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Umbria from the Iron Age to the Augustan Era
UMBRIA FROM THE IRON AGE TO THE AUGUSTAN ERA PhD Guy Jolyon Bradley University College London BieC ILONOIK.] ProQuest Number: 10055445 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest. ProQuest 10055445 Published by ProQuest LLC(2016). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. Microform Edition © ProQuest LLC. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 Abstract This thesis compares Umbria before and after the Roman conquest in order to assess the impact of the imposition of Roman control over this area of central Italy. There are four sections specifically on Umbria and two more general chapters of introduction and conclusion. The introductory chapter examines the most important issues for the history of the Italian regions in this period and the extent to which they are relevant to Umbria, given the type of evidence that survives. The chapter focuses on the concept of state formation, and the information about it provided by evidence for urbanisation, coinage, and the creation of treaties. The second chapter looks at the archaeological and other available evidence for the history of Umbria before the Roman conquest, and maps the beginnings of the formation of the state through the growth in social complexity, urbanisation and the emergence of cult places. -
Florence Program Manual
Florence Program Manual Congratulations on your decision to participate in Pepperdine University’s Florence Program! This program manual contains information specific to the Florence Program. You have also been given the International Programs’ Student Handbook with general information, rules and regulations for all International Program participants. We expect you to read all information provided in both handbooks carefully. This program manual provides you with the most updated information and advice available at the time of printing. Changes may occur before your departure or while you are abroad. Your flexibility and willingness to adjust to these changes as they occur will help you in having the best study-abroad experience possible. Our handbooks are revised annually by International Programs in Malibu. Your comments and suggestions for next year’s handbook are welcome. Please direct them to the International Programs Center in Malibu. One of the best ways to prepare for study abroad is to learn as much as possible, prior to departure, about your program’s host country as well as the countries you will visit. Visit the International Programs website, talk with faculty and program alumni, visit the suggested websites included in this program manual and consult books about the area. Your flexibility in adjusting to unanticipated situations and cultural differences will determine, in great part, the kind of experience you will have while abroad. We wish you a successful and rewarding study-abroad experience! 1 (Version Updated: 07.21.15) -
World Expo Milano Ggrouproup Traveltravel Toto Italyitaly Sincesince 19851985 Gadis Italia Since 1985
2015 World Expo Milano GGrouproup ttravelravel ttoo IItalytaly ssinceince 11985985 Gadis Italia Since 1985 Travel Ideas 2015 This is the 30th Gadis catalogue. Soon we will be New tours and evergreens celebrating our 3rd decade of business in the Group Incoming industry. Our clients often com- pliment us on how we are just as enthusiastic and New ideas for your travel excursions passionate about what we are doing today, as we were when we started 30 years ago. The best of Italian We feel honoured and even more motivated to Food and wine tradition keep doing our very best to share our knowl- edge and appreciation of Italy: the marvellous, Music related extraordinary, and (at times) complicated coun- Program try that it is. With help from the entire team, we wanted the new catalogue to emphasise fresh Art cities of Italy ideas and newly inspired itineraries for our cli- ents; now more than ever it is important to off er tantalising products that whet tourists’ appetites Active travel for exploration. We believe we are headed in the right direction; especially considering the growing success of our Our favourite hotels suitable for groups specially crafted - sometimes exclusive - itinerar- ies for groups and events. We accompany you on your journey through Italy’s regions with more Selected Events than 200 travel ideas. If you don’t fi nd one that interests you, please do call us: we have plenty more ideas that we haven't yet published! S Travel slowly, enjoy fully lo w Happy reading from your Gadis Team! News, curious facts and useful information -
Former Political Prisoners and Exiles in the Roman Revolution of 1848
Loyola University Chicago Loyola eCommons Dissertations Theses and Dissertations 1989 Between Two Amnesties: Former Political Prisoners and Exiles in the Roman Revolution of 1848 Leopold G. Glueckert Loyola University Chicago Follow this and additional works at: https://ecommons.luc.edu/luc_diss Part of the History Commons Recommended Citation Glueckert, Leopold G., "Between Two Amnesties: Former Political Prisoners and Exiles in the Roman Revolution of 1848" (1989). Dissertations. 2639. https://ecommons.luc.edu/luc_diss/2639 This Dissertation is brought to you for free and open access by the Theses and Dissertations at Loyola eCommons. It has been accepted for inclusion in Dissertations by an authorized administrator of Loyola eCommons. For more information, please contact [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License. Copyright © 1989 Leopold G. Glueckert BETWEEN TWO AMNESTIES: FORMER POLITICAL PRISONERS AND EXILES IN THE ROMAN REVOLUTION OF 1848 by Leopold G. Glueckert, O.Carm. A Dissertation Submitted to the Faculty of the Graduate School of Loyola University of Chicago in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy May 1989 Leopold G. Glueckert 1989 © All Rights Reserved ACKNOWLEDGEMENTS As with any paper which has been under way for so long, many people have shared in this work and deserve thanks. Above all, I would like to thank my director, Dr. Anthony Cardoza, and the members of my committee, Dr. Walter Gray and Fr. Richard Costigan. Their patience and encourage ment have been every bit as important to me as their good advice and professionalism. -
Falda's Map As a Work Of
The Art Bulletin ISSN: 0004-3079 (Print) 1559-6478 (Online) Journal homepage: https://www.tandfonline.com/loi/rcab20 Falda’s Map as a Work of Art Sarah McPhee To cite this article: Sarah McPhee (2019) Falda’s Map as a Work of Art, The Art Bulletin, 101:2, 7-28, DOI: 10.1080/00043079.2019.1527632 To link to this article: https://doi.org/10.1080/00043079.2019.1527632 Published online: 20 May 2019. Submit your article to this journal Article views: 79 View Crossmark data Full Terms & Conditions of access and use can be found at https://www.tandfonline.com/action/journalInformation?journalCode=rcab20 Falda’s Map as a Work of Art sarah mcphee In The Anatomy of Melancholy, first published in the 1620s, the Oxford don Robert Burton remarks on the pleasure of maps: Methinks it would please any man to look upon a geographical map, . to behold, as it were, all the remote provinces, towns, cities of the world, and never to go forth of the limits of his study, to measure by the scale and compass their extent, distance, examine their site. .1 In the seventeenth century large and elaborate ornamental maps adorned the walls of country houses, princely galleries, and scholars’ studies. Burton’s words invoke the gallery of maps Pope Alexander VII assembled in Castel Gandolfo outside Rome in 1665 and animate Sutton Nicholls’s ink-and-wash drawing of Samuel Pepys’s library in London in 1693 (Fig. 1).2 There, in a room lined with bookcases and portraits, a map stands out, mounted on canvas and sus- pended from two cords; it is Giovanni Battista Falda’s view of Rome, published in 1676. -
Romano-Italic Relations and the Origins of the Social War
Managing Empire: Romano-Italic Relations and the Origins of the Social War by Owen James Stewart, BA (Hons) School of Humanities Submitted in fulfilment of the requirements for the degree of Doctor of Philosophy University of Tasmania February, 2019 STATEMENTS AND DECLARATIONS Declaration of Originality This thesis contains no material which has been accepted for a degree or diploma by the University or any other institution, except by way of background information and duly acknowledged in the thesis, and to the best of my knowledge and belief no material previously published or written by another person except where due acknowledgement is made in the text of the thesis, nor does the thesis contain any material that infringes copyright. Owen James Stewart Date: 18/02/2019 Authority of Access This thesis may be made available for loan and limited copying and communication in accordance with the Copyright Act 1968. Owen James Stewart Date: 18/02/2019 Statement Regarding Published Work Contained in Thesis The publisher of the paper comprising the majority of Chapter 1.4 (pages 29 to 42) hold the copyright for that content and access to the material should be sought from the respective journal. The remaining non-published content of the thesis may be made available for loan and limited copying and communication in accordance with the Copyright Act 1968. Owen James Stewart Date: 18/02/2019 ii ACKNOWLEDGEMENTS I would like to thank all those who served as my supervisor throughout this project: Geoff Adams, with whom it all began, for his enthusiasm and encouragement; Jonathan Wallis for substituting while other arrangements were being made; and Jayne Knight for her invaluable guidance that made submission possible. -
Reasons to Stay a Little Bit Longer
CÆSAR AVGVSTVS ISOLA DI CAPRI REASONS TO STAY A LITTLE BIT LONGER ISLAND TOURS CAPRI AND Walking around the alleys, overlooking seaviews, appreciating the natural wonders of a island that has it all! ANACAPRI Accompanied by your own private guide, strolling around the historical city center of Anacapri and Capri visiting the pedestrian centers. TOUR ISLAND ROAD TOUR Since Roman times, the unparalleled natural beauty of Capri has captured the imagination of travelers. Sporty guests can enjoy exciting walks such as the Sentiero dei Fortini, explore the magnificent villas of Emperor Tiberius and visit the legendary Blue Grotto, made famous by Lord Byron. Our experienced guide will introduce clients to Capri’s hidden treasures on foot or by car. Duration: 4hrs PRIVATE Very close to the Vesuvius still remain ancient Roman ruins: Pompeii. In these archaeological sites you will have the unique occasion to walk through narrow streets once passed by old roman people, admire their houses EXCURSION beautifully decorated and understand the way they lived. The visit can be done with or without a guide (you can require a specific language for your TO POMPEI tour), we suggest to book a guided one to appreciate better this excursion. Duration: 8hrs Tour includes: • Hydrofoil roundtrip tickets to Sorrento • Private car from the port of Sorrento to Pompeii and back. • Tickets for the entrance of the ruins The prices do not include lunch PRIVATE Very close to the Vesuvius still remain ancient Roman ruins: Pompeii. In these archaeological sites you will have the unique occasion to walk through narrow streets once passed by old roman people, admire their houses EXCURSION beautifully decorated and understand the way they lived. -
Castellani and Italian Archaeological Jewellery Exhibition
Castellani and Italian Archaeological 1 Jewellery Exhibition Castellani and Italian Archaeological The Castellani family’s appreciation of the Jewellery, the first exhibition to explore in craftsmanship of ancient jewellery and their 2 depth the artistic and scholarly contributions to desire to improve contemporary Italian craft jewellery made by three generations of the and design drove them to pursue the rediscov- Castellani family in 19th century Rome, will ery of the ‘lost’ art of granulation: the tech- be staged by the Gilbert Collection, Somerset nique of applying tiny granules of gold to the House, London WC1, from early May until surface of an object, shown to its best effect on Sunday 18 September 2005. This landmark the gold Bacchus pendant (fig. 1). This quest exhibition was organised by The Bard absorbed the Castellani family for decades and Graduate Center for Studies in the Decorative the revival of this and other ancient techniques Arts, Design, and Culture, New York, where it was one of their greatest contributions to the made its debut. history of jewellery making. 4 6 Rome, in the second half of the 19th century, was a magnet for an ever-growing stream of international travellers. The city’s rich artistic and architectural heritage had made it an obligatory stop on the European Grand Tour in The Castellani single-handedly revived the the eighteenth century, but now Rome was fashion for micromosaics, tiny plaques created catering for the new bourgeois tourist from from hundreds of tesserae, minute pieces of Europe and America. Fashion-conscious ladies gold, silver or coloured glass, for which the headed for the Castellani shop near the Trevi Gilbert Collection is so celebrated. -
Ancient Rome
Ancient Rome Beginnings Founding • The Latins, an Indo-European-speaking Italic people from central Europe, crossed the Alps about 1500 B.C. and invaded Italy. • Attracted by the warm climate and fertile land, the Latins conquered the native peoples and settled in central Italy. • On the seven hills overlooking the Tiber River, they founded the city of Rome. • (According to Roman legend, the city was founded in 753 B.C. by two descendants of the gods – the twin brothers Romulus and Remus) Life Among the Early Latins The early Latins, a simple, hardy people, • worked chiefly at farming and cattle-raising; • maintained close family ties, with the father exercising absolute authority; • worshipped tribal gods (Jupiter, the chief god; Mars, god of war; Neptune, god of the sea; and Venus, goddess of love), and • defended Rome against frequent attacks Etruscan Territory • Etruscan architecture was created between about 700 BC and 200 BC, when the expanding civilization of ancient Rome finally absorbed Etruscan civilization. The Etruscans were considerable builders in stone, wood and other materials of temples, houses, tombs and city walls, as well as bridges and roads. The only structures remaining in quantity in anything like their original condition are tombs and walls, but through archaeology and other sources we have a good deal of information on what once existed. Etruscan Architecture Etruscan Funeral Urns From Etruscan Rule to Independence Rome was captured about 750 B.C. by its northern neighbors, the Etruscans. From these more advanced people, the Latins, or Romans, learned to • construct buildings, roads and city walls, • make metal weapons, and • Apply new military tactics; The Romans in 500 B.C. -
Etruscan Biophilia Viewed Through Magical Amber
University of Mississippi eGrove Honors College (Sally McDonnell Barksdale Honors Theses Honors College) Spring 5-9-2020 Etruscan Biophilia Viewed through Magical Amber Greta Rose Koshenina University of Mississippi Follow this and additional works at: https://egrove.olemiss.edu/hon_thesis Part of the Classical Archaeology and Art History Commons, and the Other Classics Commons Recommended Citation Koshenina, Greta Rose, "Etruscan Biophilia Viewed through Magical Amber" (2020). Honors Theses. 1432. https://egrove.olemiss.edu/hon_thesis/1432 This Undergraduate Thesis is brought to you for free and open access by the Honors College (Sally McDonnell Barksdale Honors College) at eGrove. It has been accepted for inclusion in Honors Theses by an authorized administrator of eGrove. For more information, please contact [email protected]. ETRUSCAN BIOPHILIA VIEWED THROUGH MAGICAL AMBER by Greta Rose Koshenina A thesis submitted to the faculty of The University of Mississippi in partial fulfillment of the requirements of the Sally McDonnell Barksdale Honors College. Oxford May 2020 Approved by ___________________________________ Advisor: Dr. Jacqueline DiBiasie-Sammons ___________________________________ Reader: Dr. Molly Pasco-Pranger ___________________________________ Reader: Dr. John Samonds © 2020 Greta Rose Koshenina ALL RIGHTS RESERVED ii DEDICATION I dedicate this thesis with gratitude to my advisors in both America and Italy: to Dr. Jacqueline DiBiasie-Sammons who endured spotty skype meetings during my semester abroad and has been a tremendous help every step of the way, to Giampiero Bevagna who helped translate Italian books and articles and showed our archaeology class necropoleis of Etruria, and to Dr. Brooke Porter who helped me see my research through the eyes of a marine biologist. -
Etruscan Winged “Demons”
First in Flight: Etruscan Winged “Demons” Marvin Morris University of California, Berkeley Classical Civilizations Class of 2016 Abstract: Etruscan winged Underworld figures (commonly referred to as winged “demons”) represent one of the most fascinating and least understood aspects of funerary iconography in ancient Etruria. Their function, along with their origin, has long been the subject of scholarly debates. However, over the last two decades, scholars have begun to take a closer look at these chthonic figures. Recent scholarship has begun to provide answers to many of the most fundamental questions concerning their role, even if disagreements remain over their murky origins. Expanding on interpretations that have cast new light on how these winged (and non winged) Underworld figures functioned, questions concerning Etruscan religious beliefs and funerary ideology can now be reconsidered. Introduction: Iconography and Ideology Etruscan winged Underworld figures (commonly referred to as winged “demons”) represent one of the most fascinating and least understood aspects of funerary iconography in ancient Etruria. Their function, along with their origin, has long been the subject of scholarly debates. However, over the last two decades, scholars1 have begun to take a closer look at these chthonic figures. Recent scholarship has begun to provide answers to many of the most fundamental questions concerning their role, even if disagreements remain over their murky origins2. Expanding on interpretations that have cast new light on how these winged (and non winged) Underworld figures functioned, questions concerning Etruscan religious beliefs and funerary ideology can now be reconsidered. One such question concerns the sudden increase in the appearance of winged “demons” that begins to occur around the end of the fifth century BCE. -
Herculaneum Archaeology
I In this edition: Ercolano Meeting, June 2010 - report by Robert Fowler, Trustee Herculaneum: an Ancient Town in the Bay of Naples - Christopher Smith, Director of the British School in Rome Pompeii and the Roman Villa: Art and Culture around the Bay of Naples. Report on the exhibition by Carol Mattusch House of the Relief of Telephus, Herculaneum herculaneum archaeology herculaneum Society - Issue 12 Summer 2010 of the Friends Herculaneum the newsletter Suburban Baths, not normally open to the public, and a peak inside the Bourbon tunnels in the Basilica—this was The Third Herculaneum a particular treat, as one could see some quite breathtaking original frescoes in situ, untouched by any restoration. The Conference narrow space could accommodate only three or four tightly Robert Fowler squeezed people at a time. 2. 3. 4. The Suburban Baths 1. The Gardens of the Miglio d’Oro The Friends met 11–13 June for their third gathering in Campania since 2006, in what is now an established biennial tradition. For repeat attenders it felt like a reunion, while at the same time it was gratifying to welcome a good number of newcomers. For the first two meetings we resided in Naples (hence the First and Second ‘Naples’ Congresses), but for this one we moved out to Ercolano itself, a prospect made enticing by the opening of the four-star Miglio D’Oro hotel, a spectacular, done-over 18th-century villa which made up in atmosphere—especially the garden—what it (so far) lacks in abundance of staff (in some areas). The experiment was judged successful both for its convenience and for the benefit we were able to deliver to the local economy, not just the Miglio D’Oro but to B&Bs and local businesses.