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N Mero 1 Enero-Junio 2011 A N mero!1!!!!!!!!!!!!!!!!!!!enero-junio!2011!!!!!!!!!!! !!!!!!!!!A"o!1 arteconciencia N mero!1!!!!!enero-junio!2011!!!!!A"o!1 C O N T E N I D O Editorial! 4 Benjam#n!Valdivia Concepto, p!blico y meta-artisticidad ! 5 Pedro!del!Villar!Qui"ones Apuntes para una historia de la pintura antigua en M"xico ! 17 Mar#a!Isabel!de!Jes s!T$llez!Garc#a Una consideraci#n te#rica de utilidad en el dise$o del espacio esc"nico oper%stico: caso Carmen! de Georges Bizet. Diferencias surgidas de la confrontaci#n entre libreto y texto literario ! 29 Manuel!S%nchez!Mart#nez Las Momias de Guanajuato, patrimonio f!nebre tur%stico. Frontera entre lo morboso y lo espiritual ! 59 Fabrizio!Ammetto Fuentes musicales en M"xico del Barroco italiano. Aspectos filol#gicos para la realizaci#n de nuevas ediciones cr%ticas ! 77 Gabriel!Medrano!de!Luna Algunos conceptos sobre el arte y el juguete popular. Y un estudio de caso en el estado de Guanajuato ! 100 Nuestros colaboradores ! 119 Normas editoriales ! 121 delFuentes!musicales!en!M$xico! Barroco italiano Aspectos!filol&gicos!para!la!realizaci&n!de!nuevas!ediciones!cr#ticas 1 Fabrizio Ammetto Resumen Archivos!y!bibliotecas!de!M$xico!contienen!una!extraordinaria!cantidad!de!fuentes!musicales!pri- marias!proveniente!de!Europa,!difundidas!en!el!‘Nuevo!Mundo’!desde!mediados!del!siglo!XVI.!Si! por!un!lado!sus!censos!y!sus!catalogaciones!han!sido!objeto!de!importantes!y!prestigiosos!estudios,! la!realizaci&n!de!esmeradas!ediciones!cr#ticas!basadas!sobre!lo!m%s!actualizados!conocimientos! filol&gicos!es!todav#a!bastante!carente.!Un!caso!ejemplar!es!la!colecci&n!impresa!de!los! Pensieri adriarmonici ,!doce! Concerti a cinque op. I !(Roger!€!Le!C^ne,!Amsterdam,!ca.!1720-21)!del! compositor!italiano!Giacomo!Facco!(1676-1753),!resguardada!en!el!Colegio!de!las!Vizca#nas! de!la!Ciudad!de!M$xico.!La!colecci&n!fue!publicada!integralmente!por!Uberto!Zanolli!(FONCA,! M$xico,!1965),!y!m%s!veces!reimpresa!(1995!y!1997).!Esta!edici&n!moderna,!todav#a!utili- zada,!es!sin!embargo!bastante!problem%tica:!Zanolli,!de!hecho,!no!entendi&!la!estructura!t#pica! del!‘concierto!a!cinco’!veneciano!en!la!organizaci&n!de!las!tres!partes!de!los!violines,!no!siempre! rindi&!en!una!forma!correcta!el!sistema!de!notaci&n!de!las!alteraciones!utilizado!en!Italia!en!el! 1! El!presente!art#culo!–fruto!de!las!investigaciones!realizadas!para!el!proyecto!“Estudio,!an%li- sis,!interpretaci&n,!transferencia!y!recepci&n!de!algunos!compositores!del!Barroco”!(aprobado! en!el!2010!por!la!Direcci&n!de!Apoyo!a!la!Investigaci&n!y!al!Posgrado!de!la!Universidad!de! Guanajuato)–!reelabora!y!ampl#a!mi!ponencia!presentada!en!el!Congreso!Internacional!de!Musi- colog#a!“200!a"os!de!m sica!en!Am$rica!Latina!y!el!Caribe”!(INBA-CENIDIM-International! Musicological!Society),!Ciudad!de!M$xico,!M$xico,!27-30!de!octubre!del!2010.!Agradezco!a! Alejandra!B$jar!Bartolo!(Universidad!de!Guanajuato,!Gto.,!M$xico)!por!la!traducci&n!al!espa"ol! de!este!texto.!La!edici&n!cr#tica!del!movimiento!inicial!del!Concierto!en!Mi!bemol!mayor!op.!I,!no.! 10!de!Giacomo!Facco!–registrada!en!el!Ap$ndice–!es!el!resultado!de!un!trabajo!conjunto!reali- zado!durante!el!seminario!de!Filolog#a!musical,!que!he!impartido!en!el!semestre!agosto-diciembre! 2010,!junto!con!los!estudiantes!del!Posgrado!en!Artes!(Maestr#a!y!Doctorado)!de!la!Divisi&n!de! Arquitectura,!Arte!y!Dise"o!de!la!Universidad!de!Guanajuato.! 77 Fabrizio!Ammetto siglo!XVIII,!ni!ofreci&!los!cifrados!en!el!bajo!a"adidos!por!los!editores!holandeses.!En!este!art#- culo!se!expone!un!ejemplo!de!realizaci&n!de!una!nueva!edici&n!cr#tica!del! Opus I !de!Facco!seg n! criterios!filol&gicos!actualizados. Palabras clave: !m sica,!filologia,!edici&n,!Facco,!Zanolli. Abstract Archives!and!libraries!in!Mexico!have!an!extraordinary!amount!of!primary!musical!sources!from! Europe!that!were!spread!in!the!‘New!World’!in!the!mid!sixteenth!century.!If!in!one!side!their! surveys!and!cataloging!have!been!the!topic!of!very!important!and!prestigious!studies,!on!the!other! side!there!is!a!lack!of!high!quality!critical!editions!based!on!the!latest!philological!knowledge.!A! good!example!is!the!printed!collection!of!the! Pensieri ariarmonici ,!twelve! Concerti a cinque op. I ! (Amsterdam,!Roger!€!Le!C^ne,!ca.!1720-21)!by!the!Italian!composer!Giacomo!Facco!(1676- 1753),!kept!in!the!Colegio!de!las!Vizca#nas!in!Mexico!City.!This!collection!was!published! entirely!by!Uberto!Zanolli!(M$xico,!FONCA,!1965),!and!printed!more!than!once!(1995!and! 1997).!However,!this!modern!edition,!which!is!still!used,!is!very!problematic:!in!fact,!Zanolli! didn’t!understand!the!typical!structure!of!the!venetian! concerto a cinque !in!the!organization!of! the!three!violins!parts,!he!did!not!always!offered!a!correct!way!of!the!notation’s!system!of!the! accidentals!used!in!Italy!during!the!eighteenth!century,!neither!he!offered!the!figured!bass!added! by!the!Dutch!editors.!The!article!offers!an!example!of!realization!of!a!new!critical!edition!of!the! Facco’s!Op.!I,!based!on!updated!philological!criteria. Key words: !Music,!philology,!edition,!Facco,!Zanolli. En!M$xico!est%n!conservadas!numerosas!fuentes!primarias!(manuscritas!e!impresas)! de!composiciones!del!Barroco!europeo,!muchas!de!las!cuales!son!de!autores!italia- nos:!podr#a!citar,!por!ejemplo,!algunas!de!las!Sonatas!para!viol#n!y!bajo!continuo! opus !V!de!Arcangelo!Corelli!(1653-1713)!contenidas!en!el!“Manuscrito!1560”! (olim !1686)!de!la!Biblioteca!Nacional!de!la!Ciudad!de!M$xico,!o!la!colecci&n! de!doce!sonatas!para!flauta!travesera!y!bajo!continuo!de!Pietro!Antonio!Locatelli! (1695-1764)!incluida!en!un!manuscrito!del!1759!de!la!Biblioteca!del!Museo! Nacional!de!Antropolog#a!e!Historia!(Fondo!Antiguo,!M-T53),!o!algunas!com- posiciones!orquestales!de!Ignacio!Jerusal$m!(o,!mejor!dicho!Ignazio!Gerusalemme,! ca.!1707-1769)!resguardas!en!el!Colegio!de!las!Rosas!de!Morelia. El!fen&meno!en!s#!no!es!para!nada!extra"o.!A!partir!del!final!de!la!segunda! d$cada!del!siglo!XVI,!con!la!llegada!de!los!espa"oles!a!M$xico,!empezaron!a!cir- 78 Fuentes musicales en M"xico del Barroco italiano cular!en!el!‘Nuevo!Mundo’!los!productos!culturales!del!viejo!continente,!incluida! la!m sica.!Al!respecto!de!las!fuentes!primarias!de!m sica!barroca!europea!(proba- blemente)!resguardadas!en!el!continente!americano!y!hoy!todav#a!desconocidas,!el! impacto!de!tal!aportaci&n!cultural!es!actualmente!poco!notorio,!adem%s!de!subesti- mado.!Solo!un!ejemplo!significativo:!en!el!n mero!del!2009!de!la!revista!cient#fica! internacional!“Studi!vivaldiani”!(editada!por!el! Istituto Italiano Antonio Vivaldi de!Venezia)!est%n!registradas!por!primera!vez!dos!fuentes!musicales!del!‘Cura! rojo’!recientemente!descubiertas!en!Bolivia,!en!el!Archivo!Musical!de!Chiquitos!en! Concepci&n!de!@uflo!de!Ch%vez,!Departamento!Santa!Cruz.!Se!trata!de!dos!copias! manuscritas!(no!aut&grafas)!que!trasmiten!–aunque!de!manera!incompleta–!el!texto! musical!en!dos!versiones!diferentes!de!la!Sonata!en!Fa!mayor!para!flauta!de!pico! y!bajo!continuo!RV!52!de!Antonio!Vivaldi!(1678-1741):!una!versi&n!(relativa! solamente!al!segundo!movimiento)!es!probablemente!para!instrumento!de!teclado,! y!otra!versi&n!(de!la!sonata!completa)!es!en!cambio!para!viol#n!y!bajo!continuo! (aunque!la!parte!del!bajo!est%!perdida). 2 En!M$xico!el!censo!y!la!catalogaci&n!del!material!musical!conservado!en!archi- vos!y!bibliotecas,!p blicas!y!privadas,!ya!ha!producido!importantes!frutos!a!trav$s! de!la!publicaci&n!de!varios!cat%logos!musicales!de!los!archivos!hist&ricos!de!las! principales!catedrales!del!pa#s.!Pero,!el!trayecto!es!sin!duda!todav#a!bastante!largo:! basta!considerar!solamente!que!en!el!diccionario! New Grove !de!1980!no!aparec#a! ninguna!sigla!RISM!de!M$xico,!y!que!todav#a!en!el!2006!las!ciudades!censadas! en!el!citado! R"pertorie International des Sources Musicales !eran!solamente!dos,!la! Ciudad!de!M$xico!y!Puebla,!>con!apenas!cinco!archivos!en!total= 2! Ver!SARDELLI,!Federico!Maria.!“Aggiornamenti!del!catalogo!vivaldiano”,!pp.!105-114:! 107!de:! Studi vivaldiani ,!n m.!9,!Italia,!2009.!La!primera!versi&n,!en!partitura!(signatura:!TE! 137,!R78,!cc.!36 v-37 r),!registra!el!t#tulo! La gloria mundi ,!mientras!que!la!segunda!versi&n,! en!partichelas!(signatura:!SO!06,!R87,!cc.!7 r-7 v),!es!titulada! Sinfonia II Quixote Violino .!La! presencia!de!m sica!de!Vivaldi!en!el!Archivo!Musical!de!Chiquitos!hab#a!sido!ya!mencionada!en! WAISMAN,!Leonardo!J.!“Corelli!entre!los!indios,!Utop#a!deconstruye!Arcadia”,!pp.!227-254:! 229!de:!CARRERAS,!Juan!Jos$!y!MAR`N,!Miguel!+ngel!(eds.).! Concierto Barroco. Estudios sobre m!sica, dramaturgia e historia cultural .!Universidad!de!la!Rioja,!Logro"o,!2004. 79 Fabrizio!Ammetto A!esto!se!tiene!que!a"adir!que!para!las!composiciones!de!m sica!barroca!con- servadas!en!M$xico!la!realizaci&n!de!esmeradas!ediciones!cr#ticas,!basadas!sobre!lo! m%s!actualizados!conocimientos!filol&gicos,!es!todav#a!bastante!carente. En!esta!ocasi&n!deseo!concentrarme!en!un!caso!particular,!ejemplar!al!respecto:! los!doce! Concerti a cinque op. I !del!compositor!italiano!Giacomo!Facco!(1676- 1753),!publicados!por!primera!vez!en!+msterdam!en!dos!libros!( Libro Primo !y! Libro Secondo )!por!los!editores!Estienne!Roger!y!Michel-Charles!Le!C^ne. Los!primeros!seis!conciertos!fueron!impresos!por!Roger!alrededor!de!1720!(con! el!n mero!de!placa!469) 3!y!despu$s!reimpresos!por!su!yerno!Le!C^ne!(probable- mente!despu$s!del!1723)![F IG .!1].
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