Hatidze,The Macedonian Beekeeper Charming Hollywood
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Evropska Unija U Crnoj Gori SADRŽAJ / CONTENTS
Evropska unija u Crnoj Gori SADRŽAJ / CONTENTS 3-4 O FESTIVALU / ABOUT THE FESTIVAL 6. Zarad nečuvene dobiti / For the Sake of an Outrageous Profit 7. Gando / Gando 8 . Džinovski robovi – Slonovi kao dio turističke industrije / Giant Slaves - Elephants in Tourism Industry 9. Odjek / Echo 10 . Lekcija iz Ekologije / Ecology Lesson 11. Gonič kamila / Sarevo 13 . Sjutra / Tomorrow 14 . Pacifički losos. Crvena riba / Sockeye Salmon. Red Fish 15 . Eko-ljubav / Ecolove 16 . Minja i klimatske promjene / Minja and Climate Change 17 . Sunčani dan / A Sunny Day 19 . Čovjek / The Human 20 . ... Ja sam voda / ...I am Water 21 . Speleonaut. Pod kamenim nebom / Speleonaut. Under the Stone Sky 22 . Tragovi / Traces 24 . Jonino otkrovenje / Revelation of Jonah 25 . Ovačik / Ovacik 26 . Grudi / Breasts 28 . Zemlja je plava kao pomorandža / The Earth is Blue as an Orange 29 . Andrej Tarkovski. Film kao molitva / Andrey Tarkovsky. A Cinema Prayer 30 . Zemlja meda / Honeyland 32 . Proleće na poslednjem jezeru / Spring on the Last Lake 34 . Promotivno turistički filmovi / Promotional and Tourism Films 37 . Žiri / Jury 44 . Produkcioni tim festivala / Festival production team 2 Crna Gora). Promo-turističke filmove ocjenjivaće tročlani žiri u sastavu: Oskar VI GREEN MONTENEGRO Huter, direktor TO Cetinje, Vanja Vukojičić, direktor TO Pljevlja i Emil Kukalj, INTERNATIONAL FILM FEST 2020 direktor TO Bar. Organizator ovogodišnjeg festivala je Centar za multimedijalnu produkciju Green Montenegro International Film Fest (GMIFF) je konceptualni filmski (www.cezam.me) u saradnji sa Opštinom Žabljak, uz podršku Ministarstva za festival na temu zaštite životne sredine koji postaje prepoznat kao centar održivi razvoj i turizam, Delegacije Evropske unije u Crnoj Gori, Ministarstva ekološkog identiteta države Crne Gore te kao pokretač konkretnih akcija i kulture, Agencije za zaštitu prirode i životne sredine, JU Nacionalnih parkova održivih ideja na planu zaštite i očuvanja prirodnih resursa naše zemlje. -
SLOVO Honeyland
SLOVO Film review Honeyland Tamara Kotevska, Ljubomir Stefanov, 2018 Screenwriters: Tamara Kotevska, Ljubomir Stefanov Place: North Macedonia Studios: Trice Films, Apolo Media Length: 87 minutes Language: Balkan Gagauz Turkish Alex Figurski, University College London. Honeyland is a film from the countryside gone global. Set in the rural Balkans, a woman tending to wild bees has her way of life disrupted by rowdy new neighbours, bringing with them the demands of modernity and need for greater yields. And so this uniquely North Macedonian documentary – featuring a variety of cultural references and showcasing the country’s glorious stone-washed landscapes – carries an ecological message of worldwide relevance: Is our consumerism destroying the planet? The protagonist is Hatidže Muratova, a lone beekeeper in the near-abandoned village of Bekirlija. She is completely at one with her surroundings. She hikes up and down steep mountains, facing wild bees with minimal protective gear. She harvests the honey using wisdom passed on by previous generations and keeps her hive well-fed: “half for them, half for me”. Every so often, she travels to Skopje, the capital, to sell her produce directly to the market stall vendors, bringing back bananas and chestnut-coloured hair dye. Her quiet life is disturbed when a large family moves in next door, with the intention of earning extra income by producing their own honey. However, without Hatidže’s local knowledge and driven by consumer demand for ever increasing quantities of honey, they pay little attention to the damage they are doing to the beehive and the environment around them. Contrasting the lives of Hatidže and the family next door, Honeyland is a film about a traditional way of life which we may feel we can never go back to and, on the other hand, a mass consumption culture which cannot be sustainable for long. -
6523 Papadimitriou & Grgic.Indd
CONTEMPORARY BALKAN CINEMA 66523_Papadimitriou523_Papadimitriou & GGrgic.inddrgic.indd i 001/10/201/10/20 33:27:27 PPMM Traditions in World Cinema General Editors Nordic Genre Film Linda Badley (Middle Tennessee State Tommy Gustafsson and Pietari Kääpä (eds) University) Contemporary Japanese Cinema Since R. Barton Palmer (Clemson University) Hana-Bi Adam Bingham Founding Editor Chinese Martial Arts Cinema (2nd edition) Steven Jay Schneider (New York University) Stephen Teo Titles in the series include: Slow Cinema Tiago de Luca and Nuno Barradas Jorge Traditions in World Cinema Expressionism in Cinema Linda Badley, R. Barton Palmer and Steven Jay Olaf Brill and Gary D. Rhodes (eds) Schneider (eds) French Language Road Cinema: Borders, Japanese Horror Cinema Diasporas, Migration and ‘New Europe’ Jay McRoy (ed.) Michael Gott New Punk Cinema Transnational Film Remakes Nicholas Rombes (ed.) Iain Robert Smith and Constantine Verevis (eds) African Filmmaking Coming of Age in New Zealand Roy Armes by Alistair Fox Palestinian Cinema New Transnationalisms in Contemporary Nurith Gertz and George Khleifi Latin American Cinemas Czech and Slovak Cinema Dolores Tierney Peter Hames Celluloid Singapore: Cinema, Performance and The New Neapolitan Cinema the National Alex Marlow-Mann Edna Lim American Smart Cinema Short Films from a Small Nation: Danish Claire Perkins Informational Cinema 1935–1965 C. Claire Thomson The International Film Musical Corey Creekmur and Linda Mokdad (eds) B-Movie Gothic: International Perspectives Justin D. Edwards and Johan -
23Rd Baltic Sea Forum for Docs
23rd Baltic Sea Forum for Docs Introduction by Nauris Puntulis, Minister of Culture of Latvia 4 Introduction by Dita Rietuma, Director of National Film Centre of Latvia 5 Film Programme 6 BSD Projects 72 Hours Belarus/Belgium/France 10 Art and the Cold War. Esthetic Resistance Estonia 12 Company of Steel Ukraine 14 The Constitution of the New Era: Man Balancer of the Aerial and Aquatic World North Macedonia 16 Ever Since I Know Myself Georgia 18 Every Independence Day Belarus/Estonia 20 Fragile Memory Ukraine/The Netherlands 22 How to Save a Dead Friend Russia 24 The Hunt Lithuania 26 The Kind Stranger Finland 28 Masha, Out of the Realm of Memory France/Lithuania 30 Mayday Georgia! Georgia/UK/Uzbekistan 32 Men On Boat Denmark 34 Missing My Body Georgia 36 No Elephant in the Room Poland/Romania 38 The Price of Meat Latvia 40 Prison Unlocked Latvia 42 Rebbellion Ukraine/Germany 44 Riga Palace Latvia 46 Roma Ukraine/The Netherlands 48 Roses. Film – Cabaret Ukraine 50 Super B Finland 52 Tango of Life Latvia/Italy/Argentina 54 The Transition Russia/UK 56 Unpaved Poland/Sweden 58 Decision Makers 61 Tutors 67 Photo: Jānis Deinats Creative Alphabet Baltic Sea Docs can be proud of glorify its subject. Still, the author its substantial experience – this is is able to achieve the seemingly the 23rd BSD event, and the 15th ideal documentary filmmaker’s today’s globalized, an increasing amount of human- with several even included time it is taking place in Riga. It attitude towards the film’s main swiftly-changing generated garbage floats on the in documentary film classics has become a significant occasion character – respectful, but at the In world there are water’s surface. -
FNE Market Analysis 2019: NORTH MACEDONIA
FNE Market Analysis 2019: NORTH MACEDONIA SKOPJE: It was a truly exciting year for Macedonian cinematography with great box office results, international success for feature and documentary films, worldwide distribution for domestic titles and their participation in more than 200 film festival selections, and over 60 awards. Honeyland / Medena zemja directed by Tamara Kotevska and Ljubomir Stefanov won three awards at the Sundance International Film Festival, where it had its world premiere, and it has been screened in more than 50 film festivals worldwide, scooping more than 20 awards, alongside a nomination in the European Documentary 2019 category of the European Film Awards.. The film was the official Macedonian submission for an Oscar in the Best International Feature Film category and on 13 January 2020 it was nominated for the Academy Awards in Best Documentary Feature and Best International Feature Film categories. It is not only the first time when a Macedonian film gets two Oscars nominations, but it is also the first time in the history of the Oscars when a documentary is nominated in two categories. Teona Strugar Mitevska’s God Exists, Her Name is Petrunya / Gospod postoi, imeto I e Petrunija, which had its world premiere in the Competition at the 2019 Berlin Film Festival, was later distributed in 28 countries worldwide. North Macedonia had a film in the official competition at the Berlin International Film Festival for the first time in the last 20 years. God Exists, Her Name is Petrunya was selected for over 70 festivals and won 25 awards. It also received the European Parliament LUX Prize 2019. -
Download Programme
Cultural Partner Principal Partner Strategic Partner Signature Sponsor Contributing Sponsors Media Sponsor Promoted By Friends Of The Festival How to Use this Guide Table of Contents All films at Ajyal are selected and recommended according to age-appropriateness. Welcome to the Ajyal Film Festival 4 General Audience. Suitable for audiences ages 4 and up. Ajyal Competition, Jury and Awards 5 Parental guidance is advised. Some material may be inappropriate for young Feature Film Presentations 6–13 children. Opening Night: ‘It Must Be Heaven’ by Elia Suleiman 7 Parental guidance is advised for viewers under the age of 13. Individuals under the age of 13 are not admitted into cinemas unless accompanied by Short Film Programmes 14 an individual over the age of 18. Made in Qatar presented by Ooredoo 15–16 Parental guidance advised for viewers under the age of 15. Individuals under Feel: Films for the whole family 17 the age of 15 are not admitted into cinemas unless accompanied by an Overcome: Films for audiences 15 and older 18 individual over the age of 18. Experience: Films for audiences 18 and older 19 Wonder & Under the Moonlight Cine-Concert 20 Mature subject matter. May not be suitable for minors. Individuals under the Made in India 23 age of 15 are not admitted into cinemas. An Inclusive Experience 25 Mature subject matter. Not suitable for minors. Individuals under the age of 18 are not admitted into cinemas. SONY Cinema Under the Stars Programme 27 Festival Venues Ajyal Creativity Hub 30 To make it easier for you, we have given each venue a short code which you can match up with any of the screenings and events in this guide. -
Tamara KOTEVSKA, Ljubomir STEFANOV | Honeyland, North Macedonia, 2019, 87ʼ
2019 | ANUAC. VOL. 8, N° 2, DICEMBRE 2019: 313-315 VIDEO Tamara KOTEVSKA, Ljubomir STEFANOV | Honeyland, North Macedonia, 2019, 87ʼ. In the past decade, the increasing number of episodes of apparently inexplicable bee losses in the US and EU has gradually led bees to take on the role of the symbol of the worldwide ecological crisis. As Lisa J. Moore and Mary Kosut (Buzz: Urban beekeeping and the power of the bee, 2013) pointed out, the fear for bee’s survival linked with the concern for maintaining the current food regime and lifestyles have brought beekeeping at the center of the “eco-political” discourse. Bees are everywhere now, and beekeeping has become a very popular practice, gaining a lot of attention in media, politics, as well as in the academic context. Honeyland (2019), the multi-awarded film directed by Tamara Kotevska and Ljubomir Stefanov, it’s part of the ever more increasing number of fiction movies and documentaries dedicated to this topic. This impressive documentary offers the opportunity to reflect on the representation of cultural diversity produced within the context of the relationship between human and non-human beings. The film opens in an extreme wide shot of a dry landscape where a solitary human wearing a yellow shirt is walking in a dirt-road. The epic notes that follow through the scene, seem to magnify the bewildering feeling of a human immersed in an overwhelming nature. On the next framing, a wide shot reveals the identity of the person that will lead us through her life- story: Hatidze Muratova, a woman in her mid-fifties. -
Festival Program Festival Partners
Festival Program Festival Partners Principal Government Partner Major Government Partners Learning Partner Major Partners Offi cial Suppliers Program Partner Media Partners Industry Partners Cinema Partners CINEMA, CURATED Supporting Partners Motel Picture Company Cultural Partners miff .com.au 12 We respectfully acknowledge the Traditional Owners of the Land, the Woiwurrung, Boon Wurrung, Taungurung, Dja Dja Wurrung and the Wathaurong groups who form the Kulin Nation, on land that has Contents always been an important meeting place and location for social, sporting and cultural events and activities. Al Cossar Tickets & Venues 4 Artistic Director Galas 6 In a world where so many multi-task their media with gnawing familiarity, where so many stories congeal into cliché, where flms are everywhere but voices are few, it is a wonderful possibility to Special Events 8 ofer you the of-map and singular experiences of MIFF 2019. Welcome! Headliners 12 There are only-at-MIFF moments, spectacular sights and strange journeys all waiting to germinate through every corner of this year’s program – our 35mm screening of Quentin Tarantino’s hotly Australian Films 14 awaited Once Upon a Time in Hollywood; the Cine-Everest of the 14 hour+ La Flor; the all night brain- International Films 16 melt of the Goldblum Marathon; the magnetic half-3D noir of Long Day’s Journey Into Night, to name just a few. Music on Film 23 We present a series of more-than-Special Events featuring incredible collaborations and cross- Documentaries 24 pollinations designed to see another side of flm. We co-present with the MSO The Film Music Environmental Docs 26 of Nick Cave and Warren Ellis, welcoming both in attendance to present a path through their blissfully, brutally beautiful body of cinema work; Hear My Eyes sees neo-soul wunderkind Sampa The World Online 27 The Great perform to Céline Sciamma’s paean to Parisian sisterhood, Girlhood; icons of cinema and music meet in Thurston Moore Plays Maya Deren.