Student Based Oral Reading & Presentation Study Of
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Twelfth Night Act II.Iii MARIA Sweet Sir Toby, Be Patient for Tonight: Since
Twelfth Night Act II.iii MARIA Sweet Sir Toby, be patient for tonight: since the youth of the count's was today with thy lady, she is much out of quiet. For Monsieur Malvolio, let me alone with him: if I do not gull him into a nayword, and make him a common recreation, do not think I have wit enough to lie straight in my bed: I know I can do it. SIR TOBY BELCH Possess us, possess us; tell us something of him. MARIA Marry, sir, sometimes he is a kind of puritan. SIR ANDREW O, if I thought that I'ld beat him like a dog! SIR TOBY BELCH What, for being a puritan? thy exquisite reason, dear knight? SIR ANDREW I have no exquisite reason for't, but I have reason good enough. MARIA The devil a puritan that he is, or any thing constantly, but a time-pleaser; an affectioned ass, that cons state without book and utters it by great swarths: the best persuaded of himself, so crammed, as he thinks, with excellencies, that it is his grounds of faith that all that look on him love him; and on that vice in him will my revenge find notable cause to work. SIR TOBY BELCH What wilt thou do? MARIA I will drop in his way some obscure epistles of love; wherein, by the colour of his beard, the shape of his leg, the manner of his gait, the expressure of his eye, forehead, and complexion, he shall find himself most feelingly personated. I can write very like my lady your niece: on a forgotten matter we can hardly make distinction of our hands. -
6. the Tudors and Jacobethan England
6. The Tudors and Jacobethan England History Literature Click here for a Tudor timeline. The royal website includes a history of the Tudor Monarchs [and those prior and post this period]. Art This site will guide you to short articles on the Kings and Queens of the Tudor Music Dynasty. Another general guide to Tudor times can be found here. Architecture Click here for a fuller account of Elizabeth. One of the principle events of the reign of Elizabeth was the defeat of the Spanish Armada (here's the BBC Armada site). Elizabeth's famous (and short) speech before the battle can be found here. England's power grew mightily in this period, which is reflected in the lives and achievements of contemporary 'heroes' such as Sir Francis Drake, fearless fighter against the Spanish who circumnavigated the globe, and Sir Walter Raleigh (nowadays pronounced Rawley), one of those who established the first British colonies across the Atlantic (and who spelt his name in over 40 different ways...). Raleigh is generally 'credited' with the commercial introduction of tobacco into England .about 1778, and possibly of the potato. On a lighter note, information on Elizabethan costume is available here (including such items as farthingales and bumrolls). Literature Drama and the theatre The Elizabethan age is the golden age of English drama, for which the establishment of permanent theatres is not least responsible. As performances left the inn-yards and noble houses for permanent sites in London, the demand for drama increased enormously. While some of the smaller theatres were indoors, it is the purpose-built round/square/polygonal buildings such as The Theatre (the first, built in 1576), the Curtain (late 1570s?), the Rose (1587), the Swan (1595), the Fortune (1600) and of course the Globe (1599) that are most characteristic of the period. -
Spotlight on Learning a Pioneer Theatre Company Classroom Companion
Spotlight on Learning a Pioneer Theatre Company Classroom Companion Pioneer Theatre Company’s Student Matinee Program is made possible through the support of Salt Lake County’s Zoo, Arts and Parks Program, Salt Directed by Larry Carpenter Lake City Arts Council/ March 30 - April 14, 2018 Arts Learning Program, By William Shakespeare The Simmons Family Foundation, The Meldrum Foundation Director’s Notes Endowment Fund and By Larry Carpenter, director of Twelfth Night R. Harold Burton Foundation. Spotlight on Learning is provided to students through a grant provided by the George Q. Morris Foundation Twelfth Night is probably the best known of Shakespeare’s Approx. running time: comedies. It is a later play, written in 1599 and bracketed by Much 2 hours and thirty minutes, which in- Ado About Nothing, Henry V, Julius Caesar, As You Like It and cludes one fifteen-minute intermission. Hamlet. All of these plays were written and produced in less than a two-year period when the Bard of Avon was at the height of his Student Talk-Back: genius. There will be a Student Talk-Back directly after the performance. At the time, all of these plays were topical. The citizens of London were experiencing the end of the Elizabethan Age—James I would come to power in 1603. The themes of royal succession, parliamentary politics, religious fanaticism, gender identity, Continued on page 2 Director’s Notes, continued from page 1 The Bard of Avon burgeoning economic instability, class structure and the plague, to name a few, were intertwined into Excerpted from Biography. Shakespeare’s works. -
A Defense/An Indictment of Sir Toby Belch
A Defense/An Indictment of Sir Toby Belch “O cousin, cousin. How have you come so early by this lethargy?” “I hate a drunken rogue.” The deep dive of what you will was murky and troubling water. The silt sat in the corners of the eyes, blurring the vision and tasting of dirt as it ran into my mouth- carried there by the saline that had evacuated my head holes. I do not often seek to explain anything I do that can vaguely be lumped under the austerity of Art, nor do I hope to explain much here. I live in the hope that this will help others understand what I was attempting to create/explore/wrestle with. It is my sincerest desire that the experience of witnessing that attempt is interpreted however you like. If you are reading this, you are either in the Shakespeare Ensemble or the ensemble has decided it’s worthy of sharing with others. Twelfe Night, or What You Will falls into the “light-hearted-comedic-romp we all know and love” for many a bardophile, probably because producers and artistic directors recognize that it’s a money printing play and it fits into any season...often. What’s not to love? It has iconic speeches. It ends “happily”*. There is comedy. There is mirth. There is love. Aside from finding twins to take on two major roles, it’s a slam dunk to produce. That’s all well and good. And yet… To be clear, Twelfe Night or What You Will is my favorite play of all time. -
Creating Shakespeare's Twelfth Night Onstage, a Director's Journey
University of Massachusetts Amherst ScholarWorks@UMass Amherst Masters Theses 1911 - February 2014 2011 “What Country Friends Is This?”: Creating Shakespeare’s Twelfth iN ght Onstage, A Director's Journey Dawn Monique Williams University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/theses Part of the Performance Studies Commons, and the Theatre History Commons Williams, Dawn Monique, "“What Country Friends Is This?”: Creating Shakespeare’s Twelfth iN ght Onstage, A Director's Journey" (2011). Masters Theses 1911 - February 2014. 737. Retrieved from https://scholarworks.umass.edu/theses/737 This thesis is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Masters Theses 1911 - February 2014 by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. “WHAT COUNTRY FRIENDS IS THIS?”: CREATING SHAKESPEARE’S TWELFTH NIGHT ONSTAGE A DIRECTOR’S JOURNEY A Thesis Presented by DAWN MONIQUE WILLIAMS Submitted to the Graduate School of the University of Massachusetts Amherst in partial fulfillment of the requirements for the degree of MASTER OF FINE ARTS September 2011 Department of Theater © Copyright by Dawn Monique Williams 2011 All Rights Reserved “WHAT COUNTRY FRIENDS IS THIS?”: CREATING SHAKESPEARE’S TWELFTH NIGHT ONSTAGE A DIRECTOR’S JOURNEY A Thesis Presented by DAWN MONIQUE WILLIAMS Approved as to style and content by: _______________________________________ Gilbert McCauley, Chair _______________________________________ Marcus Gardley, Member _______________________________________ Gina Kaufmann, Member ____________________________________ Penny Remsen, Department Head Department of Theater DEDICATION Just like the river, Jordyn, the girl of my dreams, Manifests my God. -
Twelfth Night First Folio
1 TWELFTH NIGHT CURRICULUM GUIDE Consistent with the Shakespeare Theatre Company’s central mission to be the leading force in producing and preserving the Table of Contents highest quality classic theatre, the Education Department challenges learners of all ages to explore the ideas, emotions Synopsis 3 and principles contained in classic texts and to discover the Who’s Who in Twelfth Night 4 connection between classic theatre and our modern William Shakespeare 5 perceptions. We hope that this Curriculum Guide will prove useful to you while preparing to attend Twelfth Night. Elizabethan England 6 Shakespeare’s Genres 7 This curriculum guide provides information and activities to Shakespeare’s Language 8 help students form a personal connection to the play before attending the production. It contains material about the Topsy-Turvy, or The Feast of 12 playwright, their world and their works. Also included are Epiphany approaches to explore the play in the classroom before and The Heroine’s Journey 14 after the performance. What You Will: A Note on Gender 15 We encourage you to photocopy these articles and activities Diversity and use them as supplemental material to the text. Theatre Design 17 Classroom Activity: Design a Set 18 Enjoy the show! Discussion & Essay Questions 19 Resource List 20 The First Folio Curriculum Guide for the 2017-2018 Theatre Etiquette 21 Season was developed by the Shakespeare Theatre Company Education Department: Founding Sponsors Miles Gilburne and Nina Zolt Director of Education Samantha Wyer Bello Presenting Sponsors Beech Street Foundation Associate Director of Education Dat Ngo Suzanne and Glenn Youngkin Audience Enrichment Manager Hannah Hessel Ratner Leadership Support Community Engagement Manager Jared Shortmeier D.C. -
Proposed Core Literature Titles Twelfth Night, Or, What You Will
Proposed Core Literature Titles The following summary is provided by the California Department of Education’s “Recommended Literature List”, and the top three Google searches of the book title and author name that produced a description of the title. Twelfth Night, or, What You Will Proposed Grade Level: 8 Title: Twelfth Night, or, What You Will Author: William Shakespeare First Published: 2002 Lexile Level: 1140 Proposed Grade Level: 8 California Department of Education, Recommended Literature List: https://www.cde.ca.gov/ci/cr/rl/ This title is on the CDE Recommended Literature List. Annotation: On the island of Illyria, Duke Orsino pines away for the love of the beautiful, but unapproachable Olivia. A tempest occurs that brings Viola and Sebastian to the shores, and a renewed pursuing of affection begins among the island's inhabitants. (Circa 1600.) Copyright: 1992: Original Copyright: 1600 Grade Level Span: 9-12 Genre: Drama Classification: Classic Topic: English-Language Arts/General Discipline: English Language Arts/Vocabulary; Visual and Performing Arts Descriptions From Top 3 Google Searches: Search: "Twelfth Night or What You Will" by William Shakespeare https://en.wikipedia.org/wiki/Twelfth_Night Viola is shipwrecked on the coast of Illyria and she comes ashore with the help of a Captain. She has lost contact with her twin brother, Sebastian, whom she believes to be drowned, and with the aid of the Captain, she disguises herself as a young man under the name Cesario and enters the service of Duke Orsino. Duke Orsino has convinced himself that he is in love with Olivia, who is mourning the recent deaths of her father and brother. -
Twelfth Night − Learning Pack Contents
Twelfth Night − Learning Pack Contents About This Pack ................................................................1 Background Information ..................................................2 Teaching Information ........................................................4 Adaptation Details & Plot Synopsis..................................6 Find Out More ...................................................................14 1 Twelfth Night − Learning Pack About This learning pack supports the National Theatre’s production of Twelfth Night, directed by Simon Godwin, which opened on 23rd February 2017 at the National’s Olivier Theatre in London. Our packs are designed to support viewing the recording on the National Theatre Collection. This pack provides links to the UK school curriculum and other productions in the Collection. It also has a plot synopsis with timecodes to allow you to jump to specific sections of the play. 1 Twelfth Night − Learning Pack Background Information Recording Date – 6th April, 2017 Location – Olivier Theatre, National Theatre Age Recommendation – 12+ Cast Viola.........................................................Tamara Lawrance Sebastian ..........................................................Daniel Ezra Orsino ............................................................... Oliver Chris Curio ...........................................................Emmanuel Kojo Valentine ...................................................... Brad Morrison Captain and Priest ...................................... James -
TWELFTH NIGHT Education Pack June 2014
Education Pack © Guildford Shakespeare Company Trust Ltd 2014 Education Pack This education pack has been written by GSC to complement the stage production in June 2014, staged at the Guildford Castle Gardens. The information contained in here can be used as preparation material before seeing the performance or as follow-up work afterwards in the class room. This pack is suitable for Year 9 and above. This pack contains: 1. GSC – our approach to Shakespeare 2. Cast/Character and Creative Team List 3. Synopsis 4. Shakespeare’s Language 5. The Origins of Twelfth Night 6. Interview with Director Tom Littler 7. Twelfth Night Mood Boards and Costume Designs 8. Practical classroom exercise taken from the rehearsal room. Practical in-school workshops on Twelfth Night can be booked, with actors coming into your school to work on the play. Please see www.guildford-shakespeare-company.co.uk or call 01483 304384 for more details. © Guildford Shakespeare Company Trust Ltd 2014 Education Pack “One of the strongest and most consistent companies operating in and around London” PlayShakespeare.com, 2011 Guildford Shakespeare Company is a professional site-specific theatre company, specialising in Shakespeare. Our approach places the audience right at the heart of the action, immersing them in the world of the play, thereby demystifying the legend that Shakespeare is for an elite, educated few but rather is immediate and accessible to everyone. “…to be spellbound, amused and to follow every moment of text and to want the production never to end…one of the best evenings of theatre I have ever been privileged to attend.” Audience member 2011 We want our 21st Century audiences to experience the same thrill and excitement that Shakespeare’s original audiences must have felt when they first saw the Ghost appear in Hamlet, the rousing battle cry of Henry V, and edge-of-your-seat anticipation in The Comedy of Errors. -
Background Notes William Shakespeare’S the English Renaissance
BACKGROUND NOTES WILLIAM SHAKESPEARE’S THE ENGLISH RENAISSANCE A. General Background 1. 1485-1660 2. Renaissance began in Italy 1. Shift away from medieval focus on religion and moved toward a focus on life here on earth 2. Growth of cities and towns; focus on international trade , not manor farms and villages 3. Focus on art, literature, nature and human impulses GENERAL BACKGROUND CONTINUED 4. Looked back on “pagan,”Greek and Roman texts and philosophies to base their achievements on 5. Emphasis on the individual and full development of human potential GENERAL BACKGROUND CONTINUED 3. Renaissance in England 1. Began in 1485 , after the War of the Roses 2. Henry VIII and Tudor family took the English throne B. THE ELIZABETHAN ERA 1. Queen Elizabeth the daughter of Henry VIII and Anne Boleyn 2. During her reign the Renaissance came into full swing. England enjoyed unprecedented prosperity and prestige 3. Greatest accomplishment-defeated Spanish Armada II. WILLIAM SHAKESPEARE A. Very little is known about his life 1. Born around April 26, 1564 in Stratford-Upon-Avon; died 1616 2. Did not go to university. This causes some of the debate over authorship of his works. 3. Married Anne Hathaway and had three children B. LITERARY ACCOMPLISHMENTS 1. Member of the Lord Chamberlain’s Men (later The King’s Men) 2. Queen Elizabeth herself came to see his plays 3. Early masterpieces include Richard III, Comedy of Errors, The Taming of the Shrew, Romeo and Juliet 4. Success allowed him to become part owner of Globe Theatre III. BACKGROUND ON MACBETH • A. -
Twelfth Night (C
Twelfth Night (c. 1602) Contextual information Quotes from Twelfth Night The earliest reference to Twelfth Night is in the diary of a law student, John Manningham. He saw the play performed on 2 February 1602 in Middle Temple Hall, in the legal Inns of Court in London at the Christian feast of Candelmas. The candle- lit hall in winter might have highlighted the play’s themes of darkness and illumination. View a photograph of Middle Temple Hall, the location for the first recorded performance of Twelfth Night The play’s title refers to a Christian festival twelve days after Christmas on January 5– 6. Before Henry VIII’s reforms to the English church, ‘twelfth night’ was celebrated with a period of carnival. Social hierarchies were temporarily re-arranged to become ‘topsy-turvy’ and a ‘Lord of Misrule’ was appointed. This 1559 painting by Pieter Bruegel the Elder represents the opposing forces of View The Fight between Carnival and Lent Carnival and Lent – raucous excess and religious restraint – which some see reflected in Twelfth Night. John Manningham compared Twelfth Night to other plays involving confusion between twins, including Shakespeare’s Comedy of Errors and an Italian drama called Gl’ Ingannati (1531) or ‘The Deceived’. In both Twelfth Night and Gl’Ingannati the twins are boy/girl pairs. But on the Italian stage, women were played by female actors, while in Shakespeare’s England they were played by men. Shakespeare had twins, Hamnet and Judith, born in 1585. Hamnet died in 1596, five years before Twelfth Night was first performed. Explore Gl’Ingannati, an Italian play about twins and mistaken identity The British Library | www.bl.uk/shakespeare 1 In his Symposium, the ancient Greek philosopher Plato, includes a fable explaining the origins of love, gender and sexuality: Humans were originally two joined creatures, but we grew overconfident, and Zeus punished us by splitting us down the middle. -
Shakespeare's Cymbeline and the Mystical
International Journal of Transpersonal Studies Volume 32 | Issue 2 Article 13 7-1-2013 Shakespeare’s Cymbeline and the Mystical Particular: Redemption, Then and Now, for a Disassembled World Judy Schavrien Sofia University Follow this and additional works at: https://digitalcommons.ciis.edu/ijts-transpersonalstudies Part of the Philosophy Commons, Psychology Commons, Religion Commons, and the Sociology Commons Recommended Citation Schavrien, J. (2013). Schavrien, J. (2013). Shakespeare’s Cymbeline and the mystical particular: Redemption, then and now, for a disassembled world. International Journal of Transpersonal Studies, 32(2), 122–140.. International Journal of Transpersonal Studies, 32 (2). http://dx.doi.org/10.24972/ijts.2013.32.2.122 This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. This Special Topic Article is brought to you for free and open access by the Journals and Newsletters at Digital Commons @ CIIS. It has been accepted for inclusion in International Journal of Transpersonal Studies by an authorized administrator of Digital Commons @ CIIS. For more information, please contact [email protected]. Shakespeare’s Cymbeline and the Mystical Particular: Redemption, Then and Now, for a Disassembled World Judy Schavrien Sophia University Palo Alto, CA, USA Cymbeline reflected Shakespeare’s late-in-life aspirations for a world redeemed. Those in baroque England, past the first burgeoning of Renaissance vision, were nevertheless making a literal New World abroad. Likewise, Shakespeare arrived at a vision both post-innocent and post-tragic. As they compared to tragic heroes, he down-sized the late play characters; still, he granted them a gentler end.