Friends Cabin Fever Series Is Under Way the Library Will Be Open from 1 to 5 P.M
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
8 Redefining Zorro: Hispanicising the Swashbuckling Hero
Redefining Zorro: Hispanicising the Swashbuckling Hero Victoria Kearley Introduction Such did the theatrical trailer for The Mask of Zorro (Campbell, 1998) proclaim of Antonio Banderas’s performance as the masked adventurer, promising the viewer a sexier and more daring vision of Zorro than they had ever seen before. This paper considers this new image of Zorro and the way in which an iconic figure of modern popular culture was redefined through the performance of Banderas, and the influence of his contemporary star persona, as he became the first Hispanic actor ever to play Zorro in a major Hollywood production. It is my argument that Banderas’s Zorro, transformed from bandit Alejandro Murrieta into the masked hero over the course of the film’s narrative, is necessarily altered from previous incarnations in line with existing Hollywood images of Hispanic masculinity when he is played by a Hispanic actor. I will begin with a short introduction to the screen history of Zorro as a character and outline the action- adventure hero archetype of which he is a prime example. The main body of my argument is organised around a discussion of the employment of three of Hollywood’s most prevalent and enduring Hispanic male types, as defined by Latino film scholar, Charles Ramirez Berg, before concluding with a consideration of how these ultimately serve to redefine the character. Who is Zorro? Zorro was originally created by pulp fiction writer, Johnston McCulley, in 1919 and first immortalised on screen by Douglas Fairbanks in The Mark of Zorro (Niblo, 1920) just a year later. -
Guantanamo Bay - - 9
Guantanamo Bay - - 9 , Vol. 58 No. 5 Friday, February 2, 2001 Guantanamo Bay community gathers President, SECDEF for Cuban American Friendship Day send message to Armed Forces gt By Linda D. Kozaryn and Jim Garamone American Forces Press Service As the armed forces welcomed Donald H. Rumsfeld Jan. 26, the nation's 21st defense secretary saluted those he was about to lead. "The president and I believe that the men and women who freely elect to wear the country's uniform deserve not only our respect, but our support, and yes, our appreciation," Rumsfeld said. Those who serve "in times of conflict de- serve not only our thanks for their sacrifice, but our commitment to value every WT SchooSamso stdet Elemntar danc (aoe veteran." ansomrBs omne Pulling a page from his pocket, he then read a message from President Bush pledging his sup- I port to America's service members and the men and women who support them and their families. "Your service in the cause of freedom is both noble and extraordinary," Bush wrote. "Because of you, America is strong and the flame of free- dom burns brighter than at any time in history. "Your country can never repay you for the sacrifices and hardships you endure, but we are grateful for the liberties we enjoy every day be- cause of your service," the president said. <. -Rumsfeld added, "On behalf of President Bush and Vice President Cheney and the civilian and military leadership here in the Defense De- a apartment, I make this pledge today, to every man and woman wearing a uniform. -
Sunday Morning Grid 2/26/12 Latimes.Com/Tv Times
SUNDAY MORNING GRID 2/26/12 LATIMES.COM/TV TIMES 7 am 7:30 8 am 8:30 9 am 9:30 10 am 10:30 11 am 11:30 12 pm 12:30 2 CBS CBS News Face/Nation Rangers Horseland The Path to Las Vegas Epic Poker College Basketball Pittsburgh at Louisville. (N) Å 4 NBC News Å Meet the Press (N) Å News Laureus Sports Awards Golf Central PGA Tour Golf 5 CW News (N) Å In Touch Paid Program 7 ABC News (N) Å This Week News (N) Å News (N) Å News Å Eye on L.A. Award Preview 9 KCAL News (N) Prince Mike Webb Joel Osteen Shook Paid Program 11 FOX Hour of Power (N) (TVG) Fox News Sunday NASCAR Racing Sprint Cup: Daytona 500. From Daytona International Speedway, Fla. (N) Å 13 MyNet Paid Tomorrow’s Paid Program Best Buys Paid Program The Wedding Planner 18 KSCI Paid Hope Hr. Church Paid Program Iranian TV Paid Program 22 KWHY Paid Program Paid Program 24 KVCR Sid Science Curios -ity Thomas Bob Builder Joy of Paint Paint This Dewberry Wyland’s Sara’s Kitchen Kitchen Mexican 28 KCET Hands On Raggs Busytown Peep Pancakes Pufnstuf Land/Lost Hey Kids Taste Simply Ming Moyers & Company 30 ION Turning Pnt. Discovery In Touch Mark Jeske Beyond Paid Program Inspiration Today Camp Meeting 34 KMEX Paid Program Al Punto (N) Fútbol de la Liga Mexicana República Deportiva 40 KTBN Rhema Win Walk Miracle-You Redemption Love In Touch PowerPoint It Is Written B. Conley From Heart King Is J. -
Race in Hollywood: Quantifying the Effect of Race on Movie Performance
Race in Hollywood: Quantifying the Effect of Race on Movie Performance Kaden Lee Brown University 20 December 2014 Abstract I. Introduction This study investigates the effect of a movie’s racial The underrepresentation of minorities in Hollywood composition on three aspects of its performance: ticket films has long been an issue of social discussion and sales, critical reception, and audience satisfaction. Movies discontent. According to the Census Bureau, minorities featuring minority actors are classified as either composed 37.4% of the U.S. population in 2013, up ‘nonwhite films’ or ‘black films,’ with black films defined from 32.6% in 2004.3 Despite this, a study from USC’s as movies featuring predominantly black actors with Media, Diversity, & Social Change Initiative found that white actors playing peripheral roles. After controlling among 600 popular films, only 25.9% of speaking for various production, distribution, and industry factors, characters were from minority groups (Smith, Choueiti the study finds no statistically significant differences & Pieper 2013). Minorities are even more between films starring white and nonwhite leading actors underrepresented in top roles. Only 15.5% of 1,070 in all three aspects of movie performance. In contrast, movies released from 2004-2013 featured a minority black films outperform in estimated ticket sales by actor in the leading role. almost 40% and earn 5-6 more points on Metacritic’s Directors and production studios have often been 100-point Metascore, a composite score of various movie criticized for ‘whitewashing’ major films. In December critics’ reviews. 1 However, the black film factor reduces 2014, director Ridley Scott faced scrutiny for his movie the film’s Internet Movie Database (IMDb) user rating 2 by 0.6 points out of a scale of 10. -
Lights! Camera! Gallop!
Lights! Camera! Gallop! The story of the horse in film By by Lesley Lodge Published by Cooper Johnson Limited Copyright Lesley Lodge © Lesley Lodge, 2012, all rights reserved Lesley Lodge has reserved her right under the Copyright, Designs and Patents Act 1988, to be identified as the author of this work. ISBN: 978-0-9573310-1-3 Cover photo: Running pairs Copyright Paul Homsy Photography Taken in Ruby Valley in northern Nevada, USA. Shadowfax – a horse ‘so clever and obedient he doesn’t have a bridle or a bit or reins or a saddle’ (Lord of the Rings trilogy) Ah, if only it was all that simple . Contents Chapter One: Introducing... horses in film Chapter Two: How the horse became a film star Chapter Three: The casting couch: which horse for which part? Chapter Four: The stars – and their glamour secrets Chapter Five: Born free: wild horses and the wild horse film Chapter Six: Living free: wild horse films around the world Chapter Seven: Comedy: horses that make you laugh Chapter Eight: Special effects: a little help for horses Chapter Nine: Tricks and stunts: how did he do that? Chapter Ten: When things go wrong: spotting fakes and mistakes Chapter Eleven: Not just a horse with no name: the Western Chapter Twelve: Test your knowledge now Quotes: From the sublime to the ridiculous Bibliography List of films mentioned in the book Useful websites: find film clips – and more – for free Acknowledgements Photo credits Glossary About the author Chapter One Introducing….horses in film The concept of a horse as a celebrity is easy enough to accept – because, after all, few celebrities become famous for actually doing much. -
University of Southampton Research Repository Eprints Soton
University of Southampton Research Repository ePrints Soton Copyright © and Moral Rights for this thesis are retained by the author and/or other copyright owners. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder/s. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holders. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given e.g. AUTHOR (year of submission) "Full thesis title", University of Southampton, name of the University School or Department, PhD Thesis, pagination http://eprints.soton.ac.uk UNIVERSITY OF SOUTHAMPTON FACULTY OF HUMANITIES Film Studies The Representation of Hispanic masculinity in US cinema 1998-2008: Genre, Stardom and Machismo by Victoria Lynn Kearley Thesis for the degree of Doctor of Philosophy May 2014 UNIVERSITY OF SOUTHAMPTON FACULTY OF HUMANITIES Film Studies Thesis for the degree of Doctor of Philosophy ABSTRACT The Representation of Hispanic masculinity in US cinema 1998-2008: Genre, Stardom and Machismo Victoria Lynn Kearley This thesis examines how the conventions of four distinct genres, the star personas of two key Hispanic male stars and conceptions of Hispanic men as 'macho' intersected in constructing images of Hispanic masculinity in Hollywood between the years 1998 and 2008. The work makes an original contribution to knowledge as the first extensive study of Hispanic masculinity in contemporary Hollywood and affording new insights into the way in which genre conventions and star personas contributed to these representations. -
Beverly-Hills-Chihuahua-Production
THIS MATERIAL IS ALSO AVAILABLE ONLINE AT http://www.wdsfilmpr.com © Disney Enterprises, Inc. All Rights Reserved. disney.com/chihuahua CAST Rachel . PIPER PERABO Sam Cortez . MANOLO CARDONA CREDITS WALT DISNEY PICTURES Aunt Viv . JAMIE LEE CURTIS Vasquez. JOSÉ MARÍA YAZPIK Presents Rafferty . MAURY STERLING Officer Ramirez . JESUS OCHOA BEVERLY HILLS Store Owner . EUGENIO DERBEZ Rangers . OMAR LEYVA CHIHUAHUA NAOMY ROMO Angela. ALI HILLIS A Blair. MARGUERITE MOREAU MANDEVILLE FILMS/ Bryan . NICK ZANO SMART ENTERTAINMENT Inn Keeper Lady. CARMEN VERA Production Shelter Director . GINA GALLEGO Desk Clerk . HIRAM VILCHEZ A Film by Bellman . ALBERTO REYES RAJA GOSNELL Doorman/ The Carthay . ENRIQUE CHAVERO Directed by . RAJA GOSNELL Doorman/ Screenplay by . ANALISA LABIANCO Baja Sur Hotel . ANDRES PARDAVE and JEFF BUSHELL Armand . JUAN CARLOS MARTIN Story by . JEFF BUSHELL Conductor . JUAN ANTONIO SALDAÑA Produced by. DAVID HOBERMAN Ring Announcer . SAL LÓPEZ TODD LIEBERMAN Museum Guide . GIOVANNA ACHA Produced by . JOHN JACOBS Desk Sergeant. FERNANDO MANZANO Executive Producer . STEVE NICOLAIDES Butler . RANDALL ENGLAND Director of Chic Owners . CLAUDIA CERVANTES Photography . PHIL MEHEUX, BSC LILLIAN LANGE Production Designer . BILL BOES Waiter . BRANDON KEENER Editor . SABRINA PLISCO, A.C.E. Dog Nanny . JACK PLOTNICK Costume Shaman Lady . MARY PAZ MATA Designer . MARIESTELA FERNANDEZ Poor Woman. MAYRA SERBULO Visual Effects Baja Sur Supervisor . MICHAEL J. MCALISTER Desk Clerk . MONTSERRAT DE LEON Co-Producer . RICARDO DEL RIO GALNARES Lady . BERENICE ROMERO Music Composed by . HEITOR PEREIRA Museum Music Supervisor . BUCK DAMON Security Guards . ANTONIO INFANTE Casting by . AMANDA MACKEY, C.S.A. TOMIHUATZI XELHUALTZI and CATHY SANDRICH GELFOND, C.S.A. Little Boy . ERICK FERNANDO CAÑETE Limo Driver . -
Richard Bernstein Music Editor
RICHARD BERNSTEIN MUSIC EDITOR AWARDS & NOMINATIONS GOLDEN REEL AWARD 2012 THE TREE OF LIFE Best Sound Editing for Music in a Feature Film *shared GOLDEN REEL AWARD 2010 AVATAR Best Sound Editing for Music in a Feature Film *shared GOLDEN REEL AWARD 2007 APOCALYPTO Best Sound Editing for Music in a Feature Film *shared GOLDEN REEL NOMINATION 1995 THE CROW Best Music Editing GOLDEN REEL NOMINATION 1994 HARD TARGET Best Music Editing ACADEMY AWARD 1989 Streamline Scoring System Technical Achievement Award *shared EMMY AWARD 1989 Streamline Scoring System Outstanding Achievement in Engineering Development EMMY AWARD 1987 MAX HEADROOM Outstanding Sound Editing for Series MOTION PICTURE SILVER LININGS PLAYBOOK Danny Elfman, Composer The Weinstein Company Bruce Cohen, Donna Gigliotti, Jonathan Gordon, prods. David O. Russell, dir. FOR GREATER GLORY: THE TRUE James Horner, Composer STORY OF CRISTIADA Pablo Jose Barroso, prod. Relativity Media Dean Wright, dir. The Gorfaine/Schwartz Agency, Inc. (818) 260-8500 1 RICHARD BERNSTEIN MUSIC EDITOR DAY OF THE FALCON James Horner, Composer Warner Bros. Tarak Ben Ammar, prod. Jean –Jacques Annaud, dir. TREE OF LIFE Alexandre Desplat, Composer Plan B Entertainment Dede Gardner, Sarah Green, Grant Hill, Brad Pitt, Bill Pohland, prods. Terrence Malick, dir. AVATAR James Horner, Composer 20 th Century Fox James Cameron, Jon Landau, prods. James Cameron, dir. THE HILLS HAVE EYES II Trevor Morris, Composer 20 th Century Fox Wes Craven, Peter Locke, Marianne Maddalena, prods. Martin Weisz, dir. THE EXPRESS Mark Isham, Composer Universal Pictures John A. Davis, prod. Gary Felder, dir. THE SPIDERWICK CHRONICLES James Horner, Composer Paramount Pictures Mark Canton, Larry J. -
Director of Photography ASC International Award 2015
McKinney Macartney Management Ltd PHIL MEHEUX BSC - Director of Photography ASC International Award 2015 FEATURE FILMS SPONGEBOB: SQUAREPANTS 2 Director: Paul Tibbitt. Producers: Cale Boyter, Nan Morales, Mary Parent and Craig Sost. Starring: Antonio Banderas, Tom Kenny, Clancy Brown and Bill Fagerbakke. Nickelodeon Movies / Paramount Animation. THE SMURFS 2 Director: Raja Gosnell. Producers: Jordan Kerner. Starring: Neil Patrick Harris, Hank Azaria and Christina Ricci. Columbia Pictures. HERE COMES THE BOOM Director: Frank Coraci. Producers: Adam Sandler, Kevin James and Todd Garner. Starring Salma Hayek, Kevin James, Henry Winkler and Joe Rogan. Columbia Pictures. THE SMURFS Director: Raja Gosnell Produer: Jordan Kerner, Starring Neil Patrick Harris, Hank Azaria and Jayma Mays. Columbia Pictures. EDGE OF DARKNESS Director: Martin Campbell. Producers: Graham King and Michael Wearing. Starring Mel Gibson, Ray Winstone, Danny Huston and Shawn Roberts. GK Films. BEVERLY HILLS CHIHUAHUA Director: Raja Gosnell. Producers: David Hoberman, Todd Lieberman and John Jacobs. Starring: Drew Barrymore, Andy Garcia, Piper Perabo and Salma Hayek. Walt Disney Pictures. Gable House, 18 – 24 Turnham Green Terrace, London W4 1QP Tel: 020 8995 4747 Fax: 020 8995 2414 E-mail: [email protected] www.mckinneymacartney.com VAT Reg. No: 685 1851 06 PHIL MEHEUX BSC Contd … 2 JAMES BOND – CASINO ROYALE Director: Martin Campbell. Producers: Michael G. Wilson/Barbara Broccoli. Starring: Daniel Craig, Eva Green, Mads Mikkelsen, and Judi Dench. Eon Productions Ltd. BSC BEST CINEMATOGRAPHY AWARD 2007 BAFTA Nomination 2007 Best Cinematography THE LEGEND OF ZORRO Director: Martin Campbell. Producers: Laurie MacDonald and Walter F Parkes. Executive Producer: Steven Spielberg. Starring: Catherine Zeta Jones, Antonio Banderas, and Rufus Sewell. -
From Latin to Latino Lover: Hispanicity and Female Desire in Popular Culture
From Latin to Latino Lover: Hispanicity and Female Desire in Popular Culture Nadia Lie Published online: February 2014 http://www.jprstudies.org Abstract: This article examines the relationship between the concept of the Latin Lover and the notion of Hispanicity. The essay starts with an analysis of The Sheik (1921), which is generally considered as the film that launched the figure of the Latin Lover. The author then compares this figure to an important icon of Hispanicity: Zorro. Discussing various incarnations of Zorro, the author argues that the Latin Lover and the Zorro-incarnation of Hispanicity gradually merged over the years, thereby producing a new species: the Latino Lover. About the Author: Nadia Lie is professor of Spanish and Spanish-American literature and film at the University of Leuven (KU Leuven). She is the author of Transición y transacción: la revista cubana Casa de las Américas (Maryland-Leuven: Hispamérica-Leuven UP, 1995) and of several (co-)edited volumes in the field of comparative literature (e.g. Constellation Caliban (Amsterdam-Atlanta: Rodopi, 1997), Zorro & Co (Nijmegen: Vantilt, 2002), and El juego con los estereotipos: la redefinición de la identidad hispánica en la literatura y el cine postnacionales (Genève-Bruxelles-Oxford: Peter Lang, 2012)). She is currently working on space and mobility in contemporary Latin American cinema. Since 2013, she directs the international research project Transit. Transnationality at Large. The Transnational Dimension of contemporary Hispanic culture, funded by the European Union (website: http://projecttransit.eu/es ). Keywords: Antonio Banderas, Hispanicity, Isabel Allende, Latin Lover, Martin Campbell, Rudolph Valentino, Shrek, The Sheik, Zorro According to Richard Rodriguez, we owe the invention of the Hispanic to Richard Nixon, whose administration introduced this category in 1973 in the classification system of United States citizens (15). -
La Leyenda De MOVIELAND; Historia Del Cine En El Estado De Durango
La Leyenda de MOVIELAND; Historia del Cine en el Estado de Durango (1897 - 2004) Antonio Avitia Hernández México, 2005 Introducción De manera casi tan fortuita y tan veleidosa como los criterios y las posibilidades económicas de las compañías cinematográficas, de los productores y de los directores de cine, algunos paisajes naturales del estado de Durango han sido seleccionados como escenario del rodaje de diversas películas. Hasta donde se ha podido investigar, entre los años de 1897 a 2004, se han filmado un total de doscientos setenta y ocho (278) cintas en la entidad. De éstas, treinta (30) son de la época del cine silente, producidas entre 1897 y 1936. Noventa y ocho (98) son de formato de ocho, super ocho y dieciséis milímetros, independientes, así como filmes documentales científicos, antropológicos y culturales, entre otros. Con respecto al cine industrial, ciento cincuenta (150) han sido los filmes rodados en territorio durangueño entre los años de 1954 a 2004. Los objetivos principales de esta historia del cine en Durango son: hacer el recuento cuantitativo y cronológico, la ubicación histórica, la reseña de las sinopsis argumentales, las fichas filmográficas y la relación de los personajes y locaciones sobresalientes de las películas rodadas en la entidad, así como describir la impresión que, en el imaginario colectivo regional, ha tenido el cinematógrafo, en tanto séptimo arte e industria cinematográfica. De manera colateral, hasta donde ha sido posible, se hace referencia a la suerte de los filmes en lo que respecta a su distribución. En el primer capítulo El cine silente en Durango se hace el recuento, sinopsis argumental, situación histórica y establecimiento de los treinta filmes del periodo silente rodados en la entidad, desde el arribo de los enviados de Edison en 1897 hasta la cinta documental de propaganda política laudatoria, grabada por encargo del gobernador del estado coronel Enrique R. -
Comcast Movies
fact sheet Comcast Movies overview Movies ON DEMAND Comcast offers about 800 movies every month, including: • Movies from Starz, Encore, HBO, Cinemax, Showtime and The Movie Channel at no additional charge with monthly subscriptions. • Movies from Sony, Turner Classic Movies, Hallmark Channel, Sundance Channel, Palm Pictures and more. • Movies from FEARnet – the world’s premier destination for horror and thriller titles. • New release ($3.99) and Hollywood library titles ($2.99). • Themed movie months featuring seasonal movies, Westerns and other genre- or artist-based content. • Comcast features selected movies in high-defi nition as part of its ON DEMAND service. premium Commercial-Free Digital Movie Channels movie networks HBO – Up to 12 screens plus HBO HD Cinemax – Up to 11 screens plus Cinemax HD Showtime – Up to 10 screens plus Showtime HD The Movie Channel – Up to 4 screens Starz – Up to 9 screens plus Starz HDTV Encore – Up to 2 screens plus RetroPlex and IndiePlex movies A Selection of Movies Available on Comcast ON DEMAND: ON DEMAND Pirates of the Caribbean: Hitch Talladega Nights: The Ballad of Ricky Bobby Dead Man’s Chest Annapolis Revenge of the Nerds The Da Vinci Code The Birdcage What About Bob? Invincible The Sandlot The Truth About Cats and Dogs Cars Flightplan An Unfi nished Life Chicken Little Honey, I Shrunk the Kids Buffy the Vampire Slayer Monster House LIttle Man The Secret of Nimh Edward Scissorhands Eloise Friends with Money Are We There Yet? Rent The Legend of Zorro Movies like Pirates of the Caribbean: Dead Man’s Chest and Invincible are featured ON DEMAND.