uses Life As Cautionary Tale Terminal Narcissist Stages
    Vol. XCV. NO. 18 Rites The interviews with Ingram Hill and Cold ou’wester War Kids. SApril 15, 2009 e Weekly Student Newspaper of Rhodes College See Page 7 Press Release Terminal Man uses life as cautionary tale narcissist By Joe Pagetta nis, plus the Sportsmanship Award in Tennessee Nashville Public Television and in the 11-state Southern section, altogether stages coup NASHVILLE, Tennessee – Knoxville’s winning fi ve Southern titles. He was soon being Blake McMeans was a rising tennis star before exempted from playing in the state and region- By Bronco Simpson his career was cut tragically short after a drunk als and would go right to the nationals. His life Indian Aff airs Desk driving accident. He has since dedicated his life became a grueling schedule of school, practice, Soft-core pornography and clothing- to educating others on the dangers of drunk driv- and workouts that began two hours before school optional meetings made their way to the ing. and continued for two hours afterward. But he Sou’wester offi ce today, as Ralph MacDon- Underage and Under the Infl uence, airing loved it, and worked hard at it, and even took ald assumed the duties of Editor-in-Chief of on WKNO and all Tennessee public television extra classes so he could graduate early, looking our college’s occasionally esteemed paper. stations on Tuesday, April 21, 2009 at 7:00 p.m., forward to college and a career in professional MacDonald, the proud owner of a sub- combines his story with a half-hour discussion on tennis.
    [Show full text]
  • “The Melissa Mccarthy Effect”: Feminism, Body
    The Pennsylvania State University The Graduate School “THE MELISSA MCCARTHY EFFECT”: FEMINISM, BODY REPRESENTATION AND WOMEN-CENTERED COMEDIES A Dissertation in Mass Communications by Catherine Bednarz © 2020 Catherine Bednarz Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy May 2020 ii The dissertation of Catherine Bednarz was reviewed and approved by the following: Matthew P. McAllister Professor of Communications Chair of Graduate Programs Dissertation Adviser Co-Chair of Committee Michelle Rodino-Colocino Associate Professor of Communications Co-Chair of Committee Kevin Hagopian Teaching Professor of Communications Lee Ahern Associate Professor of Communications iii Abstract Immediately following its release in 2011, Bridesmaids was met with enormous critical praise as a woman-centered and feminist comedy. This praise was due to the largely female cast of characters in a major film comedy, a rarity in Hollywood. Women face sexism at every level of Hollywood, especially in comedy, so the success of a woman-led movie within the comedy genre was significant. Reviewers described the triumph of Bridesmaids as a game changer, claiming it would open the door to other woman-fronted comedies. This potential was labeled the “Bridesmaids Effect” (Friendly, 2011) by reviewers. However, while some comediennes may have benefitted from the success, I argue that the influence may be more accurately described as a “Melissa McCarthy” effect. This is particularly significant because though there have been several notable and successful female comedians before Melissa McCarthy, very few would be considered fat and feminist. The presence of fat women is not accurately reflected in mass media (Henerson, 2001).
    [Show full text]
  • A Gilmore Girls Analysis Katelen Pick
    Bridgewater State University Virtual Commons - Bridgewater State University Honors Program Theses and Projects Undergraduate Honors Program 4-30-2018 Sneakily Feminist: A Gilmore Girls Analysis Katelen Pick Follow this and additional works at: http://vc.bridgew.edu/honors_proj Part of the Broadcast and Video Studies Commons Recommended Citation Pick, Katelen. (2018). Sneakily Feminist: A Gilmore Girls Analysis. In BSU Honors Program Theses and Projects. Item 274. Available at: http://vc.bridgew.edu/honors_proj/274 Copyright © 2018 Katelen Pick This item is available as part of Virtual Commons, the open-access institutional repository of Bridgewater State University, Bridgewater, Massachusetts. Pick 1 Sneakily Feminist: A Gilmore Girls Analysis Katelen Pick Submitted in Partial Completion of the Requirements for Departmental Honors in Communication Studies Bridgewater State University April 30, 2018 Dr. Bjorn Ingvoldstad, Thesis Advisor Dr. Jason Edwards, Committee Member Dr. Jessica Birthisel, Committee Member Pick 2 Abstract According to Symphony Advance Media, the 2016 reboot, Gilmore Girls: A Year in the Life, pulled in an average of five million viewers among the 18-49-year-old age demographic in its first three days on Netflix ('Gilmore Girls' Early Ratings). The original series, broadcast on the WB Network (2000-2007) was nested into the everyday life of women in American society. It included a mother/daughter duo that problematized what it meant to be a feminist during its initial run. This project considers: How Gilmore Girls might be understood as a feminist intervention in 21st century US television? Prior research into the show is limited and fails to explore feminism and the show in general.
    [Show full text]
  • Television Academy Awards
    2020 Primetime Emmy® Awards Nomination Press Release Outstanding Character Voice-Over Performance Big Mouth • How To Have An Orgasm • Netflix • Netflix Maya Rudolph as Connie the Hormone Monstress Central Park • Episode One • Apple TV+ • 20th Century Fox Television Leslie Odom, Jr. as Owen Crank Yankers • Bobby Brown, Wanda Sykes & Kathy Griffin • Comedy Central • Kimmelot, ITV, Central Productions, LLC Wanda Sykes as Gladys The Mandalorian • Chapter 8: Redemption • Disney+ • Lucasfilm Ltd. Taika Waititi as IG-11 The Simpsons • Better Off Ned • FOX • Gracie Films in association with 20th Century Fox Television Nancy Cartwright as Bart Simpson, Nelson, Ralph, Todd The Simpsons • Frinkcoin • FOX • Gracie Films in association with 20th Century Fox Television Hank Azaria as Professor Frink, Moe, Chief Wiggum, Carl, Cletus, Kirk, Sea Captain Outstanding Animated Program Big Mouth • Disclosure The Movie: The Musical! • Netflix • Netflix Nick Kroll, Executive Producer Andrew Goldberg, Executive Producer Mark Levin, Executive Producer Jennifer Flackett, Executive Producer Joe Wengert, Co-Executive Producer Kelly Galuska, Supervising Producer Gil Ozeri, Supervising Producer Ben Kalina, Supervising Producer Shannon Prynoski, Supervising Producer Chris Prynoski, Supervising Producer Anthony Lioi, Supervising Producer Mike L. Mayfield, Co-Supervising Director Nate Funaro, Produced by Emily Altman, Producer / Writer Victor Quinaz, Writer Bob Suarez, Director David Bastian, Animation Timer Edgar Larrazabal, Animation Timer Maureen Mlynarczyk, Animation
    [Show full text]
  • Situation Comedies and the Single Woman on Television Ashli Leeann Dykes Louisiana State University and Agricultural and Mechanical College
    Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2011 Situation comedies and the single woman on television Ashli LeeAnn Dykes Louisiana State University and Agricultural and Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the English Language and Literature Commons Recommended Citation Dykes, Ashli LeeAnn, "Situation comedies and the single woman on television" (2011). LSU Doctoral Dissertations. 325. https://digitalcommons.lsu.edu/gradschool_dissertations/325 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. SITUATION COMEDIES AND THE SINGLE WOMAN ON TELEVISION A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of English by Ashli L. Dykes B.A., Henderson State University, 2002 M.L.A, Henderson State University, 2005 May 2011 i Dedication To my mother and father: If this doesn’t make me the favorite, I don’t know what will. ii Acknowledgments This project would not have been possible without the support of my teachers, friends, and family, and I am eternally grateful to them all for the support and encouragement over the past two years of this process. I have been blessed with amazing teachers and professors throughout my academic career. From Lake Hamilton School to Henderson State University to Louisiana State University, these teachers have informed my thinking on topics in both academia and life by encouraging me to think critically about the world around me.
    [Show full text]
  • The Rise and Fall of Gilmore Girls' Feminist Legacy Mckenna Ahlgren University of Nebraska - Lincoln
    University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Honors Theses, University of Nebraska-Lincoln Honors Program Fall 10-15-2018 The Rise and Fall of Gilmore Girls' Feminist Legacy McKenna Ahlgren University of Nebraska - Lincoln Follow this and additional works at: https://digitalcommons.unl.edu/honorstheses Part of the American Popular Culture Commons, Gender and Sexuality Commons, Other Feminist, Gender, and Sexuality Studies Commons, Television Commons, and the Women's Studies Commons Ahlgren, McKenna, "The Rise and Fall of Gilmore Girls' Feminist Legacy" (2018). Honors Theses, University of Nebraska-Lincoln. 123. https://digitalcommons.unl.edu/honorstheses/123 This Thesis is brought to you for free and open access by the Honors Program at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Honors Theses, University of Nebraska-Lincoln by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. THE RISE AND FALL OF GILMORE GIRLS’ FEMINIST LEGACY An Undergraduate Honors Thesis Submitted in Partial fulfillment of University Honors Program Requirements University of Nebraska-Lincoln by McKenna Ahlgren, BS Actuarial Science College of Business October 15, 2018 Faculty Mentor: Tamy Burnett, PhD, English and Women’s & Gender Studies ii Abstract This thesis explores the feminist legacy that the television series Gilmore Girls (2000-2007, 2016) built during its original airtime and how its later revival diminished that legacy. Gilmore Girls’ main characters are three generations of women within the Gilmore family, providing a unique opportunity to analyze their feminist identities and characterizations relative to different iterations of feminism. This paper examines how the youngest Gilmore, Rory, is influenced by her mother’s and grandmother’s embodiments of feminism.
    [Show full text]