Mami Wata Arts for Water Spirits in Africa and Its Diasporas
exhibition preview Mami Wata Arts for Water Spirits in Africa and Its Diasporas Henry John Drewal “EEH, IF YOU SEE MAMI WATA, NEVER YOU RUN AWAy…” with contributions by Marilyn (SIR VICTOR UWAIFO, GUITAR BOY, 1967) Houlberg, Bogumil Jewsiewicki, John W. Nunley, and Jill Salmons ami Wata: Arts for Water Spirits in Africa and Its Diasporas” explores the visual cultures and histories of African and African Atlantic water deities and reveals the power and potency of images and ideas to shape the lives of people, communities, and societies. The exhibition has several sections: The first introduces Mami Wata, her person- Mality, attributes, and visual culture. The next offers a broad his- Fowler Museum at UCLA torical overview of the sources and currents that constitute her Los Angeles visual history. This is followed by a series of case studies that April 6–August 10, 2008 demonstrate specific cultural, historical and artistic forces that have shaped Mami Wata and water spirit imagery in different Chazen Museum of Art places on the African continent, while the next part treats a simi- lar theme for some of Mami Wata’s spirit sisters in the African University of Wisconsin, Madison Atlantic world. The final section considers Mami Wata as the October 18, 2008–January 11, muse that has inspired contemporary artists from Africa, the 2009 Caribbean and the United States. Here, a condensed introduc- tion and art historical overview are followed by a selection of National Museum of African Art objects from the other parts of the exhibition. Smithsonian Institution Washington DC INTRODUCING MAMI WATA At once beautiful, protective, seductive, and potentially April 1, 2009–July 26, 2009 deadly, the water spirit Mami Wata (Mother Water) is celebrated throughout much of Africa and the African Atlantic worlds.
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