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2019–20 Waverley Council Annual Report
WAVERLEY COUNCIL ANNUAL REPORT 2019–20 Waverley Council 3 CONTENTS Preface 04 Part 3: Meeting our Additional Mayor's Message 05 Statutory Requirements 96 General Manager's Message 07 Amount of rates and charges written off during the year 97 Our Response to COVID-19 and its impact on the Operational Plan and Budget 09 Mayoral and Councillor fees, expenses and facilities 97 Part 1: Waverley Council Overview 11 Councillor induction training and Our Community Vision 12 ongoing professional development 98 Our Local Government Area (LGA) Map 13 General Manager and Senior Waverley - Our Local Government Area 14 Staff Remuneration 98 The Elected Council 16 Overseas visit by Council staff 98 Advisory Committees 17 Report on Infrastructure Assets 99 Our Mayor and Councillors 18 Government Information Our Organisation 22 (Public Access) 102 Our Planning Framework 23 Public Interest Disclosures 105 External bodies exercising Compliance with the Companion Waverley Council functions 25 Animals Act and Regulation 106 Partnerships and Cooperation 26 Amount incurred in legal proceedings 107 Our Financial Snapshot 27 Progress against Equal Employment Performance Ratios 29 Opportunity (EEO) Management Plan 111 Awards received 33 Progress report - Disability Grants and Donations awarded 34 Inclusion Action Plan 2019–20 118 Grants received 38 Swimming pool inspections 127 Sponsorships received 39 Works undertaken on private land 127 Recovery and threat abatement plans 127 Part 2: Delivery Program Environmental Upgrade Agreements 127 Achievements 40 Voluntary -
A Dark New World : Anatomy of Australian Horror Films
A dark new world: Anatomy of Australian horror films Mark David Ryan Faculty of Creative Industries, Queensland University of Technology A thesis submitted in fulfillment of the degree Doctor of Philosophy (PhD), December 2008 The Films (from top left to right): Undead (2003); Cut (2000); Wolf Creek (2005); Rogue (2007); Storm Warning (2006); Black Water (2007); Demons Among Us (2006); Gabriel (2007); Feed (2005). ii KEY WORDS Australian horror films; horror films; horror genre; movie genres; globalisation of film production; internationalisation; Australian film industry; independent film; fan culture iii ABSTRACT After experimental beginnings in the 1970s, a commercial push in the 1980s, and an underground existence in the 1990s, from 2000 to 2007 contemporary Australian horror production has experienced a period of strong growth and relative commercial success unequalled throughout the past three decades of Australian film history. This study explores the rise of contemporary Australian horror production: emerging production and distribution models; the films produced; and the industrial, market and technological forces driving production. Australian horror production is a vibrant production sector comprising mainstream and underground spheres of production. Mainstream horror production is an independent, internationally oriented production sector on the margins of the Australian film industry producing titles such as Wolf Creek (2005) and Rogue (2007), while underground production is a fan-based, indie filmmaking subculture, producing credit-card films such as I know How Many Runs You Scored Last Summer (2006) and The Killbillies (2002). Overlap between these spheres of production, results in ‘high-end indie’ films such as Undead (2003) and Gabriel (2007) emerging from the underground but crossing over into the mainstream. -
CITY of BOROONDARA Review of B-Graded Buildings in Kew, Camberwell and Hawthorn
CITY OF BOROONDARA Review of B-graded buildings in Kew, Camberwell and Hawthorn Prepared for City of Boroondara January 2007 Revised June 2007 VOLUME 4 BUILDINGS NOT RECOMMENDED FOR THE HERITAGE OVERLAY TABLE OF CONTENTS VOLUME 1 Main Report VOLUME 2 Individual Building Data Sheets – Kew VOLUME 3 Individual Building Data Sheets – Camberwell and Hawthorn VOLUME 4 Individual Building Data Sheets for buildings not recommended for the Heritage Overlay LOVELL CHEN 1 Introduction to the Data Sheets The following data sheets have been designed to incorporate relevant factual information relating to the history and physical fabric of each place, as well as to give reasons for the recommendation that they not be included in the Schedule to the Heritage Overlay in the Boroondara Planning Scheme. The following table contains explanatory notes on the various sections of the data sheets. Section on data sheet Explanatory Note Name Original and later names have been included where known. In the event no name is known, the word House appears on the data sheet Reference No. For administrative use by Council. Building type Usually Residence, unless otherwise stated. Address Address as advised by Council and checked on site. Survey Date Date when site visited. Noted here if access was requested but not provided. Grading Grading following review (C or Ungraded). In general, a C grading reflects a local level of significance albeit a comparatively low level when compared with other examples. In some cases, such buildings may not have been extensively altered, but have been assessed at a lower level of local significance. In other cases, buildings recommended to be downgraded to C may have undergone alterations or additions since the earlier heritage studies. -
The Great Property Crime Drop: a Regional Analysis
NSW Bureau of Crime Statistics and Research Bureau Brief Issue paper no. 88 July 2013 The Great Property Crime Drop: A regional analysis Don Weatherburn and Jessie Holmes Aim: To describe and discuss regional variation between parts of NSW in the rate at which theft and robbery offences have fallen. Method: Percentage changes in rates of offending in robbery and various categories of theft were calculated for the period 2000 to 2012. Changes in the extent to which rates of crime across areas have become more similar were quantified by comparing the standard deviation in crime rates across areas in 2000 to the standard deviation in crime rates in 2012. Product moment calculations were used to measure (a) the extent to which areas with high crime rates in 2000 also had high crime rates in 2012 and (b) the extent to which areas with the highest crime rates in 2000 had the largest falls in crime in 2012. Results: The fall in property crime and robbery across NSW between 2000 and 2012 has been very uneven; being much larger in Sydney and other urban areas than in rural areas. The fall in theft offence rates ranges from 62 per cent in the Sydney Statistical Division (SD) to 5.9 per cent in the Northern SD. Similarly, the fall in robbery rates ranges from 70.8 per cent in the Sydney SD to 21.9 per cent in the Northern SD. In some areas some offences actually increased. The Murray, Northern, Murrumbidgee, North Western, Hunter and Central West SDs, for example, all experienced an increase in steal from a retail store. -
AUSTRALIAN ROMANESQUE a History of Romanesque-Inspired Architecture in Australia by John W. East 2016
AUSTRALIAN ROMANESQUE A History of Romanesque-Inspired Architecture in Australia by John W. East 2016 CONTENTS 1. Introduction . 1 2. The Romanesque Style . 4 3. Australian Romanesque: An Overview . 25 4. New South Wales and the Australian Capital Territory . 52 5. Victoria . 92 6. Queensland . 122 7. Western Australia . 138 8. South Australia . 156 9. Tasmania . 170 Chapter 1: Introduction In Australia there are four Catholic cathedrals designed in the Romanesque style (Canberra, Newcastle, Port Pirie and Geraldton) and one Anglican cathedral (Parramatta). These buildings are significant in their local communities, but the numbers of people who visit them each year are minuscule when compared with the numbers visiting Australia's most famous Romanesque building, the large Sydney retail complex known as the Queen Victoria Building. God and Mammon, and the Romanesque serves them both. Do those who come to pray in the cathedrals, and those who come to shop in the galleries of the QVB, take much notice of the architecture? Probably not, and yet the Romanesque is a style of considerable character, with a history stretching back to Antiquity. It was never extensively used in Australia, but there are nonetheless hundreds of buildings in the Romanesque style still standing in Australia's towns and cities. Perhaps it is time to start looking more closely at these buildings? They will not disappoint. The heyday of the Australian Romanesque occurred in the fifty years between 1890 and 1940, and it was largely a brick-based style. As it happens, those years also marked the zenith of craft brickwork in Australia, because it was only in the late nineteenth century that Australia began to produce high-quality, durable bricks in a wide range of colours. -
DIRECT to YOUR INBOX EVERY MORNING Monday, April 27, 2020 | Dedicated to the Australasian Bloodstock Industry - Subscribe for Free: Click Here
Monday, April 27, 2020 | Dedicated to the Australiasian bloodstock industry subscribe for free: Click here DIRECT TO YOUR INBOX EVERY MORNING Monday, April 27, 2020 | Dedicated to the Australasian bloodstock industry - subscribe for free: Click here WEEK AHEAD - PAGE 14 MORNING BRIEFING - PAGE 8 YESTERDAY'S RACE RESULTS - PAGE 17 Brutal’s fee set for first Read Tomorrow's Issue For: season at Newgate Stallion Watch The 2019 Doncaster Mile winner will stand for $27,500, GST What's on inclusive, as he joins Tassort at stud Race meetings: Grafton (NSW), Narromine (NSW), Wodonga (VIC), Albany (WA) Barrier trials/ Jump-outs: Warwick Farm (NSW), Grafton (NSW), Narromine (NSW), Cranbourne (VIC), Swan Hill (VIC), Moe (VIC) HONG KONG NEWS Purton creates history as Exultant takes QE II Cup Zac Purton was elated and deflated at the end Brutal SPORTPIX of Exultant's (Teofilo) glorious, grinding victory who bought the colt at the 2017 New Zealand in the HK$25 million FWD Queen Elizabeth II BY ANDREW HAWKINS | @ANZ_NEWS Bloodstock Karaka Premier Yearling Sale for Cup (Gr 1, 2000m) at Sha Tin yesterday. rutal (O’Reilly), the lightest-raced $220,000 from the draft of Mapperley Stud, sold The brave bay's willingness to stretch for winner of the Doncaster Mile (Gr 50 per cent to Newgate on the condition that he his rider through every demanding stride of the 1, 1600m) in the race’s 154-year raced on as a four-year-old. 2000-metre feature meant the champion jockey history, will serve his first mares at The Newgate Farm team, led by Slade and became the only rider in history to have won BNewgate Farm next season at a fee of $27,500 managing director Henry Field, have made every Group 1 race on the Hong Kong calendar. -
What Killed Australian Cinema & Why Is the Bloody Corpse Still Moving?
What Killed Australian Cinema & Why is the Bloody Corpse Still Moving? A Thesis Submitted By Jacob Zvi for the Degree of Doctor of Philosophy at the Faculty of Health, Arts & Design, Swinburne University of Technology, Melbourne © Jacob Zvi 2019 Swinburne University of Technology All rights reserved. This thesis may not be reproduced in whole or in part, by photocopy or other means, without the permission of the author. II Abstract In 2004, annual Australian viewership of Australian cinema, regularly averaging below 5%, reached an all-time low of 1.3%. Considering Australia ranks among the top nations in both screens and cinema attendance per capita, and that Australians’ biggest cultural consumption is screen products and multi-media equipment, suggests that Australians love cinema, but refrain from watching their own. Why? During its golden period, 1970-1988, Australian cinema was operating under combined private and government investment, and responsible for critical and commercial successes. However, over the past thirty years, 1988-2018, due to the detrimental role of government film agencies played in binding Australian cinema to government funding, Australian films are perceived as under-developed, low budget, and depressing. Out of hundreds of films produced, and investment of billions of dollars, only a dozen managed to recoup their budget. The thesis demonstrates how ‘Australian national cinema’ discourse helped funding bodies consolidate their power. Australian filmmaking is defined by three ongoing and unresolved frictions: one external and two internal. Friction I debates Australian cinema vs. Australian audience, rejecting Australian cinema’s output, resulting in Frictions II and III, which respectively debate two industry questions: what content is produced? arthouse vs. -
Social Transport Contact Us
Social Transport Contact Us Group Outings Access Sydney Community Book your seat with Access Sydney and Transport Inc. explore the best of the city and its surrounds. Office Hours: With a great range of destinations, this is the Monday to Friday: 9:00am - 5:00pm perfect way to experience what beautiful (excluding public holidays) Sydney has to offer! Some of the destinations include: Phone: 02 8241 8000 Fax: 02 9282 9089 • North Head Email: [email protected] • Palm Beach Web: www.accesssydney.org.au • The Blue Mountains • Museums & Art Galleries Address: • Markets & Festivals Suite 2, Level 1, 579 Harris Street • RSL Clubs, Cafes & Restaurants Ultimo NSW 2007 • Seasonal Fruit Picking • Wineries & Egg Farms Updated September 2017 Activities can also be tailored to meet specific group needs. Feedback We value your feedback. Making a complaint, giving a compliment or offering a suggestion can 8241 8000 help us improve our service. A not-for-profit community Social Access Service You can download our feedback form online or write to us. organisation providing We also provide transport to social activities accessible, affordable transport. including hairdressers, libraries or even aquatic centres. Our friendly drivers provide a door to Access Sydney Community Transport is supported door service but will not remain with the client by financial assistance from the NSW and Australian Governments. during their social activity. General Shopping Individual & Information Transport Assisted Transport How to Become a Client? If you are 65 years or older, you will need to The Shopping Bus complete a referral form by visiting A great selection of shopping services are www.myagedcare.gov.au or calling the My available in different suburbs. -
Beginnings of … SDN Paddington
Beginnings of … SDN Paddington ‘..so great is the need of the little ones living in this crowded approached the Association to open a Day Nursery. What’s more, Paddington, part of Sydney…’ Waverley and Woollahra Councils each offered £100 (equivalent to about Sydney Day Nursery Association Annual Report, 1923/24 $7,000 today) towards the first year’s expenses of the new Nursery. The Councils continued to contribute funds SDN Children’s Services History of Paddington for many years, as well as providing begins in 1905 The traditional owners of this area are assistance with fundraising and building In 1905 a determined group of women the Aboriginal people of the Cadigal alterations. 1 from Sydney’s upper classes who clan, of the Eora nation. James The Association’s Eastern Suburbs understood ‘the difficulties that beset Underwood, a merchant and former Committee was formed by women from the paths of working mothers’ founded convict, subdivided part of his land in Paddington, Woollahra, Waverley and the Sydney Day Nursery Association. The 1839 and named his estate Paddington Sydney, and immediately started raising Association aimed to improve the after the borough in London. funds. An article in the Sydney Morning welfare of children whose mothers were In the 1800s, Paddington was home Herald, 25 April 1924, described the facing poverty and had to work to to grand residences on large estates, the meeting held in the drawing-room of provide for their family. Infant mortality Victoria Barracks and smaller artisans the Hotel Australia ‘… in order to discuss was high and the Kindergarten Union cottages. -
Royal Perth Hospital Emeritus Consultant Biographies
Royal Perth Hospital Emeritus Consultant biographies Volume one Contents James P. Ainslie................................................................................................................ 3 Ernest A. Beech ................................................................................................................ 4 Terence B. Bourke ............................................................................................................ 5 Ronald C. Bowyer ............................................................................................................. 6 Harold G. Breidahl ............................................................................................................. 7 Peter D. Breidahl ............................................................................................................... 8 Dixie P. Clement ............................................................................................................... 9 Alexander K. Cohen ........................................................................................................ 10 William R. Cole................................................................................................................ 11 Graham Cumpston .......................................................................................................... 12 Bill Derham ..................................................................................................................... 13 Cyril Fortune .................................................................................................................. -
A Cameo of Captain Thomas Rowley 2
A Cameo of Captain Thomas Rowley 2 INTRODUCTION 0.01 The recent gift to my wife of a cameo brooch, said to have been a present from Captain Thomas Rowley to his bride, led to my making enquiries about my wife's great great great grandfather. Many of the stories which accompanied the gift were subsequently found to have little foundation but my enquiries produced much information which may prove of sufficient interest to others to justify my writing this tale of a man who played no small part in the establishment of the Colony of New South Wales. 0.02 In consequence, this Cameo of CAPTAIN THOMAS ROWLEY ( ? - 1806) is dedicated to the memory of his son THOMAS ROWLEY (1794 - 1862) his grandson HORATIO NELSON ROWLEY (1831 – 1887) his great grand-daughter ELIZA SMITH (nee ROWLEY) (1868 - 1921) his great great grandson LESLIE JOHN SMITH (1891 - 1944) and is written for the information of his great great great grand-daughter, my wife NANCY RAMAGE (nee SMITH) his great great great great grandchildren, our children RAYMOND JOHN ALASTAIR RAMAGE JUDITH ANNE RAMAGE DAVID ANDREW RAMAGE and his great great great great great grand-daughters, our grand-daughters ALICIA JANE RAMAGE LAUREN ELIZABETH RAMAGE 0.03 Preface to Second Edition: I have taken advantage of a request for reprinting to correct one or two errors of fact to which my attention has been drawn by some of the many interested descendants who have contacted me following the issue of the first edition. For ease of reference, I have retained the paragraph numbering used previously. -
Cloud Download
1 Contents 4 Welcome 6 Jury Members 2017 9 Horbury Hunt Commercial Award 19 Horbury Hunt Residential Award 33 Bruce Mackenzie Landscape Award 43 Kevin Borland Masonry Award 53 Robin Dods Roof Tile Excellence Award 62 Horbury Hunt Commercial Award Entrants Index 62 Horbury Hunt Residential Award Entrants Index 63 Bruce Mackenzie Landscape Award Entrants Index 64 Kevin Borland Masonry Award Entrants Index 64 Robin Dods Roof Tile Excellence Award Entrants Index editor elizabeth mcintyre creative director sally woodward art direction natasha simmons 2 3 Welcome This year marks the eleventh Think Brick Awards – This year’s winners are to be congratulated for their celebrating outstanding architecture and the use imagination, skill and craftsmanship. I hope these of clay brick, concrete masonry and roof tiles in projects ignite your creativity and encourage the contemporary Australian design. Each year, the entries creation of your own designs championing the build on inspiration taken from the previous cohort of use of brick, block, pavers and roof tiles. finalists to present exemplary projects that use these materials in new and exciting ways. The 2017 finalists provide solutions to low-density elizabeth mcintyre housing, a variety of roof systems and landscape group ceo sanctuaries for the home. These innovative projects think brick, cmaa, rtaa show that masonry is being included increasingly in residential and commercial interiors, as well as to create clever connections between indoor and outdoor spaces. Glazed bricks continue to be featured as standout elements in all types of works, particularly in urban design. IS PIERCINGCreativity THE MUNDANE to find the marvelous.- Bill Moyers 5 4 5 cameron bruhn ben green debbie–lyn ryan alexis sanal murat sanal emma williamson elizabeth mcintyre architecture media tzannes mcbride charles ryan sanalarc sanalarc coda think brick Cameron Bruhn is the editorial director at Ben has worked on a large number of significant Debbie Ryan is the founding owner of McBride Alexis Sanal is a co-founder of SANALarc.