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The Core of Phenomenological Aesthetics: a Suggested Bibliography The Core of Phenomenological Aesthetics: A Suggested Bibliography Anceschi, Luciano. Autonomia ed eteronomia Berleant, Arnold. The Aesthetic Field: A dell’arte: Suiluppo e teoria di un problema estetico. Phenomenology of Aesthetic Experience. Florence: Sansoni, 1936; rpt. Milan: Garzanti, 1992. Springfield, IL: C. C. Thomas, 1970. Anceschi, Luciano. Progetto di una sistematica Berleant, Arnold. Art and Engagement. Philadelphia: dell’arte. Milan: Mursia, 1962. rpt. Modena: Temple University Press, 1991. Mucchi, 1983. Berleant, Arnold. The Aesthetics of Environment. Anders, Günther. Kafka pro und contra. Munich: C.H. Philadelphia: Temple University Press, 1992. Beck, 1951. Biemel, Walter. Philosophische Analysen zur Kunst Anders, Günther. George Grosz. Zürich: Arche, 1961. der Gegenwart. The Hague: Martinus Nijhoff, 1968. Ansermet, Ernest. Les fondements de la musique dans Biemel, Walter. Zeitigung und Romanstruktur. la conscience humaine. Neuchâtel: Éditions de la Philosophische Analysen zum modernen Roman. Baconnière, 1961. Freiburg: Karl Alber, 1986. Arendt, Hannah. Reflections on Literature and Culture. Blaustein, Leopold. Przedstawienia imaginatywne. Ed. Susannah Young-Ah Gottlieb. Stanford, CA: Studium z pogranicza psychologii i estetyki.L’vov: Stanford University Press, 2007. PTF, 1930. Banfi, Antonio. Vita dell’arte: Scritti di estetica e Boehm, Gottfried. Wie Bilder Sinn erzeugen. Die filosofia dell’arte. E. Mattioli and Gabriele Scara- Macht des Zeigens. Berlin: University Press, 2007. muzza with Luciano Anceschi and Dino Formaggio. Böhme, Gernot. Atmosphäre. Essays zur neuen Reggio nell’Emilia: Istituto Antonio Banfi, 1988. Ästhetik. Frankfurt am Main: Suhrkamp, 1995. Barilli, Renato. Per un’estetica mondana. Bologna: IL Böhme, Gernot. Aisthetik. Vorlesungen über Ästhetik Mulino, 1964, 271–98, 323–328. als allgemeine Wahrnehmungslehre. Munich: Barilli, Renato. Scienza della cultura e fenomenologia Wilhelm Fink, 2001. degli stili. Bologna: IL Mulino, 1991. Butler, Judith. “Performative Acts and Gender Beauvoir, Simone. “Littérature et métaphysique.” In Constitution: An Essay in Phenomenology and Les Temps Modernes 1, 1946, 1153–63; rpt. in her Feminist Theory.” In Performing Feminisms. Existentialisme et la sagesse des Nations. Paris: Ed. Sue-Ellen Case. Baltimore: Johns Hopkins Nagel, 1948; “Literature and metaphysics.” Trans. University Press, 1990, 270–82. Veronique Zaytzeff. In Beauvoir’s Philosophical Casebier, Allan. Film and Phenomenology: Toward Writings. Ed. Margaret A. Simons with Marybeth a Realist Theory of Cinematic Representation. Timmermann and Mary Beth Mader. Urbana and Cambridge: Cambridge University Press, 1991. Chicago: University of Illinois Press, 2004, 269–77. Casey, Edwards. Imagining: A Phenomenological Beck, Maximilian. Wesen und Wert. Grundlegung Study. Bloomington: Indiana University Press, einer Philosophie des Daseins. Vols. 2, Berlin: 1976. Konrad Grethlein, 1925. Casey, Edwards. Getting Back into Place: Toward Becker, Oscar. Dasein und Dawesen. Pfullingen: a Renewed Understanding of the Place-World. Neske, 1963. Bloomington: Indiana University Press, 1993. H.R. Sepp, L. Embree (eds.), Handbook of Phenomenological Aesthetics, Contributions to Phenomenology 59 359 DOI 10.1007/978-90-481-2471-8, © Springer Science+Business Media B.V. 2010 360 The Core of Phenomenological Aesthetics: A Suggested Bibliography CHO Kah Kyung. “Die Idee der Unvollkommenheit in Escoubas, Eliane. L’espace pictural. La Versanne: der taoistischen Ästhetik.” In his Bewusstsein und Encre Marine, 1995. Natursein. Freiburg: Karl Alber, 1987, 313–44. Escoubas, Eliane. L’esthétique. Paris: Ellipses, 2004. Chretien, Jean-Louis. L’effroi du beau. Paris: Éditions Fink, Eugen. “Vergegenwärtigung und Bild“ [1930]. du Cerf, 1987. In his Studien zur Phänomenologie 1930– Chretien, Jean-Louis. L’arche de la parole.Paris: 1939. The Hague: Martinus Nijjhoff, 1966, Presses Universitaires de France, 1998. 1–78. Chretien, Jean-Louis. Corps à corps: À l’écoute de Fink, Eugen. Mode—ein verführerisches Spiel. Basel: l’oeuvre d’art. Paris: Éditions de Minuit, 1997; Birkhäuser, 1969. Hand to Hand: Listening to the Work of Art. Trans. Fink, Eugen. Epiloge zur Dichtung. Frankfurt am Stephen E. Lewis. New York: Fordham University Main: Vittorio Klostermann, 1971. Press, 2003. Fischer, Aloys. Zur Bestimmung des ästhetischen Clifton, Thomas. Music as Heard: A Study in Applied Gegenstandes. Munich: Stein, 1907. Phenomenology. New Haven: Yale University Press, Flusser, Vilém. Lob der Oberflächlichkeit. Für 1983. eine Phänomenologie der Medien. Mannheim: Conrad, Theodor. Definition und Forschungsgehalt der Bollmann, 1993. Ästhetik. Doctoral thesis, Munich, 1908. Flusser, Vilém. Towards a Philosophy of Photography. Conrad, Waldemar. “Der ästhetische Gegenstand. London: Reaktion Books, 2000. Eine phänomenologische Studie.” In Zeitschrift für Formaggio, Dino. Fenomenologia della tecnica Ästhetik und allgemeine Kunstwissenschaft 3, 1908, artistica. Milan: Nuvoletti, 1953; rpt. Pratiche, 71–118, 469–511; 4, 1909, 400–455. 1979. Conrad-Martius, Hedwig. “Die Irrealität des Formaggio, Dino. L’idea di artisticità. Milan: Kunstwerks.” In her Schriften zur Philosophie, Ceschina, 1962. Vol. 3, Ed. Eberhard Avé-Lallemant. Munich: Formaggio, Dino. Arte. Milan: Isedi, 1973. Kösel, 1965, 249–60. Gadamer, Hans-Georg. Die Aktualität des Schönen. Därmann, Iris. Tod und Bild. Eine phänomenologische Kunst als Spiel, Symbol und Fest. Stuttgart: Reclam, Mediengeschichte. Munich: Wilhelm Fink, 1995. 1977; The Relevance of the Beautiful and Other Derrida, Jacques. La dissémination. Paris: Éditions du Essays. Ed. Robert Bernasconi. Trans. Nicholas Seuil, 1972. Walker. Cambridge: Cambridge University Press, Derrida, Jacques. La vérité en peinture.Paris: 1986. Flammarion; The Truth in Painting. Trans. Geoffrey Gadamer, Hans-Georg. Ästhetik und Poetik, Vols. 1–2, Bennington and Ian Macleod. Chicago: University Gesammelte Werke, Vols. 8–9, Tübingen: J.C.B. of Chicago Press, 1987. Mohr, 1993. Diaconu, Mad˘ alina.˘ Tasten, Riechen, Schmecken. Galecki, Jerzy. Problematyka estetyki. Kraków: Eine Ästhetik der anästhesierten Sinne. Würzburg: Wydawnictwo Literackie, 1962. Königshausen & Neumann, 2005. Garner, Stanton B. Jr. Bodied Space: Phenomenology Dieste, Rafael. El alma y el espero. Textos e crítica de and Performance in Contemporary Drama. arte. Madrid: Alianza, 1981; rpt. Vigo, 1995. Ithaca, NY: Cornell University Press, Dufrenne, Mikel. Phénoménologie de I’expérience 1994. esthétique. Vols. 2, [1953]. 2nd ed. Paris: Presses Geiger, Moritz. “Beiträge zur Phänomenologie Universitaires de France, 1967; The Phenomenology des ästhetischen Genusses.” In Jahrbuch für of Aesthetic Experience. Trans. Edward S. Casey Philosophie und phänomenologische Forschung 1, et al. Evanston: Northwestern University Press, 1913, 567–684. 1973. Geiger, Moritz. Die Bedeutung der Kunst. Zugänge Dufrenne, Mikel. Esthétique et philosophie I–III. Paris: zu einer materialen Wertästhetik. Ed. Klaus Berger Klincksieck, 1967, 1976, 1981. and Wolfhart Henckmann, Munich: Wilhelm Fink, Dufrenne, Mikel. Art et politique. Paris: Presses de la 1976; The Significance of Art: A Phenomenological Cité, 1974. Approach to Aesthetics. Trans. Klaus Berger. The Core of Phenomenological Aesthetics: A Suggested Bibliography 361 Washington, DC: University Press of America, Hildebrand, Dietrich von, Äesthetik.Vol.2,Gesam- 1986. melte Werke, Vol. 6, Stuttgart: Kohlhammer, 1984. Giesz, Ludwig. Phänomenologie des Kitsches. Hribar, Tine. Sveta igra sveta: Umetnost v post- Munich: Wilhelm Fink, 1971; 1st complete ed. moderni dobi. Ljubljana: Slovenska Matica, 1990. Frankfurt am Main: Fischer, 1994. Husserl, Edmund. Phantasie, Bildbewusstsein, Golaszewska, Maria. Zarys estetyki: Problematyka, Erinnerung. Zur Phänomenologie der metody, teorie. Warsaw: Panstwowe´ Wydawnictwo anschaulichen Vergegenwärtigungen. Texte aus Naukowe, 1973. dem Nachlass (1898–1925). Ed. Eduard Marbach, Haar, Michel. L’oeuvre d’art: Essai sur l’ontologie des The Hague: Martinus Nijhoff, 1980; Phantasy, oeuvres, Paris: Hatier, 1994. Image Consciousness, and Memory (1898–1925). Habasque, Guy. “Cubisme et Phénoménologie.” In Trans. John B. Brough. Dordrecht: Springer, Revue d’Esthétique 2, 1949, 151–161. 2005. Hamburger, Käte. Die Logik der Dichtung. Stuttgart: Husserl, Edmund. Ding und Raum. Vorlesungen 1907. Klett-Cotta, 1957. Ed. Ulrich Claesges. Husserliana 16. The Hague: Harries, Karsten. The Ethical Function of Architecture. Martinus Nijhoff, 1973; Thing and space: Lectures Cambridge, MA: MIT Press, 1997. of 1907. Trans. Richard Rojcewicz. Dordrecht: Hartmann, Nicolai. Äthetik. Berlin: Walter de Gruyter, Kluwer Academic Publishers, 1997. 1953; Estética. México City: UNAM, 1977. Husserl, Edmund. Letter to Hugo von Hofmannsthal Heidegger, Martin. “Der Ursprung des Kunstwerkes” [1907]. In his Briefwechsel. Ed. Karl Schuhmann [1935–1936]. In his Holzwege. Ed. Friedrich- and Elisabeth Schuhmann. Vol. 7, Dordrecht: Wilhelm von Herrmann. Gesamtausgabe 5. Kluwer Academic Publishers, 1994, 133–6. Frankfurt am Main: Vittorio Klostermann, 1977, 1– Ingarden, Roman. Das literarische Kunstwerk. Halle: 74; “The Origin of the Work of Art.” In his Poetry, Max Niemeyer, 1931; The Literary Work of Language. Thought. Trans. Albert Hofstadter. New Art. Trans. George G. Grabowicz. Evanston, IL: York: Harper & Row, 1971, 15–87. Northwestern University Press, 1973. Heidegger, Martin. Erläuterungen zu Hölderlins Ingarden, Roman. Erlebnis, Kunstwerk und Wert. Dichtung [1938–1968]. 6th
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