Section II: Summary of the Periodic Report on the State of Conservation, 2006
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Groups Brochure
Designed by Sir Christopher Wren, the Painted Hall at the Old Royal Naval College is known as the UK’s own Sistine Chapel. This masterpiece is once again open and is the perfect place for GROUPS groups to visit. While away the hours in one BROCHURE of London’s most beautiful locations as you peruse the stunning recently BRING YOUR GROUP TO THE renovated Painted Hall, MAGNIFICENT PAINTED HALL wander the atmospheric grounds, view Tudor remains or try Afternoon Tea in our brand-new Painted Hall Café. WHAT TO EXPECT: Pre-booked groups (10+) will be given priority access to the breathtaking Painted Hall, Sir James Thornhill’s stunning artwork. Tickets includes use of a multimedia guide, talks and tours throughout the day and hands-on exhibits. THE STORY OF GREENWICH STARTS HERE TICKETS GENERAL TICKETS CATERING Ticket Price Number in Group Coffee, lunch and afternoon tea will be (Per Person) served in the Painted Hall Café with Groups 10+ Entrance Ticket* £10.50 min 10 its elegant columns and vaulted ceiling; Companion Guide Free Free providing the perfect space for groups. Companion Coach Driver Free Free Children (16 and under) Free Up to 4 with one adult ticket Tea/Coffee plus pastry £5.40 Tea/Coffee plus pastry(pre 10am) £6.60 *The discounted group ticket is valid for 1 day entry only. Groups are welcome to join our public guided tours but these Two Course Lunch £21.00 are on a first come, first served basis. Afternoon Tea £18.00 Please visit ornc.org/group-visits where you can book your tickets online. -
Autobiography of Sir George Biddell Airy by George Biddell Airy 1
Autobiography of Sir George Biddell Airy by George Biddell Airy 1 CHAPTER I. CHAPTER II. CHAPTER III. CHAPTER IV. CHAPTER V. CHAPTER VI. CHAPTER VII. CHAPTER VIII. CHAPTER IX. CHAPTER X. CHAPTER I. CHAPTER II. CHAPTER III. CHAPTER IV. CHAPTER V. CHAPTER VI. CHAPTER VII. CHAPTER VIII. CHAPTER IX. CHAPTER X. Autobiography of Sir George Biddell Airy by George Biddell Airy The Project Gutenberg EBook of Autobiography of Sir George Biddell Airy by George Biddell Airy This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg Autobiography of Sir George Biddell Airy by George Biddell Airy 2 License included with this eBook or online at www.gutenberg.net Title: Autobiography of Sir George Biddell Airy Author: George Biddell Airy Release Date: January 9, 2004 [EBook #10655] Language: English Character set encoding: ISO-8859-1 *** START OF THIS PROJECT GUTENBERG EBOOK SIR GEORGE AIRY *** Produced by Joseph Myers and PG Distributed Proofreaders AUTOBIOGRAPHY OF SIR GEORGE BIDDELL AIRY, K.C.B., M.A., LL.D., D.C.L., F.R.S., F.R.A.S., HONORARY FELLOW OF TRINITY COLLEGE, CAMBRIDGE, ASTRONOMER ROYAL FROM 1836 TO 1881. EDITED BY WILFRID AIRY, B.A., M.Inst.C.E. 1896 PREFACE. The life of Airy was essentially that of a hard-working, business man, and differed from that of other hard-working people only in the quality and variety of his work. It was not an exciting life, but it was full of interest, and his work brought him into close relations with many scientific men, and with many men high in the State. -
Audio Description at GDIF
Audio Description at GDIF Greenwich+Docklands International Festival – London’s free, outdoor arts festival. 27 August - 11 September 2021 Check out our Access Videos with audio information for each show, detailing our whole programme. This is a quick guide to our recommended Audio events at GDIF. You can find audio flyers for each show on each event page on our website. Inclusion is at the heart of GDIF and we celebrate the value of diversity. Our programme offers something for everyone, from our vibrant children’s shows to our innovative outdoor theatre experiences. Many shows have strong narratives and beautiful storytelling, others create a sensory experience. All of our installations and visual arts will have a digital audio description that can be heard through QR codes on site. We have also curated a series of Audio Tours for day events and live Audio Description for headline shows. As always, we are platforming the work of disabled artists. This year, we are celebrating the works of: Nikki Charlesworth, What Happened to You?; Daryl Beeton, A Square World; Candoco Dance Company, A Graceful Act of Stupidity; Stopgap Dance, Frock; and Access All Areas, The Interrogation. Contact We have limited audience capacity and can best support individuals who book onto events. Please contact: [email protected], 07899 893 935 Visit our website for the full programme, BSL, captioned and audio trailers: www.festival.org/gdif Audio Description at GDIF Greenwich+Docklands International Festival Audio Tours- Quick guide Friday, 27 August 2021 Family Tree Charlton House and Gardens Meet at 6.30pm for Audio Introduction and site walk-through Saturday, 28 August 2021 Greenwich Peninsula: Dance By Design Meet at 5pm for Touch Tour and Audio Intro Sunday, 29 August 2021 Greenwich Fair Cutty Sark Gardens and Old Royal Naval College There are many shows throughout the day, we recommend joining us at the Access Tent on site at 12.30pm for on-the day advice with our Audio Description Manager. -
Review of Wren's 'Tracts' on Architecture and Other Writings, by Lydia M
Bryn Mawr College Scholarship, Research, and Creative Work at Bryn Mawr College History of Art Faculty Research and Scholarship History of Art 2000 Review of Wren's 'Tracts' on Architecture and Other Writings, by Lydia M. Soo David Cast Bryn Mawr College, [email protected] Let us know how access to this document benefits ouy . Follow this and additional works at: http://repository.brynmawr.edu/hart_pubs Part of the History of Art, Architecture, and Archaeology Commons Custom Citation Cast, David. Review of Wren's 'Tracts' on Architecture and Other Writings, by Lydia M. Soo. Journal of the Society of Architectural Historians 59 (2000): 251-252, doi: 10.2307/991600. This paper is posted at Scholarship, Research, and Creative Work at Bryn Mawr College. http://repository.brynmawr.edu/hart_pubs/1 For more information, please contact [email protected]. produced new monograph? In this lished first in 1881, have long been used fouryears later under the titleLives of the respect, as in so many others, one fin- by historians: byJohn Summerson in his Professorsof GreshamCollege), which evi- ishes reading Boucher by taking one's still seminal essay of 1936, and by Mar- dently rekindledChristopher's interest hat off to Palladio.That in itself is a garet Whinney, Eduard Sekler, Kerry in the project.For the next few yearshe greattribute to this book. Downes, and most notably and most addedmore notations to the manuscript. -PIERRE DE LA RUFFINIERE DU PREY recently by J. A. Bennett. And the his- In his own volume,John Wardreferred Queen'sUniversity at Kingston,Ontario tory of their writing and printings can be to this intendedpublication as a volume traced in Eileen Harris's distinguished of plates of Wren'sworks, which "will study of English architectural books. -
Wren and the English Baroque
What is English Baroque? • An architectural style promoted by Christopher Wren (1632-1723) that developed between the Great Fire (1666) and the Treaty of Utrecht (1713). It is associated with the new freedom of the Restoration following the Cromwell’s puritan restrictions and the Great Fire of London provided a blank canvas for architects. In France the repeal of the Edict of Nantes in 1685 revived religious conflict and caused many French Huguenot craftsmen to move to England. • In total Wren built 52 churches in London of which his most famous is St Paul’s Cathedral (1675-1711). Wren met Gian Lorenzo Bernini (1598-1680) in Paris in August 1665 and Wren’s later designs tempered the exuberant articulation of Bernini’s and Francesco Borromini’s (1599-1667) architecture in Italy with the sober, strict classical architecture of Inigo Jones. • The first truly Baroque English country house was Chatsworth, started in 1687 and designed by William Talman. • The culmination of English Baroque came with Sir John Vanbrugh (1664-1726) and Nicholas Hawksmoor (1661-1736), Castle Howard (1699, flamboyant assemble of restless masses), Blenheim Palace (1705, vast belvederes of massed stone with curious finials), and Appuldurcombe House, Isle of Wight (now in ruins). Vanburgh’s final work was Seaton Delaval Hall (1718, unique in its structural audacity). Vanburgh was a Restoration playwright and the English Baroque is a theatrical creation. In the early 18th century the English Baroque went out of fashion. It was associated with Toryism, the Continent and Popery by the dominant Protestant Whig aristocracy. The Whig Thomas Watson-Wentworth, 1st Marquess of Rockingham, built a Baroque house in the 1720s but criticism resulted in the huge new Palladian building, Wentworth Woodhouse, we see today. -
Summer 2021 Edition of Aries
Summer 2021 Aries derbyastronomy.org © Peter Hill © Rob Seymour Derby & District Astronomical Society Society Astronomical & District Derby Member Gallery— Peter Hill Visit the D.D.A.S website for more informaon on how Peter obtained these wonderful images. H Alpha Ca K White Light Images © Peter Hill Emerging Sunspot AR2827 ….. Peter Hill 1. Front Cover Member’s Gallery ….. Peter Hill 2. Inside front cover Index & Newsletter Information 3 COVID Statement & Committee Member Details 4 EDITORIAL ….. Anthony Southwell 5-6 Meet your Committee ….. Vice Chair & Ordinary Member 7-8 Chairman’s Challenge ….. Peter Branson 9 NEW - Chairman’s Challenge Competition 9 Derby Ram Trail and the Flamstead Ram ….. Anthony Southwell 10 Astro News - China on Mars: Zhurong Rover 11 Astro News - Dark Matter Map Reveals Cosmic Mystery 12 Astro News - James Webb Space Telescope Launch Delay “Likely,” 13 Astro News - Ingenuity set for 7th Red Planet flight 14 Astro News - NASA Announces Two New Missions to Venus 15 Observatory Rules & Regulations 16-17 BOOK REVIEW ….. The Apollo Guidance Computer ….. Reviewed by Malcolm Neal 18 What’s inside this issue... this inside What’s Library List ….. Titles for loan from the society library 19 inside back cover Programme of events ….. Rolling Calendar of DDAS Meengs and Events 20 back cover Member Gallery Book Reviewers WANTED Did you win a book in the Raffle? Or have you borrowed one from the Society Library. Each issue we would like to feature some of the fantastic Why not tell us what you thought about it in our Book Review . photos taken by members of Guide others through the maze the society. -
Days out on a Budget
Days Out on a Budget Royal Greenwich Families Information Service. Tel: 020 8921 6921 Email: [email protected] 1 This listing provides some ideas of places to visit within the local area and central London with your child(ren). We have selected places that are free or low cost. This is a developing list and we would be pleased to receive details of any other places or activities you can recommend. Please contact us, tel. 020 8921 6921, email [email protected]. Please note that this information is correct at time of print but is liable to change at any time. With regards Royal Greenwich Families Information Service Contents Museums & galleries Pages 3 – 9 Local venues 3-4 Venues around London 5-9 Parks, gardens & farms 10 – 18 Local venues 10-14 Venues around London 15-18 Visit the woods 19 Other 20 Travel information 20 Royal Greenwich Families Information Service. Tel: 020 8921 6921 Email: [email protected] 2 Museums & Galleries – Local Venues Firepower The Royal Artillery Museum, Royal Arsenal, Woolwich, SE18 6ST. Tel. 020 8855 7755 Email: [email protected]; Web: www.firepower.org.uk Price: Adult £5.30 / Child £2.50 / Concessions £4.60 (ES40, Seniors 60+; Students – ID required) Inclusive child admission during holidays - access to all activities £6.50. Tuesday-Saturday: 10am-5pm, last admission 4pm. Closed Sunday & Monday Buses: 177, 180, 472, 161, 96, 99, 469, 51, 54 / Rail/DLR: Woolwich Arsenal The Museum offers an insight into artillery and the role that the Gunners and their equipment have played in our Nation’s History. -
Organist of the Old Royal Naval College Chapel
ORGANIST OF THE OLD ROYAL NAVAL COLLEGE CHAPEL Part-time, Permanent JOB DETAILS - CONTENTS Page 2 Advertisement Page 3 Job Description Page 5 Person Specification Conditions of Service Summary and Page 6 Staff Benefits Information on Trinity Laban Page 7 Conservatoire of Music and Dance ORGANIST OF THE OLD ROYAL NAVAL COLLEGE CHAPEL Contract: Part-time, Permanent 0.157 FTE Trinity Laban Conservatoire of Music and Dance is a forward thinking, contemporary and world- class Higher Education Institution with a vision to redefine the conservatoire for the 21st century. At the leading edge of music and dance training, it provides specialist education of the highest quality, which reflects the increasingly collaborative world of artistic practice and supports the lifelong career development of students and professional performing artists. The Old Royal Naval College Chapel and Trinity Laban Conservatoire of Music and Dance wish to appoint an Organist. This part-time post presents an exciting opportunity to an outstanding performer who wishes to pursue a career in church music. The Organist is part of a team of three in the Chapel Music Department, and plays a full part in the religious and musical activities of the Chapel, also contributing to its wider outreach and mission. For informal enquiries, please write to Ralph Allwood: [email protected] Appointment to start on 30 April 2017 or 10 September 2017 depending upon the availability of the successful candidate. As an equal opportunities employer we positively encourage applications from suitably qualified and eligible candidates regardless of sex, race, disability, age, sexual orientation, gender reassignment, religion or belief, marital status, or pregnancy and maternity. -
212 Publications of the Some Pioneer
212 PUBLICATIONS OF THE SOME PIONEER OBSERVERS1 By Frank Schlesinger In choosing a subject upon which to speak to you this eve- ning, I have had to bear in mind that, although this is a meeting of the Astronomical Society of the Pacific, not many of my audience are astronomers, and I am therefore debarred from speaking on too technical a matter. Under these circumstances I have thought that a historical subject, and one that has been somewhat neglected by the, formal historians of our science, may be of interest. I propose to outline, very briefly of course, the history of the advances that have been made in the accuracy of astronomical measurements. To do this within an hour, I must confine myself to the measurement of the relative places of objects not very close together, neglecting not only measure- ments other than of angles, but also such as can be carried out, for example, by the filar micrometer and the interferometer; these form a somewhat distinct chapter and would be well worth your consideration in an evening by themselves. It is clear to you, I hope, in how restricted a sense I am using the word observer ; Galileo, Herschel, and Barnard were great observers in another sense and they were great pioneers. But of their kind of observing I am not to speak to you tonight. My pioneers are five in number ; they are Hipparchus in the second century b.c., Tycho in the sixteenth century, Bradley in the eighteenth, Bessel in the first half of the nineteenth century and Rüther fur d in the second half. -
Queen's House Conference 2017 European Court Culture
Queen’s House Conference 2017 European Court Culture & Greenwich Palace, 1500-1750 RCIN405291, Royal Collection Trust/© Her Majesty Queen Elizabeth II, 2017 Thursday to Saturday, 20-22 April 2017 Location: National Maritime Museum and the Queen’s House, Greenwich Conference organisers: Janet Dickinson (University of Oxford), Christine Riding (Royal Museums Greenwich) and Jonathan Spangler (Manchester Metropolitan University). With support from the Society for Court Studies. For queries about the programme, please: [email protected] For bookings: call 020 8312 6716 or e-mail [email protected] Booking form: http://www.rmg.co.uk/see-do/exhibitions-events/queens-house- conference-2017 Thursday, 20 April 12.30–13.00 Registration 13.00–15.00 Introduction, conference organisers Jemma Field, Brunel University: Greenwich Palace and Anna of Denmark: Royal Precedence, Royal Rituals, and Political Ambition Karen Hearn, University College London): “‘The Queenes Picture therein’: Henrietta Maria amid architectural magnificence” Anna Whitelock, Royal Holloway, University of London: Title to be confirmed 15.00–15.30 Coffee and tea 15.30 17.00 Christine Riding, Royal Museums Greenwich: Private Patronage, Public Display: The Armada Portraits and Tapestries, and Representations of Queenship Natalie Mears, Durham University: Tapestries and paintings of the Spanish Armada: Culture and Horticulture in Elizabethan and Jacobean England Charlotte Bolland, National Portrait Gallery: The Armada Portrait of Elizabeth I 17.00–18.00 Keynote lecture Simon Thurley, Institute of Historical Research, London: Defining Tudor Greenwich: landscape, religion and industry 1 18.00–19.00 Wine reception in the Queen’s House, followed by dinner at restaurant in Greenwich, at own expense. -
GOSLING Pp01-13.V2:Layout 3
GOSLING_pp01-13.v2:Layout 3 21.07.2009 12:23 Uhr Seite 1 GOSLING_pp01-13.v2:Layout 3 09.07.2009 11:57 Uhr Seite 2 GOSLING_pp01-13.v2:Layout 3 09.07.2009 11:57 Uhr Seite 3 CLASSIC DESIGN FOR CONTEMPORARY INTERIORS With contributions by Stephen Calloway, Jean Gomm, Tim Gosling and Jürgen Huber Foreword by Tim Knox, Director, Sir John Soane’s Museum, London Photography by Ray Main PRESTEL MUNICH BERLIN LONDON NEW YORK GOSLING_pp01-13.v2:Layout 3 09.07.2009 11:57 Uhr Seite 4 GOSLING_pp01-13.v2:Layout 3 09.07.2009 11:57 Uhr Seite 5 GOSLING_pp01-13.v2:Layout 3 09.07.2009 11:57 Uhr Seite 6 GOSLING_pp01-13.v2:Layout 3 09.07.2009 11:57 Uhr Seite 7 GOSLING_pp01-13.v2:Layout 3 09.07.2009 11:57 Uhr Seite 8 GOSLING_pp01-13.v2:Layout 3 09.07.2009 11:57 Uhr Seite 9 GOSLING_pp01-13.v2:Layout 3 09.07.2009 11:57 Uhr Seite 10 GOSLING_pp01-13.v2:Layout 3 21.07.2009 12:23 Uhr Seite 11 Foreword 13 1 The Classical Tradition 14 2 Space, Scale and Light 24 3 Commissioning 42 4 The Art and Craft of Luxury marquetry · mirror and glass · vellum · shagreen · leather lacquer · gilding · eglomise · inlays · accessories 52 5 The Art of Technology 170 6 Contemporary Design in Classic Interiors 192 Keepers of the Flame: Expert Craftsmen 216 Contributors 217 Selected Bibliography 218 Acknowledgements and Photo Credits 220 Index 221 GOSLING_pp01-13.v2:Layout 3 09.07.2009 11:57 Uhr Seite 12 GOSLING_pp01-13.v2:Layout 3 09.07.2009 11:57 Uhr Seite 13 Foreword direct link between today’s designers and craftsmen and their Acounterparts in the past is an important one. -
James Short and John Harrison: Personal Genius and Public Knowledge
Science Museum Group Journal James Short and John Harrison: personal genius and public knowledge Journal ISSN number: 2054-5770 This article was written by Jim Bennett 10-09-2014 Cite as 10.15180; 140209 Research James Short and John Harrison: personal genius and public knowledge Published in Autumn 2014, Issue 02 Article DOI: http://dx.doi.org/10.15180/140209 Abstract The instrument maker James Short, whose output was exclusively reflecting telescopes, was a sustained and consistent supporter of the clock and watch maker John Harrison. Short’s specialism placed his work in a tradition that derived from Newton’s Opticks, where the natural philosopher or mathematician might engage in the mechanical process of making mirrors, and a number of prominent astronomers followed this example in the eighteenth century. However, it proved difficult, if not impossible, to capture and communicate in words the manual skills they had acquired. Harrison’s biography has similarities with Short’s but, although he was well received and encouraged in London, unlike Short his mechanical practice did not place him at the centre of the astronomers’ agenda. Harrison became a small part of the growing public interest in experimental demonstration and display, and his timekeepers became objects of exhibition and resort. Lacking formal training, he himself came to be seen as a naive or intuitive mechanic, possessed of an individual and natural ‘genius’ for his work – an idea likely to be favoured by Short and his circle, and appropriate to Short’s intellectual roots in Edinburgh. The problem of capturing and communicating Harrison’s skill became acute once he was a serious candidate for a longitude award and was the burden of the specially appointed ‘Commissioners for the Discovery of Mr Harrison’s Watch’, whose members included Short.