Personalhistorisk Tidsskrift 1963:3-4
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Danske Studier
DANSKE STUDIER GENERALREGISTER 1904-1965 AKADEMISK FORLAG KØBENHAVN Indhold Indledning 5 Forkortelser 7 I. Alfabetisk indholdsfortegnelse A. Afhandlinger og artikler 9 B. Anmeldelser 37 C. Meddelelser 53 II. Litteraturforskning A. Genrer, perioder, begreber 54 B. Stilistik 57 C. Verslære, foredragslære 58 D. Forfatter- og værkregister 60 Anonymregister 98 III. Sprogforskning A. Sprogforskning i alm., dansk og fremmed sproghistorie, blandede sproglige emner 103 B. Fonetik, lydhistorie, lydsystem 107 C. Grammatik: morfologi, syntaks 109 D. Runologi 111 E. Dialekter 113 F. Navneforskning 1. Stednavne 114 2. Personnavne 121 3. Mytologiske og sagnhistoriske navne 123 G. Behandlede tekster og håndskrifter 124 H. Behandlede ord 126 IV. Folkeminder og folkemindeforskning A. Historie, metode, indsamling 136 B. Skik og brug, fester 136 C. Folketro, folkemedicin, religionshistorie, mytologi 1. Folketro 138 2. Folkemedicin 141 3. Religionshistorie 141 4. Mytologi 142 D. Episk digtning, folkedigtning 1. Heltedigtning, heltesagn, sagnhistorie 144 2. Folkeeventyr, fabler 145 AT-nummorfortegnelse 146 3. Sagn, folkesagn 147 4. Historier, anekdoter 148 5. Ordsprog, gåder, naturlyd 148 6. Formler, bønner, signelser, rim, remser 148 7. Viser Folkeviser 149 Alfabetisk titelfortegnelse 150 DgF-nummerfortegnelse 152 Folkelige viser 155 Varia 156 E. Sang, musik, dans, fremførelse 157 F. Leg, idræt, sport 157 V. Folkelivsforskning og etnologi 159 A. Etnologi i alm., teori, begreber, indsamling. - B. Bygnings kultur. - C. Dragt. - D. Husholdning, mad, drikke, nydelses midler. - E. Jordbrug, havebrug og skovbrug. - F. Røgt. - G. Fiskeri. - H. Håndværk og industri. Husflid. - I. Samfærdsel, transport, handel, markeder. - J. Samfund, organisation, rets pleje. - K. Lokalbeskrivelser, særlige erhvervs- og befolknings grupper. VI. Blandede historiske og kulturhistoriske emner 162 VII. Personregister 165 VIII. -
Accounting Policies
CONTENTS Supervisory Board and Board of Management . 4 The Supervisory Board’s report. 7 Art or therapy . 10 A step in the right direction. 14 Natural considerations . 16 Focus on Parkinson’s disease . 18 A product with potential . 20 It’s all about prevention . 22 Lundbeck’s products . 24 Lundbeck worldwide . 26 The Lundbeck Foundation Research Prize . 28 Summary for the Group 1987-1996 . 30 Comments on the accounts . 32 Financial comments . 36 Accounting policies . 38 Profit & loss account . 41 Balance sheet, assets. 42 Balance sheet, liabilities . 43 Statement of sources and application of funds . 44 Signatures of the Supervisory Board and the Board of Management . 45 Auditors’ report. 45 Notes . 46 Integrated therapy . 59 Front cover: Lundbeck sponsors several popular travelling exhibitions of art created by psychiatric patients. We have chosen to show some of these works in this year’s annual report. Concerning the connection between art H. Lundbeck A/S’s annual general and psychiatry, readers are referred to meeting will be held at Valby Hallen the article ”Art or Therapy” on page 10. at 3pm on 16.5.1997. 2 SPECIALISTS IN PSYCHIATRY PIONEERS IN NEUROLOGY As a specialist, one must constantly At the same time, Lundbeck is main- seek knowledge - deep, thorough and taining and developing the research on extensive knowledge. Lundbeck does which its activities are founded. We that. We are specialists in psychiatry, must have the ability and the will to with everything that implies in the way explore the complex biochemical reac- of advantages and obligations. tions that take place in the central nervous system (CNS). -
Kierkegaard and Byron: Disability, Irony, and the Undead
University of Mississippi eGrove Electronic Theses and Dissertations Graduate School 2015 Kierkegaard And Byron: Disability, Irony, And The Undead Troy Wellington Smith University of Mississippi Follow this and additional works at: https://egrove.olemiss.edu/etd Part of the Comparative Literature Commons Recommended Citation Smith, Troy Wellington, "Kierkegaard And Byron: Disability, Irony, And The Undead" (2015). Electronic Theses and Dissertations. 540. https://egrove.olemiss.edu/etd/540 This Thesis is brought to you for free and open access by the Graduate School at eGrove. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of eGrove. For more information, please contact [email protected]. KIERKEGAARD AND BYRON: DISABILITY, IRONY, AND THE UNDEAD A Thesis presented in partial fulfillment of requirements for the degree of Master of Arts in the Department of English The University of Mississippi by TROY WELLINGTON SMITH May 2015 Copyright © 2015 by Troy Wellington Smith ALL RIGHTS RESERVED ABSTRACT After enumerating the implicit and explicit references to Lord Byron in the corpus of Søren Kierkegaard, chapter 1, “Kierkegaard and Byron,” provides a historical backdrop by surveying the influence of Byron and Byronism on the literary circles of Golden Age Copenhagen. Chapter 2, “Disability,” theorizes that Kierkegaard later spurned Byron as a hedonistic “cripple” because of the metonymy between him and his (i.e., Kierkegaard’s) enemy Peder Ludvig Møller. Møller was an editor at The Corsair, the disreputable satirical newspaper that mocked Kierkegaard’s disability in a series of caricatures. As a poet, critic, and eroticist, Møller was eminently Byronic, and both he and Byron had served as models for the titular character of Kierkegaard’s “The Seducer’s Diary.” Chapter 3, “Irony,” claims that Kierkegaard felt a Bloomian anxiety of Byron’s influence. -
91486717.Pdf
■ inram Fortegnelse over Borgerforeningens Bogsamling. Januar 1873. Flensborg. Trykt hosC. K. Thi I le rap. <oL0 kl^Lx. 0 (X aa^ aa4e- OCa '2J>i a 'TS J7 vJc? Y Cgt / i ^ < r v < ^VV'V'VI^JZA^ ( Reglementariske Bestemmelser, Bibliotheket vedkommende. 1. Auslieferung findet statt an einem bestimmten Tage jede Woche, welches durch Anschlag im Lesezimmer und im Bibliothekszimmer bekannt gemacht wird. 2. Die Bücher dürfen von in der Stadt wohnenden Mit gliedern nur 14 Tage, und von ausserhalb der Stadt woh nenden nur drei Wochen lang behalten werden. Wird ein Buch länger behalten, wird für jede Woche über die fest gesetzte Zeit 4 ß Rm. bezahlt. 3. Beschädigte oder weggekommene Bücher werden nach Ermessen der Lesecomitee ersetzt. 4. Im Bibliothekszimmer liegt ein Protokoll, worin man sich für ausgeliehene Bücher zeichnen kann. Wenn das Buch, für welches sich ein Mitglied gezeichnet hat, eingeht, wird es für den Betreff enden den nächsten Bibliothekstag über zurück gehalten. 5. Weiterverleihen darf keinenfalls stattfinden. 6. Mehr als 3 Bücher (o: Bände) zurZeit dürfen in der Regel nicht an in der Stadt wohnenden Mitgliedern ausge liehen werden. 7. Die Nummern der gewünschten Bücher müssen auf einen Zettel verzeichnet sein. 8. Die Mitglieder haben keinen Zutritt zu den Schrän ken, weder um Bücher hinauszunehmen oder hinzustellen. 9. Ein Mal im Jahre findet eine Zurückgabe aller Bücher statt. Die Zeit dafür wird bekannt gemacht. 1. Udlaan finder Sted paa en bestemt Dag i Ugen, hviket bckjendtgjøres ved Opslag i Læseværelset. 2. Bøgerne maa kun beholdes i 14 Dage, naar Laaneren er iudenbyes, og i 3 Uger, naar han er udenbyes Medlem. -
NY DK Og UK Grants 2016.Xlsx
VILLUM FONDEN Technical and Scientific Research Project title Organisation Department Applicant Amount Breaking Barriers in Scattering Amplitudes: Understanding via Computation (and vice versa) University of Copenhagen Niels Bohr Institute Jacob Bourjaily kr. 7.390.515 Search for heavy Higgs particles in diboson decays at LHC run II University of Copenhagen Niels Bohr Institute Troels Christian Petersen kr. 2.075.000 The Villum Kann Rasmussen Annual Award 2017 University of Copenhagen Niels Bohr Institute Jens Hjorth kr. 4.500.000 The Villum Kann Rasmussen Annual Award 2017 - personal stake University of Copenhagen Niels Bohr Institute Jens Hjorth kr. 500.000 Crossroads for inflation theory: Uncovering the origins of the Universe University of Southern Denmark Department of Physics, Chemistry and Pharmacy Martin S. Sloth kr. 2.901.780 Analyses of sub-mesoscale frontiers as essential barriers of dispersion for phytoplancton University of Copenhagen Natural History Museum of Denmark Katherine Richardson Christensen kr. 3.432.727 miGENEPI: Evaluation of effects of new selected pressurizers on GENomers EPIgenomes an MIkrobiota University of Copenhagen Natural History Museum of Denmark Ludovic Orlando kr. 5.995.927 Dispersal, differentiation and speciation across barriers and along elevational gradients in island bird communities University of Copenhagen Natural History Museum of Denmark Knud Jønsson kr. 9.999.971 HiddenRisk - Understanding the impact of human activities on subterranean biodiversity University of Copenhagen Natural History Museum of Denmark Ana Sofia Reboleira kr. 7.075.471 Molecular mechanisms behind recognition of extraneous RNa in plants - and connected effects on antiviral immunity University of Copenhagen Department of Biology Peter Brodersen kr. 5.878.520 Novel Molecular Targets for Beetle Pest Control - From Genome to Phenome University of Copenhagen Department of Biology Kenneth Halberg kr. -
Henrik Ibsen
Henrik Ibsen Edmund Gosse The Project Gutenberg EBook of Henrik Ibsen, by Edmund Gosse Copyright laws are changing all over the world. Be sure to check the copyright laws for your country before downloading or redistributing this or any other Project Gutenberg eBook. This header should be the first thing seen when viewing this Project Gutenberg file. Please do not remove it. Do not change or edit the header without written permission. Please read the "legal small print," and other information about the eBook and Project Gutenberg at the bottom of this file. Included is important information about your specific rights and restrictions in how the file may be used. You can also find out about how to make a donation to Project Gutenberg, and how to get involved. **Welcome To The World of Free Plain Vanilla Electronic Texts** **eBooks Readable By Both Humans and By Computers, Since 1971** *****These eBooks Were Prepared By Thousands of Volunteers!***** Title: Henrik Ibsen Author: Edmund Gosse Release Date: May, 2005 [EBook #8152] [Yes, we are more than one year ahead of schedule] [This file was first posted on June 20, 2003] Edition: 10 Language: English Character set encoding: ASCII *** START OF THE PROJECT GUTENBERG EBOOK HENRIK IBSEN *** Produced by Ted Garvin, Nicole Apostola and David Widger HENRIK IBSEN By Edmund Gosse CONTENTS CHAPTER I: CHILDHOOD AND YOUTH CHAPTER II: EARLY INFLUENCES CHAPTER III: LIFE IN BERGEN (1852-57) CHAPTER IV: THE SATIRES (1857-67) CHAPTER V: 1868-75 CHAPTER VI: 1875-82 CHAPTER VII: 1883-91 CHAPTER VIII: LAST YEARS CHAPTER IX: PERSONAL CHARACTERISTICS CHAPTER X: INTELLECTUAL CHARACTERISTICS LIST OF ILLUSTRATIONS Henrik Ibsen Ibsen in 1868 Ibsen in Dresden, October, 1873 From a drawing by Gustav Laerum Facsimile of Ibsen's Handwriting Ibsen. -
L'âge D'or De La Peinture Danoise
DOSSIER DE PRESSE L’Âge d’or de la peinture danoise Septembre 2020 (1801-1864) 22 septembre 2020 - prolongée jusqu’au 17 janvier 2021 Du mardi au dimanche de 10h à 18h INFORMATIONS Nocturnes les vendredis jusqu’à 21h www.petitpalais.paris.fr Christen Købke (1810-1848), Vue de Dosseringen, 1838. Huile sur toile, 53 x 71,5 cm, Copenhague, Statens Museum for Kunst © SMK Photo/Jakob Skou-Hansen CONTACT PRESSE : Mathilde Beaujard [email protected] / 01 53 43 40 14 Exposition organisée avec : L’Âge d’or de la peinture danoise, (1801-1864) - du 22 septembre 2020 au 3 janvier 2021 SOMMAIRE Communiqué de presse p. 3 Parcours de l’exposition p. 5 Scénographie p. 11 Publications p. 12 Paris Musées, le réseau des musées de la Ville de Paris p. 13 Le Petit Palais p. 14 Informations pratiques p. 15 Martinus Rørbye (1803-1848), Vue depuis la fenêtre du peintre, 1825. Huile sur toile, 38 x 29,8 cm, Copenhague, Statens Museum for Kunst © SMK Photo/Jakob Skou-Hansen 2 L’Âge d’or de la peinture danoise, (1801-1864) - du 22 septembre 2020 au 3 janvier 2021 COMMUNIQUÉ DE PRESSE Le Petit Palais présente pour la première fois en France depuis près de trente-cinq ans, une exposition dédiée aux plus belles heures de la peinture danoise, de 1801 à 1864. Peintures précises et délicates, plus de 200 , 1838. œuvres d’artistes phares de cette période comme Christoffer Eckersberg, Christen Købke, Martinus Rørbye ou encore Constan- tin Hansen offrent une plongée dans le Dane- Vue de Dosseringen mark du XIXe siècle. -
Reading the Surface: the Danish Gothic of B.S. Ingemann, H.C
Reading the Surface: The Danish Gothic of B.S. Ingemann, H.C. Andersen, Karen Blixen and Beyond Kirstine Marie Kastbjerg A dissertation submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy University of Washington 2013 Reading Committee: Marianne Stecher. Chair Jan Sjaavik Marshall Brown Program Authorized to Offer Degree: Scandinavian Studies ©Copyright 2013 Kirstine Marie Kastbjerg Parts of chapter 7 are reprinted by permission of the publishers from “The Aesthetics of Surface: the Danish Gothic 1820-2000,” in Gothic Topographies ed. P.M. Mehtonen and Matti Savolainen (Farnham: Ashgate, 2013), pp. 153–167. Copyright © 2013 University of Washington Abstract Reading the Surface: The Danish Gothic of B.S. Ingemann, H.C. Andersen, Karen Blixen and Beyond Kirstine Marie Kastbjerg Chair of the Supervisory Committee: Professor in Danish Studies Marianne Stecher Department of Scandinavian Studies Despite growing ubiquitous in both the popular and academic mind in recent years, the Gothic has, perhaps not surprisingly, yet to be examined within the notoriously realism-prone literary canon of Denmark. This dissertation fills that void by demonstrating an ongoing negotiation of Gothic conventions in select works by canonical Danish writers such as B.S. Ingemann, Hans Christian Andersen, and Karen Blixen (Isak Dinesen), as well as contemporary writers such as Peter Høeg and Leonora Christina Skov. This examination does not only broaden our understanding of these culturally significant writers and the discourses they write within and against, it also adds to our understanding of the Gothic – an infamously malleable and indefinable literary mode – by redirecting attention to a central feature of the Gothic that has not received much critical attention: the emphasis on excess, spectacle, clichéd conventions, histrionic performances, its hyperbolic rhetorical style, and hyper-visual theatricality. -
01-28-2019 Iolanta Eve.Indd
PYOTR ILYICH TCHAIKOVSKY iolanta AND BÉLA BARTÓK bluebeard’s castle conductor Iolanta Henrik Nánási Opera in one act production Libretto by Modest Tchaikovsky, Mariusz Treli ´nski based on the play King René’s Daughter set designer by Henrik Hertz Boris Kudliˇcka Bluebeard’s Castle costume designer Marek Adamski Opera in one act lighting designer Libretto by Béla Balázs, based on the Marc Heinz fairy tale by Charles Perrault projection designer Monday, January 28, 2019 Bartek Macias 7:30–10:40 PM sound designer Mark Grey choreographer Tomasz Jan Wygoda The productions of Iolanta and Bluebeard’s Castle dramaturg were made possible by a generous gift from Piotr Gruszczy ´nski Ambassador and Mrs. Nicholas F. Taubman Additional funding was received from Mrs. Veronica Atkins; Dr. Magdalena Berenyi, in memory of Dr. Kalman Berenyi; and the general manager Peter Gelb National Endowment for the Arts jeanette lerman-neubauer Co-production of the Metropolitan Opera and music director Yannick Nézet-Séguin Teatr Wielki–Polish National Opera 2018–19 SEASON The ninth Metropolitan Opera performance of PYOTR ILYICH TCHAIKOVSKY’S iolanta conductor Henrik Nánási in order of vocal appearance martha duke robert Larissa Diadkova Alexey Markov iol anta count got tfried vaudémont Sonya Yoncheva Matthew Polenzani brigit ta Ashley Emerson* l aur a Megan Marino bertr and Harold Wilson alméric Mark Schowalter king rené Vitalij Kowaljow ibn-hakia Elchin Azizov Monday, January 28, 2019, 7:30–10:40PM 2018–19 SEASON The 33rd Metropolitan Opera performance of BÉLA BARTÓK’S bluebeard’s castle conductor Henrik Nánási cast judith Angela Denoke duke bluebe ard Gerald Finley * Graduate of the Lindemann Young Artist Development Program Monday, January 28, 2019, 7:30–10:40PM MARTY SOHL / MET OPERA A scene from Bartók’s Chorus Master (Iolanta) Donald Palumbo Bluebeard’s Castle Musical Preparation (Iolanta) Linda Hall, J. -
Romantik 07 2018
van Gerven, Journal for the Study of Romanticisms (2018), Volume 07, DOI 10.14220/jsor.2018.7.1.17 Timvan Gerven (University of Amsterdam) WhoseTordenskjold?The Fluctuating Identities of an Eighteenth-Century Naval Hero in Nineteenth-Century Cultural Nationalisms Abstract The naval hero Peter Wessel Tordenskjold (1690–1720) wasone of the most celebrated historical figures in both nineteenth-century Norway and Denmark. This double national cultivation gavecause for an ongoing feud between Danish and Norwegian historians concerninghis true fatherland.Atthe same time, the uncertaintysurrounding his exact nationality offered awealth of material for narratives of Dano-Norwegian, and even pan- Scandinavian rapprochement. This article explores Tordenskjold’strack record as afigure of nationalcultivation by treating him as adynamic and transnationalmemory site (lieu de mémoire).Itwill be demonstrated that the contestation surrounding the ownership of his memory formed an importantmotivation for the rich artistic cultivation of this national hero, while the symbolic meaning attributedtohim wassubjected to the ideological needs of the individuals and groupsappropriatinghim. As such, Tordenskjold came to be alternately ingrained in Danish, Norwegian, Dano-Norwegian,and Scandinavian frameworks ac- cording to the relevant political and social circumstances. Keywords Peter Wessel Tordenskjold, Cultural memory, Cultivation of culture, National heroes, Lieu de mémoire Introduction Peter Wessel Tordenskjold (1690–1720) belongs to the most beloved and most cultivated national heroes in nineteenth-century Denmark and Norway. The list of songs, poems, stories, plays, novels, and biographies featuring the vice admiral in the leading role is aparticularly long one and includes works by such prominent authors as Adam Oehlenschläger, B. S. Ingemann, and Henrik Hertz. -
Encyklopédia Kresťanského Umenia
Marie Žúborová - Němcová: Encyklopédia kresťanského umenia Daňo Juraj - (2007) do výtvarného života vstúpil tesne po 2. svetovej vojne; v tvorbe prekonal niekoľko vývojových zmien, od kompozícií dôsledne a detailne interpretujúcich farebné a tvarové bohatstvo krajiny, cez krajinu s miernou farebnou, tvarovou i rukopisnou expresionistickou nadsádzkou, až ku kompozíciám redukujúcim tvary na ich geometrickú podstatu; tak v krajinárskych, ako aj vo figurálnych kompozíciách, vyskytujúcich sa v celku jeho tvorby len sporadicky, farebne dominuje modro – fialovo – zelený akord; po prekonaní experimentálneho obdobia, v ktorom dospel k výrazne abstrahovanej forme na hranici informačného prejavu, sa upriamoval na kompozície, v ktorých sa kombináciou techník usiloval o podanie spoločensky závažnej problematiky; vytvoril aj celý rad monumentálno-dekoratívnych kompozícií; od roku 1952 bol členom východoslovenského kultúrneho spolku Svojina, zároveň členom skupiny Roveň; v roku 1961 sa stal členom Zväzu slovenských výtvarných umelcov; od roku 1969 pôsobil ako umelec v slobodnom povolaní; v roku 1984 mu bol udelený titul zaslúžilého umelca J. Daňo: Horúca jeseň J. Daňo: Za Bardejovom Heslo DANO – DAR Strana 1 z 22 Marie Žúborová - Němcová: Encyklopédia kresťanského umenia J. Daňo J. Daňo: Drevenica Heslo DANO – DAR Strana 2 z 22 Marie Žúborová - Němcová: Encyklopédia kresťanského umenia J. Daňo: J. Daňo Heslo DANO – DAR Strana 3 z 22 Marie Žúborová - Němcová: Encyklopédia kresťanského umenia J. Daňo: Ulička so sypancom J. Daňo: Krajina Daňový peniaz - Zaplatenie dane cisárovi dánska loď - herring-buss Dánsko - dánski ilustrátori detských kníh - pozri L. Moe https://en.wikipedia.org/wiki/Category:Danish_children%27s_book_illustrators M Christel Marotta Louis Moe O Ib Spang Olsen dánski krajinári - Heslo DANO – DAR Strana 4 z 22 Marie Žúborová - Němcová: Encyklopédia kresťanského umenia http://en.wikipedia.org/wiki/Category:Danish_landscape_painters dánski maliari - pozri C. -
MALERIER + ANTIKVITETER Traditionel Auktion 895
BRUUN RASMUSSEN FINE ART + ANTIQUES FINE ART AND AN TIQUES AUCTION 895 • JUNE 2020 895_antik_omslag.indd 1 14/05/2020 17.57 MALERIER + ANTIKVITETER Traditionel Auktion 895 AUKTION 9. - 11. juni 2020 EFTERSYN Torsdag 4. juni kl. 11 - 17 Fredag 5. juni Grundlovsdag lukket Lørdag 6. juni kl. 11 - 16 Søndag 7. juni kl. 11 - 16 Mandag 8. juni kl. 11 - 17 eller efter aftale Bredgade 33 · 1260 København K · Tel +45 8818 1111 [email protected] · bruun-rasmussen.dk 895_antik_s001-015_start.indd 1 14/05/2020 18.48 Vigtig information om auktionen og eftersynet På et kort øjeblik blev verden forandret som følge af COVID-19. Danmark kan heldigvis som flere andre lande nu åbne mere og mere op for samfundet igen. Hos Bruun Rasmussen følger vi myndighedernes retningslinjer og afholder den Traditionelle Auktion og det indledende eftersyn ud fra visse restriktioner og forholdsregler. Oplev udvalget og byd med hjemmefra Sikkerheden for vores kunder er altafgørende, og vi anbefaler derfor, at flest muligt går på opdagelse i auktionens udbud via bruun-rasmussen.dk og auktionskatalogerne. Du kan også bestille en konditions- rapport eller ringe til en af vores eksperter, der kan fortælle dig mere om specifikke kunstgenstande. Vi anbefaler ligeledes, at flest muligt deltager i auktionen uden at møde op i auktionsalen. Du har følgende muligheder for at byde med hjemmefra: • Live-bidding: Byd med via direkte videotransmission fra auktionssalen på hjemmesiden. Klik på det orange ikon med teksten ”LIVE” ud for den pågældende auktion. • Telefonbud: Bliv ringet op under auktionen af en af vores medarbejdere, der byder for dig, mens du er i røret.