An Ethnographic Investigation of Dating App Usage Among Members of a Predominantly Queer Community at the Massachusetts Institute of Technology Nisha Devasia CMS.614
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The Law of Black Mirror - Syllabus
City University of New York (CUNY) CUNY Academic Works Open Educational Resources Baruch College 2020 The Law of Black Mirror - Syllabus Yafit Lev-Aretz CUNY Bernard M Baruch College Nizan Packin CUNY Bernard M Baruch College How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/bb_oers/27 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] The Law of Black Mirror: Privacy, Online Social Profiling and the Law Spring 2020 Zicklin School of Business Baruch College Professor Nizan Geslevich Packin Department: Law Email: [email protected] Phone: 646-312-3593 Office: Room B9-208, Vertical Campus Professor Yafit Lev-Aretz Department: Law Email: [email protected] Phone: 646-312-3606 Office: Room B9-219, Vertical Campus Course Description: Using episodes from the show Black Mirror as a study tool - a show that features tales that explore techno-paranoia - the course analyzes legal and policy considerations of futuristic or hypothetical case studies. The case studies tap into the collective unease about the modern world and bring up a variety of fascinating key philosophical, legal, and economic- based questions. Learning goals for the course include: ł Students will use primary sources to analyze contemporary legal and policy issues arising from emerging technologies. ł Students will engage critically and constructively in key policy debates that shape the future of the technology, through in-class discussions, presentations, and colloquia. -
Enamorarse En El Enjambre Digital: Relaciones Virtuales Y Aplicaciones De Citas
ENAMORARSE EN EL ENJAMBRE DIGITAL Relaciones virtuales y aplicaciones de citas Universidad de Barcelona. Facultad de Filosofía Investigación Documental Filosofía Política II. Grado de Filosofía. 12 de junio de 2020, Barcelona Natán Verdés Bertolín [email protected] Índice 1. Introducción .................................................................................................................. 4 2. El enjambre digital: falto de comunidad, de distancia y de respeto ................................ 6 3. Relaciones virtuales ...................................................................................................... 8 3.1. Miedo a lo real, dictadura de lo positivo y huida a la imagen ..................................................... 8 3.2. Enamorarse de una inteligencia artificial: el caso de Her ........................................................... 9 3.3. La muerte del Eros por hiperconectividad virtual ..................................................................... 10 3.4. El nuevo uso del imaginario en el enjambre digital .................................................................. 11 4. Enamorarse mediante algoritmos y aplicaciones de citas ............................................ 13 4.1. Aplicaciones de citas: Tinder y Grindr ....................................................................................... 13 4.2. Reflexiones sobre Black Mirror: Hang the DJ ............................................................................ 14 4.3. El algoritmo del amor: competitividad, -
Netflix Teases 'Black Mirror' Season 4 Episode Titles
Netflix Teases 'Black Mirror' Season 4 Episode Titles 08.25.2017 Netflix has revealed the episode titles and cast for Black Mirror's six-episode fourth season. Black Mirror focuses on the collective unease of the modern world. Each stand-alone episode poses a future where technology has transformed society, typically much to the chagrin of the global populace. Season four looks to continue the series' theme, with Netflix's tease showing clips of a future filled with technology and strife. RELATED: Cracking 'Black Mirror' in Netflix's Featurette See the Black Mirror season four episode titles below: "Arkangel" Cast: Rosemarie Dewitt (La La Land, Mad Men), Brenna Harding (A Place to Call Home), Owen Teague (Bloodline) Director: Jodie Foster Written by: Charlie Brooker "USS Callister" Cast: Jesse Plemons (Black Mass, Fargo), Cristin Milioti (The Wolf of Wall Street, Fargo), Jimmi Simpson (Westworld, House of Cards), Michaela Coel (Chewing Gum, Monsters: Dark Continent) Director: Toby Haynes (Dr Who, Sherlock) Written By: Charlie Brooker & William Bridges "Crocodile"Cast: Andrea Riseborough (Birdman, Bloodline), Andrew Gower (Outlander), Kiran Sonia Sawar (Murdered By My Father) Director: John Hillcoat (Triple Nine, Lawless) Written By: Charlie Brooker "Hang the DJ" Cast: Georgina Campbell (Flowers, Broadchurch), Joe Cole (Peaky Blinders, Green Room), George Blagden (Versailles, Vikings) Director: Tim Van Patten (The Sopranos, Game of Thrones) Written By: Charlie Brooker "Metalhead" Cast: Maxine Peake (The Theory Of Everything, The Village), Jake Davies (The Missing, A Brilliant Young Mind), Clint Dyer (Hope Springs) Director: David Slade (Hannibal, American Gods) Written By: Charlie Brooker "Black Museum" Cast: Douglas Hodge (The Night Manager, Catastrophe), Letitia Wright (Humans, Ready Player One), Babs Olusanmokun (Roots, The Defenders) Director: Colm McCarthy Written By: Charlie Brooker Netflix has not revealed the premiere date just yet, but the the show will return "later this year.". -
Black Mirror and the Fear of Technology
Janssen, 11926430/ 1 Master thesis Television and Cross-Media Culture Black Mirror and the Fear of Technology Pim Janssen 11926430 First reader: Dhr. Dr. S.M. Dasgupta Second reader: Dhr. Dr. J.A. Teurlings Date: 28-05-2018 Word Count: 19370 Janssen, 11926430/ 2 TABLE OF CONTENTS ABSTRACT 3 INTRODUCTION 4 CHAPTER 1: “ARKANGEL” AND THE TECHNOLOGIES OF PARENTAL CONTROL 10 1.1 “ARKANGEL” 10 1.2 PARENTAL CONTROL DUE TO FEAR 11 1.3 “ARKANGEL” PREMEDIATING FEAR 15 1.4 AESTHETICS 18 CHAPTER 2: “NOSEDIVE”, PUBLIC APPROVAL, AND ANTI-SOCIAL MEDIA 21 2.1 “NOSEDIVE” 21 2.2 PUBLIC APPROVAL AND ANTI-SOCIAL MEDIA 22 2.3 “NOSEDIVE” PREMEDIATING FEAR 28 2.4 AESTHETICS 31 CHAPTER 3: “CROCODILE” AND THE FEAR OF SURVEILLANCE AND TRACEABILITY 33 3.1 “CROCODILE” 33 3.2 FEARS OF PRIVACY INVASION AND TRACEABILITY 34 3.3 “CROCODILE” PREMEDIATING FEAR 39 3.4 AESTHETICS 42 CONCLUSION 45 BIBLIOGRAPHY 49 Janssen, 11926430/ 3 ABSTRACT This thesis focuses on how Black Mirror premediates fears of the effects of technology around issues of censorship, social media, and surveillance. This is based on Richard Grusin’s concept of premediation, which he uses as a tool to explain how a familiar underlying level of anxiety can prevent the shock of future trauma’s. Grusin’s notion of premediation focuses on the effect being beneficial to the State and how it can be used to control its citizens. In the case of this thesis, Grusin’s notion is reimagined to do the opposite; not to spark fear about future events to control the masses, but to spark fear about dystopian futures to criticize the amount of control being exercised (through technology). -
Q5-Second-Edition.Pdf
1 THIS TERM IN Q5… Since the last issue (even in the space of a few months) there have been SO many sequels hitting cinemas around the world. These range from the record breaking Avengers: Infinity War to the SURPRISE Cloverfield: Paradox to Insidious 4 (yeah I didn’t realised that happened either) to another Star Wars Solo film!?! Enjoy our first sequel involving new talent and returning contrib- utors discussing TV with the recently popular Black Mirror and The End Of The F***ing World as well as looking at the recent Oscar winner Jordan Peele in his success with Get Out. At the height of the #MeToo movement we look at why there are shockingly few female directors working in prominent places in the industry as well as being graced with the presence of a pro in our ranks as in this issue Mr. Saunders recalls many tales of his time working with his film production company 14167films. We travel back in time to visit a film outing from Mr. Keeley’s young- er self and look back at the career of Leonardo DiCaprio. In Bertie Kinnings’ second Q5 article you may be left wondering why there is no spaghetti in The Good, The Bad and The Ugly… In the future months we hope to “GET TO THE CHOPPA!!” in the new Predator film, wonder if there will be“ no capes!” in The Incredibles 2 and can only imagine what Tom Cruise will jump out of/ climb up/ fall down in Mission Impossible: Fallout, with the controversially moustached Henry Cavill that cost DC millions of dollars. -
Jokerjekyll, It's a Match!
JokerJekyll, It’s a Match! Noves dinàmiques a Tinder mitjançant el consum de pràctiques identitàries. Txell Palau Julià. JokerJekyll, It’s a Match! Noves dinàmiques a Tinder mitjançant el consum de pràctiques identitàries. Agraïments. Als companys de classe i tutor de TFG Cultura del Disseny, als amics i col·laboradors i als usuaris de Tinder. Txell Palau Julià. Tutor: Octavi Rofes. Treball Fi de Grau. Cultura del disseny. EINA 2017-2018. Abstract. Aquest és un treball d’índole social que investiga les relacions que s’estableixen entre usuari-usuari i entre usuari-sistema a partir d’especulació i suposicions sobre el funcionament de Tinder, la creació d’identitats no previstes i l’ús alternatiu que els usuaris fan de l’aplicació generant canvis no previstos durant la seva creació. Tot buscant posar en dubte les dinàmiques previstes o normalitzades a Tinder, per demostrar que tot i ser una app que accepta tot tipus d’usuaris no depèn d’ella mateixa ni pren les seves pròpies decisions desvinculades dels usuaris, sinó que es va plantejar amb unes intencions i ara són els usuaris qui la conformen a través de les seves pràctiques. Tinder alters Mite de consum Creació de personatges Tinder identitat Tinder paràmetres Abstract. This is a social research project that investigates the established relations between user-user and between user-system based on speculations and assumptions of the Tinder functioning, the creation of unexpected identities and the alternative use that the users give to the app generating changes not foreseen during its creation. This project wants to put in doubt the normalized or expected Tinder dynamics, to show that, in spite of being an app that accepts all kind of users, Tinder doesn’t depend of itself and neither can take unrelated decisions of its users, because it was set up with concrete intentions and now the users are who define its direction through their practices. -
Universidad De Valladolid
UNIVERSIDAD DE VALLADOLID FACULTAD DE CIENCIAS SOCIALES JURÍDICAS Y DE LA COMUNICACIÓN GRADO EN PUBLICIDAD Y RELACIONES PÚBLICAS CURSO 2018-2019 EL AMOR POSTMODERNO Y LAS NUEVAS TECNOLOGÍAS: A PROPÓSITO DE BLACK MIRROR AUTOR: Madeleine Xiomara Aroni Laimito Tutor: Tecla González SEGOVIA, JUNIO 2019 RESUMEN Este trabajo se centra en plantear una reflexión acerca del amor postmoderno en una sociedad en la que la tecnología y la manera en que nos relacionarnos avanza velozmente. Se analizan tres capítulos de la serie de televisión británica Black Mirror con el fin de mostrar las posibles conexiones entre la sociedad distópica que se muestra y nuestra sociedad en lo referente a la tecnología y su repercusión en el amor contemporáneo. ABSTRACT This work focuses on raising a reflection about postmodern love in a society in which technology and the way in which we relate to each other progress rapidly. Three chapters of the British television series Black Mirror are analyzed in order to show the possible connections between the dystopian society that is shown and our society in relation to technology and its impact on contemporary love. Palabras clave: amor postmoderno, tecnología, redes sociales, black mirror Keyboards: postmodern love, technology, social media, black mirror ÍNDICE 1. INTRODUCCIÓN Y OBJETIVOS .................................................................... 1 2. MARCO TEÓRICO ........................................................................................... 3 2.1. Distopías ............................................................................................................ -
Computerliebe
1 Computerliebe. – ein Essay von Nic Leonhardt, LMU München, nicleonhardt.wordpress.com – [email protected] Computerliebe. Zeitgenössische und historische Annäherungen an Zwischenmenschliches in populären Kulturformen ein Essay von Nic Leonhardt, LMU München Es war mehr Zufall, dass ich vor einiger Zeit über ein Lied stolperte, das mir bis dato unbekannt war. Wer auf digitalen Plattformen nach Produkten, Personen, Artefakte et cetera sucht, erhält bekanntlich auch automatisch generierte, den Resultaten vergleichbare Empfehlungen verwandter Ergebnisse. So auch auf YouTube. Auf meiner Suche nach einem Stück aus den sechziger Jahren wurde mir zum Anhören das Lied Computer Nr. 3 von France Gall (i.e. Isabelle Genevieve Marie Anne Gall, die kürzlich verstorben ist) aus dem Jahre 1968 vorgeschlagen. Das empfohlene Video zeigte France Galls Auftritt bei der Endrunde des Ersten Deutschen Schlagerwettbewerbs, die am 4. Juli 1968 live aus der Philharmonie in Berlin im ZDF übertragen wurde. Walter Giller moderierte. Veranstalter war der Verein zur Förderung der deutschen Tanz- und Unterhaltungsmusik“, Deutschlandfunk, ZDF. Computer Nr. 3 erreichte Platz 3 im Wettbewerb. (Auf dem ersten Platz lag das Lied Harlekin, gesungen von Siw Malmkvist, auf dem zweiten der Song Wärst du doch in Düsseldorf geblieben, gesungen von Dorthe). Der Refrain von Computer Nr. 3 lautet: Der Computer Nr. 3 sucht für mich den richtigen Boy, und die Liebe ist garantiert für beide dabei. Der Computer weiß genau für jeden Mann die richtige Frau, und das Glück fällt im Augenblick aus seiner Kartei. Verblüffend an diesem Liedtext, der aus der Feder des deutschen Schlagertexters Georg Buscher (1923-2005) stammte, die Komposition von Christian Bruhn (geb. -
Syllabus, Abstract Your Effort Is a Required Component of This Course
DTEM 1401 Version 1.3 Fall 2018 INTRO TO DIGITAL TECH & EMERGING MEDIA Course Information The course Introduction to Digital Technology and Emerging Media offers a comprehensive overview of the possibilities of Course Schedule: Mon & Thu communication in a digital world. Through a series of readings, 11:30 am - 12:45 pm lectures and assignments, students study the rhetoric, history, theory, and practice of new media. Location: FMH 232 As the digital media landscape is constantly evolving, this course will take a specific interest in understanding the evolution of media technologies and investigate the emergence of older forms of “new” media, from the original internet to big data, from graphical user interfaces to social media platforms. As we do so, we will focus on how we use digital media, and how that use impacts individual identities, connections between people, our knowledge levels, relationships of power, and so on. Objectives The course will allow students to: Instructor Contact • gain an understanding of core concepts of digital content, such as mobility, interactivity, networking, as well its technical components E-mail: [email protected] and how it impacts communication and information. Twitter: @klangable • historicize media technologies we consider(ed) “new” media. Phone: 718-817-4870 • understand and contribute to contemporary debates over changes Office: Faculty Memorial Hall, in identity, sociality, the economy, education, and play associated Room 438 with the emergence of new media. Office Hours: MR 1-3pm, email • recognize how digital media constantly impact and/or structure for appointment. their everyday social interactions, identities, and seemingly- How to email your professor mundane or rote behaviors. -
Algorithmic Intimacy, Prosthetic Memory, and Gamification in by Jin Kim 109 110 JPF&T—Journal of Popular Film and Television
Black Mirror (Netflix) Season 3, 2016. Episode: Nosedive. Shown: Bryce Dallas Howard. Photo courtesy of Netflix/Photofest. Algorithmic Intimacy, Prosthetic Memory, and Gamification in By Jin Kim 109 110 JPF&T—Journal of Popular Film and Television Abstract: Black Mirror (2011–current), an anthology science-fiction television se- Black Mirror reflects and shapes our ries, portrays how digital technologies reflect and shape our dreams and night- fascinations and frustrations with the mares about the current media environment. The ways in which Black Mirror digital media environment. More spe- depicts the world where digital devices are strongly tied to human conscious- cifically, the distinction between the ness and bodies can be elaborated by focusing on three keywords: algorithmic real and the artificial is blurred, and ac- intimacy, prosthetic memory, and gamification. There are two major arguments cordingly it affects human conditions in presented. First, Black Mirror provides critical perspectives on quantified rela- the science-fiction show. The reversal tionships, artificial memory, and social ratings. Second, at the same time, the of the genuine and the fake has been ways in which this science fiction text portrays current media environments ren- observed in numerous cultural, artistic, ders these critical representations of digital technologies ironically normalized. and theoretical tropes, from Plato’s cave Keywords: Algorithmic intimacy, Black Mirror, gamification, prosthetic memory, metaphor to Marx’s use-value theory to science-fiction television Walter Benjamin’s aura to Borges’ fic- tions to Baudrillard’s simulacra. Digital simulations force us to revisit this old question about authenticity, and Black cience fiction can be a barom- Loop, The Man in the High Castle, The Mirror portrays how the real-genuine eter of social-cultural-political Handmaid’s Tale, etc.). -
How Our Screen Stories of the Future Went from Flying Cars to a Darker Version of Now
University of Wollongong Research Online Faculty of Law, Humanities and the Arts - Papers Faculty of Arts, Social Sciences & Humanities 1-1-2019 How our screen stories of the future went from flying cars ot a darker version of now Aaron L. Burton University of Wollongong, [email protected] Follow this and additional works at: https://ro.uow.edu.au/lhapapers Part of the Arts and Humanities Commons, and the Law Commons Recommended Citation Burton, Aaron L., "How our screen stories of the future went from flying cars ot a darker version of now" (2019). Faculty of Law, Humanities and the Arts - Papers. 4075. https://ro.uow.edu.au/lhapapers/4075 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] How our screen stories of the future went from flying cars ot a darker version of now Abstract While classics like Blade Runner looked to the future to ignite our technological desires, near-future fiction, such as earsY and Years (2019) and Black Mirror (2011-2019), reveal how new technologies are injected into our lives with little choice as to whether we should adopt them and little thought to their long-term appropriateness and sustainability. Keywords future, stories, flying, cars, darker, screen, version, our, now, went Disciplines Arts and Humanities | Law Publication Details Burton, A. L. "How our screen stories of the future went from flying cars ot a darker version of now." The Conversation December 10, 2019 (2019): This journal article is available at Research Online: https://ro.uow.edu.au/lhapapers/4075 2/17/2020 How our screen stories of the future went from flying cars to a darker version of now Academic rigour, journalistic flair Years and Years begins with the re-election of Trump in the US, and the election of unconventional populist Four Star Party in the UK. -
We Have Always Been Posthuman: the Articulation(S) of the Techno/Human Subject In
We Have Always Been Posthuman: The Articulation(s) of the Techno/Human Subject in the Anthology Television Series Black Mirror A dissertation presented to the faculty of the Scripps College of Communication of Ohio University In partial fulfillment of the requirements for the degree Doctor of Philosophy Quang Ngo August 2020 © 2020 Quang Ngo. All Rights Reserved. This dissertation titled We Have Always Been Posthuman: The Articulation(s) of the Techno/Human Subject in the Anthology Television Series Black Mirror by QUANG NGO has been approved for the School of Media Arts & Studies and the Scripps College of Communication by Wolfgang Suetzl Assistant Professor of Media Arts & Studies Scott Titsworth Dean, Scripps College of Communication ii Abstract QUANG NGO, Ph.D., August 2020, Media Arts & Studies We Have Always Been Posthuman: The Articulation(s) of the Techno/Human Subject in the Anthology Television Series Black Mirror Director of Dissertation: Wolfgang Suetzl This dissertation investigates how Netflix’s Black Mirror (2011—) articulates both the technology/human interconnectedness and a varied array of posthuman subjects within the narrative. I engage with posthumanist theory and utilize narrative rhetorical criticism and the method of articulation to analyze a selection of ten episodes. Based on the textual analysis, I contend that each selected narrative reveals a unique hypothetical scenario that questions the humanist conceptualization of human nature in addition to envisioning potentials for challenging the common understanding of self, identity, subjectivity, and agency. With its controversial and multilayered articulations of the posthuman condition, I propose that this quality science fiction television program takes as its central theme the symbiotic technology/human relationship as the kernel of a co- constructed reality between these two actants in the digital age.