The 100 Best Movies You've Never Seen / Richard Grouse

Total Page:16

File Type:pdf, Size:1020Kb

The 100 Best Movies You've Never Seen / Richard Grouse 70577D3C-AE70-4CD7-90FE-8E702CCAC08A Copyright © ECW PRESS, 2003 Published by ECW PRESS 2120 Queen Street East, Suite 200, Toronto, Ontario, Canada M4E 1E2 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form by any process — electronic, mechanical, photocopying, recording, or otherwise — without the prior written permission of the copyright owners and ECW PRESS. NATIONAL LIBRARY OF CANADA CATALOGUING IN PUBLICATION Grouse, Richard, 1963- The 100 best movies you've never seen / Richard Grouse. ISBN 1-55022-590-1 1. Motion pictures. I. Title. II. Title: One hundred best movies you've never seen. PN1993.5.A1C86 2003 791.43 C2003-902185-8 Editor: Jennifer Hale Cover and Text Design: Tania Craan Cover Photographs: Richard Beland Production & Typesetting: Mary Bowness Printing: Transcontinental This book is set in Akzidenz Grotesk and Minion The publication of The 100 Best Movies You've Never Seen has been generously supported by the Canada Council, the Ontario Arts Council, and the Government of Canada through the Book Publishing Industry Development Program. Canada DISTRIBUTION CANADA: Jaguar Book Group, 100 Armstrong Avenue, Georgetown, ON, L7G 5S4 PRINTED AND BOUND IN CANADA ECW PRESS ecwpress.com 70577D3C-AE70-4CD7-90FE-8E702CCAC08A RICHARD CROUSE ECW PRESS 70577D3C-AE70-4CD7-90FE-8E702CCAC08A tamo nt nntontQ The Adventures of Buckaroo The Devil's Backbone ©2 Banzai in the 8th Dimension 1 The Dish S4 Annigoni: Portrait of an Artist 3 Dr. Syn: Alias the Scarecrow ©7 Atanarjuat: The Fast Runner 5 Dogtown and Z-Boys ©8 The Bad and the Beautiful S Eating Raoul ©9 Bedazzled 1 © LIST: Richard's Favorite Movie The Believer 13 Quotes 71 Better Off Dead 17 Eegah! The Name Written in Beyond the Mat 1 8 Blood 7Z LIST: Richard's Favorite Lines from Emma's Shadow 76 '80s Comedies 19 The Experiment 78 Beyond the Valley of the Dolls 23 A Face in the Crowd 79 Big Bad Love 25 The 5000 Fingers of Dr. T 81 Biggie & Tupac 27 Foreign Correspondent 2 The Brave One 29 LIST: Richard's Favorite Cameos by Brotherhood of the Wolf 3O Directors 841 Bubba Ho-Tep 31 Frailty SS Cane Toads: An Unnatural Fubar 86 History 33 Fun 87 Carnival of Souls 3S Funny Games 89 Chelsea Girls 39 Gangster Number One 90 Cherish 42 Ghost Dog: The Way of the Cocksucker Blues <45 Samurai SI CQ 48 Ginger Snaps S© Cyberman SO The Great Rock 'N' Roll Swindle 9@ Darby O'Gill and the Little Happy Texas 1 People 52 The Harder They Come 1 The Dangerous Lives of Altar LIST: Richard's Favorite Boys S4 Soundtracks 10S Delicatessen S6 Hedwig & the Angry Inch 11© Dementia 1 3 53 Here Comes Mr. Jordan 113 70577D3C-AE70-4CD7-90FE-8E702CCAC08A High School Confidential 115 LIST: Richard's Favorite Alan Smithee Films 1 85 I Ann a Fugitive from a Chain Gang 117 Santa Claus Conquers the Incubus 119 Martians 188 Scarface: The Shame of the Island of Lost Souls 1 24 Nation 191 Jason & the Argonauts 1 27 The Seven Faces of Dr. Lao 194 The Kid Stays in the Picture 1 2® Simone 197 Killer Klowns from Outer Space 13O LIST: Richard's Favorite Bits of Movie Wisdom 199 Kind Hearts and Coronets 133 Stage Door ZOO The Krays 135 The Straight Story 2O2 Lady in the Lake 137 Sugar Town 2O4 The Luzhin Defence 13© Suspiria 2O5 M 142 13 Conversations about One Mad Monster Party 144 Thing 2O7 Maelstrom 145 Tadpole 2O8 The Man Who Fell to Earth 1148 Targets 2O9 Meet the Feebles 152 The Terror of Tiny Town 212 Mile Zero 1 54 They Might Be Giants 214 The Minus Man 1 S5 To Be or Not To Be 216 Monsoon Wedding 159 The Toxic Avenger 219 LIST: Richard's Favorite Titles with Treed Murray 223 Ten Words or More 1 GO LIST: Richard's Favorite Credits 224 Night Tide 161 Trees Lounge 228 Omega Man, The 1 63 Twist, The 23O Peeping Tom 1 67 Two Family House 234 The Phantom of the Paradise 169 The Virgin Suicides 237 Pitch Black 173 waydowntown 24O LIST: Richard's Favorite Legal Disclaimers 175 White Zombie 243 The Pope of Greenwich Village 177 Wild in the Streets 245 Porn Star: The Legend of LIST: Richard's Favorite Corporate Ron Jeremy 179 Logos 248 The Princess and the Warrior 181 Zardoz 249 Rat Pfink A Boo Boo 1 84 Bibliography 249 70577D3C-AE70-4CD7-90FE-8E702CCAC08A Introduction "YOU'VE GOT HATE MAIL" It is almost impossible to gauge how people are going to react to things you say. An innocent little remark can trigger a whole cascade of events. Such was the case a few years ago when I introduced a segment on Reel to Real's favorite martial arts movies with, "I have to admit, martial arts films are a guilty pleasure of mine." I recall the shoot day. It was a steamy hot August afternoon. We were shooting outside and I was cooking inside my suit. We banged off the intro in one take, and I didn't think about it again. Well, not until I received the most aggressively angry letter I have ever gotten — possi- bly one of the most hateful, profanity-laced pieces of mail to ever make its way into my, or anybody else's, inbox. Everyone in the public eye has gotten them. Usually the subject line reads something like "What were you thinking?" or occasionally the blunt "You are wrong." This one was different. I knew I was in trouble when I read the sub- ject line: RICHARD is A SNOB. Clearly, subtlety was not this writer's strong point. What her letter lacked in sophistication, it made up in vit- riol. Here's the breakdown: After spending a paragraph or so calling me some not-so-nice names and questioning my ability to review movies, she got to the point. She was offended by my use of the term "guilty pleasure." "What? Can't he just say he enjoys martial arts films? Why do they have to be a 'guilty pleasure'? I really don't think he would say something like 'I have to admit, those Fellini films are a guilty pleasure of mine.'" The unladylike dispatch went on to describe me as pretentious and several other things that aren't fit to print here, before insisting that I respond. I did reply, although I'm not sure she received the kind of answer she was looking for. Her letter was clearly designed to offend and upset; instead, I have to admit I found it rather funny. I was frankly IX 70577D3C-AE70-4CD7-90FE-8E702CCAC08A tickled that something I had said on television could elicit such ven- omous feedback. As Frank Zappa said, "It doesn't matter what kind of reaction you get, as long as you get a reaction." In my response I thanked her for the letter and explained that I enjoy a wide variety of movies, not just Fellini. I like Fellini; I think 81/2 is a great film, almost as good as another favorite of mine, The Poseidon Adventure. You see, I explained, I have to see between 300 and 325 movies a year for my job, and when I sit down to view something that I am not professionally obligated to watch I consider that a treat — a guilty pleasure. I listed a few of the movies that I always turn to in my off hours — The Bad and the Beautiful, Cane Toads: An Unnatural History, and Here Comes Mr. Jordan — explaining why I liked each of them. I decided not to attack her in any way, but to kill her with kindness. I'm not sure what effect my e-mail had on her, as I never heard from her again. I do, however, owe her a debt of gratitude. Her nasty letter got me thinking about all the movies that I love — my guilty pleasures — which led directly to the writing of this book. There were only two cri- teria for the movies included in this book — they had to be underrated and they had to be personal favorites of mine. These aren't really obscure movies — most are available on DVD or video, although you might need a police dog to find some of them — they are just films you might have missed the first time around. If she hadn't written that let- ter, I wouldn't have written this book. So it is to her, the pissed-off viewer, that I dedicate this book. I also would like to extend a personal thanks to: Dara Rowland; Jen Hale; Jack David; Tania Craan; Richard Beland; Andrea Bodnar; Vincent Monteleone; Stephen Peter Smith; Zacharius Kunuk; Norman Colin; Ryan Gosling; Barry Blaustein; Forrest J. Ackerman; Nick Broomfield; Bruce Campbell; Don Coscarelli; Bill Wyman; Peter Lynch; Rob Sitch; Oliver Hirschbiegel; Jim Jarmusch; Emily Perkins; Katharine Isabelle; John Turturro; Christopher Heard; Jenn Kennedy; Denis Villeneuve; Hampton Fancher; Mira Nair; Cole X 70577D3C-AE70-4CD7-90FE-8E702CCAC08A Hauser; Vin Diesel; Tom Tykwer; Franka Potente; Andrew Niccol; Lloyd Kaufman; William Phillips; David Hewlett; Ron Mann; Raymond DeFelitta; Sofia Coppola; Gary Burns; Frances, Carol, Wini, and every- one else at Southern Accent; Charles Wechsler; Bryan Peters; Kai Black; David Carroll; Brent Bambury; Kathleen Scheibling; Julia Caslin; Susan Smythe; Laura Quinn; Virginia Kelly; Nancy Yu; Bonnie Smith; Karen Neilson; Sherman Pau; Mark Pauderis; Shelly Chagnon; Julie Vaillancourt; Peter Lynch; Bill Phillips; Katrina Soukup; Jason at Rhino Home Video; Tim Goldberg; Paul Kemp; The Chiodo Brothers; Shelly at Starway International; John Bain; Max Films; Ron Mann; Andrew Currie; Kevin Hall; Rod Guidino and Rue Morgue magazine; Mike Scott; and Michael Fleisher at Anchor Bay Entertainment.
Recommended publications
  • ALAN BURCH Also Prepares Wills and Settles Estates
    British Columbia r/Slocan Valley • Trail/Beaver Valley/Rossland • Interne Priceless • Castlt ega t • Spokan Canadaanada n/Salmo e Excha Nelso nge • ke • Nicke ay La l’s’ W oten ort Ko Castlegar/Slocan Valley h 1-800-663-4619 download current www.pennywiseads.com fl yer from CASE LOT SALE! www.ferrarofoods.ca September 29, 2015 See page 48 Your Success Is Our Success Published Weekly www.theblindman.ca Supply & Install We can save you energy and save you money. Please inquire about our high quality window coverings ALL WINDOW COVERINGS with the highest energy ef ciency ON SALE ratings Ö all at great savings right Insulate Your Windows 30%- 50% OFF! now! FREE installation as always! from the Coming Cold with Call The Blind Man Shade-O-Matic 250-352-3800 We look forward to Cellular Blinds working with you! Sincerely, up to 40% off Andrew Caron BRAVEN BRV-1 BRAVEN Your World. Real Estate Lawyer The BRV-1 gives action sports and outdoor enthusiasts 12 hours of music they can bring into the backcountry, rock faces, skate parks, virgin powder downhills, rafting rapids, or even the beach. With its IPX7 certifi ed waterproof, shock absorbent, ultra- lightweight and compact design, the palm-sized speaker is set to rock in any environment! only $130 ALAN BURCH Also prepares Wills and settles Estates ELECTRONICS The only street level law ofce in COMMUNICATIONS downtown Nelson Authorized Dealer accessible without climbing stairs. 902 FRont Street, Nelson 250- 352- 7292 466 Josephine Street, Nelson www.skelectronics.ca 250- 352- 6676 PRICES IN EFFECT SEPTEMBER 29 - OCTOBER 5, 2015 TRAIL: MONDAY - FRIDAY, 8 am - 8 pm ROSSLAND: MONDAY - FRIDAY, 8 am - 9 pm SATURDAY, 8 am - 7 pm U SUNDAY, 8 am - 6 pm TRAIL: 250-368-5558 U ROSSLAND: 250-362-5206 ferrarofoods.ca acebook.com/ferrarofoods Fresh Organic 99 Fresh Sole 79 Chicken 3 or Snapper 1 Yarrow Meadow, 8.80 kg Fillets, 100 g Yellow 99 B.C.
    [Show full text]
  • The Popular Culture Studies Journal
    THE POPULAR CULTURE STUDIES JOURNAL VOLUME 6 NUMBER 1 2018 Editor NORMA JONES Liquid Flicks Media, Inc./IXMachine Managing Editor JULIA LARGENT McPherson College Assistant Editor GARRET L. CASTLEBERRY Mid-America Christian University Copy Editor Kevin Calcamp Queens University of Charlotte Reviews Editor MALYNNDA JOHNSON Indiana State University Assistant Reviews Editor JESSICA BENHAM University of Pittsburgh Please visit the PCSJ at: http://mpcaaca.org/the-popular-culture- studies-journal/ The Popular Culture Studies Journal is the official journal of the Midwest Popular and American Culture Association. Copyright © 2018 Midwest Popular and American Culture Association. All rights reserved. MPCA/ACA, 421 W. Huron St Unit 1304, Chicago, IL 60654 Cover credit: Cover Artwork: “Wrestling” by Brent Jones © 2018 Courtesy of https://openclipart.org EDITORIAL ADVISORY BOARD ANTHONY ADAH FALON DEIMLER Minnesota State University, Moorhead University of Wisconsin-Madison JESSICA AUSTIN HANNAH DODD Anglia Ruskin University The Ohio State University AARON BARLOW ASHLEY M. DONNELLY New York City College of Technology (CUNY) Ball State University Faculty Editor, Academe, the magazine of the AAUP JOSEF BENSON LEIGH H. EDWARDS University of Wisconsin Parkside Florida State University PAUL BOOTH VICTOR EVANS DePaul University Seattle University GARY BURNS JUSTIN GARCIA Northern Illinois University Millersville University KELLI S. BURNS ALEXANDRA GARNER University of South Florida Bowling Green State University ANNE M. CANAVAN MATTHEW HALE Salt Lake Community College Indiana University, Bloomington ERIN MAE CLARK NICOLE HAMMOND Saint Mary’s University of Minnesota University of California, Santa Cruz BRIAN COGAN ART HERBIG Molloy College Indiana University - Purdue University, Fort Wayne JARED JOHNSON ANDREW F. HERRMANN Thiel College East Tennessee State University JESSE KAVADLO MATTHEW NICOSIA Maryville University of St.
    [Show full text]
  • (ALSC) Caldecott Medal & Honor Books, 1938 to Present
    Association for Library Service to Children (ALSC) Caldecott Medal & Honor Books, 1938 to present 2014 Medal Winner: Locomotive, written and illustrated by Brian Floca (Atheneum Books for Young Readers, an imprint of Simon & Schuster Children’s Publishing) 2014 Honor Books: Journey, written and illustrated by Aaron Becker (Candlewick Press) Flora and the Flamingo, written and illustrated by Molly Idle (Chronicle Books) Mr. Wuffles! written and illustrated by David Wiesner (Clarion Books, an imprint of Houghton Mifflin Harcourt Publishing) 2013 Medal Winner: This Is Not My Hat, written and illustrated by Jon Klassen (Candlewick Press) 2013 Honor Books: Creepy Carrots!, illustrated by Peter Brown, written by Aaron Reynolds (Simon & Schuster Books for Young Readers, an imprint of Simon & Schuster Children’s Publishing Division) Extra Yarn, illustrated by Jon Klassen, written by Mac Barnett (Balzer + Bray, an imprint of HarperCollins Publishers) Green, illustrated and written by Laura Vaccaro Seeger (Neal Porter Books, an imprint of Roaring Brook Press) One Cool Friend, illustrated by David Small, written by Toni Buzzeo (Dial Books for Young Readers, a division of Penguin Young Readers Group) Sleep Like a Tiger, illustrated by Pamela Zagarenski, written by Mary Logue (Houghton Mifflin Books for Children, an imprint of Houghton Mifflin Harcourt Publishing Company) 2012 Medal Winner: A Ball for Daisy by Chris Raschka (Schwartz & Wade Books, an imprint of Random House Children's Books, a division of Random House, Inc.) 2013 Honor Books: Blackout by John Rocco (Disney · Hyperion Books, an imprint of Disney Book Group) Grandpa Green by Lane Smith (Roaring Brook Press, a division of Holtzbrinck Publishing Holdings Limited Partnership) Me...Jane by Patrick McDonnell (Little, Brown and Company, a division of Hachette Book Group, Inc.) 2011 Medal Winner: A Sick Day for Amos McGee, illustrated by Erin E.
    [Show full text]
  • Download Jesus the Mystery, Donald C. Jefferies, Pan Pacific
    Jesus the Mystery, Donald C. Jefferies, Pan Pacific Publications, Pan Pacific Publications, 1991, 0959693130, 9780959693133, . Assignment Series Mathematics (Algebra & Geometry) Std.9 , Mr. Gaikwad, Mr.Gaikwad M.B., , , . Maths Plus 8 , SC Das, , , 252 pages. These books are based on the latest NCERT syllabus. The language, terminology and the symbols used are student-friendly and easily understandable by the students. Ample .... I-Science , , , , . I-Science , , , , . "O" Level Study Guide - Chemistry Quite Easily Done , Tan Seng Chee, , , . Mathematics , Candia Morgan, Clare Tikly, Anne Watson, 2004, Education, 237 pages. This title in the series explores issues to do with subject knowledge in learning to teach. The book provides stimulating assistance by helping students find ways of thinking .... New Focus Maths Topical Papers For Secondary 3 Express , Low Wai Cheng, , , . Key Maths: 8, Volume 8 8, , 2001, Mathematics, 616 pages. Contains chapter tests to form module tests after a group of chapters. Extended chapter tests to provide extra consolidation of work that stretch the most able pupil's .... I-Science , , , , . Pure Mathematics 2 , Linda Bostock, Suzanne Chandler, 1979, Algebra, 637 pages. The book includes an extensive section on matrices and transformations, where the development assumes no prior knowledge of these topics. A section is devoted to mathematical .... Icse Mathematics For Class Viii , , , , . Interact With Mathematics Viii , Rajesh Singh, by Rajesh Singh & R.S. Lugani, Jan 1, 2006, , 184 pages. Written In Accordance With The New Ncert Syllabus And Based On Ncf 2005, Concept Of Rote Learning Is Avoided. Instead All Concepts Are Linked To Life Of A Student Outside The .... Iit Foundations - Mathematics Class 8 , Pearson, Sep 1, 2009, , .
    [Show full text]
  • 'N' Roll: the Rolling Stones in Film
    it’s only rock ’n’ roll: the rolling stones in film - artforum.com / ... http://artforum.com/inprint/issue=201209&id=36146 dleopard59 log out ADVERTISE BACK ISSUES CONTACT US SUBSCRIBE follow us search ARTGUIDE IN PRINT 500 WORDS PREVIEWS BOOKFORUM 中文版 DIARY PICKS NEWS VIDEO FILM SLANT A & E IN PRINT NOVEMBER 2012 IT’S ONLY ROCK ’N’ ROLL: THE ROLLING STONES IN FILM SUBSCRIBE recent issues May 2013 April 2013 March 2013 February 2013 Robert Frank, January 2013 Cocksucker Blues, 1972, 16 mm, color and black- December 2012 and-white, sound, 93 November 2012 minutes. Mick Jagger. Archive to 1962 Photo: Photofest. As the “world’s greatest rock ’n’ roll band” celebrates its golden jubilee this year, the Museum of Modern Art in New York pays tribute with a heady cinematic survey: “THE ROLLING STONES: 50 YEARS OF FILM” (NOVEMBER 15–DECEMBER 2). But 2012 marks another anniversary as well. Forty years ago, the Stones embarked on a legendary tour to promote their new album, Exile on Main St., and they engaged two very different filmmakers—Robert Frank and Rollin Binzer—to document the affair on celluloid, producing wildly divergent results: Cocksucker Blues and Ladies and Gentlemen: The Rolling Stones, respectively. Film historian DAVID E. JAMES traces the events that would ultimately transform the band’s extraordinary engagement with the medium—and with the very public on which not only their stardom but their cultural significance depended. WITH THE BEATLES’ FINAL PERFORMANCE on the roof of the Apple Records building at the beginning of 1969, documented in Michael Lindsay-Hogg’s film Let It Be (1970), the Rolling Stones’ claim to being the greatest rock band in the world was now uncontested.
    [Show full text]
  • 1,000 Films to See Before You Die Published in the Guardian, June 2007
    1,000 Films to See Before You Die Published in The Guardian, June 2007 http://film.guardian.co.uk/1000films/0,,2108487,00.html Ace in the Hole (Billy Wilder, 1951) Prescient satire on news manipulation, with Kirk Douglas as a washed-up hack making the most of a story that falls into his lap. One of Wilder's nastiest, most cynical efforts, who can say he wasn't actually soft-pedalling? He certainly thought it was the best film he'd ever made. Ace Ventura: Pet Detective (Tom Shadyac, 1994) A goofy detective turns town upside-down in search of a missing dolphin - any old plot would have done for oven-ready megastar Jim Carrey. A ski-jump hairdo, a zillion impersonations, making his bum "talk" - Ace Ventura showcases Jim Carrey's near-rapturous gifts for physical comedy long before he became encumbered by notions of serious acting. An Actor's Revenge (Kon Ichikawa, 1963) Prolific Japanese director Ichikawa scored a bulls-eye with this beautifully stylized potboiler that took its cues from traditional Kabuki theatre. It's all ballasted by a terrific double performance from Kazuo Hasegawa both as the female-impersonator who has sworn vengeance for the death of his parents, and the raucous thief who helps him. The Addiction (Abel Ferrara, 1995) Ferrara's comic-horror vision of modern urban vampires is an underrated masterpiece, full- throatedly bizarre and offensive. The vampire takes blood from the innocent mortal and creates another vampire, condemned to an eternity of addiction and despair. Ferrara's mob movie The Funeral, released at the same time, had a similar vision of violence and humiliation.
    [Show full text]
  • Bamcinématek Presents Joe Dante at the Movies, 18 Days of 40 Genre-Busting Films, Aug 5—24
    BAMcinématek presents Joe Dante at the Movies, 18 days of 40 genre-busting films, Aug 5—24 “One of the undisputed masters of modern genre cinema.” —Tom Huddleston, Time Out London Dante to appear in person at select screenings Aug 5—Aug 7 The Wall Street Journal is the title sponsor for BAMcinématek and BAM Rose Cinemas. Jul 18, 2016/Brooklyn, NY—From Friday, August 5, through Wednesday, August 24, BAMcinématek presents Joe Dante at the Movies, a sprawling collection of Dante’s essential film and television work along with offbeat favorites hand-picked by the director. Additionally, Dante will appear in person at the August 5 screening of Gremlins (1984), August 6 screening of Matinee (1990), and the August 7 free screening of rarely seen The Movie Orgy (1968). Original and unapologetically entertaining, the films of Joe Dante both celebrate and skewer American culture. Dante got his start working for Roger Corman, and an appreciation for unpretentious, low-budget ingenuity runs throughout his films. The series kicks off with the essential box-office sensation Gremlins (1984—Aug 5, 8 & 20), with Zach Galligan and Phoebe Cates. Billy (Galligan) finds out the hard way what happens when you feed a Mogwai after midnight and mini terrors take over his all-American town. Continuing the necessary viewing is the “uninhibited and uproarious monster bash,” (Michael Sragow, New Yorker) Gremlins 2: The New Batch (1990—Aug 6 & 20). Dante’s sequel to his commercial hit plays like a spoof of the original, with occasional bursts of horror and celebrity cameos. In The Howling (1981), a news anchor finds herself the target of a shape-shifting serial killer in Dante’s take on the werewolf genre.
    [Show full text]
  • Boxoffice Barometer (March 6, 1961)
    MARCH 6, 1961 IN TWO SECTIONS SECTION TWO Metro-Goldwyn-Mayer presents William Wyler’s production of “BEN-HUR” starring CHARLTON HESTON • JACK HAWKINS • Haya Harareet • Stephen Boyd • Hugh Griffith • Martha Scott • with Cathy O’Donnell • Sam Jaffe • Screen Play by Karl Tunberg • Music by Miklos Rozsa • Produced by Sam Zimbalist. M-G-M . EVEN GREATER IN Continuing its success story with current and coming attractions like these! ...and this is only the beginning! "GO NAKED IN THE WORLD” c ( 'KSX'i "THE Metro-Goldwyn-Mayer presents GINA LOLLOBRIGIDA • ANTHONY FRANCIOSA • ERNEST BORGNINE in An Areola Production “GO SPINSTER” • • — Metrocolor) NAKED IN THE WORLD” with Luana Patten Will Kuluva Philip Ober ( CinemaScope John Kellogg • Nancy R. Pollock • Tracey Roberts • Screen Play by Ranald Metro-Goldwyn-Mayer pre- MacDougall • Based on the Book by Tom T. Chamales • Directed by sents SHIRLEY MacLAINE Ranald MacDougall • Produced by Aaron Rosenberg. LAURENCE HARVEY JACK HAWKINS in A Julian Blaustein Production “SPINSTER" with Nobu McCarthy • Screen Play by Ben Maddow • Based on the Novel by Sylvia Ashton- Warner • Directed by Charles Walters. Metro-Goldwyn-Mayer presents David O. Selznick's Production of Margaret Mitchell’s Story of the Old South "GONE WITH THE WIND” starring CLARK GABLE • VIVIEN LEIGH • LESLIE HOWARD • OLIVIA deHAVILLAND • A Selznick International Picture • Screen Play by Sidney Howard • Music by Max Steiner Directed by Victor Fleming Technicolor ’) "GORGO ( Metro-Goldwyn-Mayer presents “GORGO” star- ring Bill Travers • William Sylvester • Vincent "THE SECRET PARTNER” Winter • Bruce Seton • Joseph O'Conor • Martin Metro-Goldwyn-Mayer presents STEWART GRANGER Benson • Barry Keegan • Dervis Ward • Christopher HAYA HARAREET in “THE SECRET PARTNER” with Rhodes • Screen Play by John Loring and Daniel Bernard Lee • Screen Play by David Pursall and Jack Seddon Hyatt • Directed by Eugene Lourie • Executive Directed by Basil Dearden • Produced by Michael Relph.
    [Show full text]
  • Download (68Kb)
    THE ANXIETY OF ROSE DA SILVA IN SILENT HILL MOVIE: A PSYCHOANALYTIC APPROACH RESEARCH PAPER Submitted as a Partial Fulfillment of the Requirement for Getting Bachelor Degree in English Department by: DWI PRASETYO A. 320 020 071 ENGLISH DEPARTMENT SCHOOL OF TEACHER TRAINING AND EDUCATION MUHAMMADIYAH UNIVERSITY OF SURAKARTA 2008 1 CHAPTER I INTRODUCTION A. Background of the Study One of the real problems in human’s daily life is anxiety. Anxiety can include many aspects of life such as social, economic, religious and cultural aspect. Everyone ever has anxiety in his life. Commonly people does not like problem because they tend to get pleasure in their life. When human gets problem in his life and cannot solve it, he tries as far as he can to avoid it. But human cannot escape from this problem. By avoiding it, human will get anxiety in his life. Problem cannot be avoided. Human must overcome it and handle his problem because it can reduce the anxiety. As one of the psychoanalytic principles, anxiety is part of psychology study. The foremost investigator of the psychoanalytic is Vienna neurologist and psychologist Sigmund Freud. Freud (in Feist, 1985: 25) theorized that the root of human problems was psychological, not physical. He divides the psyche into three parts: id, ego, and superego. In literature, human problem sometimes become the interesting things to explore. The problem is sometimes pictured by an author. The problem is then developed by an author to create a story of his own. An author blends it in a story that becomes one of work of arts.
    [Show full text]
  • Logging Into Horror's Closet
    Logging into Horror’s Closet: Gay Fans, the Horror Film and Online Culture Adam Christopher Scales Thesis submitted for the degree of Doctor of Philosophy University of East Anglia School of Art, Media and American Studies September 2015 © This copy of the thesis has been supplied on condition that anyone who consults it is understood to recognise that its copyright rests with the author and that use of any information derived there from must be in accordance with current UK Copyright Law. In addition, any quotation or extract must include full attribution. Abstract Harry Benshoff has boldly proclaimed that ‘horror stories and monster movies, perhaps more than any other genre, actively invoke queer readings’ (1997, p. 6). For Benshoff, gay audiences have forged cultural identifications with the counter-hegemonic figure of the ‘monster queer’ who disrupts the heterosexual status quo. However, beyond identification with the monstrous outsider, there is at present little understanding of the interpretations that gay fans mobilise around different forms and features of horror and the cultural connections they establish with other horror fans online. In addressing this gap, this thesis employs a multi-sited netnographic method to study gay horror fandom. This holistic approach seeks to investigate spaces created by and for gay horror fans, in addition to their presence on a mainstream horror site and a gay online forum. In doing so, this study argues that gay fans forge deep emotional connections with horror that links particular textual features to the construction and articulation of their sexual and fannish identities. In developing the concept of ‘emotional capital’ that establishes intersubjective recognition between gay fans, this thesis argues that this capital is destabilised in much larger spaces of fandom where gay fans perform the successful ‘doing of being’ a horror fan (Hills, 2005).
    [Show full text]
  • 1 CHAPTER I INTRODUCTION A. Background of the Study Brutal Is
    CHAPTER I INTRODUCTION A. Background of the Study Brutal is an extremely ruthless or cruel. Brutality is the quality of being brutal, cruelty, and savagery. Brutality is one of the factors that are used to increase the terror; the other terror factors are violence, sadism, and graphic blood. Brutality is the part of cruelty. Cruelty is one of the danger signals of personality sickness. A “sick” personality is one in which there is a breakdown in the personality structure which results in poor personal and social adjustment, just as in physical illness, the person does not behave as he normally does (Hurlock, 1979: 389-403). Brutality in A Nightmare on Elm Street Movie is reflected by the main characters, namely Krueger. He kills many teenagers through their dreams, it is called “A Nightmare” and this phenomenon happens on Elm Street. So, it is the reason why this film is entitled “A Nightmare on Elm Street”. A Nightmare on Elm Street is a 2010 American slasher film directed by Samuel Bayer, and written by Wesley Strick and Eric Heisserer, based on a story by Mr. Strick and characters created by Wes Craven; director of photography, Jeff Cutter; edited by Glen Scantlebury; music by Steve Jablonsky; production designer, Patrick Lumb; costumes by Mari-An Ceo; produced by Michael Bay, Andrew Form and Brad Fuller; released by New Line Cinema, Warner Brothers Pictures and Platinum Dunes. Running time: 1 1 2 hour 42 minutes. The film stars Jackie Earle Haley, Kyle Gallner, Rooney Mara, Katie Cassidy, Thomas Dekker and Kellan Lutz. It is a remake of Wes Craven's 1984 film of the same name and the ninth Nightmare film in total, it is designed to reboot the Nightmare on Elm Street franchise.
    [Show full text]
  • NEIL KREPELA ASC Visual Effects Supervisor
    NEIL KREPELA ASC Visual Effects Supervisor www.neilkrepela.net FILM DIRECTOR STUDIO & PRODUCERS “THE FIRST COUPLE ” NEIL KREPELA Berliner Film Companie (Development – Animated Feature) Mike Fraser, Rainer Soehnlein “CITY OF EMBER ” GIL KENAN FOX -WALDEN Visual Effects Consultant Gary Goetzman, Tom Hanks, Steven Shareshian “TORTOI SE AND THE HIPPO” JOHN DYKSTRA WALDEN MEDIA Visual Effects Consultant “MEET THE ROBINSONS” STEPHEN ANDERSON WALT DISNEY ANIMATION Lighting & Composition Dorothy McKim, Bill Borden “TERMINATOR 3: RISE OF THE JONATHAN MOSTOW WARNER BROTHERS MACHINES” VFX Aerial Unit Director Mario F. Kassar, Hal Lieberman, & Cameraman Joel B. Michaels, Andrew G. Vajna, Colin Wilson “SCOOBY DOO ” RAJA GOSNELL WA RNER BROTHERS Additional Visual Effects Supervision Charles Roven, Richard Suckle “DINOSAUR ” ERIC LEIGHTON WALT DISNEY PICTURES Pam Marsden “MULTIPLICITY” (Boss Film Studio) HAROLD RAMIS COLUMBIA PICTURES Visual Effects Consult - Pre-production Trevor Albert “HEAT ” MICHAEL MANN WARNER BROTHERS /FORWARD PASS Michael Mann, Art Linson “OUTBREAK” – (Boss Film Studio ) WOLFGANG PETERSEN WARNER BROTHERS Wolfgang Petersen, Gail Katz, Arnold Kopelson “THE FANTASTICKS ” MICHAEL RITCHIE UNITED ARTISTS Linne Radmin, Michael Ritchie “THE SPECIALIST ” LUIS LLOSA WARNER BROTHERS Jerry Weintraub “THE SCOUT” - (Boss Film Studio) MICHAEL RITCHIE TWENTIETH CENTURY FOX Andre E. Morgan, Albert S. Ruddy Neil Krepela -Continued- “TRUE LIES ” JAMES CAMERON TWENTIETH CENTURY FOX (Boss Film Studio) James Cameron, Stephanie Austin “LAST ACTION
    [Show full text]