Pentax KM Camera Manual Posted 12-10-'02
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Single-Use Duodenoscopes and Duodenoscopes with Disposable End Caps
REPORT ON EMERGING TECHNOLOGY Single-use duodenoscopes and duodenoscopes with disposable end caps Prepared by: ASGE TECHNOLOGY COMMITTEE Arvind J. Trindade, MD,1,* Andrew Copland, MD,2,* Amit Bhatt, MD,3 Juan Carlos Bucobo, MD, FASGE,4 Vinay Chandrasekhara, MD, FASGE,5 Kumar Krishnan, MD,6 Mansour A. Parsi, MD, MPH, FASGE,7 Nikhil Kumta, MD, MS,8 Ryan Law, DO,9 Rahul Pannala, MD, MPH, FASGE,10 Erik F. Rahimi, MD,11 Monica Saumoy, MD, MS,12 Guru Trikudanathan, MBBS,13 Julie Yang, MD, FASGE,14 David R. Lichtenstein, MD, FASGE, (Chair, Technology Committee)15 This document was reviewed and approved by the Governing Board of the American Society for Gastrointestinal Endoscopy. Background and Aims: Multidrug-resistant infectious outbreaks associated with duodenoscopes have been documented internationally. Single-use duodenoscopes, disposable distal ends, or distal end cap sealants could eliminate or reduce exogenous patient-to-patient infection associated with ERCP. Methods: This document reviews technologies that have been developed to help reduce or eliminate exogenous infections because of duodenoscopes. Results: Four duodenoscopes with disposable end caps, 1 end sheath, and 2 disposable duodenoscopes are re- viewed in this document. The evidence regarding their efficacy in procedural success rates, reduction of duode- noscope bacterial contamination, clinical outcomes associated with these devices, safety, and the financial considerations are discussed. Conclusions: Several technologies discussed in this document are anticipated to eliminate or reduce exogenous infections during endoscopy requiring a duodenoscope. Although disposable duodenoscopes can eliminate exog- enous ERCP-related risk of infection, data regarding effectiveness are needed outside of expert centers. Addition- ally, with more widespread adoption of these new technologies, more data regarding functionality, medical economics, and environmental impact will accrue. -
Photo History Newsletters • Vol
THE AMALGAMATED PHOTO HISTORY NEWSLETTERS • VOL. 2-2 2021 We hope that the Covid pandemic soon passes away so we can get back to normal with regular meetings and events. In the interim here are addi- tional newsletters to keeping you read- ing. Please enjoy. Ken Metcalf of the Graflex Journal has another interesting issue which should entertain you well. Another fine newsletter comes from The Western Canada Photographic Historical Association in British Colum- bia with some fine reading content. Permissions granted: Graflex Journal– Ken Melcalf The Western Canada Photographic Historical Association– Tom Parkinsion SHARING INFORMATION ABOUT GRAFLEX AND THEIR CAMERAS ISSUE 3 2020 FEATURES some leather that was a good match. Thickness was right, color was good, and the pebble grain was close National Graflex Gets a New Coat by Paul S. Lewis……..….....….....….1 enough. So, I had them send me a large sheet; 12x17. Camera Group - Roger Beck………….…….………...….…..…………....2 Having a good supply would allow for some mistakes Viewing Wild Animals at Night by William V. Ward …….…...…………..4 and assure me that there would be enough length and Hold It! Part 1 by Ken Metcalf.……………….…………….…………….....5 width to cover the missing panels with one complete Graflex Patents by Joel Havens….…..………………...…………….…...12 piece. The source I used was Cameraleather ([email protected]). I did just check with them to be sure similar material is available. The report is that although the material is available, supply is limited. So, with material and camera in hand, the next step Ed: Mr. Lewis is a Graflex Journal subscriber and author was to get the new cover panels cut out and attached. -
35 Mm Aperture Priority 35Mm Cameras This Manual Is for Reference and Historical Purposes, All Rights Reserved
35 mm Aperture Priority 35mm cameras This manual is for reference and historical purposes, all rights reserved. This page is copyright © by [email protected], M. Butkus, NJ. This page may not be sold or distributed without the expressed permission of the producer I have no connection with any camera compnay On-line camera manual library This is the full text and images from the manual. This may take 3 full minutes for all images to appear. If they do not all appear. Try clicking the browser "refresh" or "reload button" or right click on the image, choose "view image" then go back. It should now appear. To print, try printing only 3 or 4 pages at a time. Back to main on-line manual page If you find this manual useful, how about a donation of $3 to: M. Butkus, 29 Lake Ave., High Bridge, NJ 08829-1701 and send your e-mail address so I can thank you. Most other places would charge you $7.50 for a electronic copy or $18.00 for a hard to read Xerox copy. This will allow me to continue to buy new manuals and pay their shipping costs. It'll make you feel better, won't it? If you use Pay Pal or wish to use your credit card, click on the secure site below. 35mm SLR EE Selection Guide Aperture-Priority INTRODUCTION 2 PENTAX ES THE APERTURE-PRIORITY SYSTEM YASHICA ELECTRO AX PROS AND CONS MORE ON THE WAY The Future What Does It All Mean? MINOLTA XK Should You Buy One? NIKKORMAT EL INTRODUCTION Progress towards exposure automation has been slow, but since the original Konica Autoreflex appeared in 1968, the pace has accelerated and there are now 10 35mm SLR cameras so equipped. -
The Pentax Digital Camera Flash Lighting System – © Nigel Mcgregor 2015
THE PENTAX DIGITAL CAMERA FLASH LIGHTING SYSTEM An exploration of the functioning and practical operations for the Pentax Camera Brand Dedicated Flash Lighting System. This Guide includes the principles for Camera Operations, Built-in flash, Pentax and Dedicated Third Party flash units. Nigel McGregor - © 2015, London, United Kingdom The Pentax Digital Camera Flash Lighting System – © Nigel McGregor 2015 Title (i) The Pentax Digital Camera Flash Lighting System Welcome To My Guide I’m Nigel McGregor, a passionate user of Pentax DSLR photography equipment. A New Zealander, but long term resident of the United Kingdom, where I live to the South of London near the Surrey border. Landscapes, gardens, flowers and architecture are my main photographic interests, but like many family photographers it is the portraits and action shots of loved ones that take up the most SD card space on my camera. It was the striving to get better results with these people shots, often indoors, that has propelled my interest in flash photography with Pentax equipment. I love taking flash pictures with my Pentax camera and flash. Even more so wirelessly with a softbox or umbrella set-up. But getting good consistent results can be frustrating, and so I want to share my thoughts on understanding the Pentax flash system, and how to get the most out of it. Take a look at the Contents and Introduction here to give you a quick idea of what is contained in this guide. Please join in the discussions about the guide and flash photography in general on the forums. I’d love to hear your feedback, suggestions and responses to the contents of this guide! You can get to me via the following routes; PentaxForums.com/My Profile PentaxUser.com/My Portfolio ThePentaxForum.co.uk/My Profile The Pentax Digital Camera Flash Lighting System – © Nigel McGregor 2015 Welcome and Contact The Pentax Digital Camera Flash Lighting System – PDF Version 1, July 2015 © Nigel McGregor, London 2015 {Use your PDF Reader page number indicator to navigate and jump to required pages …} Contents 1. -
Sensor Zoom Min. Focusing Dimensions Est. Street Brand Model Mount(S) Format Range Distance (D X L) (In.) Weight Price
Sensor Zoom Min. Focusing Dimensions Est. Street Brand Model Mount(s) Format Range Distance (D x L) (in.) Weight Price Canon EF-S 18-200mm ƒ/3.5-5.6 IS Canon APS-C 11.1x 17.8 inches 3.1 x 6.4 20.9 oz. $699 Canon EF 28-300mm ƒ/3.5-5.6L IS USM Canon Full-Frame 10.7x 27.6 inches 3.6 x 7.2 59.2 oz. $2,449 Nikon 1 NIKKOR VR 10-100mm ƒ/4-5.6 Nikon 1 CX (1-inch) 10x Variable 2.4 x 2.8 10.5 oz. $549 Nikon 1 NIKKOR VR 10-100mm ƒ/4.5-5.6 PD-ZOOM Nikon 1 CX (1-inch) 10x Variable 3.0 x 3.7 18.2 oz. $749 Nikon AF-S DX NIKKOR 18-200mm ƒ/3.5-5.6G ED VR II Nikon DX (APS-C ) 11.1x 19.2 inches 3.0 x 3.8 19.8 oz. $649 Nikon AF-S DX NIKKOR 18-300mm ƒ/3.5-6.3G ED VR Nikon DX (APS-C) 16.7x 19.2 inches 3.0 x 3.8 19.4 oz. $699 Nikon AF-S DX NIKKOR 18-300mm ƒ/3.5-5.6G ED VR Nikon DX (APS-C) 16.7x Variable 3.3 x 4.7 29.3 oz. $999 Nikon AF-S NIKKOR 28-300mm ƒ/3.5-5.6G ED VR Nikon FX (Full-Frame) 10.7x 19.2 inches 3.3 x 4.5 28.2 oz. $949 Olympus M.Zuiko ED 14-150mm ƒ/4.0-5.6 II Micro Four Thirds Micro Four Thirds 10.7x 19.7 inches 2.5 x 3.3 10.0 oz. -
I·,;T:A.Chuti-5 S Istutin
THE JAPANESE SOFTWARE INDUSTRY: A COMPARATIVE ANALYSIS OF SOFTWARE DEVELOPMENT STRATEGY AND TECHNOLOGY OF SELECTED CORPORATIONS by ROBERT W. ARFMAN A.B., Economics Middlebury College (1975) Submitted to the Alfred P. Sloan Schonol of Management and the School of Engineering in partial fulfillment of the requirements for the degree of MASTER OF SCIENCE IN THE MANAGEMENT OF TECHNOLOGY at the MASSACHUSETTS INSTITUTE OF TECHNOLOGY May 1988 Copyright Robert W. Arfman 1988 ALL RIGHTS RESERVED The author hereby grants M.I.T. permission to reproduce and to distribute copies of this thesis document in whole or in part. Signatu,- of Author__ Sloan School of Management May 12. 1988 Certified by Michael A. Cusumano Assispant ProAessor of Management Thesis Supervisor Accepted by cPeter P. Gil Acting Director, Management of Technology Program i·,;t:A.CHUTi-5 sISTUTiN O-TFPNW 01WOG1 JUN '3 1988 WARIES THE JAPANESE SOFTWARE INDUSTRY: A COMPARATIVE ANALYSIS OF SOFTWARE DEVELOPMENT STRATEGY AND TECHNOLOGY OF SELECTED CORPORATIONS by ROBERT W. ARFMAN Submitted to the Alfred P. Sloan School of Management and the School of Engineering on May 12, 1988 in partial fulfillment of the requirements for the degree of Master of Science in the Management of Technology ABSTRACT This thesis discusses the development of the Japanese software industry, beginning with corporate group structures, government support of the computer industry in general and the more recent specific promotion of the software industry and software development process technologies. The SIGMA project is presented in detail followed by a comparative analysis of major Japanese computer manufacturer development process R&D efforts. The current competitive environment is discussed and firms' strategies are compared. -
User Manual 0.6 MB
L IR-M Note: The 2S button will start shooting video on compatible Canon DSLR A cameras when in video mode, the T and W buttons will not work with INFRARED U Olympus E-system cameras, and the W/T button will not work with Pentax REMOTE N CONTROL A camera. WIRELESS SHUTTER ACTIVATION M Using Your IR-M as a Remote Trigger R E S away. To use your IR-M as a remote trigger, turn on your camera and follow U these steps: 1. Remove the plastic separator from the battery. Introduction 2. Set up your shot and make sure your camera is in focus. Thank you for choosing Vello. 3. Set your camera for remote triggering. For more information about the remote triggering feature, consult your camera’s manual. Congratulations on the purchase of your Vello IR-M infrared remote control. 4. Aim the remote at the camera’s infrared sensor and press the S button to This versatile remote control lets you wirelessly take photos, zoom, and release the shutter. is especially useful for preventing camera shake during long exposures and for Depending on your camera’s manufacturer and model, you may be able to taking self-portraits. It can also be used to trigger a remote camera when trigger the shutter with a two-second delay by pressing the 2S button. You shooting events. may also be able to zoom in and out by pressing the T and W buttons. For manual. from Canon, Nikon, Olympus, Sony, and Pentax. Precautions Note: Please see your camera’s user manual for complete instructions and supported features. -
HONEYWELL PENTAX Cameras and Accessories
H O N E Y WELL PHOTOGRAPHIC PROD U C T S -J HONEYWELL PENTAX cameras and accessories HONEYWELL PENTAX SPOTMATIC with behind-the-Iens exposure systeJll The world's first single-lens-reflex camera with a behind-the-Iens exposure system, the Spotmatic is the crowning achievement of the Honeywell Pentax line. Absolute correct exposures are simple with the Spotmatic. Its two CdS sensors read light from the image focused on the ground glass the same amount of light that strikes the film plane. With any focal length lens, or with bellows, extension Honeywell Pentax Spotmatic, chrome finish, tubes, or filters proper exposure is automatic and extremely with filA Super-Takumar lens. accurate. The Spotmatic's metering system can be operated with one hand without taking the eye from the viewfinder by simply pushing a switch and centering a needle. And, for special effects, it's simple to change shutter speed or aperture for over- or under exposures. The same size and classic design as the famous Pentax H3v, the Spotmatic also features: eye-level pentaprism finder with Fresnel lens; central microprism and positive grid focusing; instant-return mirror; focal plane shutter; speeds from 1 to 1/ 1000 sec., plus Bulb on single non-rotating knob; ASA-Range from 20 to 1600; self timer; auto-reset counter; ratchet film-advance lever cocks shutter and advances counter; FP and X flash terminals, and threaded lens mount. With very fast Super-Takumar 50mm f/ 1.4 lens or 55mm f/ 1.8 Super-Takumar lens. Both lenses have instant-open fully automatic diaphragm, and manual depth-of-field preview In addition, the Super-Takumar 50mm f/ 1.4 lens is a 7-element lens, with a 46° angle of view, a minimum aperture of f/ 16 and uses 49mm filters. -
Hugostudio List of Available Camera Covers
Exakta VX 1000 W/ P4 Finder Hugostudio List of Exakta VX 500 W/ H3.3 Finder Available Camera Covers Exakta VX IIa V1-V4 W/ P2.2 Finder Exakta VX IIa V5-V7-V8 _P3.3 Finder (1960) Exakta VX IIa V6 W/ H3 SLR Exakta VX IIb W/ P3 Asahiflex IIb Exakta VX IIb W/ P4 Finder Canon A-1 Exakta Varex VX V1 - V2 Canon AE-1 Exakta-Varex VX IIa V1-V4 Canon AE-1 Program Exakta Varex VX V4 V5 Canon AV-1 Exakta Varex VX W/ Finder P1 Canon EF Fujica AX-3 Canon EX Auto Fujica AZ-1 Canon F-1 Pic Req* Fujica ST 601 Canon F-1n (New) pic Req* Fujica ST 701 Canon FT QL Fujica ST 801 Canon FTb QL Fujica ST 901 Canon FTb n QL Kodak Reflex III Canon Power Winder A Kodak Reflex IV Canon TL-QL Kodak REflex S Canon TX Konica FT-1 Canonflex Konica Autoreflex T3 Chinon Memotron Konica Autoreflex T4 Contax 137 MA Konica Autoreflex TC Contax 137 MD Leica R3 Contax 139 Quartz Leica R4 Contax Motor Drive W6 Leica Motor Winder R4 Contax RTS Leicaflex SL Contax RTS II Mamiya ZE-2 Quartz Contax139 Quartz Winder Minolta Auto Winder D Edixa Reflex D Minolta Auto Winder G Exa 500 Minolta Motor Drive 1 Exa I, Ia, Ib Minolta SR 7 Exa II Minolta SRT 100 Exa IIa Minolta SRT 101 Exa Type 6 Minolta SRT 202 Exa VX 200 Minolta X370 Exa Version 2 to 5 Minolta X370s Exa Version 6 Minolta X570 Exa Version I Minolta X700 Exakta 500 Minolta XD 11, XD 5, XD 7, XD Exakta Finder H3 Minolta XE-7 XE-5 Exakta Finder: prism P2 Minolta XG-1 Exakta Finder: prism P3 Minolta XG 9 Exakta Finder: prism P4 Minolta XG-M Exakta Kine Minolta XG7, XG-E Exakta Meter Finder Minolta XM Exakta RTL1000 Miranda AII -
Asahi Pentax ES Operating Manual Excerpts Reproduced for Historical
Asahi Pentax ES Operating Manual Excerpts Reproduced for Historical and Reference Purposes by Paul M. Provencher http://whitemetal.com Not For Resale. 1 Asahi Pentax ES Operating Manual Excerpts Table of Contents NOMENCLATURE ........................................................................................................................................................2 SPECIFICATIONS .......................................................................................................................................................4 HOW IT WORKS..........................................................................................................................................................6 FILM LOADING AND WINDING..........................................................................................................................8 SETTING ASA FILM SPEED.......................................................................................................................................9 FILM TYPE REMINDER DIAL................................................................................................................................9 EXPOSURE FACTOR CONTROL DIAL............................................................................................................10 DIAPHRAGM SETTING...........................................................................................................................................11 TTL METERING AND AUTOMATIC SHUTTER............................................................................................12 -
High ISO Heroes Which APS-C and Full-Frame Cameras Perform the Best in Poor Light?
Saturday 4 February 2017 High ISO heroes Which APS-C and full-frame cameras perform the best in poor light? All-new Passionate about photography since 1884 BUYING GUIDE COMPLETE GUIDE 550 cameras & lenses listed ISO & rated and How to get pictures as good as this at high ISO Get great low light images and keep noise right down ● What ISO and when ● Best noise removers ● Settings of the pros Digital ISO demystified Fujifilm Where noise comes from first look and how it relates to X-T20 mirrorless & sensor size & resolution X100F compact The high ISO king? We see how Nikon’s D5 copes with ice-hockey boot camp Ice on the black sand beach at Jökulsárlón.raw ON THE ICE BEACH IT’S A DARK, SOMBRE WINTER’S DAY. The grey cloud is low, and the rain is steady, but the muted light is just perfect for the subject matter all around me, namely waves lapping around the artfully sculpted blocks of ice on the black sand. Now I’ve seen many images of this unique combination before – it’s an Icelandic photographic staple – but there’s no resisting the appeal of such stark, elemental beauty. In fact it’s a beauty that is enhanced by the flat lighting, a cold scene of black and blue with simple graphic appeal. But as so often is the case here in Iceland the conditions are difficult: apart from the rain, salty spray is being driven inshore off the waves and onto my increasingly crusty camera, lens and filter. So be it, such adversity is now familiar. -
Reproduced for Historical & Reference Purposes by Paul M
Reproduced for Historical & Reference purposes by Paul M. Provencher - http://whitemetal.com Introduction ...................................................................................................................................................... 1 Major working parts of the ASAHI PENTAX Spotmatic II ......................................................................... 2 Specifications .................................................................................................................................................... 4 Short operating course ................................................................................................................................... 6 How to hold your camera ............................................................................................................................... 8 Film Loading...................................................................................................................................................... 9 Film wind and rewind .................................................................................................................................... 10 Bright field focusing....................................................................................................................................... 11 Microprism....................................................................................................................................................... 11 Automatic Diaphragm*.....................................................................................................................................