Eastern Progress 1983-1984 Eastern Progress
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
1Monologues' Conclude on Campus Farley Refurbishing Begins
r----------------------------------------------------------------------------------------------------------------------------------------------~ THE The Independent Newspaper Serving Notre Dame and Saint Mary's VOLUME 40: ISSUE 89 THURSDAY, FEBRUARY 16.2006 NDSMCOBSERVER.COM 1Monologues' conclude on campus STUDENT SENATE Leaders Jenkins' attendance, broad panel discussion cap off third and final night of perfomances push wage "I went to listnn and learn, and By KAITLYNN RIELY I did that tonight and I thank the • Nrw.,Writ<·r east," Jenkins said af'tnr the play. .Jenkins, who dedinml further calllpaign Tlw third and final production comment on the "Monologues" of "Tiw Vagina Monologues" at Wednesday, had mandated the By MADDIE HANNA Notrn Damn this y11ar was play be pnrformed in the aca Associate News Editor marknd by thn attnndancn of demic setting of DeBartolo Hall Univnrsily Prnsid1n1l Father .John this year, without the l"undraising .Jnnkins and a wide-ranging ticket sales of' years past. Junior After loaders of the Campus parwl discussion on snxual vio Madison Liddy, director of this Labor Aetion Projoct (CLAP) lnHrn, Catholic. teaching and ynar's "Monologues." and later delivered a eornprnhnnsivo ollwr lopks Wednesday night. the panelists thanked Jenkins for presentation on the group's .11~11kins saw the play per his prnsenen at the performance . living wage campaign to l"orrm~d for tho f"irst time During tho panel diseussion fol Student Senate Wednesday, W1Hfrwsday, just ovnr three lowing thn play, panelists senators responded by unani w1wks after hP initialed a applauded the efforts of the pro mously passing two rolated Univnrsity-widn discussion about duction toward eliminating vio resolutions - one basod on acadnmk l"mmlom and Catholic lence against women and policy, tho other on ideology. -
Location Manager Resume
ROBERTO DE BIASE LOCATION SCOUT & MANAGER - RESUME (619) 977-3139 [email protected] www.rdblocations.com COMMERCIAL PRODUCTION (Selected Credits) APICTURES – VLADIMIR JONES - Xcel Energy “Hero” & “Tough” Location Scout & Manager John Elper, Director – Kent Feuerring, Producer – Jorie Kopie, Producer MARTIN BRINKERHOFF & ASSOCIATES – Honda Motorcycles “KZZA” Location Scout & Manager Rick Balthaser, Director – Jorie Kopie, Producer REALITY PICTURES – BMW “Stock Running Footage” Location Scout & Manager Kim Takal, Director - Pamela Elrich, Producer PARANA FILMS – CONILL - Toyota Prius V “Resort” & “Road” Location Scout Pucho Mentasti, Director - Sebastian Leda, Executive Producer – Sal Tassone, Producer TEN STORIES – Bridgepoint Education, Ashford University Holiday Bowl Location Scout & Manager Rich Underwood, Director – Robert Craghead and Bryan Bihari, Producers DETOUR FILMS – RED HYDRANT - San Diego Tourism “Happiness is Calling” Location Scout & Manager Dana Tynan, Director – Jessica Cooper Carlson, Producer, Jorie Kopie, Producer VRA USA – TEAM RETAIL FIRST – Ford “Built for San Diego Running Footage” Location Scout & Manager Alan Vajda, Director – Joe Ramey, Executive Producer – Jorie Kopie, Producer IDENTITY – GLOBAL HUE – US NAVY – Job 1464 Location Scout & Manager Andrew Walton, Director – Laure Stevens, Producer CHROME BUMPER FILMS – PERICH – “GM & GMC Fleet Running Footage” Location Scout & Manager John Quigley, Director – Shannon Cragin, Producer FILM REALITÉ – THE DESIGNORY – “Nissan Leaf Digital Brochure Running Footage” Location Scout & Manager Rich Epstein, Director – Marla Whittaker, Producer PONY SHOW ENTERTAINMENT – CAMPBELL-EDWALD – US NAVY “The Shield” Location Scout & Manager Peter Berg, Director – Fern Martin, Producer – Josh Mulry, Production Supervisor RESPOND2 – ICON FITNESS – “AbGlider, Discovery” Location Scout & Manager Greg Penner, Director - Kristin Swanson, Producer FILM REALITÉ – TEAM DETROIT – FORD “Early 2011 Running Footage” Location Scout Kevin Ward, Director – Marla Whittaker, Producer FOUNDATION POST – ORTHO BIOTECH INC. -
Building Cold War Warriors: Socialization of the Final Cold War Generation
BUILDING COLD WAR WARRIORS: SOCIALIZATION OF THE FINAL COLD WAR GENERATION Steven Robert Bellavia A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2018 Committee: Andrew M. Schocket, Advisor Karen B. Guzzo Graduate Faculty Representative Benjamin P. Greene Rebecca J. Mancuso © 2018 Steven Robert Bellavia All Rights Reserved iii ABSTRACT Andrew Schocket, Advisor This dissertation examines the experiences of the final Cold War generation. I define this cohort as a subset of Generation X born between 1965 and 1971. The primary focus of this dissertation is to study the ways this cohort interacted with the three messages found embedded within the Cold War us vs. them binary. These messages included an emphasis on American exceptionalism, a manufactured and heightened fear of World War III, as well as the othering of the Soviet Union and its people. I begin the dissertation in the 1970s, - during the period of détente- where I examine the cohort’s experiences in elementary school. There they learned who was important within the American mythos and the rituals associated with being an American. This is followed by an examination of 1976’s bicentennial celebration, which focuses on not only the planning for the celebration but also specific events designed to fulfill the two prime directives of the celebration. As the 1980s came around not only did the Cold War change but also the cohort entered high school. Within this stage of this cohorts education, where I focus on the textbooks used by the cohort and the ways these textbooks reinforced notions of patriotism and being an American citizen. -
Juvies by Dea Miranti, James Lim and Gloria Tanuseputra
Juvies By Dea Miranti, James Lim and Gloria Tanuseputra "Where there’s crime, there’s violence. Where there’s youth, there’s love" INT. THERAPY ROOM - DAY (Present) A therapy session where the juveniles are sitting in a circle and the counselor is encouraging them to share their stories. COUNSELOR Ryan, do you have something to share? RYAN Finally got into exercise mode. Did about 30 reps. COUNSELOR Wow, that’s an incredible progress Ryan. And how do you feel about that? RYAN Aite. I shoud’ve done more. COUNSELOR Well, we all need to take it one step at a time. But you keep that up. Anyone else? How about you Jules? Julie looks up and pauses before shaking her head, shy but discontent at the same time. COUNSELOR Hmm okay. Anything interesting during the weekend? JULIE None. Ryan looks at her with a little smirk of awkwardness. COUNSELOR Alright then, by the end of today find a partner. Someone you feel comfortable sharing your thoughts with. 2. EXT. FIELD AND COURTYARD - DAY (Present) Julie sits among the fences on the field alone, stares outward. Other juveniles separated from her but she likes it that way. Various background noises of chatters. After a moment she caught him looking at her as he walks towards her. RYAN Hey! You were in that session too. JULIE Yea, what do you want? Ryan smiles, looks down and up again. He thought for a few seconds. RYAN Partner up. JULIE As if! RYAN What’s with you and sharing? Julie stood still with crossed arms and looks away. -
The Amazing, Performing Film: Some Propositions
-Davetli Yazı ∙ Invited Paper – The Amazing, Performing Film: Some Propositions Adrian Martin Prologue: Chosen Moments Tex Avery possessed a sense of excess in everything and of its organization, which distinguish his films from the stereotyped frenzy characteristic of the majority of American cartoons. Two characters hurtle off a cliff uttering horrendous screams; during shot after shot they fall toward the camera and their repeated cries become unbearable; the scene lasts for only about ten seconds but appears to go on forever. Then they finally land, light as feathers, and the chase resumes as if nothing had happened. - Noël Burch1 F For Fake (Orson Welles, 1974): at the start, the film presents a declaration – spoken and shown – to the effect that, although it is wholly concerned with tricks and tricksters, for the next sixty minutes only the truth will be told and presented. The film eventually winds around to a particularly outlandish story involving Pablo Picasso and his dealings with a mysterious model (Oja Kodar). Welles subsequently reappears on screen to ask whether we are still E-mail: [email protected] Film Critic/ Associate Professor - Monash University Invited papers are not peer reviewed. Davetli yazılar hakem değerlendirmesinden geçmemektedir. DOI: 10.31122/sinefilozofi.426841 Received - Geliş Tarihi: 08.05.2018 160 believing him and his film. If so, he informs us, we should note that the sixty minutes ended seventeen minutes previously, and that he has been lying his head off ever since. Gloria (John Cassavetes, 1980). As Gloria (Gena Rowlands), out on the street, is being bugged by (and trying to get rid of) little Phil (John Adames), she is simultaneously aware that a bunch of gangsters in a car are cruising them, with likely murderous intent. -
A Parent's Guide to Juvenile Transfer in Virginia
A Parent’s Guide to Juvenile Transfer in Virginia JustChildren, Legal Aid Justice Center 1000 Preston Avenue Charlottesville, Virginia 22903 434.977.0553 www.justice4all.org Campaign for Youth Justice 1012 14th St. NW, Suite 6 Washington, D.C. 20005 202.558.3580 www.campaignforyouthjustice.org Written & edited by Amy Woolard, Principle Author Abigail Turner Phillip T. Storey Andrew K. Block Alison M. Crane Jessica Sandoval December 2007 Introduction n Virginia, if your child is at least 14 years old and is charged with certain serious felonies, he or she may be prosecuted in the adult Icriminal court system, a process called juvenile transfer. Upon transfer to adult court, your child will be treated as an adult in the court. Transfer brings a different set of rights, restrictions and proce- dures than in the juvenile system. If you think this sounds serious, you’re right—the adult court Special thanks and appreciation to the fol- and adult prison systems are no place for children. Youths who are lowing for their support of this endeavor: tried and sentenced in the adult system live their daily lives among adult criminals, and are more likely to become repeat offenders than children placed in the juvenile system. While not perfect, the juvenile justice system strives to provide kids with treatment and rehabilitation. Parents of children involved in the courts who The juvenile system offers educational and mental health services suit- advised us on the content and format of the ed to a child’s age and experience—these are often scarce in the adult prison system. -
Complicated Views: Mainstream Cinema's Representation of Non
University of Southampton Research Repository Copyright © and Moral Rights for this thesis and, where applicable, any accompanying data are retained by the author and/or other copyright owners. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis and the accompanying data cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder/s. The content of the thesis and accompanying research data (where applicable) must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holder/s. When referring to this thesis and any accompanying data, full bibliographic details must be given, e.g. Thesis: Author (Year of Submission) "Full thesis title", University of Southampton, name of the University Faculty or School or Department, PhD Thesis, pagination. Data: Author (Year) Title. URI [dataset] University of Southampton Faculty of Arts and Humanities Film Studies Complicated Views: Mainstream Cinema’s Representation of Non-Cinematic Audio/Visual Technologies after Television. DOI: by Eliot W. Blades Thesis for the degree of Doctor of Philosophy May 2020 University of Southampton Abstract Faculty of Arts and Humanities Department of Film Studies Thesis for the degree of Doctor of Philosophy Complicated Views: Mainstream Cinema’s Representation of Non-Cinematic Audio/Visual Technologies after Television. by Eliot W. Blades This thesis examines a number of mainstream fiction feature films which incorporate imagery from non-cinematic moving image technologies. The period examined ranges from the era of the widespread success of television (i.e. -
Pseudoscience and Science Fiction Science and Fiction
Andrew May Pseudoscience and Science Fiction Science and Fiction Editorial Board Mark Alpert Philip Ball Gregory Benford Michael Brotherton Victor Callaghan Amnon H Eden Nick Kanas Geoffrey Landis Rudi Rucker Dirk Schulze-Makuch Ru€diger Vaas Ulrich Walter Stephen Webb Science and Fiction – A Springer Series This collection of entertaining and thought-provoking books will appeal equally to science buffs, scientists and science-fiction fans. It was born out of the recognition that scientific discovery and the creation of plausible fictional scenarios are often two sides of the same coin. Each relies on an understanding of the way the world works, coupled with the imaginative ability to invent new or alternative explanations—and even other worlds. Authored by practicing scientists as well as writers of hard science fiction, these books explore and exploit the borderlands between accepted science and its fictional counterpart. Uncovering mutual influences, promoting fruitful interaction, narrating and analyzing fictional scenarios, together they serve as a reaction vessel for inspired new ideas in science, technology, and beyond. Whether fiction, fact, or forever undecidable: the Springer Series “Science and Fiction” intends to go where no one has gone before! Its largely non-technical books take several different approaches. Journey with their authors as they • Indulge in science speculation—describing intriguing, plausible yet unproven ideas; • Exploit science fiction for educational purposes and as a means of promoting critical thinking; • Explore the interplay of science and science fiction—throughout the history of the genre and looking ahead; • Delve into related topics including, but not limited to: science as a creative process, the limits of science, interplay of literature and knowledge; • Tell fictional short stories built around well-defined scientific ideas, with a supplement summarizing the science underlying the plot. -
1 Poems About Eagles This Is a Collection of Poems
Poems About Eagles This is a collection of poems - old and new - that have been written about eagles. Some you may recognize because they are included in anthologies. Others are from “Kindred Spirits” whose musings about eagles lead them to put pen to paper. Some have been sent to us to share, and we are happy to do so here. If you have a poem you’d like to share about eagles, please email [email protected]. The Dalliance of Eagles by Walt Whitman Skirting the river road, (my forenoon walk, my rest,) Skyward in air a sudden muffled sound, the dalliance of the eagles, The rushing amorous contact high in space together, The clinching interlocking claws, a living, fierce, gyrating wheel, Four beating wings, two beaks, a swirling mass tight grappling, In tumbling turning clustering loops, straight downward falling, Till o’er the river pois’d, the twain yet one, a moment’s lull, A motionless still balance in the air, then parting, talons loosing, Upward again on slow-firm pinions slanting, their separate diverse flight, She hers, he his, pursuing. f The Eagle Isaiah 40:31 by Edwin Curran KJV The dome of heaven is thy house But they that wait upon the LORD shall renew their Bird of the mighty wing, strength; they shall mount up with wings as eagles; they The silver stars are as thy boughs shall run, and not be weary; and they shall walk, and not Around thee circling. faint. f Thy perch is on the eaves of heaven Thy white throne all the skies Thou art like lightning driven Flashing over paradise! f 1 The Eagle by Isaac McLellan (1806-1899) Monarch of the realms supernal, Thou wingest where a tropic sky Ranger of the land and sea, Bendeth its celestial dome, Symbol of the Grand Republic, Where sparkling waters greet the eye, Who so noble and so free? And gentlest breezes fan the foam; Thine the boundless fields of either, Where spicy breath from groves of palm, Heaven’s unfathom’d depths are thine; Laden with aromatic balm, Far beyond our human vision, Blows ever, mingled with perfume On thy vans the sunbeams shine. -
PERFECTION, WRETCHED, NORMAL, and NOWHERE: a REGIONAL GEOGRAPHY of AMERICAN TELEVISION SETTINGS by G. Scott Campbell Submitted T
PERFECTION, WRETCHED, NORMAL, AND NOWHERE: A REGIONAL GEOGRAPHY OF AMERICAN TELEVISION SETTINGS BY G. Scott Campbell Submitted to the graduate degree program in Geography and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy. ______________________________ Chairperson Committee members* _____________________________* _____________________________* _____________________________* _____________________________* Date defended ___________________ The Dissertation Committee for G. Scott Campbell certifies that this is the approved version of the following dissertation: PERFECTION, WRETCHED, NORMAL, AND NOWHERE: A REGIONAL GEOGRAPHY OF AMERICAN TELEVISION SETTINGS Committee: Chairperson* Date approved: ii ABSTRACT Drawing inspiration from numerous place image studies in geography and other social sciences, this dissertation examines the senses of place and regional identity shaped by more than seven hundred American television series that aired from 1947 to 2007. Each state‘s relative share of these programs is described. The geographic themes, patterns, and images from these programs are analyzed, with an emphasis on identity in five American regions: the Mid-Atlantic, New England, the Midwest, the South, and the West. The dissertation concludes with a comparison of television‘s senses of place to those described in previous studies of regional identity. iii For Sue iv CONTENTS List of Tables vi Acknowledgments vii 1. Introduction 1 2. The Mid-Atlantic 28 3. New England 137 4. The Midwest, Part 1: The Great Lakes States 226 5. The Midwest, Part 2: The Trans-Mississippi Midwest 378 6. The South 450 7. The West 527 8. Conclusion 629 Bibliography 664 v LIST OF TABLES 1. Television and Population Shares 25 2. -
2008 OAH Annual Meeting • New York 1
Welcome ear colleagues in history, welcome to the one-hundred-fi rst annual meeting of the Organiza- tion of American Historians in New York. Last year we met in our founding site of Minneap- Dolis-St. Paul, before that in the national capital of Washington, DC. On the present occasion wew meet in the world’s media capital, but in a very special way: this is a bridge-and-tunnel aff air, not limitedli to just the island of Manhattan. Bridges and tunnels connect the island to the larger metropolitan region. For a long time, the peoplep in Manhattan looked down on people from New Jersey and the “outer boroughs”— Brooklyn, theth Bronx, Queens, and Staten Island—who came to the island via those bridges and tunnels. Bridge- and-tunnela people were supposed to lack the sophistication and style of Manhattan people. Bridge- and-tunnela people also did the work: hard work, essential work, beautifully creative work. You will sees this work in sessions and tours extending beyond midtown Manhattan. Be sure not to miss, for example,e “From Mambo to Hip-Hop: Th e South Bronx Latin Music Tour” and the bus tour to my own Photo by Steve Miller Steve by Photo cityc of Newark, New Jersey. Not that this meeting is bridge-and-tunnel only. Th anks to the excellent, hard working program committee, chaired by Debo- rah Gray White, and the local arrangements committee, chaired by Mark Naison and Irma Watkins-Owens, you can chose from an abundance of off erings in and on historic Manhattan: in Harlem, the Cooper Union, Chinatown, the Center for Jewish History, the Brooklyn Historical Society, the New-York Historical Society, the American Folk Art Museum, and many other sites of great interest. -
Human' Jaspects of Aaonsí F*Oshv ÍK\ Tke Pilrns Ana /Movéis ÍK\ É^ of the 1980S and 1990S
DOCTORAL Sara MarHn .Alegre -Human than "Human' jAspects of AAonsí F*osHv ÍK\ tke Pilrns ana /Movéis ÍK\ é^ of the 1980s and 1990s Dirigida per: Dr. Departement de Pilologia jA^glesa i de oermanisfica/ T-acwIfat de Uetres/ AUTÓNOMA D^ BARCELONA/ Bellaterra, 1990. - Aldiss, Brian. BilBon Year Spree. London: Corgi, 1973. - Aldridge, Alexandra. 77» Scientific World View in Dystopia. Ann Arbor, Michigan: UMI Research Press, 1978 (1984). - Alexander, Garth. "Hollywood Dream Turns to Nightmare for Sony", in 77» Sunday Times, 20 November 1994, section 2 Business: 7. - Amis, Martin. 77» Moronic Inferno (1986). HarmorKlsworth: Penguin, 1987. - Andrews, Nigel. "Nightmares and Nasties" in Martin Barker (ed.), 77» Video Nasties: Freedom and Censorship in the MecBa. London and Sydney: Ruto Press, 1984:39 - 47. - Ashley, Bob. 77» Study of Popidar Fiction: A Source Book. London: Pinter Publishers, 1989. - Attebery, Brian. Strategies of Fantasy. Bloomington and Indianapolis: Indiana University Press, 1992. - Bahar, Saba. "Monstrosity, Historicity and Frankenstein" in 77» European English Messenger, vol. IV, no. 2, Autumn 1995:12 -15. - Baldick, Chris. In Frankenstein's Shadow: Myth, Monstrosity, and Nineteenth-Century Writing. Oxford: Oxford Clarendon Press, 1987. - Baring, Anne and Cashford, Jutes. 77» Myth of the Goddess: Evolution of an Image (1991). Harmondsworth: Penguin - Arkana, 1993. - Barker, Martin. 'Introduction" to Martin Barker (ed.), 77» Video Nasties: Freedom and Censorship in the Media. London and Sydney: Ruto Press, 1984(a): 1-6. "Nasties': Problems of Identification" in Martin Barker (ed.), 77» Video Nasties: Freedom and Censorship in the MecBa. London and Sydney. Ruto Press, 1984(b): 104 - 118. »Nasty Politics or Video Nasties?' in Martin Barker (ed.), 77» Video Nasties: Freedom and Censorship in the Medß.