Registro Topografico Analitico
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Feature Films
NOMINATIONS AND AWARDS IN OTHER CATEGORIES FOR FOREIGN LANGUAGE (NON-ENGLISH) FEATURE FILMS [Updated thru 88th Awards (2/16)] [* indicates win] [FLF = Foreign Language Film category] NOTE: This document compiles statistics for foreign language (non-English) feature films (including documentaries) with nominations and awards in categories other than Foreign Language Film. A film's eligibility for and/or nomination in the Foreign Language Film category is not required for inclusion here. Award Category Noms Awards Actor – Leading Role ......................... 9 ........................... 1 Actress – Leading Role .................... 17 ........................... 2 Actress – Supporting Role .................. 1 ........................... 0 Animated Feature Film ....................... 8 ........................... 0 Art Direction .................................... 19 ........................... 3 Cinematography ............................... 19 ........................... 4 Costume Design ............................... 28 ........................... 6 Directing ........................................... 28 ........................... 0 Documentary (Feature) ..................... 30 ........................... 2 Film Editing ........................................ 7 ........................... 1 Makeup ............................................... 9 ........................... 3 Music – Scoring ............................... 16 ........................... 4 Music – Song ...................................... 6 .......................... -
Musica, Musica, Musica
William Ghizzoni MUSICA, MUSICA, MUSICA Di tutto un po’ … Mini-corso di Musicologia II edizione Aprile 2020 Sommario Premessa ............................................................................................... 7 Il mondo della musica: una possibile classificazione ........................... 11 AREA CLASSICA .................................................................................... 15 1. Musica sinfonica ...................................................................... 16 2. Musica cameristica .................................................................. 20 3. Musica lirica (Operistica) ......................................................... 22 4. Musica Sacra ............................................................................ 25 5. Altri generi ............................................................................... 29 AREA MUSICA LEGGERA ...................................................................... 33 6. Musica da ballo (e danza) ........................................................ 34 7. Operetta (e Romanza) ............................................................. 43 8. Il "Musical" .............................................................................. 45 9. La musica da film ..................................................................... 48 10. La musica "Pop" ................................................................... 51 11. Rhythm & Blues e Soul Music .............................................. 53 12. La musica Rock.................................................................... -
Investigating Italy's Past Through Historical Crime Fiction, Films, and Tv
INVESTIGATING ITALY’S PAST THROUGH HISTORICAL CRIME FICTION, FILMS, AND TV SERIES Murder in the Age of Chaos B P ITALIAN AND ITALIAN AMERICAN STUDIES AND ITALIAN ITALIAN Italian and Italian American Studies Series Editor Stanislao G. Pugliese Hofstra University Hempstead , New York, USA Aims of the Series This series brings the latest scholarship in Italian and Italian American history, literature, cinema, and cultural studies to a large audience of spe- cialists, general readers, and students. Featuring works on modern Italy (Renaissance to the present) and Italian American culture and society by established scholars as well as new voices, it has been a longstanding force in shaping the evolving fi elds of Italian and Italian American Studies by re-emphasizing their connection to one another. More information about this series at http://www.springer.com/series/14835 Barbara Pezzotti Investigating Italy’s Past through Historical Crime Fiction, Films, and TV Series Murder in the Age of Chaos Barbara Pezzotti Victoria University of Wellington New Zealand Italian and Italian American Studies ISBN 978-1-137-60310-4 ISBN 978-1-349-94908-3 (eBook) DOI 10.1057/978-1-349-94908-3 Library of Congress Control Number: 2016948747 © The Editor(s) (if applicable) and The Author(s) 2016 This work is subject to copyright. All rights are solely and exclusively licensed by the Publisher, whether the whole or part of the material is concerned, specifi cally the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfi lms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. -
Fiona Hall Medicine Bundle for the Non-Born Child (Detail) 1994
Bulletin Summer Christchurch Art Gallery December 2008 — B.155 Te Puna o Waiwhetu February 2009 1 Bulletin B.155 Summer Christchurch Art Gallery December 2008 — Te Puna o Waiwhetu February 2009 Two cyclists use the custom-designed bikes that form Anne Veronica Janssens's Les Australoïdes installation in the Gallery foyer. Front and back cover images: Fiona Hall Medicine bundle for the non-born child (detail) 1994. Aluminium, rubber, plastic layette comprising matinee jacket. Collection of Queensland Art Gallery, purchased 2000. Queensland Art Gallery Foundation Grant. Courtesy of the artist and Roslyn Oxley9 Gallery, Sydney 2 3 Contents B.155 4 DIRECTOR'S FOREWORD A few words from director Jenny Harper 5 EXHIBITIONS PROGRAMME What's on at the Gallery this season 6 FIONA HALL: FORCE FIELD Paula Savage on one of Australia's finest contemporary artists 15 LOOKING INTO FORCE FIELD Two personal responses 16 SHOWCASE Recent gifts to the Gallery's collection 18 WUNDERBOX A collection of collections from the collection 26 THE ART OF COLLECTING Four artists show us their personal collections 30 LET IT BE NOW Six emerging Canterbury artists 34 WHITE ON WHITE Exploring the myriad possibilities of white 42 OUTER SPACES Richard Killeen takes his art out to the street 44 LONG WIRES IN DARK An interview with MUSEUMS Alastair Galbraith 46 ARE YOU TALKING TO ME? Jim and Mary Barr on collecting 47 PAGEWORK #1 Eddie Clemens 50 TE HURINGA / Pākehā colonisation TURNING POINTS and Māori empowerment 56 SCAPE 2008 Looking back at some of the Gallery projects 58 MY FAVOURITE Film-maker Gaylene Preston makes her choice 60 TIME-LAPSE Installing United We Fall 62 NOTEWORTHY News bites from around the Gallery 64 STAFF PROFILE Martin Young 64 COMING SOON Previewing Rita Angus: Life & Vision and Miles: a life in architecture Please note: The opinions put forward in this magazine are not necessarily those of Christchurch Art Gallery Te Puna o Waiwhetu. -
PM N°4-Stampaok
a t Michelangelo Carta Editore a l c i c www.piemontemese.it i r a [email protected] t 5 r a 0 c 1,50 0 u € s 2 o t e a r p b m a t m S e t t e S - 4 ° n - I o n n A improvviso, settembre. Ovvero: a settembre D’ Per iniziare vi offriamo un vogliamo che vi riempiate regalo, evitandovi la solita citazione di grassi, proteine, calorie a dannunziana. E poi - nella migliore Cheese, il paese dei balocchi tradizione regionale - facciamo le cose caseari di Bra. Desideriamo che all’incontrario, come Bastiano. spendiate tutti i vostri averi per Spieghiamo. L’inizio dell’autunno di solito una bottiglia di Barolo da è un po’ ritorno alla normalità, un po’ comprare all’asta mondiale (tanto) buone intenzioni. Ovvero: di di La Morra. Speriamo che nuovo a scuola, di nuovo al lavoro, di perdiate il lume della ragione nuovo i negozi aperti, di nuovo i soliti con quei pazzi della amici, di nuovo i calzini, di nuovo, di Banda Osiris, che nuovo, di nuovo. festeggiano i primi Ma anche: da oggi sono a dieta, da oggi venticinque anni di deliquio. In questo numero: giuro che non farò più tardi e non berrò Così - e con tanto altro - ci piace Speciale formaggio più nemmeno mezzo bicchiere di vino, da paganamente festeggiare la transizione I Sulle orme della transumanza domani con lei/lui metto le cose in chiaro, tra l’estate e l’autunno. I Bra dice Cheese da fine mese cerco un lavoro più C’è chi resta lì seduto, a guardar gli alberi I Affinatori: parola di Tom gratificante, dal 2006 cambio città, giusto che si spogliano e le foglie che si fanno Sapori in tempo per non prendermi il traffico rosse per la vergogna, i fiori che chinano il I La Douja invade Asti delle Olimpiadi, è giunta l’ora di comprare capo, i capi che infieriscono al rientro in I La Morra: il Barolo conquista il mondo casa, di sposarsi, di fare figli e via così. -
Una Famiglia Perfetta
Una Famiglia Perfetta Regia: Paolo Genovese Sceneggiatura: Paolo Genovese, Fernando León de Aranoa, Marco Alessi Interpreti: Sergio Castellitto: Leone Claudia Gerini: Carmen Carolina Crescentini: Sole Marco Giallini: Fortunato Ilaria Occhini: Rosa Eugenia Costantini: Luna Eugenio Franceschini: Pietro Francesca Neri: Alicia Distribuzione: Medusa Film Durata: 120’ Origine: Italia, 2012 Il regista – Paolo Genovese Nato a Roma nel 1966, è laureato in Economia e Commercio. Inizia a lavorare come pubblicitario presso la McCann Erickson Italiana realizzando pubblicità di successo. In questo settore ha diretto innumerevoli campagne vincendo premi nazionali e internazionali. Per la televisione, nel 2005, ha diretto la serie televisiva Nati Ieri, con Sebastiano Somma e Vittoria Belvedere; nel 2006 ha diretto con Luca Miniero Viaggio in Italia, esperimento di film "in pillole", trasmesso in 20 micro-puntate a Ballarò, su Raitre; infine nel 2008 ha curato la regia di Amiche mie, una miniserie con Margherita Buy, Elena Sofia Ricci, Luisa Ranieri e Cecilia Dazzi. Il sodalizio artistico con Luca Miniero continua anche in campo cinematografico dove, insieme, scrivono e dirigono i film Incantesimo Napoletano (2001), vincitore di un David di Donatello e due globi d'oro, Nessun messaggio in segreteria (2003) con Carlo Delle Piane, Pierfrancesco Favino e Valerio Mastandrea, e Questa notte è ancora nostra (2008) con Nicola Vaporidis. Dopodichè le loro strade si dividono e, mentre Luca Miniero dirige Benvenuti al Sud (2010), Benvenuti al Nord (2012) e Un boss in salotto (2013), Paolo Genovese dirige La banda dei babbi natale (2010) con Aldo, Giovanni e Giacomo, Immaturi (2011) e il sequel Immaturi - Il viaggio (2012), commedie con Raoul Bova, Ricky Memphis, Luca Bizzarri, Paolo Kessisoglu, Ambra Angiolini, Anita Caprioli e Luisa Ranieri. -
10700990.Pdf
The Dolby era: Sound in Hollywood cinema 1970-1995. SERGI, Gianluca. Available from the Sheffield Hallam University Research Archive (SHURA) at: http://shura.shu.ac.uk/20344/ A Sheffield Hallam University thesis This thesis is protected by copyright which belongs to the author. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. Please visit http://shura.shu.ac.uk/20344/ and http://shura.shu.ac.uk/information.html for further details about copyright and re-use permissions. Sheffield Hallam University jj Learning and IT Services j O U x r- U u II I Adsetts Centre City Campus j Sheffield Hallam 1 Sheffield si-iwe Author: ‘3£fsC j> / j Title: ^ D o ltiu £ r a ' o UJTvd 4 c\ ^ £5ori CuCN^YTNCa IQ IO - Degree: p p / D - Year: Q^OO2- Copyright Declaration I recognise that the copyright in this thesis belongs to the author. I undertake not to publish either the whole or any part of it, or make a copy of the whole or any substantial part of it, without the consent of the author. I also undertake not to quote or make use of any information from this thesis without making acknowledgement to the author. Readers consulting this thesis are required to sign their name below to show they recognise the copyright declaration. They are also required to give their permanent address and date. -
The City of Prague Philharmonic Orchestra and Chorus
WINTER 2017 - SPRING 2018 NEWS www.tadlowmusic.com THE CITY OF PRAGUE PHILHARMONIC ORCHESTRA AND CHORUS EUROPE’S MOST EXPERIENCED AND VERSATILE RECORDING ORCHESTRA: 70 YEARS OF QUALITY MUSIC MAKING The CoPPO have been recording local film and TV scores at Smecky Music Studios since 1946, and a large number of international productions since 1988. Over the years they have worked with many famous composers from Europe and America including: ELMER BERNSTEN * MICHEL LEGRAND * ANGELO BADALAMENTI * WOJCIECH KILAR * CARL DAVIS GABRIEL YARED * BRIAN TYLER * RACHEL PORTMAN * MYCHAEL DANNA * JEFF DANNA * NITIN SAWHNEY JAVIER NAVARRETE * LUDOVIC BOURCE * CHRISTOPHER GUNNING * INON ZUR * JOHANN JOHANNSSON * NATHANIEL MECHALY * PATRICK DOYLE * PHILIP GLASS * BEAR McCREARY * JOE HISAISHI In recent years they have continued this tradition of recording orchestral scores for international productions with composers now recording in Prague from: Australia * New Zealand * Japan * Indonesia * Malaysia * Singapore * China * Taiwan * Russia * Egypt * The Lebanon * Turkey * Brazil * Chile and India PRAGUE HAS BECOME THE CENTRE OF WORLDWIDE SCORING AND ORCHESTRAL RECORDINGS BECAUSE BEING 100% TOTAL BUYOUT ON ALL RECORDINGS AND THE QUALITY OF FINE MUSICIANS AND RECORDING FACILITIES TADLOW MUSIC The Complete Recording Package for FILM, TV, VIDEO GAMES SCORING AND FOR THE RECORD INDUSTRY in LONDON + PRAGUE Music Contractor / Producer : James Fitzpatrick imdb page: http://www.imdb.com/name/nm0280533/ NEW PHONE # : +44 (0) 797 181 4674 “It’s an absolute delight to work with Tadlow Music. The Prague musicians are great and I’ve had many happy experiences recording with them.” - Oscar Winning Composer RACHEL PORTMAN “Always a pleasure to work with James, as i have many times over the years. -
Sound: Eine Arbeitsbibliographie 2003
Repositorium für die Medienwissenschaft Hans Jürgen Wulff Sound: Eine Arbeitsbibliographie 2003 https://doi.org/10.25969/mediarep/12795 Veröffentlichungsversion / published version Buch / book Empfohlene Zitierung / Suggested Citation: Wulff, Hans Jürgen: Sound: Eine Arbeitsbibliographie. Hamburg: Universität Hamburg, Institut für Germanistik 2003 (Medienwissenschaft: Berichte und Papiere 17). DOI: https://doi.org/10.25969/mediarep/12795. Erstmalig hier erschienen / Initial publication here: http://berichte.derwulff.de/0017_03.pdf Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer Creative Commons - This document is made available under a creative commons - Namensnennung - Nicht kommerziell - Keine Bearbeitungen 4.0/ Attribution - Non Commercial - No Derivatives 4.0/ License. For Lizenz zur Verfügung gestellt. Nähere Auskünfte zu dieser Lizenz more information see: finden Sie hier: https://creativecommons.org/licenses/by-nc-nd/4.0/ https://creativecommons.org/licenses/by-nc-nd/4.0/ Medienwissenschaft / Kiel: Berichte und Papiere 17, 1999: Sound. ISSN 1615-7060. Redaktion und Copyright dieser Ausgabe: Hans J. Wulff. Letzte Änderung: 21.9.2008. URL der Hamburger Ausgabe: .http://www1.uni-hamburg.de/Medien/berichte/arbeiten/0017_03.pdf Sound: Eine Arbeitsbibliographie Hans J. Wulff Stille und Schweigen. Themenheft der: Navigatio- Akemann, Walter (1931) Tontechnik und Anwen- nen: Siegener Beiträge zur Medien- und Kulturwis- dung des Tonkoffergerätes. In: Kinotechnik v. 5.12. senschaft 3,2, 2003. 1931, pp. 444ff. Film- & TV-Kameramann 57,9, Sept. 2008, pp. 60- Aldred, John (1978) Manual of sound recording. 85: „Originalton“. 3rd ed. :Fountain Press/Argus Books 1978, 372 pp. Aldred, John (1981) Fifty years of sound. American Cinematographer, Sept. 1981, pp. 888-889, 892- Abbott, George (1929) The big noise: An unfanati- 897. -
Cristina Comencini CINÉCRITURES - FEMMES
UFR LANGUES DEPARTEMENT ITALIEN DAMS DIPARTIMENTO STUDI CINEMATOGRAFICI TIZIANA JACOPONI Cristina Comencini CINÉCRITURES - FEMMES Thèse de doctorat en cotutelle sous la direction des professeurs Christophe Mileschi et Giorgio De Vincenti Thèse de doctorat soutenue leÊ£ÈÉ£äÉÓä£ä TABLE DE MATIERES INTRODUCTION.....................................................................................................................6 PREMIÈRE PARTIE : CRISTINA COMENCINI ENTRE CINÉMA ET LITTÉRATURE .................................20 CHAPITRE 1 : FAMILLE CENTRE DU POUVOIR........................................................21 A. ÊTRE FEMME ET ÊTRE MÈRE ..............................................................................................23 B. FAMILLE MATRICE..............................................................................................................24 I.1. I divertimenti della vita privata....................................................................... .....27 I.2. LA QUESTION DU MODÈLE FAMILIAL FÉMININ (1991-1993)............................ ..................36 A. LA CONSTRUCTION DU MODÈLE FAMILIAL FÉMININ...............................................38 B. LA COMPOSITION DU MODÈLE. .............................................................................47 CHAPITRE II : LA RECHERCHE D’UN MODÈLE FÉMININ INTIMISTE .............58 I.2. LES ORIGINES (1991-1993) ........................................................................................58 A. LEVER DE RIDEAU THÉORIQUE ..................................................................................60 -
Hearing Ourselves: Globalisation, the State, Local Content and New Zealand Radio
HEARING OURSELVES: GLOBALISATION, THE STATE, LOCAL CONTENT AND NEW ZEALAND RADIO A thesis submitted in fulfilment of the requirements for the degree of Master of Arts in Sociology at the University of Canterbury by Zita Joyce University of Canterbury 2002 ii Abstract _____________________________________________________________________ Local music content on New Zealand radio has increased markedly in the years between 1997, when content monitoring began, and January 2002. Several factors have contributed to this increase, including a shift in approach from musicians themselves, and the influence of a new generation of commercial radio programmers. At the heart of the process, however, are the actions of the New Zealand State in the field of cultural production. The deregulation of the broadcasting industry in 1988 contributed to an apparent decline in local music content on radio. However, since 1997 the State has attempted to encourage development of a more active New Zealand culture industry, including popular music. Strategies directed at encouraging cultural production in New Zealand have positioned popular music as a significant factor in the development and strengthening of ‘national’ or ‘cultural’ identity in resistance to the cultural pressures of globalisation. This thesis focuses on the issue of airtime for New Zealand popular music on commercial radio, and examines the relationship between popular music and national identity. The access of New Zealand popular music to airtime on commercial radio is explored through analysis of airplay rates and other music industry data, and a small number of in-depth interviews with radio programmers and other people active in the industry. A considerable amount of control over the kinds of music supported and produced in New Zealand lies with commercial radio programmers. -
And the Ship Sails On
And The Ship Sails On by Serge Toubiana at the occasion of the end of his term as Director-General of the Cinémathèque française. Within just a few days, I shall come to the end of my term as Director-General of the Cinémathèque française. As of February 1st, 2016, Frédéric Bonnaud will take up the reins and assume full responsibility for this great institution. We shall have spent a great deal of time in each other's company over the past month, with a view to inducting Frédéric into the way the place works. He has been able to learn the range of our activities, meet the teams and discover all our on-going projects. This friendly transition from one director-general to the next is designed to allow Frédéric to function at full-steam from day one. The handover will have been, both in reality and in the perception, a peaceful moment in the life of the Cinémathèque, perhaps the first easy handover in its long and sometimes turbulent history. That's the way we want it - we being Costa-Gavras, chairman of our board, and the regulatory authority, represented by Fleur Pellerin, Minister of Culture and Communication, and Frédérique Bredin, Chairperson of the CNC, France's National Centre for Cinema and Animation. The peaceful nature of this handover offers further proof that the Cinémathèque has entered into a period of maturity and is now sufficiently grounded and self-confident to start out on the next chapter without trepidation. But let me step back in time. Since moving into the Frank Gehry building at 51 rue de Bercy, at the behest of the Ministry of Culture, the Cinémathèque française has undergone a profound transformation.