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Second International Congress of Art History Students Proceedings !"#$%&&'"
SECOND INTERNATIONAL CONGRESS OF ART HISTORY STUDENTS PROCEEDINGS !"#$%&&'" !"#$%&'() Klub studenata povijesti umjetnosti Filozofskog fakulteta (Art History Students' Association of the Faculty of Humanities and Social Sciences) (*%+,)%-$ #,-)* Jelena Behaim, Kristina Brodarić, Lucija Bužančić, Ivan Ferenčak, Jelena Mićić, Irena Ravlić, Eva Žile )(.%(/()& Tanja Trška, Maja Zeman (*%+%01 -0* !),,2)(-*%01 Ivana Bodul, Kristina Đurić, Petra Fabijanić, Ana Kokolić, Tatjana Rakuljić, Jasna Subašić, Petra Šlosel, Martin Vajda, Ira Volarević *(&%10 + $-3,"+ Teo Drempetić Čonkić (oprema čonkić#) The Proceedings were published with the financial support from the Faculty of Humanities and Social Sciences in Zagreb. SECOND INTERNATIONAL CONGRESS OF ART HISTORY STUDENTS PROCEEDINGS !"#$%&'() Klub studenata povijesti umjetnosti Filozofskog fakulteta (Art History Students' Association of the Faculty of Humanities and Social Sciences) %&#* 978-953-56930-2-4 Zagreb, 2014 ƌ TABLE OF CONTENTS ! PREFACE " IS THERE STILL HOPE FOR THE SOUL OF RAYMOND DIOCRÈS? THE LEGEND OF THE THREE LIVING AND THREE DEAD IN THE TRÈS RICHES HEURES — )*+,- .,/.0-12 #" THE FORGOTTEN MACCHINA D’ALTARE IN THE CHURCH LADY OF THE ANGELS IN VELI LOŠINJ — 3*/+, 45*6),7 $% GETTING UNDER THE SURFACE " NEW INSIGHTS ON BRUEGEL’S THE ASS AT SCHOOL — 8*69/* +*906 &' THE FORMER HIGH ALTAR FROM THE MARIBOR CATHEDRAL — -*706:16* 5*-71; (% EVOCATION OF ANTIQUITY IN LATE NINETEENTH CENTURY ART: THE TOILETTE OF AN ATHENIAN WOMAN BY VLAHO BUKOVAC — *6* 8*3*/9<12 %& A TURKISH PAINTER IN VERSAILLES: JEAN#ÉTIENNE LIOTARD AND HIS PRESUMED PORTRAIT OF MARIE!ADÉLAÏDE OF FRANCE DRESSED IN TURKISH COSTUME — =,)*6* *6.07+,-12 ># IRONY AND IMITATION IN GERMAN ROMANTICISM: MONK BY THE SEA, C.$D. -
Serbia in 2001 Under the Spotlight
1 Human Rights in Transition – Serbia 2001 Introduction The situation of human rights in Serbia was largely influenced by the foregoing circumstances. Although the severe repression characteristic especially of the last two years of Milosevic’s rule was gone, there were no conditions in place for dealing with the problems accumulated during the previous decade. All the mechanisms necessary to ensure the exercise of human rights - from the judiciary to the police, remained unchanged. However, the major concern of citizens is the mere existential survival and personal security. Furthermore, the general atmosphere in the society was just as xenophobic and intolerant as before. The identity crisis of the Serb people and of all minorities living in Serbia continued. If anything, it deepened and the relationship between the state and its citizens became seriously jeopardized by the problem of Serbia’s undefined borders. The crisis was manifest with regard to certain minorities such as Vlachs who were believed to have been successfully assimilated. This false belief was partly due to the fact that neighbouring Romania had been in a far worse situation than Yugoslavia during the past fifty years. In considerably changed situation in Romania and Serbia Vlachs are now undergoing the process of self identification though still unclear whether they would choose to call themselves Vlachs or Romanians-Vlachs. Considering that the international factor has become the main generator of change in Serbia, the Helsinki Committee for Human Rights in Serbia believes that an accurate picture of the situation in Serbia is absolutely necessary. It is essential to establish the differences between Belgrade and the rest of Serbia, taking into account its internal diversities. -
DIRECTOR Larisa Shepitko WRITING Yuri Klepikov and Larisa Shepitko Wrote the Screenplay Adapted from a Novel by Vasiliy Bykov
October 29, 2019 (XXXIX:10) Larisa Shepitko: THE ASCENT (1977, 111m) The version of this Goldenrod Handout sent out in our Monday mailing, and the one online, has hot links. Spelling and Style—use of italics, quotation marks or nothing at all for titles, e.g.—follows the form of the sources. DIRECTOR Larisa Shepitko WRITING Yuri Klepikov and Larisa Shepitko wrote the screenplay adapted from a novel by Vasiliy Bykov. Production Company Mosfilm MUSIC Alfred Schnittke CINEMATOGRAPHY Vladimir Chukhnov and Pavel Lebeshev EDITING Valeriya Belova CAST Boris Plotnikov...Sotnikov Vladimir Gostyukhin...Rybak Sergey Yakovlev...Village elder Lyudmila Polyakova...Demchikha Viktoriya Goldentul...Basya Anatoliy Solonitsyn...Portnov, the Nazi interrogator Mariya Vinogradova...Village elder's wife Nikolai Sektimenko...Stas' She also adopted his motto, "Make every film as if it's your last." Shepitko graduated from VGIK in 1963 with LARISA SHEPITKO (b. January 6, 1938 in her prize winning diploma film Heat*, or Znoy made Artyomovsk, Ukrainian SSR, USSR [now Artemivsk, when she was 22 years old. The film was influenced by a Donetsk Oblast, Ukraine]—d. July 2, 1979 (age 41) in short story, ''The Camel's Eye'', by Chingiz Aitmatov. near Redkino, Kalinin Oblast, Russian SFSR, USSR), Her 1967 short film, “Homeland of electricity,”* part of whose filmmaking career was tragically cut short by a car the omnibus Beginning of an Unknown Era, suffered accident, was on the verge of becoming a name censorship for its perceived negative portrayal of the synonymous with internationally renowned directors to Bolsheviks, despite its intention to commemorate the emerge from the Soviet Union. -
Disillusioned Serbians Head for China's Promised Land
Serbians now live and work in China, mostly in large cities like Beijing andShanghai(pictured). cities like inlarge inChina,mostly andwork live Serbians now 1,000 thataround andsomeSerbianmedia suggest by manyexpats offered Unofficial numbers +381 11 4030 306 114030 +381 Belgrade in Concern Sparks Boom Estate Real Page 7 Issue No. No. Issue [email protected] 260 Friday, October 12 - Thursday, October 25,2018 October 12-Thursday, October Friday, Photo: Pixabay/shanghaibowen Photo: Skilled, adventurous young Serbians young adventurous Skilled, China – lured by the attractive wages wages attractive the by –lured China enough money for a decent life? She She life? adecent for money enough earning of incapable she was herself: adds. she reality,” of colour the got BIRN. told Education, Physical and Sports of ulty Fac Belgrade’s a MAfrom holds who Sparovic, didn’t,” they –but world real the change glasses would rose-tinted my thought and inlove Ifell then But out. tryit to abroad going Serbia and emigrate. to plan her about forget her made almost things These two liked. A Ivana Ivana Sparovic soon started questioning questioning soonstarted Sparovic glasses the –but remained “The love leaving about thought long “I had PROMISED LAND PROMISED SERBIANS HEAD HEAD SERBIANS NIKOLIC are increasingly going to work in in towork going increasingly are place apretty just than more Ljubljana: Page 10 offered in Asia’s economic giant. economic Asia’s in offered DISILLUSIONED love and had a job she ajobshe had and love in madly was She thing. every had she vinced con was Ana Sparovic 26-year-old point, t one FOR CHINA’S CHINA’S FOR - - - BELGRADE INSIGHT IS PUBLISHED BY INSIGHTISPUBLISHED BELGRADE for China. -
Gddel, Escher, Bach: an Eternal Golden Braid" Daglasa R. Hofštatera U Izdanju Vintage Books, 1980
POZORIŠNE NOVINE ■ BROJ 18 ■ 5. JUN 1994. ■ GODINA III ■ CENA 1 DINAR Maurits Cornells Escher, Litografija, 1953. Iz knjige „Gddel, Escher, Bach: An Eternal Golden Braid" Daglasa R. Hofštatera u izdanju Vintage Books, 1980. ža, u dramaturškoj obradi Marije Sol- opera, muzejski žanr koji je prešao Kec na desetku datović). Međutim, žiri „Talija festa" svoj zenit ali nije izgubio naklonost nije se dao zbuniti ovim kvantitetom publike. Napredak je moguć, ali on Garantouan dobitak sa već je nagrade dodelio predstavi Ate- pretpostavlja pojavu pisca koji će re- kec EKO-KECOM, u svim volucionisati vodvilj a njega još nema ljea 212 Covek, zver, кг//ла Luidija Pi- poslovima: kuporodaja randela u režiji Dušana Petrovića na vidiku. Kunijeva popularnost se (najbolja predstava, režija i muška ogleda u tome sto nije otkriven na stanoua, kuća i placeva ul’oga — Tihomir Stanić), Verici Jova beogradskoj sceni a zatim prosleden na teritoriji Beograda, novic za žensku ulogu u Ćuranima dalje. Slučaj je upravo obrnut — ob- Fejdoa, predstavi Narodnog pozoriš- ruč oko Beograda je sve uži i samo je raseljaoanje lokacija za ta iz Niša i Nikiti Milivojeviću za re- pitanje dana kada će Briši od svoga potrebe investitora... muža... žene, brata i koga sve ne zaig- žiju komada,/es/ Г to ti Normane?, L. EKO-KEC je clan Klarka i S. Bobika u Narodnom po- rati na scenama Jugoslovenskog zorištu „Ljubiša Jovanovic" iz Šapca. dramskog pozorista, Beogradskog Konzorcijuma N, unije Pozorišni mozaik Srbije je potpuniji dramskog pozorista, Ateljea 212, Po posrednika za promet ako.se zna da pozorište „Joakim Vu- zorista T i(li) u Beogradskoj komedi- jić" ima na repertoaru i Brišiod svoje ji- nekretnina. -
Stephen Norris
Stephen M. Norris Department of History Miami University 6308 Firestone Drive 200 Upham, 100 Bishop Circle Fairfield, OH 45014 Oxford, OH 45056 513-529-2615 513-529-3224 (fax) [email protected] CURRICULUM VITAE ACADEMIC APPOINTMENTS 2013- Miami University (OH). Professor of History, Faculty Associate of the Havighurst Center for Russian and Post-Soviet Studies. 2013-2016 Assistant Director, Havighurst Center for Russian and Post-Soviet Studies. 2008-2013 Miami University (OH). Associate Professor of History, Faculty Associate of the Havighurst Center for Russian and Post-Soviet Studies. 2002-2008 Miami University (OH). Assistant Professor of History, Faculty Associate of the Havighurst Center for Russian and Post-Soviet Studies 2006-2010 Miami University (OH). Director of Film Studies 1 EDUCATION Ph.D (2002) Russian History, University of Virginia; Minor Field: Latin America Since Independence Dissertation: “Russian Images of War: The Lubok and Wartime Culture, 1812- 1917” M.A (1996) Modern European History, University of Virginia (1996); Exam Fields: Imperial Russia, Modern Germany B.A (1994) History, Minor in Literature, Millikin University [Decatur, IL] (1994); Magna cum Laude, Honors in History. Russian Language Certificate, Kazan State University, Republic of Tatarstan, Russian Federation (1997) Intensive Russian, Summer Language Program, University of Virginia (1994) PUBLICATIONS BOOKS: Blockbuster History in the New Russia: Movies, Memory, and Patriotism. [cloth and paperback editions] (Bloomington: Indiana University Press, 2012). http://www.iupress.indiana.edu/product_info.php?cPath=1037_1183&products_id=806589. Reviews in The Times Literary Supplement (UK) A War of Images: Russian Popular Prints, Wartime Culture, and National Identity, 1812-1945 (DeKalb, IL: Northern Illinois University Press, 2006). -
Sesiune Speciala Intermediara De Repartitie - August 2018 DACIN SARA Aferenta Difuzarilor Din Perioada 01.04.2008 - 31.03.2009
Sesiune speciala intermediara de repartitie - August 2018 DACIN SARA aferenta difuzarilor din perioada 01.04.2008 - 31.03.2009 TITLU TITLU ORIGINAL AN TARA R1 R2 R3 R4 R5 R6 R7 R8 R9 S1 S2 S3 S4 S5 S6 S7 S8 S9 S10 S11 S12 S13 S14 S15 A1 A2 3:00 a.m. 3 A.M. 2001 US Lee Davis Lee Davis 04:30 04:30 2005 SG Royston Tan Royston Tan Liam Yeo 11:14 11:14 2003 US/CA Greg Marcks Greg Marcks 1941 1941 1979 US Steven Bob Gale Robert Zemeckis (Trecut, prezent, viitor) (Past Present Future) Imperfect Imperfect 2004 GB Roger Thorp Guy de Beaujeu 007: Viitorul e in mainile lui - Roger Bruce Feirstein - 007 si Imperiul zilei de maine Tomorrow Never Dies 1997 GB/US Spottiswoode ALCS 10 produse sau mai putin 10 Items or Less 2006 US Brad Silberling Brad Silberling 10.5 pe scara Richter I - Cutremurul I 10.5 I 2004 US John Lafia Christopher Canaan John Lafia Ronnie Christensen 10.5 pe scara Richter II - Cutremurul II 10.5 II 2004 US John Lafia Christopher Canaan John Lafia Ronnie Christensen 100 milioane i.Hr / Jurassic in L.A. 100 Million BC 2008 US Griff Furst Paul Bales 101 Dalmatians - One Hamilton Luske - Hundred and One Hamilton S. Wolfgang Bill Peet - William 101 dalmatieni Dalmatians 1961 US Clyde Geronimi Luske Reitherman Peed EG/FR/ GB/IR/J Alejandro Claude Marie-Jose 11 povesti pentru 11 P/MX/ Gonzalez Amos Gitai - Lelouch - Danis Tanovic - Alejandro Gonzalez Amos Gitai - Claude Lelouch Danis Tanovic - Sanselme - Paul Laverty - Samira septembrie 11'09''01 - September 11 2002 US Inarritu Mira Nair SACD SACD SACD/ALCS Ken Loach Sean Penn - ALCS -
Tour Options Half-Day Tours
Tour Options Half-day tours all tours are with Russian guide WCG2016 1 Tour Options – HalfDay RUS Trout Farm & Art Glass Studio Adler, the largest trout breeding plant in Russia and CIS, is situated on the Mzymta river bank thirty-minute drive from the Central district of Sochi. This is the only place in Russia where juvenile trout is bred. This farm can boast of a unique breed herd – all rainbow trout species known. During the excursion, you will be able to see the way these valuable fish species are bred, take part in trout feeding and stroll along ponds stocked with trout. During the second part of the excursion program, you will visit the “Art glass studio” and learn the process of making handmade glass-ware in a unique Czech glass-blowing furnace (equivalents of Czech and Italian blowing shops). In the studio, you will have a unique chance to buy glass souvenirs dedicated to Sochi. Next, our guests will have a lunch, where they will be able to help themselves to the freshest possible trout fished out from the Trout Farm only an hour ago. Length of Tour: 5 hours Transportation: included Costs 20-29 persons 15,- €/person 30 or more persons 13,50 €/person Additional charges: Entrance to Trout Farm 3,50 €/person Entrance to Show 4,20 €/person Lunch 10,- €/person WCG2016 2 Tour Options – HalfDay RUS Akhun Mountain & Stalin’s Dacha Sochi is a resort city of global importance! Still, it has so much more to offer than beaches and the sea. If you want to learn about the history of Sochi, rest and entertainment routines of national leaders, you cannot miss our review excursion with a visit to Akhun mountain and J.V. -
Larissa Shepitko, VOSKHODZDENIE/THE ASCENT (1976, 109 Min)
March 31, 2009 (XVIII:11) Larissa Shepitko, VOSKHODZDENIE/THE ASCENT (1976, 109 min) Directed by Larissa Shepitko Script by Yuri Klepikov and Larissa Shepitko based on the novel by Vasili Bykov Music by Alfred Shnitke Cinematography by Vladimir Chukhnov and Pavel Lebeshev Boris Plotnikov....Sotnikov Vladimir Gostyukhin....Rybak Sergei Yakovlev….village elder Lyudmila Polyakova….Demchika Viktoriya Goldentul….Basya Anatoli Solonitsyn…Portnoy, the Nazi interrogator Mariya Vinogradova….village elder’s wife Nikolai Sektimenko….Stas Golden Bear, Berlin Film Festival LARISSA SHEPITKO (6 January 1938, Artyomovsk, Ukraine, Soviet Union-2 June 1979, Kalinin province, Soviet Union, auto accident ) directed 8 films and wrote 4 screenplays. The films she which are Ya pomnyu/I Remember (2006), Quiet Flows the Don directed are: Voskhozhdeniye/The Ascent (1976), Ty i ya/You and (2006), Pervyy posle Boga (2005), The Night Is Bright (2004), Me (1971), V trinadtsatom chasu nochi/13 PM (1969, TV), Vesegonskaya volchitsa (2004), Voyna/War (2002), American Boy Nachalo nevedomogo veka/Beginning of an Unknown Era (1967, (1992), General (1992), Urga/Close to Eden (1991), segment "Rodina elektrichestva"), Krylya/Wings (1966), Avtostop/Hitch-hiking (1990), Bez solntsa/Without Sun (1987), Znoy/Heat (1963), Zhivaya voda/Living Water (1957), and Slepoy Moonzund (1987), Levsha/The Left-Hander (1986), Skakal kazak kukhar/The Blind Cook (1956). cherez dolinu (1986), Zina-Zinulya (1986), Magistral (1983), Belyy voron/The White Crow (1981), Rodnik/The Spring (1981), BORIS PLOTNIKOV (2 April 1949, Nevyansk, Sverdlovsk Predvaritelnoye rassledovaniye/Preliminary Investigation (1978), province, Soviet Union) has 28 acting credits, some of which are Voskhozhdeniye/The Ascent (1977), and Moya sudba (1970). -
Saturday, November 21, 2015 Registration Desk Hours: 7:00 A.M
This version of the program was last updated on June 8, 2015 For the most up-to-date program, see http://convention2.allacademic.com/one/aseees/aseees15/ Saturday, November 21, 2015 Registration Desk Hours: 7:00 a.m. - 5:00 p.m. Registration Desk 1 and Grand Ballroom Prefunction Area - 5th Floor Cyber Café Hours: 7:00 a.m. - 5:00 p.m. – Franklin Hall Prefunction Area Exhibit Hall Hours: 9:00 p.m. - 6:00 p.m. Franklin Hall B Morning Coffee Break sponsored by Central European University Press -9:45 a.m. - Franklin Hall B Session 8 – Saturday – 8:00-9:45 am Council of Regional Affiliates - Conference Suite 3 Society for Slovene Studies - Meeting Room 310 8-01 Russia's First World War: War and Revolution - Franklin Hall A Room 1 Chair: Matthias Neumann, U of East Anglia (UK) Papers: Anthony John Heywood, U of Aberdeen (UK) "Russia's 'Secret' Mobilisation in July 1914" Scott W. Palmer, Western Illinois U "Russian Technology through War and Revolution" Peter Waldron, U of East Anglia (UK) "1914: War and Russia's Public Organisations" Disc.: Matthias Neumann, U of East Anglia (UK) 8-02 Regional Governance in Russia: Bureaucracy, Business, and Elections - Franklin Hall A Room 2 Papers: Quintin H. Beazer, Florida State U "Who's to Blame? Punishing Poor Economic Performance in a Centralized Political System" Noah Buckley, Columbia U "Structure and Turnover in Hybrid Authoritarian State Structures" David Szakonyi, Columbia U "Firm-Level Returns from Connections to Elected Politicians: Evidence from Russia" Disc.: Graeme Robertson, UNC at Chapel Hill 8-03 Russian Intellectual History: Futures and Pasts - (Roundtable) - Franklin Hall A Room 3 Chair: Robert Bird, U of Chicago Alyssa DeBlasio, Dickinson College Gordon Jeffrey Love, Clemson U Marina B. -
A Cultural Analysis of the Russo-Soviet Anekdot
A CULTURAL ANALYSIS OF THE RUSSO-SOVIET ANEKDOT by Seth Benedict Graham BA, University of Texas, 1990 MA, University of Texas, 1994 Submitted to the Graduate Faculty of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2003 UNIVERSITY OF PITTSBURGH FACULTY OF ARTS AND SCIENCES This dissertation was presented by Seth Benedict Graham It was defended on September 8, 2003 and approved by Helena Goscilo Mark Lipovetsky Colin MacCabe Vladimir Padunov Nancy Condee Dissertation Director ii Copyright by Seth Graham 2003 iii A CULTURAL ANALYSIS OF THE RUSSO-SOVIET ANEKDOT Seth Benedict Graham, PhD University of Pittsburgh, 2003 This is a study of the cultural significance and generic specificity of the Russo-Soviet joke (in Russian, anekdot [pl. anekdoty]). My work departs from previous analyses by locating the genre’s quintessence not in its formal properties, thematic taxonomy, or structural evolution, but in the essential links and productive contradictions between the anekdot and other texts and genres of Russo-Soviet culture. The anekdot’s defining intertextuality is prominent across a broad range of cycles, including those based on popular film and television narratives, political anekdoty, and other cycles that draw on more abstract discursive material. Central to my analysis is the genre’s capacity for reflexivity in various senses, including generic self-reference (anekdoty about anekdoty), ethnic self-reference (anekdoty about Russians and Russian-ness), and critical reference to the nature and practice of verbal signification in more or less implicit ways. The analytical and theoretical emphasis of the dissertation is on the years 1961—86, incorporating the Stagnation period plus additional years that are significant in the genre’s history. -
Faculty Recital, Luby Symposium
2016 Luby Violin Symposium Faculty Recital Thursday, May 19, 2016 7:30 PM Person Recital Hall Program Sonata in E Minor, K. 304 W.A. Mozart Allegro (1756-1791) Tempo di menuetto Cantabile, Op. 17 Niccolò Paganini (1782-1840) Aaron Berofsky, violin Inara Zandmane, piano Sonata for solo violin, Op. 27, No. 3 (“Ballade”) Eugène Ysaÿe (1858-1931) Kevin Lawrence, violin …in dulcet tones (2012) Jesse Jones (b. 1978) Nicholas DiEugenio, violin Mimi Solomon, piano Transparent Sun (2015) Alejandro Rutty (b. 1967) Fabian López, violin Inara Zandmane, piano Special thanks to the UNC Summer School and Dean Jan Yopp, the UNC Music Department and Chair Louise Toppin, and Susan Klebanow. About the Luby Violin Symposium Named in honor of its founder, violinist and former UNC professor Richard Luby, the Symposium offers participants an intensive one-week immersion focused on individual instrumental and musical growth within the context of a supportive and nurturing atmosphere. Previously directed by Richard Luby and Fabian Lopez, the Symposium is in its eighth summer. The Symposium includes private lessons masterclasses student performances faculty performances guest artist performances HIP Bach perspectives body awareness methods practice techniques performance psychology All course activities take place on the beautiful campus at the University of North Carolina at Chapel Hill in the Kenan Music Building and Person Hall. The Symposium is supported by the UNC Music Department, sponsored as a course by the UNC Summer School, and by donations which support student scholarships, activities, and artists. This year’s artist faculty features 2016 guest artist Kevork Mardirossian (Indiana University Jacobs School of Music), 2016 Luby Baroque Violinist Daniel S.