Aboriginal Elders Talk About Community- School Relationships on Mornington Island
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Report to Office of Water Science, Department of Science, Information Technology and Innovation, Brisbane
Lake Eyre Basin Springs Assessment Project Hydrogeology, cultural history and biological values of springs in the Barcaldine, Springvale and Flinders River supergroups, Galilee Basin and Tertiary springs of western Queensland 2016 Department of Science, Information Technology and Innovation Prepared by R.J. Fensham, J.L. Silcock, B. Laffineur, H.J. MacDermott Queensland Herbarium Science Delivery Division Department of Science, Information Technology and Innovation PO Box 5078 Brisbane QLD 4001 © The Commonwealth of Australia 2016 The Queensland Government supports and encourages the dissemination and exchange of its information. The copyright in this publication is licensed under a Creative Commons Attribution 3.0 Australia (CC BY) licence Under this licence you are free, without having to seek permission from DSITI or the Commonwealth, to use this publication in accordance with the licence terms. You must keep intact the copyright notice and attribute the source of the publication. For more information on this licence visit http://creativecommons.org/licenses/by/3.0/au/deed.en Disclaimer This document has been prepared with all due diligence and care, based on the best available information at the time of publication. The department holds no responsibility for any errors or omissions within this document. Any decisions made by other parties based on this document are solely the responsibility of those parties. Information contained in this document is from a number of sources and, as such, does not necessarily represent government or departmental policy. If you need to access this document in a language other than English, please call the Translating and Interpreting Service (TIS National) on 131 450 and ask them to telephone Library Services on +61 7 3170 5725 Citation Fensham, R.J., Silcock, J.L., Laffineur, B., MacDermott, H.J. -
HOMELAND STORY Saving Country
ROGUE PRODUCTIONS & DONYDJI HOMELAND presents HOMELAND STORY Saving Country PRESS KIT Running Time: 86 mins ROGUE PRODUCTIONS PTY LTD - Contact David Rapsey - [email protected] Ph: +61 3 9386 2508 Mob: +61 423 487 628 Glenda Hambly - [email protected] Ph: +61 3 93867 2508 Mob: +61 457 078 513461 RONIN FILMS - Sales enquiries PO box 680, Mitchell ACT 2911, Australia Ph: 02 6248 0851 Fax: 02 6249 1640 [email protected] Rogue Productions Pty Ltd 104 Melville Rd, West Brunswick Victoria 3055 Ph: +61 3 9386 2508 Mob: +61 423 487 628 TABLE OF CONTENTS Synopses .............................................................................................. 3 Donydji Homeland History ................................................................. 4-6 About the Production ......................................................................... 7-8 Director’s Statement ............................................................................. 9 Comments: Damien Guyula, Yolngu Producer… ................................ 10 Comments: Robert McGuirk, Rotary Club. ..................................... 11-12 Comments: Dr Neville White, Anthropologist ................................. 13-14 Principal Cast ................................................................................. 15-18 Homeland Story Crew ......................................................................... 19 About the Filmmakers ..................................................................... 20-22 2 SYNOPSES ONE LINE SYNOPSIS An intimate portrait, fifty -
EARTH MOTHER CRYING: Encyclopedia of Prophecies of Peoples of The
EARTH MOTHER CRYING: Encyclopedia of Prophecies of Peoples of the Western Hemisphere, , , PART TWO of "The PROPHECYKEEPERS" TRILOGY , , Proceeds from this e-Book will eventually provide costly human translation of these prophecies into Asian Languages NORTH, , SOUTH , & CENTRAL , AMERICAN , INDIAN;, PACIFIC ISLANDER; , and AUSTRALIAN , ABORIGINAL , PROPHECIES, FROM "A" TO "Z" , Edited by Will Anderson, "BlueOtter" , , Compilation © 2001-4 , Will Anderson, Cabool, Missouri, USA , , Wallace "Mad Bear" Anderson, "I am Mad Bear Anderson, and I 'walked west' in Founder of the American Indian Unity 1985. Doug Boyd wrote a book about me, Mad Bear : Movement , Spirit, Healing, and the Sacred in the Life of a Native American Medicine Man, that you might want to read. Anyhow, back in the 50s and 60s I traveled all over the Western hemisphere as a merchant seaman, and made contacts that eventually led to this current Indian Unity Movement. I always wanted to write a book like this, comparing prophecies from all over the world. The elders have always been so worried that the people of the world would wake up too late to be ready for the , events that will be happening in the last days, what the Thank You... , Hopi friends call "Purification Day." Thanks for financially supporting this lifesaving work by purchasing this e-Book." , , Our website is translated into many different languages by machine translation, which is only 55% accurate, and not reliable enough to transmit the actual meaning of these prophecies. So, please help fulfill the prophecy made by the Six Nations Iroquois Lord of the Confederacy or "Sachem" Wallace "Mad Bear" Anderson -- Medicine Man to the Tuscaroras, and founder of the modern Indian Unity Movement -- by further supporting the actual human translation of these worldwide prophecy comparisons into all possible languages by making a donation, or by purchasing Book #1. -
Download the Quinkins, Percy J. Trezise, Dick Roughsey, Harpercollins Publishers Limited, 1978
The Quinkins, Percy J. Trezise, Dick Roughsey, HarperCollins Publishers Limited, 1978, 0001843702, 9780001843707, . A story about two groups of "Quinkins," the spirit people of the country of Cape York--the one group consisting of small, fat-bellied, bad fellows who steal children, and the other comprised of humorous, whimsical spirits.. DOWNLOAD http://bit.ly/17kMNDu The Miraculous Journey of Edward Tulane , Kate DiCamillo, May 27, 2009, Juvenile Fiction, 210 pages. Edward Tulane, a cold-hearted and proud toy rabbit, loves only himself until he is separated from the little girl who adores him and travels across the country, acquiring new .... The Robe of Skulls , Vivian French, 2008, Juvenile Fiction, 200 pages. The sorceress Lady Lamorna has her heart set on a very expensive new robe, and she will stop at nothing--including kidnapping and black magic--to get the money to pay for it.. Coyote Columbus Story , Thomas King, William Kent Monkman, 1992, , 32 pages. Reinterprets the Christopher Columbus conquest story as a trickster tale, where Coyote the trickster is challenged by a funny looking red-haired man who has no interest in the .... Gb Horrorland: The Streets Of Panic Park , R. L. Stine, Jul 1, 2009, , 136 pages. Luke, Lizzy, and the other children have escaped HorrorLand, but to get out of Panic Park, where they are now trapped, they must join forces with an old enemy to defeat a .... Swamp Angel , Anne Isaacs, Jan 1, 2000, History, 40 pages. Along with other amazing feats, Angelica Longrider, also known as Swamp Angel, wrestles a huge bear, known as Thundering Tarnation, to save the winter supplies of the settlers ... -
The Min Min Light and the Fata Morgana Pettigrew
C L I N I C A L A N D E X P E R I M E N T A L OPTOMETRYThe Min Min light and the Fata Morgana Pettigrew COMMENTARY The Min Min light and the Fata Morgana An optical account of a mysterious Australian phenomenon Clin Exp Optom 2003; 86: 2: 109–120 John D Pettigrew BSc(Med) MSc MBBS Background: Despite intense interest in this mysterious Australian phenomenon, the FRS Min Min light has never been explained in a satisfactory way. Vision Touch and Hearing Research Methods and Results: An optical explanation of the Min Min light phenomenon is of- Centre, University of Queensland fered, based on a number of direct observations of the phenomenon, as well as a field demonstration, in the Channel Country of Western Queensland. This explanation is based on the inverted mirage or Fata Morgana, where light is refracted long distances over the horizon by the refractive index gradient that occurs in the layers of air during a temperature inversion. Both natural and man-made light sources can be involved, with the isolated light source making it difficult to recognise the features of the Fata Morgana that are obvious in daylight and with its unsuspected great distance contribut- ing to the mystery of its origins. Submitted: 11 September 2002 Conclusion: Many of the strange properties of the Min Min light are explicable in terms Revised: 2 December 2002 of the unusual optical conditions of the Fata Morgana, if account is also taken of the Accepted for publication: 3 December human factors that operate under these highly-reduced stimulus conditions involving a 2002 single isolated light source without reference landmarks. -
Theatre Costume, Celebrity Persona, and the Archive
Persona Studies 2019, vol. 5, no. 2 THEATRE COSTUME, CELEBRITY PERSONA, AND THE ARCHIVE EMILY COLLETT ABSTRACT This essay considers the archived costume in relation to the concept of the celebrity performer’s persona. It takes as its case study the Shakespearean costume of Indigenous actress Deborah Mailman, housed in the Australian Performing Arts Collection. It considers what the materiality of the theatre costume might reveal and conceal about a performer’s personas. It asks to what extent artefacts in an archive might both create a new persona or freezeframe a particular construct of a performer. Central to the essay are questions of agency in relation to the memorialisation of a still living actress and the problematisation of persona in terms of the archived object. Can a costume generate its own persona in relation to the actress? And what are the power dynamics involved in persona construction when an archived costume presents a charged narrative which is very different to the actress’s current construction of her persona? KEY WORDS Costume; Archive; Deborah Mailman; Indigenous; Memory; Shakespeare COSTUME IN THE ARCHIVE: A CHARGED OBJECT In this essay I consider the archived theatre costume in relation to persona studies and what the materiality of costume might reveal or conceal about the celebrity performer’s persona(s). Can an archived costume have its own persona? What complexities arise when the charged historical narrative of an archived costume is at odds with a current persona? And in the following case study of Deborah Mailman, what happens when the framing of a living Indigenous actress’s costume constructs a persona that is quite different to the one that the actress currently constructs for herself? A costume worn by a performer live on stage is remembered in particular ways – and many in the audience might focus more on the performer’s stance, physicality, and verbal prowess than what they are wearing. -
Yolŋu Information Sharing and Clarity of Understanding
Yolŋu Information sharing and clarity of understanding 1. Introduction This project Yolŋu Information sharing and clarity of understanding is stage 1 of a programme proposed by Motivation Australia consisting of 5 stages called Inclusive Community Development in East Arnhem Land. Five community visits to carry out Discovery Education sessions were carried out in Ramingining, Milingimbi, Galiwin'ku, Gapuwiyak1 and Darwin, and a workshop was held in Darwin in the first half of 2013. This project was carried out with the Aboriginal Resource and Development Services Inc. (ARDS) and funded by the FaHCSIA Practical Design Fund. Content This is the final project report with appendices detailing all of the content discussed during the five community visits to carry out Discovery Education sessions. The content is as follows: 2. Executive summary ........................................................................................................................ 3 3. Conclusions .................................................................................................................................... 6 4. Recommendations ......................................................................................................................... 7 5. Report ............................................................................................................................................. 8 6. An introduction to Yolŋu culture; as it relates to disability issues ................................................... 8 7. Issues for -
The Constitutive Role of African Australian Film1
Culture is Our Future: The Constitutive Role of African Australian Film1 Anne Harris2 Monash University “It doesn’t matter what tone of fuckin’ black you are, you are black.” (Deborah Mailman, Black Chicks Talking, 2001)3 Abstract ‘Culture is our Future’4 is one example of an emerging body of film and video by and about African Australians, and in which ethics and aesthetics sometimes compete. Australian media representations of African Australians have been persistently negative, and many look to the ability of film and video to represent a counter-narrative in the co- construction of cultural and subcultural identities. Drawing on Appadurai’s5 cultural imaginary and mediascapes, this article will contextualise these films in a consideration of larger ‘filmic diasporas’ which represent the diversity and richness of African communities emerging in multiple diasporic locations (particularly Australia), and competing within multiple aesthetics. Simultaneously, this critique interrogates how these examples of gender and race6 may also be used as ‘mechanisms of exclusion’7, and how African Australians remain ‘constitutively visible’8 despite mainstream media attempts to render them invisible. 1 Editor’s Note: This article was submitted and reviewed prior to the author’s uptake of the role of co-editor of ARAS. All review processes were conducted anonymously and processed by the other editors. 2 Author’s Note: The author gratefully acknowledges the contribution of the anonymous ARAS reviewers who have, through the journal’s review process, contributed to the clarity and depth of the argument presented here. 3 Deborah Mailman, Black Chicks Talking. Director, Leah Purcell, Bungabura Productions Pty. -
Darkemu-Program.Pdf
1 Bringing the connection to the arts “Broadcast Australia is proud to partner with one of Australia’s most recognised and iconic performing arts companies, Bangarra Dance Theatre. We are committed to supporting the Bangarra community on their journey to create inspiring experiences that change society and bring cultures together. The strength of our partnership is defined by our shared passion of Photo: Daniel Boud Photo: SYDNEY | Sydney Opera House, 14 June – 14 July connecting people across Australia’s CANBERRA | Canberra Theatre Centre, 26 – 28 July vast landscape in metropolitan, PERTH | State Theatre Centre of WA, 2 – 5 August regional and remote communities.” BRISBANE | QPAC, 24 August – 1 September PETER LAMBOURNE MELBOURNE | Arts Centre Melbourne, 6 – 15 September CEO, BROADCAST AUSTRALIA broadcastaustralia.com.au Led by Artistic Director Stephen Page, we are Bangarra’s annual program includes a national in our 29th year, but our dance technique is tour of a world premiere work, performed in forged from more than 65,000 years of culture, Australia’s most iconic venues; a regional tour embodied with contemporary movement. The allowing audiences outside of capital cities company’s dancers are dynamic artists who the opportunity to experience Bangarra; and represent the pinnacle of Australian dance. an international tour to maintain our global WE ARE BANGARRA Each has a proud Aboriginal and/or Torres reputation for excellence. Strait Islander background, from various BANGARRA DANCE THEATRE IS AN ABORIGINAL Complementing Bangarra’s touring roster are locations across the country. AND TORRES STRAIT ISLANDER ORGANISATION AND ONE OF education programs, workshops and special AUSTRALIA’S LEADING PERFORMING ARTS COMPANIES, WIDELY Our relationships with Aboriginal and Torres performances and projects, planting the seeds for ACCLAIMED NATIONALLY AND AROUND THE WORLD FOR OUR Strait Islander communities are the heart of the next generation of performers and storytellers. -
Indigenous Perspectives on Cyclone Vulnerability Awareness and Mitigation Strategies for Remote Communities in the Gulf of Carpentaria
Seagulls on the Airstrip: Indigenous Perspectives on Cyclone Vulnerability Awareness and Mitigation Strategies for Remote Communities in the Gulf of Carpentaria McLachlan’s study shows how understanding indigenous communities’ coping mechanisms can lead to better disaster management strategies. a differing view as to what type of service is essential By Eddie McLachlan and is classified as a lifeline” (Manock 1997:12). In this paper, a definition similar to Manock’s (1997) is used, On the northern coast-line of Australia, during where lifelines are defined as: transport systems – the annual Australian wet season period–from namely road, air, and sea links, as well as November to March – residents of coastal towns communications such as radio, television, telephone and satellite links. All of these are vital in monitoring and cities are aware of the dangers posed by natural and assessing hazardous situations in remote hazards. In the area stretching from the northern west communities, and more importantly, essential in coast region of Western Australia, to the supplying assistance to them. south-east corner of the Queensland coast, weather-wise, the most potentially dangerous hazard is In the Gulf of Carpentaria, and the western region of tropical cyclones (Johnson et al 1995, Bryant 1991). Cape York Peninsula, there is an isolated and scattered population concentrated into small towns and Much research on tropical cyclones concerns associated communities. With the exception of Weipa and effects, focusing on property damage, storm surge, Karumba, the majority of the population in most of floods and financial ramifications (King et al 2001, these remote towns and communities is made up of Smith 2001, Granger et. -
07 3010 7600 Facsimile: 07 3010 7699 Email: [email protected] Website
78 Montague Road South Brisbane PO Box 3310 South Brisbane BC Queensland 4101 Telephone: 07 3010 7600 Facsimile: 07 3010 7699 Email: [email protected] Website: www.qldtheatreco.com.au Front cover: Georgina Symes Photo: Craig Ratcliffe The Crucible L-R: Brad McMurray, Melanie Zanetti, Francesca Savige, Nelle Lee, Bryan Nason, Amelia Dowd, Sue Dwyer, Chris Betts, Christopher Sommers, Andrew Buchanan, Robert Coleby, Bob Newman, Leo Wockner, Kathryn Marquet, Paul Bishop, James Stewart. Photo: Rob Maccoll Contents Letter to the Premier ..................................................................................................................................................2 Introduction Company profile ........................................................................................................................................... 3 Strategic overview ........................................................................................................................................4 Functions of the Company ............................................................................................................................ 5 Queensland Government objectives.............................................................................................................6 Chair’s report ............................................................................................................................................... 7 Artistic Director’s report ...............................................................................................................................8 -
Wallaga Lake Aboriginal Cemetery MANAGEMENT PLAN 2015 – 2020
CARING FOR THE ANCESTORS Wallaga Lake Aboriginal Cemetery MANAGEMENT PLAN 2015 – 2020 1 2 © 2015. Eurobodalla Shire Council hold the copyright to any publicly FRONT COVER IMAGE: William Murdoch caring for the grave of his great available information. Without written permission information may not aunt, Florence Picalla, who was buried at Wallaga Lake as a baby in 1955. be used for purposes other than those permitted by Australian Copyright Her grave was rediscovered through oral history, archival research and laws. Ground Penetrating Radar [GPR] survey, undertaken as part of this project. Florence’s sisters saw her grave for the first time in their lives, soon after the INDIGENOUS CULTURAL AND INTELLECTUAL PROPERTY RIGHTS: GPR results were pegged onto the ground in December 2014, more than Eurobodalla Shire Council acknowledges the cultural and intellectual half a century later. property rights of Aboriginal people whose cultural knowledge has been used to guide the management of the Wallaga Lake Aboriginal Cemetery. ACKNOWLEDGEMENTS: The authors would like to thank David and Shannon Hunter, John Healey, Les Gould, Dawn Sims, Cienan Muir, AUTHORSHIP: This plan was written by Susan Dale Donaldson and Sue Linda Albertson, Lisa Videion, Shane Doherty, Glenda Veitch, Doreen Feary in consultation with the Merrimans LALC, members of the Aboriginal Walker, Susan Gillies, Kim Bush, Jesse White, Zoe Morgan, Shane Davison, community and Eurobodalla Shire Council. Cheryl Davison, Jackie Grant, Michelle Wrethman, Laurelle Pacey, Mary Twyford, Pat Raymond, Pam O’Brian, Trevor Robinson, Jackie Taylor, Paul FUNDING SOURCE: The Caring for our Ancestors – Wallaga Lake House, Barina South, Rod Wellington, Justin Hands, Lorraine Naylor, Dean Cemetery Indigenous Heritage Project is supported through funding from Freeman, Harold Harrison, Ken Campbell, Shirley Foster, Jack Hampton, the Australian Government’s Indigenous Heritage Protection Program.