7. Bemused: ˝WTF!˛

Total Page:16

File Type:pdf, Size:1020Kb

7. Bemused: ˝WTF!˛ Reading the Comments • Reading the Comments 7. Bemused: “WTF!” Joseph Reagle Published on: Apr 03, 2019 Updated on: May 14, 2019 Reading the Comments • Reading the Comments 7. Bemused: “WTF!” Angle is wrong (2/5 stars): I tried the banana slicer and found it unacceptable. As shown in the picture, the slicer is curved from left to right. All of my bananas are bent the other way. —J. Anderson, Amazon review of Hutzler 571 Banana Slicer “Angle Was Wrong” Was Wrong (5/5 stars): I can’t believe anyone could be so inept as to think that they couldn’t slice their bananas because they bent “the wrong way.” All that person has to do is to buy the model 571C Banana Slicer that is for bananas that bend the other way. Although I prefer left-bending bananas, I got both the 571B and the 571C so that when shopping, I don’t have to have the hassle of finding bananas with the correct polarity. I hope “Angle Was Wrong” sees the light and removes that harsh one-star rating for this indispensable product duo. —H. Madizon, Amazon review In 2010, Ken Fisher, editor of the technology news site Ars Technica, posted an article about “cleaning up our comments.” He wrote, “Today, I would like to discuss with our community the recent decline in both quality and civility in our front page news discussions/comments.” Fisher then solicited suggestions from his readers for how to address the situation. The first comment to Fisher’s thoughtful query was literally this: “First!”1 This short exclamation is both inane and intriguing—much like “fail.” For those who read comments and read them in the order posted, “first” is often the first comment, the second comment, the third comment, and so on. These are the result of competitive commenters submitting their firsts within seconds of each another—but there can be only one first. The inanity of this comment is that it contributes nothing to the discussion and is likely to be submitted before the article could be read so the commenter can claim the honor of being first. As far as honors go, it is slight, so why do people even bother? Beyond the pleasure of seeing one’s name in a prominent position, the first (or at least early) comment can be a valuable asset. I came to appreciate this over a decade ago on the social news site Slashdot. Like many sites, Slashdot permits active users to rate comments, which have a cumulative score from worst (–1) to best (+5). Readers can then filter out comments below a threshold. The system keeps the worst comments from being visible, but I noticed that some of the most informed comments were also hidden. This rush and slash effect privileged comments that were written within the period that most people were likely to rate them. Because those who were likely to rate comments were the most active users, they typically did this within hours of a story’s posting. After that, the raters had moved on. I found that the average age of a comment with a rating of “4 or higher” (where I set my reading filter) was just over an hour and that I typically would not see any comments older than eight hours. Early comments often received more attention than they deserved. 2 Reading the Comments • Reading the Comments 7. Bemused: “WTF!” This rush to post an (often slapdash) comment is related to a widely observed phenomenon: preferential attachment, or the idea that “the rich get richer.” For example, when new users look for a blog or podcast to subscribe to, they are likely to select (or attach) to those that are already popular. (Because of this, the social media marketplace is characterized by firms getting users first and worrying about profits later.) This is not to say that first mover victors have no merit, but equally compelling competitors who were late to the game might suffer because of their tardiness. Similarly, in the context of comments, early posts are likely to attract a disproportionate number of responses and votes. Early comments can also bias what follows. In a 2013 study, researchers took over a hundred thousand comments during a five-month period and did one of three things to each: they rated the comment up (positive) or down (negative) or did nothing (control). Although the researchers’ down votes tended to be countered and neutralized, an initial up vote increased the likelihood of a subsequent up vote by 32 percent. In some conditions (such as on political and social topics), this positive “herding” increased final ratings by 25 percent on average.2 © 2012 xkcd.com/1019/ CC-BY-NC 2.5 Because preferential attachment fosters the dominance of early movers, we now also look to who is trending. Unlike a fixed number (such as two million readers), trending indicates how quickly something is gaining attention (for example, twice as many readers as last week). This, like nearly 3 Reading the Comments • Reading the Comments 7. Bemused: “WTF!” everything, can be gamed. For example, the Web app Thunderclap allows social media campaigns to organize their supporters to post a message at the same time, “spreading an idea through Facebook and Twitter that cannot be ignored.”3—because such a message will appear to be “trending” with a stunning growth rate. These first-mover advantages can also be seen in the increasing dominance of Amazon Vine reviews. Select customers are given “new and pre-release items” for free if they quickly post reviews, which then have a disproportionate standing. For example, the first four most helpful reviews for a popular laser pointer are all Vine reviews that were posted within four months of the products’ availability.4 Vine reviews might be expected to be dominant for a new product, but this laser pointer has been around since 2009 and has over six hundred reviews (averaging 4.5 stars). It seems unlikely that the most helpful reviews really are those that were posted within months of being received by people who got it for free. There are obvious advantages to priming the pump. In earlier chapters, I address how comment in the age of the Web can inform, alienate, and manipulate us. The example of “First!” shows that these messages also can be confusing and amusing: we are bemused. Online, this is often expressed via the textual exclamation “WTF?” (what the fuck?). This acronym has become a part of the lexicon through which commenters express their surprise and befuddlement. In this chapter I explore this bemusement through various examples. And while I began with those that shout “first,” I will conclude with those that whisper. But, first, I consider comments that are confusing, funny, and surprisingly revealing of our biases. Perplexing People: “Saved Our Son’s Life? 4/5 Stars” A digital bit can represent two states: true or false, 1 or 0, like or dislike. Between the single bit indicated by like and the verbosity of prose sits the constellation of five stars. Although we might appreciate the stars’ ability to illuminate, they also can befuddle, such as a review of a carbon monoxide alarm entitled “Saved our son’s life—4/5 stars.” A screen capture of this review went viral, and comments at the discussion sites Reddit and Imgur revealed varied responses to online ratings, including questions of expectations and competency. People found this 4/5 review to be a perplexing example of the inscrutableness of others. One commenter quipped that “some people are just impossible to please.”5 Is this the case? (And is it even a genuine review?) After some searching, I found that it was indeed a real review on a Canadian housewares site by user KayBe: 4 Reading the Comments • Reading the Comments 7. Bemused: “WTF!” This morning my son called me at work to tell me the alarm was going off.… I called my husband (who luckily was not far away) and he headed home. He checked our furnace … and discovered the burner was “carboned up” so it wasn’t burning properly.… If he hadn’t caught it and cleaned it the CO would have built up and our son might not have woken up in time. Scary thing to have happen but so glad this unit did it’s job!6 Based on her other reviews, KayBe was not impossible to please. In her four reviews on the site, she gave five stars to a nutritional scale and a paraffin bath, used to soak sore hands or feet. Nonetheless, her review of the carbon monoxide detector sparked parody and complaints. Some (humorously) took the four stars as a reflection of KayBe’s lack of fondness for her son: “If it would have been our favorite son, 5/5 stars,” and “Yeah, sure, it saved his life, but is he really that great of a kid?” Other comments sarcastically implied that some products are inherently more worthy than others: “You know, it was pretty good and saved my son’s life and all, but let me tell you about my new Revlon Paraffin Bath!!! It’s amazing!”7 In reality, KayBe would likely give five stars to the idea of the gas detector as well as its performance but felt that this particular detector fell short. What might be to blame? Her four-star reviews reflected a concern about quality and durability. Some thought this was trivial compared to saving a life: “Plus—saved son’s life. Minus—appearance and quality could use a little work.…”8 These parodies likely arise from our (often confounded) assumption that others have similar expectations and competencies.
Recommended publications
  • 2021 Revenue Ordinance
    2021 Revenue Ordinance As Proposed on December 5, 2019 ii Revenue Ordinance of 2021 to Levy Taxes and Fees and Raise Revenue For the City of Savannah Georgia As adopted on December 18, 2020 Published by City of Savannah Revenue Department Post Office Box 1228 Savannah, GA 31402-1228 CITY OF SAVANNAH 2021 CITY COUNCIL Mayor Van R. Johnson, II Post 1 At-Large Post 2 At-Large Kesha Gibson-Carter Alicia Miller Blakely District 1 District 2 Bernetta B. Lanier Detric Leggett District 3 District 4 Linda Wilder-Bryan Nick Palumbo District 5 District 6 Dr. Estella Edwards Shabazz Kurtis Purtee Revenue Ordinance Compiled By Revenue Director/City Treasurer Ashley L. Simpson Utility Billing Manager Nicole Brantley Treasury Manager Joel Paulk Business Tax & Alcohol License Manager Judee Jones Revenue Special Projects Coordinator Saja Aures Table of Contents Revenue Ordinance of 2021 ....................................................................................................................... 1 ARTICLE A. GENERAL ............................................................................................................................... 1 Section 1. SCOPE; TAXES AND FEES .................................................................................................... 1 Section 2. DEFINITIONS ........................................................................................................................... 1 Section 3. JANUARY 1 GOVERNS FOR YEAR ......................................................................................
    [Show full text]
  • I.Hate.Fandom a Tasteless Card Game of Social Media Attention Whoring by Ewen Cluney (©2014)
    i.hate.fandom A Tasteless Card Game of Social Media Attention Whoring By Ewen Cluney (©2014) Graphic Design by Clay Gardner Playtesters: Michael Bom, Chris Camareno, Grant Chen, Nick Colucci, Jennifer Jennings, Thinh Pham, Elton Sanchez, Aaron Smith, Mike Stevens, Dave Taue, Cat Winslow Specs 3-8 Players 30+ Minutes Ages 16+ (at least) Materials Needed: Decks, Rules, 50-100 Tokens (not included) Introduction i.hate.fandom is an alternate base set for i.hate.everyone, full of cards about various geeky subjects. You can shuffle the two sets together, or play them separately. Printing I recommend printing the cards that appear after the rules in this PDF on cardstock and then cutting them and putting them into an appropriately sized AMAC box (available from The Container Store or similar). The two types of cards have different labels, but printing on different colors of cardstock can make them a little easier to tell apart. The Cards This game has two kinds of cards: Status Cards and Comment Cards. Status Cards represent what the OP is posting, and Comment Cards represent what other people are posting in response. Each card has two (or sometimes three) parts. Post Text: This is the part you use. Post Text is larger and in bold. Status Cards have questions or fill in the blank statements. Comment Cards have things that can become answers or things that go in those blanks. When the post text has a description of a person in parentheses, such as “(The player to your right),” fill in that person’s name when you read the card.
    [Show full text]
  • BC Amazon BOOK R3.Indd
    1 Table of Contents 07 28 Forward CHAPTER 4 Bryan Eisenberg How Not to Sell on Amazon, New York Times Best Selling Author According to the Former Head of Selling on Amazon 09 James Thomson Preface from BigCommerce Partner, PROSPER Show Founder Tracey Wallace Editor-in-Chief, BigCommerce 31 CHAPTER 5 12 A Handy Amazon Seller CHAPTER 1 Account Setup Checklist The Case for Multi-Channel James Thomson Selling: Expansion and Opti- Partner, PROSPER Show Founder mization Tracey Wallace 41 Editor-in-Chief, BigCommerce CHAPTER 6 Amazon Selling Strategies to 17 Get You Started Now CHAPTER 2 Andrew Tjernlund Selling Swimwear to Alas- Amazon Consultant and Multi-Million kans: The True Story of How 3 Dollar Merchant Brands Expanded on Amazon Tracey Wallace 51 Editor-in-Chief, BigCommerce CHAPTER 7 Amazon Selling Pitfalls Even 23 the Savviest of Sellers Forget CHAPTER 3 James Thomson Is Your Business a Good Fit for Partner, PROSPER Show Founder Amazon? James Thomson Partner, PROSPER Show Founder 2 The Definitive Guide To Selling On Amazon 64 114 CHAPTER 8 CHAPTER 13 How One Pillow Manufac- Amazon Revenue Calculator: turer Put Amazon Fraud- Fees, Metrics & More sters to Bed, One Scammer [Infographic] at a Time Lauren Shepherd Amanda Horner Senior Marketing Manager, Teikametrics CEO, CNH Pillow 127 70 CHAPTER 14 CHAPTER 9 How to Make $5,000 an Hour The Buy Box: How It Works Selling on Amazon and Why It’s So Important Andrew Tjernlund Eyal Lanxner Amazon Consultant and Multi-Million Dollar CTO, Feedvisor Merchant 77 140 CHAPTER 10 CHAPTER 15 How to Master
    [Show full text]
  • CALLAND CLEMENTS ZOMNIR Linpsavr
    CALLAND CLEMENTS ZOMNIR LINPSAVr. HOVC'ARP May 14, 1999 VIA FEDERAL EXPRESS Frank Klanchar (3HW22) United States Environmental Protection Agency Region III 841 Chestnut Building Philadelphia, PA 19107-4431 RE: Welsh Road/Bartaan Landfill Superfund Site Administrative Order for Remedial Action (Docket No. III-99-012-DC) Dear Mr. Klanchar: I. Introduction On or about March 19, 1999, the United States Environmental Protection Agency ("EPA" or the "Agency") issued an Administrative Order for Remedial Action (Docket No. III-99-012-DC) (the "Order") to fourteen (14) respondents (collectively, the "Respondents"), including Ecolaire Incorporated ("Ecolaire"), directing those parties to, inter .alia, implement certain remedial activities at the Welsh Road Superfund Site located in Chester and Lancaster Counties, Pennsylvania (the "Site"). Pursuant to Section XXV of the Order, EPA directed each Respondent to provide notice to EPA's Remedial Project Manager stating whether the Respondents would comply with the terms of the Order. Although the Order required such notice to be provided no later than two (2) days after the effective date of the Order, through mutual agreement among the parties, this deadline was extended to May 17, 1999. The purpose of this letter is to communicate Ecolaire's current intentions with respect to the Order, and, subject to the reservations below, to set forth a description of the "sufficient cause" defenses that are known to Ecolaire at the time of this letter. See Sections 106 and 107 of the Comprehensive Environmental Response, Compensation and Liability Act ("CERCLA"), 42 U.S.C. §§9606;and 9607." """ Twu Gareviii\ Center ir-ih, P«nn*vK.mici 4i: «4o40C " Fax 41- ^4-6576' AROUI725 Frank Klanchar May 14, 1999 Page 2 II.
    [Show full text]
  • The Trust Welcomes Three New Residents…
    WolfThe UK Wolf Conservation Trust PrintIssue 43 Summer 2011 The Trust welcomes three new residents… …but says goodbye to Latea • Bulgaria project update • Jim McNeill returns to Ellesmere Island • Canis lupus soupus: the classification of wolves ■ NEWS ■ EVENTS ■ MEDIA AND ARTS ■ REVIEWS Wolf Print Editor Vicky Allison-Hughes Tel: 0118 971 3330 Email: [email protected] Assistant Editor Julia Bohanna Editorial Team Angela Barrow, Lynn Kent Tsa Palmer, Denise Taylor Editor's Published by The UK Wolf Conservation Trust Butlers Farm, Beenham, Reading, RG7 5NT Tel: 0118 971 3330 Fax: 0118 971 0522 Letter Email: [email protected] Patrons Martin ‘Wolfie’ Adams elcome to the summer edition of Wolf Print. We've had a busy David Clement-Davies spring at the Trust with many changes, some of which are Cornelia 'Neil' Hutt physical, such as additional fencing and restricted areas ready Erich Klinghammer W Desmond Morris to quarantine the expected Arctic wolf cubs. The pole barn is finally Marco Musiani finished and now just needs the displays installing. This will happen once Michelle Paver our newest arrivals – Tala, Tundra and Nuka – have moved out; read on The UK Wolf Conservation Trust Directors in the director's letter to find out more about them. Nigel Bulmer Anne Carter I've had the privilege of representing the Trust at two different events Charles Hicks Sue Hull over the last few months, Clive Readings (the Trust’s wolf keeper) and I Tsa Palmer attended the ABWAK (Association of British Wild Animal Keepers) conference in March at Port Lympne Wildlife Park (see page 6 for further Specialist Advisors Alistair Bath details).
    [Show full text]
  • Stubborn Blood • Sara Bynoe • 108Eatio • Discqrder
    STUBBORN BLOOD • SARA BYNOE • 108EATIO • DISCQRDER'% RECORD STORfBAY SPECTACUW • FIVE SIMPLE STEPS TO HAKIMITAS A MUSICIAN • RUA MINX & AJA ROSE BOND Limited edition! Only 100 copies printed! 1 i UCITR it .-• K>1.9PM/C1TR.CA DISCORDERJHN MAGAZINE FROM CiTR, • LIMITED EDITION 15-MONTH CALENDARS ! VISIT DISCORDER.CA TO BUY YOURS CELEBRATES THIRTY YEARS IN PRINT. \ AVAILABLE FOR ONLY $15. ; AND SUPPORT CiTR & DISCORDER! UPCOMING SHOWS tickets oniine: enterthevault.com i . ISQILWQRK tteketweb-ca | J?? 1 Loomis, Blackguard, The Browning, Wretched instoreiScrape j 7PM DAVID NEWBERRY tickets available at door only j doors Proceeds to WISH Drop-In Centre j 6PM | plus guests 254 East Hastings Street • 604.681.8915 FIELDS OFGREENEP RELEASE PARTY $12t cdSS PAGAHFESLWITHEHSIFERUM $30* tickets onftie: tiCketweb.CS Tyr, Heidevolk, Trolffest, Heisott In store: Scrape tickets onfine: fiveatrickshaw.com GODSOFTHEGRMIteeOAIWHORE s2Q northemtJckets.com in store: doors | TYRANTS BLOOD, EROSION, NYLITHIA and more Scrape, Neptoon, Bully's 7PM MAY HIGHLIGHTS MAY1 KILLING JOKE with Czars CASUALTIES $20+S/Cadv, DOORS 6PM Dayglo Abortions m H23 $ MAY 4 SINNED Zukuss, Excruciating Pain, Entity PICKWICK 14: $9+S/Cadv. DOORS 8:30PM $ 0IR15 ROCK CAMP FEAT. BEND SINISTER 12^ in store: Scrape, Neptoon, Bully's doors MAY 5 KVELETRAK BURNING GHATS, plus guests Gastown Tattoo, Red Cat, Zulu 8PM ___ $16.50+S/C adv. DOORS 8PM M Anchoress, Vicious Cycles & Mete Pills i *|§ fm tickets online: irveatrickshaw.com MAY 10 APOLLO GHOSTS FINAL SHOW LA CHINOA (ALBUM RELEASE) *»3S ticketweb.ca In store: doors m NO SINNER, THREE WOLF MOON & KARMA WHITE $J2 door Scrape, Millennium, Neptoon 8PM plus guests $8+S/Cadv.
    [Show full text]
  • (FCC) Complaints About Saturday Night Live (SNL), 2019-2021 and Dave Chappelle, 11/1/2020-12/10/2020
    Description of document: Federal Communications Commission (FCC) Complaints about Saturday Night Live (SNL), 2019-2021 and Dave Chappelle, 11/1/2020-12/10/2020 Requested date: 2021 Release date: 21-December-2021 Posted date: 12-July-2021 Source of document: Freedom of Information Act Request Federal Communications Commission Office of Inspector General 45 L Street NE Washington, D.C. 20554 FOIAonline The governmentattic.org web site (“the site”) is a First Amendment free speech web site and is noncommercial and free to the public. The site and materials made available on the site, such as this file, are for reference only. The governmentattic.org web site and its principals have made every effort to make this information as complete and as accurate as possible, however, there may be mistakes and omissions, both typographical and in content. The governmentattic.org web site and its principals shall have neither liability nor responsibility to any person or entity with respect to any loss or damage caused, or alleged to have been caused, directly or indirectly, by the information provided on the governmentattic.org web site or in this file. The public records published on the site were obtained from government agencies using proper legal channels. Each document is identified as to the source. Any concerns about the contents of the site should be directed to the agency originating the document in question. GovernmentAttic.org is not responsible for the contents of documents published on the website. Federal Communications Commission Consumer & Governmental Affairs Bureau Washington, D.C. 20554 December 21, 2021 VIA ELECTRONIC MAIL FOIA Nos.
    [Show full text]
  • Songs by Artist 08/29/21
    Songs by Artist 09/24/21 As Sung By Song Title Track # Alexander’s Ragtime Band DK−M02−244 All Of Me PM−XK−10−08 Aloha ’Oe SC−2419−04 Alphabet Song KV−354−96 Amazing Grace DK−M02−722 KV−354−80 America (My Country, ’Tis Of Thee) ASK−PAT−01 America The Beautiful ASK−PAT−02 Anchors Aweigh ASK−PAT−03 Angelitos Negros {Spanish} MM−6166−13 Au Clair De La Lune {French} KV−355−68 Auld Lang Syne SC−2430−07 LP−203−A−01 DK−M02−260 THMX−01−03 Auprès De Ma Blonde {French} KV−355−79 Autumn Leaves SBI−G208−41 Baby Face LP−203−B−07 Beer Barrel Polka (Roll Out The Barrel) DK−3070−13 MM−6189−07 Beyond The Sunset DK−77−16 Bill Bailey, Won’t You Please Come Home? DK−M02−240 CB−5039−3−13 B−I−N−G−O CB−DEMO−12 Caisson Song ASK−PAT−05 Clementine DK−M02−234 Come Rain Or Come Shine SAVP−37−06 Cotton Fields DK−2034−04 Cry Like A Baby LAS−06−B−06 Crying In The Rain LAS−06−B−09 Danny Boy DK−M02−704 DK−70−16 CB−5039−2−15 Day By Day DK−77−13 Deep In The Heart Of Texas DK−M02−245 Dixie DK−2034−05 ASK−PAT−06 Do Your Ears Hang Low PM−XK−04−07 Down By The Riverside DK−3070−11 Down In My Heart CB−5039−2−06 Down In The Valley CB−5039−2−01 For He’s A Jolly Good Fellow CB−5039−2−07 Frère Jacques {English−French} CB−E9−30−01 Girl From Ipanema PM−XK−10−04 God Save The Queen KV−355−72 Green Grass Grows PM−XK−04−06 − 1 − Songs by Artist 09/24/21 As Sung By Song Title Track # Greensleeves DK−M02−235 KV−355−67 Happy Birthday To You DK−M02−706 CB−5039−2−03 SAVP−01−19 Happy Days Are Here Again CB−5039−1−01 Hava Nagilah {Hebrew−English} MM−6110−06 He’s Got The Whole World In His Hands
    [Show full text]
  • Work It Missy Elliott Free Download
    Work it missy elliott free download click here to download Free download Work It – Miss Elliot Mp3. We have about 25 mp3 files ready to play and Filename: Work it-Missy elliot (Backward).mp3. Work It. Artist: Missy Elliott. www.doorway.ru MB · Work It. Artist: Missy Elliott. www.doorway.ru MB · Work It. Artist: Missy Elliott. Missy Elliott - Work It (Dj Sliink & R4 Remix) Missy Elliott - Work It (Remix) ft. 50 Cent Missy Elliott - Work It (White Label Breakbea Missy Elliott - Work It (White. Work It Missy Eliot Free Mp3 Download. Free Missy Elliott Work It Official www.doorway.ru3. Play & Download Size MB ~ ~ kbps. Free Missy Elliot. Missy Elliott - Work It mp3 free download for mobile. Stream 'Work It' Ft Missy Elliott (FREE DOWNLOAD) by Daniel Chapman - Free Downloads from desktop or your mobile device. WORK IT MISSY ELLIOT MP3 Download ( MB), Video 3gp & mp4. List download link Lagu MP3 WORK IT MISSY ELLIOT ( min), last update Sep Watch the video, get the download or listen to Missy Elliott – Work It for free. Work It appears on the album Under Construction. "Work It" is a hip hop song written. 50 Cent Feat. Missy Elliot Work It (Remix) [Prod. by Timbaland] free mp3 download and stream. Missy Eliot Work It Out Download Free Mp3 Song. Missy Elliott - Work It (Official Video) mp3. Quality: Good Download. Missy Elliot Work It Lyrics mp3. Quality. Buy Work It: Read 26 Digital Music Reviews - www.doorway.ru Missy Elliott Start your day free trial of Unlimited to listen to this song plus tens of millions.
    [Show full text]
  • Riaa Gold & Platinum Awards
    4/1/2016 — 4/30/2016 In April 2016, RIAA certified 48 Digital Single Awards and 20 Album Awards. Complete lists of all album, single and video awards dating all the way back to 1958 can be accessed at riaa.com. RIAA GOLD & APRIL 2016 PLATINUM AWARDS DIGITAL MULTI-PLATINUM SINGLE (6) Cert Date Title Artist Label Plat Level Rel. Date 4/29/2016 MY HOUSE FLO RIDA ATLANTIC RECORDS 2 3/17/2015 4/1/2016 CRUISE FLORIDA GEORGIA BMX 10 4/10/2012 LINE 4/15/2016 WHITE IVERSON POST MALONE REPUBLIC RECORDS 2 8/14/2015 4/29/2016 WORK RIHANNA WESTBURY ROAD 3 1/27/2016 ENTERTAINMENT/DISTRIBUTED BY ROC NATION 4/29/2016 WORK RIHANNA WESTBURY ROAD 2 1/27/2016 ENTERTAINMENT/DISTRIBUTED BY ROC NATION 4/7/2016 ROSES THE CHAINSMOKERS COLUMBIA 2 3/10/2015 DIGITAL PLATINUM SINGLE (12) Cert Date Title Artist Label Plat Level Rel. Date 4/27/2016 DON’T BRYSON TILLER RCA 1 5/20/2015 4/21/2016 LOVE YOU LIKE THAT CANAAN SMITH MERCURY NASHVILLE 1 7/21/2014 4/18/2016 ONE CALL AWAY CHARLIE PUTH ARTIST PARTNERS GROUP 1 8/21/2015 4/29/2016 AW NAW CHRIS YOUNG RCA RECORDS LABEL 1 5/21/2013 NASHVILLE 4/29/2016 YOU CHRIS YOUNG RCA NASHVILLE 1 7/12/2011 4/29/2016 GETTIN’ YOU HOME CHRIS YOUNG RCA NASHVILLE 1 2/5/2009 4/29/2016 WHO I AM WITH YOU CHRIS YOUNG RCA RECORDS LABEL 1 9/17/2013 NASHVILLE 4/29/2016 MY HOUSE FLO RIDA ATLANTIC RECORDS 1 3/17/2015 4/29/2016 2 PHONES KEVIN GATES BREAD WINNERS 1 11/6/2015 ASSOCIATION/ATLANTIC RECORDS 4/15/2016 I TOOK A PILL IN IBIZA MIKE POSNER ISLAND RECORDS 1 4/3/2015 4/29/2016 WORK RIHANNA WESTBURY ROAD E 1 1/27/2016 NTERTAINMENT/DISTRIBUTED BY ROC NATION 4/15/2016 SAY IT TORY LANEZ MAD LOVE/INTERSCOPE 1 7/31/2015 www.riaa.com GoldandPlatinum @RIAA @riaa_awards APRIL 2016 DIGITAL GOLD SINGLE (25) Cert Date Title Artist Label Plat Level Rel.
    [Show full text]
  • The Queer Time of Spanglish, Family, and Latinx Futurity in Santa A
    UNIVERSITY OF CALIFORNIA Santa Barbara Latinx Temporalities: The Queer Time of Spanglish, Family, and Latinx Futurity in Santa Ana, California, 2014-2017 A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Chicana and Chicano Studies by Juan Sebastian Ferrada Committee in charge: Professor Dolores Inés Casillas, Chair Professor Ellie D. Hernández Professor Mary Bucholtz Professor Carlos U. Decena, Rutgers University March 2019 The dissertation of Juan Sebastian Ferrada is approved. _____________________________________________ Ellie D. Hernández _____________________________________________ Mary Bucholtz _____________________________________________ Carlos U. Decena _____________________________________________ Dolores Inés Casillas, Committee Chair December 2018 ii Latinx Temporalities: The Queer Time of Spanglish, Family, and Latinx Futurity in Santa Ana, California, 2014-2017 Copyright © 2018 by Juan Sebastian Ferrada iii DEDICATION Para mis abuelitas Veronica Ulloa, Camerina De la Torre, y para mi abuelito Jesús De la Torre, QEPD. iv ACKNOLWEDGEMENTS I am fortunate to have been trained and mentored by some of the boldest, most brilliant scholars and teachers who served as my committee. My committee chair and advisor—Inés Casillas, words are not enough to explain the gratitude I feel toward you. I hope to be such an integral part of my student’s intellectual (and personal) formation as you have been, and continue to be for me. Thank you for your patience with me running on queer—no, Latinx—time and for encouraging me to take this project as far as I could go. The rest of my committee members, Ellie Hernández, Mary Bucholtz, Carlos Decena—I learned so much from each of you and your work.
    [Show full text]
  • Accelerated Reader Book List Report by Reading Level
    Accelerated Reader Book List Report by Reading Level Test Book Reading Point Number Title Author Level Value -------------------------------------------------------------------------- 27212EN The Lion and the Mouse Beverley Randell 1.0 0.5 330EN Nate the Great Marjorie Sharmat 1.1 1.0 6648EN Sheep in a Jeep Nancy Shaw 1.1 0.5 9338EN Shine, Sun! Carol Greene 1.2 0.5 345EN Sunny-Side Up Patricia Reilly Gi 1.2 1.0 6059EN Clifford the Big Red Dog Norman Bridwell 1.3 0.5 9454EN Farm Noises Jane Miller 1.3 0.5 9314EN Hi, Clouds Carol Greene 1.3 0.5 9318EN Ice Is...Whee! Carol Greene 1.3 0.5 27205EN Mrs. Spider's Beautiful Web Beverley Randell 1.3 0.5 9464EN My Friends Taro Gomi 1.3 0.5 678EN Nate the Great and the Musical N Marjorie Sharmat 1.3 1.0 9467EN Watch Where You Go Sally Noll 1.3 0.5 9306EN Bugs! Patricia McKissack 1.4 0.5 6110EN Curious George and the Pizza Margret Rey 1.4 0.5 6116EN Frog and Toad Are Friends Arnold Lobel 1.4 0.5 9312EN Go-With Words Bonnie Dobkin 1.4 0.5 430EN Nate the Great and the Boring Be Marjorie Sharmat 1.4 1.0 6080EN Old Black Fly Jim Aylesworth 1.4 0.5 9042EN One Fish, Two Fish, Red Fish, Bl Dr. Seuss 1.4 0.5 6136EN Possum Come a-Knockin' Nancy VanLaan 1.4 0.5 6137EN Red Leaf, Yellow Leaf Lois Ehlert 1.4 0.5 9340EN Snow Joe Carol Greene 1.4 0.5 9342EN Spiders and Webs Carolyn Lunn 1.4 0.5 9564EN Best Friends Wear Pink Tutus Sheri Brownrigg 1.5 0.5 9305EN Bonk! Goes the Ball Philippa Stevens 1.5 0.5 408EN Cookies and Crutches Judy Delton 1.5 1.0 9310EN Eat Your Peas, Louise! Pegeen Snow 1.5 0.5 6114EN Fievel's Big Showdown Gail Herman 1.5 0.5 6119EN Henry and Mudge and the Happy Ca Cynthia Rylant 1.5 0.5 9477EN Henry and Mudge and the Wild Win Cynthia Rylant 1.5 0.5 9023EN Hop on Pop Dr.
    [Show full text]