HONEYWELL PENTAX Cameras and Accessories
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Single-Use Duodenoscopes and Duodenoscopes with Disposable End Caps
REPORT ON EMERGING TECHNOLOGY Single-use duodenoscopes and duodenoscopes with disposable end caps Prepared by: ASGE TECHNOLOGY COMMITTEE Arvind J. Trindade, MD,1,* Andrew Copland, MD,2,* Amit Bhatt, MD,3 Juan Carlos Bucobo, MD, FASGE,4 Vinay Chandrasekhara, MD, FASGE,5 Kumar Krishnan, MD,6 Mansour A. Parsi, MD, MPH, FASGE,7 Nikhil Kumta, MD, MS,8 Ryan Law, DO,9 Rahul Pannala, MD, MPH, FASGE,10 Erik F. Rahimi, MD,11 Monica Saumoy, MD, MS,12 Guru Trikudanathan, MBBS,13 Julie Yang, MD, FASGE,14 David R. Lichtenstein, MD, FASGE, (Chair, Technology Committee)15 This document was reviewed and approved by the Governing Board of the American Society for Gastrointestinal Endoscopy. Background and Aims: Multidrug-resistant infectious outbreaks associated with duodenoscopes have been documented internationally. Single-use duodenoscopes, disposable distal ends, or distal end cap sealants could eliminate or reduce exogenous patient-to-patient infection associated with ERCP. Methods: This document reviews technologies that have been developed to help reduce or eliminate exogenous infections because of duodenoscopes. Results: Four duodenoscopes with disposable end caps, 1 end sheath, and 2 disposable duodenoscopes are re- viewed in this document. The evidence regarding their efficacy in procedural success rates, reduction of duode- noscope bacterial contamination, clinical outcomes associated with these devices, safety, and the financial considerations are discussed. Conclusions: Several technologies discussed in this document are anticipated to eliminate or reduce exogenous infections during endoscopy requiring a duodenoscope. Although disposable duodenoscopes can eliminate exog- enous ERCP-related risk of infection, data regarding effectiveness are needed outside of expert centers. Addition- ally, with more widespread adoption of these new technologies, more data regarding functionality, medical economics, and environmental impact will accrue. -
35 Mm Aperture Priority 35Mm Cameras This Manual Is for Reference and Historical Purposes, All Rights Reserved
35 mm Aperture Priority 35mm cameras This manual is for reference and historical purposes, all rights reserved. This page is copyright © by [email protected], M. Butkus, NJ. This page may not be sold or distributed without the expressed permission of the producer I have no connection with any camera compnay On-line camera manual library This is the full text and images from the manual. This may take 3 full minutes for all images to appear. If they do not all appear. Try clicking the browser "refresh" or "reload button" or right click on the image, choose "view image" then go back. It should now appear. To print, try printing only 3 or 4 pages at a time. Back to main on-line manual page If you find this manual useful, how about a donation of $3 to: M. Butkus, 29 Lake Ave., High Bridge, NJ 08829-1701 and send your e-mail address so I can thank you. Most other places would charge you $7.50 for a electronic copy or $18.00 for a hard to read Xerox copy. This will allow me to continue to buy new manuals and pay their shipping costs. It'll make you feel better, won't it? If you use Pay Pal or wish to use your credit card, click on the secure site below. 35mm SLR EE Selection Guide Aperture-Priority INTRODUCTION 2 PENTAX ES THE APERTURE-PRIORITY SYSTEM YASHICA ELECTRO AX PROS AND CONS MORE ON THE WAY The Future What Does It All Mean? MINOLTA XK Should You Buy One? NIKKORMAT EL INTRODUCTION Progress towards exposure automation has been slow, but since the original Konica Autoreflex appeared in 1968, the pace has accelerated and there are now 10 35mm SLR cameras so equipped. -
The Fifth Salon of Photographs
The Fifth Salon of Photographs A/thoughthe announcementof the Fifth PhotographicSa/on pub/ished by AmericanBirds was bur•ed in sma// •/pe on the /ast page of the Februaryissue, 45 entries were received. And a/thoughthe overa//qua/i•/ did not appear to be quiteas high as in recentyears, enough exce//ent prints were received to give us an exhibit that is both varied and interesting. Last year, we remarked, not in a// seriousness,that perhaps pictures of photogenic birds such as herons shou/d be handicapped. Thisyear our words seem to have had impact, because of a// the entries received, on/y two were of herons, and none were of Snowy Egrets, possib/y the candidate for the highest handicap of a//. The six judges this year inc/uded members of the staffs of American Birds and AUDUBON Once again, photographs were exhibited with no informationabout them visib/e, judges were g•ven ba//ots and asked to se/ect their first five choices in order. Points were awarded those photographs se/ected on a descending order from 5 to 1. Unfortunate/y,neither the first nor the second prize photographsare of a shape that is adapt- ab/e to our cover dimensions.And so, breakingan ancientone-year-o/d tradition of using the f•rst prize winneras our Augustcover, we have chosen to use instead the photographthat was a c/ose third. But since third prize went to the same photographerwho won first prize, we are de/ighted that this doub/e winner wil/ be honoredby a cover photograph- even if not of his judged-best entry. -
The Pentax Digital Camera Flash Lighting System – © Nigel Mcgregor 2015
THE PENTAX DIGITAL CAMERA FLASH LIGHTING SYSTEM An exploration of the functioning and practical operations for the Pentax Camera Brand Dedicated Flash Lighting System. This Guide includes the principles for Camera Operations, Built-in flash, Pentax and Dedicated Third Party flash units. Nigel McGregor - © 2015, London, United Kingdom The Pentax Digital Camera Flash Lighting System – © Nigel McGregor 2015 Title (i) The Pentax Digital Camera Flash Lighting System Welcome To My Guide I’m Nigel McGregor, a passionate user of Pentax DSLR photography equipment. A New Zealander, but long term resident of the United Kingdom, where I live to the South of London near the Surrey border. Landscapes, gardens, flowers and architecture are my main photographic interests, but like many family photographers it is the portraits and action shots of loved ones that take up the most SD card space on my camera. It was the striving to get better results with these people shots, often indoors, that has propelled my interest in flash photography with Pentax equipment. I love taking flash pictures with my Pentax camera and flash. Even more so wirelessly with a softbox or umbrella set-up. But getting good consistent results can be frustrating, and so I want to share my thoughts on understanding the Pentax flash system, and how to get the most out of it. Take a look at the Contents and Introduction here to give you a quick idea of what is contained in this guide. Please join in the discussions about the guide and flash photography in general on the forums. I’d love to hear your feedback, suggestions and responses to the contents of this guide! You can get to me via the following routes; PentaxForums.com/My Profile PentaxUser.com/My Portfolio ThePentaxForum.co.uk/My Profile The Pentax Digital Camera Flash Lighting System – © Nigel McGregor 2015 Welcome and Contact The Pentax Digital Camera Flash Lighting System – PDF Version 1, July 2015 © Nigel McGregor, London 2015 {Use your PDF Reader page number indicator to navigate and jump to required pages …} Contents 1. -
Sensor Zoom Min. Focusing Dimensions Est. Street Brand Model Mount(S) Format Range Distance (D X L) (In.) Weight Price
Sensor Zoom Min. Focusing Dimensions Est. Street Brand Model Mount(s) Format Range Distance (D x L) (in.) Weight Price Canon EF-S 18-200mm ƒ/3.5-5.6 IS Canon APS-C 11.1x 17.8 inches 3.1 x 6.4 20.9 oz. $699 Canon EF 28-300mm ƒ/3.5-5.6L IS USM Canon Full-Frame 10.7x 27.6 inches 3.6 x 7.2 59.2 oz. $2,449 Nikon 1 NIKKOR VR 10-100mm ƒ/4-5.6 Nikon 1 CX (1-inch) 10x Variable 2.4 x 2.8 10.5 oz. $549 Nikon 1 NIKKOR VR 10-100mm ƒ/4.5-5.6 PD-ZOOM Nikon 1 CX (1-inch) 10x Variable 3.0 x 3.7 18.2 oz. $749 Nikon AF-S DX NIKKOR 18-200mm ƒ/3.5-5.6G ED VR II Nikon DX (APS-C ) 11.1x 19.2 inches 3.0 x 3.8 19.8 oz. $649 Nikon AF-S DX NIKKOR 18-300mm ƒ/3.5-6.3G ED VR Nikon DX (APS-C) 16.7x 19.2 inches 3.0 x 3.8 19.4 oz. $699 Nikon AF-S DX NIKKOR 18-300mm ƒ/3.5-5.6G ED VR Nikon DX (APS-C) 16.7x Variable 3.3 x 4.7 29.3 oz. $999 Nikon AF-S NIKKOR 28-300mm ƒ/3.5-5.6G ED VR Nikon FX (Full-Frame) 10.7x 19.2 inches 3.3 x 4.5 28.2 oz. $949 Olympus M.Zuiko ED 14-150mm ƒ/4.0-5.6 II Micro Four Thirds Micro Four Thirds 10.7x 19.7 inches 2.5 x 3.3 10.0 oz. -
I·,;T:A.Chuti-5 S Istutin
THE JAPANESE SOFTWARE INDUSTRY: A COMPARATIVE ANALYSIS OF SOFTWARE DEVELOPMENT STRATEGY AND TECHNOLOGY OF SELECTED CORPORATIONS by ROBERT W. ARFMAN A.B., Economics Middlebury College (1975) Submitted to the Alfred P. Sloan Schonol of Management and the School of Engineering in partial fulfillment of the requirements for the degree of MASTER OF SCIENCE IN THE MANAGEMENT OF TECHNOLOGY at the MASSACHUSETTS INSTITUTE OF TECHNOLOGY May 1988 Copyright Robert W. Arfman 1988 ALL RIGHTS RESERVED The author hereby grants M.I.T. permission to reproduce and to distribute copies of this thesis document in whole or in part. Signatu,- of Author__ Sloan School of Management May 12. 1988 Certified by Michael A. Cusumano Assispant ProAessor of Management Thesis Supervisor Accepted by cPeter P. Gil Acting Director, Management of Technology Program i·,;t:A.CHUTi-5 sISTUTiN O-TFPNW 01WOG1 JUN '3 1988 WARIES THE JAPANESE SOFTWARE INDUSTRY: A COMPARATIVE ANALYSIS OF SOFTWARE DEVELOPMENT STRATEGY AND TECHNOLOGY OF SELECTED CORPORATIONS by ROBERT W. ARFMAN Submitted to the Alfred P. Sloan School of Management and the School of Engineering on May 12, 1988 in partial fulfillment of the requirements for the degree of Master of Science in the Management of Technology ABSTRACT This thesis discusses the development of the Japanese software industry, beginning with corporate group structures, government support of the computer industry in general and the more recent specific promotion of the software industry and software development process technologies. The SIGMA project is presented in detail followed by a comparative analysis of major Japanese computer manufacturer development process R&D efforts. The current competitive environment is discussed and firms' strategies are compared. -
User Manual 0.6 MB
L IR-M Note: The 2S button will start shooting video on compatible Canon DSLR A cameras when in video mode, the T and W buttons will not work with INFRARED U Olympus E-system cameras, and the W/T button will not work with Pentax REMOTE N CONTROL A camera. WIRELESS SHUTTER ACTIVATION M Using Your IR-M as a Remote Trigger R E S away. To use your IR-M as a remote trigger, turn on your camera and follow U these steps: 1. Remove the plastic separator from the battery. Introduction 2. Set up your shot and make sure your camera is in focus. Thank you for choosing Vello. 3. Set your camera for remote triggering. For more information about the remote triggering feature, consult your camera’s manual. Congratulations on the purchase of your Vello IR-M infrared remote control. 4. Aim the remote at the camera’s infrared sensor and press the S button to This versatile remote control lets you wirelessly take photos, zoom, and release the shutter. is especially useful for preventing camera shake during long exposures and for Depending on your camera’s manufacturer and model, you may be able to taking self-portraits. It can also be used to trigger a remote camera when trigger the shutter with a two-second delay by pressing the 2S button. You shooting events. may also be able to zoom in and out by pressing the T and W buttons. For manual. from Canon, Nikon, Olympus, Sony, and Pentax. Precautions Note: Please see your camera’s user manual for complete instructions and supported features. -
Hugostudio List of Available Camera Covers
Exakta VX 1000 W/ P4 Finder Hugostudio List of Exakta VX 500 W/ H3.3 Finder Available Camera Covers Exakta VX IIa V1-V4 W/ P2.2 Finder Exakta VX IIa V5-V7-V8 _P3.3 Finder (1960) Exakta VX IIa V6 W/ H3 SLR Exakta VX IIb W/ P3 Asahiflex IIb Exakta VX IIb W/ P4 Finder Canon A-1 Exakta Varex VX V1 - V2 Canon AE-1 Exakta-Varex VX IIa V1-V4 Canon AE-1 Program Exakta Varex VX V4 V5 Canon AV-1 Exakta Varex VX W/ Finder P1 Canon EF Fujica AX-3 Canon EX Auto Fujica AZ-1 Canon F-1 Pic Req* Fujica ST 601 Canon F-1n (New) pic Req* Fujica ST 701 Canon FT QL Fujica ST 801 Canon FTb QL Fujica ST 901 Canon FTb n QL Kodak Reflex III Canon Power Winder A Kodak Reflex IV Canon TL-QL Kodak REflex S Canon TX Konica FT-1 Canonflex Konica Autoreflex T3 Chinon Memotron Konica Autoreflex T4 Contax 137 MA Konica Autoreflex TC Contax 137 MD Leica R3 Contax 139 Quartz Leica R4 Contax Motor Drive W6 Leica Motor Winder R4 Contax RTS Leicaflex SL Contax RTS II Mamiya ZE-2 Quartz Contax139 Quartz Winder Minolta Auto Winder D Edixa Reflex D Minolta Auto Winder G Exa 500 Minolta Motor Drive 1 Exa I, Ia, Ib Minolta SR 7 Exa II Minolta SRT 100 Exa IIa Minolta SRT 101 Exa Type 6 Minolta SRT 202 Exa VX 200 Minolta X370 Exa Version 2 to 5 Minolta X370s Exa Version 6 Minolta X570 Exa Version I Minolta X700 Exakta 500 Minolta XD 11, XD 5, XD 7, XD Exakta Finder H3 Minolta XE-7 XE-5 Exakta Finder: prism P2 Minolta XG-1 Exakta Finder: prism P3 Minolta XG 9 Exakta Finder: prism P4 Minolta XG-M Exakta Kine Minolta XG7, XG-E Exakta Meter Finder Minolta XM Exakta RTL1000 Miranda AII -
Honeywell/Pentax Spotmatic SP II CLA Tutorial by Eugene Pate
Honeywell/Pentax Spotmatic SP II CLA Tutorial by Eugene Pate https://learncamerarepair.com/ https://www.facebook.com/groups/360490091319202/ Post #1 https://www.facebook.com/groups/360490091319202/?post_id=585244602177082 Upon initial testing the shutter speeds are out of tolerance and the exposure meter isn't working properly. The camera looks well used but no damage and internally disregarding the dust it's been well taken care of with no signs of corrosion except for the pesky battery cover and that's the result of its close proximity to the mercury battery. Light seals and cushions will have to be replaced after cleaning and lubricating. Post #2 https://www.facebook.com/groups/360490091319202/?post_id=585245582176984 As in previous Spotmatic posts I start by removing the rewind knob and reminder dial parts. Note the ball bearing that acts as a "detent" pointed out in the photos, I use a magnetic driver tip to lift it out of its hole and set it aside so it doesn't get lost. CLA Post #3 https://www.facebook.com/groups/360490091319202/?post_id=585247048843504 Next loosen the three setscrews holding the frame counter cover in place, lift it off, remove the counter dial (lefthand thread), the spanner nut, dial housing, three screws holding the winding lever and friction spring, note the notched white nylon washer between the lever and body. Set these parts aside. CLA Post #4 https://www.facebook.com/groups/360490091319202/?post_id=585248378843371 Set the shutter speed selector to "Bulb" ASA 3200 - Remove the spanner screw holding the shutter speed selector, the dials will be loose, remove these and the spring, lift off the dial noting the slot that receives the protrusion from the dial below (these have to line back up upon reassembly) hence.. -
Battery Replacement for Mercury PX13, PX625, MR9 and PX27
The mercury cell problem and its solutions. Index. Page 1: Index and general information on mercury battery problems and solutions. 2: Detailed information on mercury, zinc-air, alkaline, rechargeable and lithium cells. 3: Information on silver-oxide cells, a battery comparison chart and options for replacing 625-mercury cells. 4: Battery adapters and various diodes for use in a camera, exposure meter or adapter. 5: Temperature influence on Schottky-diodes and PX27 battery problem and solutions. 6: Materials and tools needed for making a battery adapter and disclaimer. 7: Elaborate step-by-step guide for making a homemade PX13 / PX625 / MR9 battery adapter. 8: Last piece of the step-by-step guide for making a homemade battery adapter and a list of movie cameras and photo (still) cameras, exposure meters and accessories that use PX13 / PX625 / MR9 cells. 9: List of cameras, exposure meters and accessories that use PX13 / PX625 / MR9 cells. 10: For the more technically challenged: a step-by-step guide for making a battery adapter with tiny S.M.D. parts. 11: Ordering information and prices (incl. shipping costs) for ready-made adapters, kits or a hardcopy of this article. 12-14: F.A.Q. frequently asked questions: please READ this first before you place your order or ask questions. General information about mercury cells and various solutions for replacing the banned mercury cells. The now (for environmental reasons) banned mercury Most batteries that were available in mercury versions cells have caused problems for a lot of (vintage) camera are currently available in silver-oxide and/or alkaline and exposure meter owners who are now facing versions. -
Shuttering Methods and the Artifacts They Produce
https://doi.org/10.2352/ISSN.2470-1173.2019.4.PMII-590 This work is licensed under the Creative Commons Attribution 4.0 International License. To view a copy of this license, visit http://creativecommons.org/licenses/by/4.0/. Shuttering methods and the artifacts they produce Henry Dietz and Paul Eberhart; Department of Electrical and Computer Engineering, University of Kentucky; Lexington, Kentucky Abstract When exposure times were measured in minutes, the open- ing and closing of the shutter was essentially instantaneous. As more sensitive films and brighter optics became available, expo- sure times decreased, the travel time of the shutter mechanism be- came increasingly significant, and artifacts became visible. Per- haps the best-known shutter artifacts are the spatio-temporal dis- tortions associated with photographing moving subjects using a Figure 1. Still image from high speed video of leaf shutter focal-plane shutter or sequential electronic sampling of pixels (electronic rolling shutter). However, the shutter mechanism also can cause banding with flickering light sources and strange ar- tifacts in out-of-focus regions (bokeh); it can even impact res- all pixels during the same time interval – thus causing specific olution. This paper experimentally evaluates and discusses the types of artifacts. artifacts caused by leaf, focal plane, electronic first curtain, and The aperture value, Av, represents the rate of light transmis- fully electronic sequential-readout shuttering. sion through the lens. Using a perfect lens, Av is determined solely by the aperture f /number, which is simply the ratio of the Introduction lens focal length divided by the diameter of its circular aperture. -
High ISO Heroes Which APS-C and Full-Frame Cameras Perform the Best in Poor Light?
Saturday 4 February 2017 High ISO heroes Which APS-C and full-frame cameras perform the best in poor light? All-new Passionate about photography since 1884 BUYING GUIDE COMPLETE GUIDE 550 cameras & lenses listed ISO & rated and How to get pictures as good as this at high ISO Get great low light images and keep noise right down ● What ISO and when ● Best noise removers ● Settings of the pros Digital ISO demystified Fujifilm Where noise comes from first look and how it relates to X-T20 mirrorless & sensor size & resolution X100F compact The high ISO king? We see how Nikon’s D5 copes with ice-hockey boot camp Ice on the black sand beach at Jökulsárlón.raw ON THE ICE BEACH IT’S A DARK, SOMBRE WINTER’S DAY. The grey cloud is low, and the rain is steady, but the muted light is just perfect for the subject matter all around me, namely waves lapping around the artfully sculpted blocks of ice on the black sand. Now I’ve seen many images of this unique combination before – it’s an Icelandic photographic staple – but there’s no resisting the appeal of such stark, elemental beauty. In fact it’s a beauty that is enhanced by the flat lighting, a cold scene of black and blue with simple graphic appeal. But as so often is the case here in Iceland the conditions are difficult: apart from the rain, salty spray is being driven inshore off the waves and onto my increasingly crusty camera, lens and filter. So be it, such adversity is now familiar.