Hollywood Columnists' Clippings

Total Page：16

File Type：pdf, Size：1020Kb

http://oac.cdlib.org/findaid/ark:/13030/c85q4xtr No online items Hollywood columnists' clippings Special Collections Margaret Herrick Library© 2014 Hollywood columnists' clippings 235 1 Descriptive Summary Title: Hollywood columnists' clippings Date (inclusive): circa 1935-1958 Collection number: 235 Creator: Extent: 18.5 linear feet of papers. Repository: Margaret Herrick Library. Academy of Motion Picture Arts and Sciences. Languages: English Access Available by appointment only. Publication rights Property rights to the physical object belong to the Margaret Herrick Library. Researchers are responsible for obtaining all necessary rights, licenses, or permissions from the appropriate companies or individuals before quoting from or publishing materials obtained from the library. Preferred Citation Hollywood columnists' clippings, Margaret Herrick Library, Academy of Motion Picture Arts and Sciences. Biography Hollywood columnists write about film celebrities, often with personal, sensational, or intimate details of their lives and conduct. Current assignments, changes in marital status, legal problems, and similar subjects are often found in the columns. Louella Parsons and Hedda Hopper were among the leading Hollywood columnists during the height of the studio era from the 1930s to 1950s. Collection Scope and Content Summary The Hollywood columnists' clippings span the years circa 1935-1958 and encompass 18.5 linear feet. The collection contains newspaper clippings of columns covering Hollywood and the entertainment industry. Most columns bear descriptive titles, such as "Hollywood Diary" or "Behind the Makeup." The clippings all appear to be from Los Angeles-area newspapers, with at least half-a-dozen different publishers, from the "Los Angeles Herald-Examiner" to the "Valley Times." Two dozen journalists are represented, including Bosley Crowther, Jimmie Fidler, Sheilah Graham, Hedda Hopper, Erskine Johnson, Louella O. Parsons, Edwin Schallert, Philip K. Scheuer, Sidney Skolsky, and Walter Winchell. The Winchell columns are titled, "In New York and Hollywood." Arrangement Arranged in the following series: Not arranged in series. Indexing Terms columnists Hollywood columnists' clippings 235 2.

Copy Link

Recommended publications

Marilyn Monroe, Lived in the Rear Unit at 5258 Hermitage Avenue from April 1944 to the Summer of 1945
Los Angeles Department of City Planning RECOMMENDATION REPORT CULTURAL HERITAGE COMMISSION CASE NO.: CHC-2015-2179-HCM ENV-2015-2180-CE HEARING DATE: June 18, 2015 Location: 5258 N. Hermitage Avenue TIME: 10:30 AM Council District: 2 PLACE: City Hall, Room 1010 Community Plan Area: North Hollywood – Valley Village 200 N. Spring Street Area Planning Commission: South Valley Los Angeles, CA Neighborhood Council: Valley Village 90012 Legal Description: TR 9237, Block None, Lot 39 PROJECT: Historic-Cultural Monument Application for the DOUGHERTY HOUSE REQUEST: Declare the property a Historic-Cultural Monument OWNER(S): Hermitage Enterprises LLC c/o Joe Salem 20555 Superior Street Chatsworth, CA 91311 APPLICANT: Friends of Norma Jean 12234 Chandler Blvd. #7 Valley Village, CA 91607 Charles J. Fisher 140 S. Avenue 57 Highland Park, CA 90042 RECOMMENDATION That the Cultural Heritage Commission: 1. NOT take the property under consideration as a Historic-Cultural Monument per Los Angeles Administrative Code Chapter 9, Division 22, Article 1, Section 22.171.10 because the application and accompanying photo documentation do not suggest the submittal warrants further investigation. 2. Adopt the report findings. MICHAEL J. LOGRANDE Director of Planning [SIGN1907 [SIGNED ORIGINAL IN FILE] [SIGNED ORIGINAL IN FILE] Ken Bernstein, AICP, Manager Lambert M. Giessinger, Preservation Architect Office of Historic Resources Office of Historic Resources [SIGNED ORIGINAL IN FILE] Shannon Ryan, City Planning Associate Office of Historic Resources Attachments: Historic-Cultural Monument Application CHC-2015-2179-HCM 5258 N. Hermitage, Dougherty House Page 2 of 3 SUMMARY The corner property at 5258 Hermitage is comprised of two one-story buildings.
[Show full text]
1 Hollywood Misfits. Marilyn Monroe E Ben Hecht Sarebbe Curioso Se
CORE Metadata, citation and similar papers at core.ac.uk Provided by Institutional Research Information System University of Turin 1 Hollywood Misfits. Marilyn Monroe e Ben Hecht Sarebbe curioso se risultasse che sono un’autrice. Anita Loos, Gli uomini preferiscono le bionde. Ben Hecht, uno degli sceneggiatori più importanti e prolifici della storia del cinema americano classico, tra le tante cose che ha fatto nella sua poliedrica carriera, è stato anche ghostwriter di Marilyn Monroe, per un progetto abortito di autobiografia, intitolata My Story, che avrebbe trovato un esito editoriale solo nel 1974, dopo che sia la diva sia lo scrittore erano ormai morti da tempo (Hecht scompare poco meno di due anni dopo Marilyn, nell’aprile del 1964). In questa sede, intendo, da un lato, ricostruire la complessa vicenda della redazione e della pubblicazione del libro, uno «highly problematic text», lo definisce giustamente Sarah Churchwell nel suo The Many Lives of Marilyn Monroe1, basandomi sui documenti che ho esaminato alla Newberry Library di Chicago, dove sono conservati i “Ben Hecht Papers”2. Dall’altro lato, proverò a ragionare sul contenuto di My Story, inteso sia come opera di/su Marilyn Monroe, sia in quanto opera “di” Hecht. Per molti versi, My Story è il libro “onesto e feroce” su Hollywood che Hecht avrebbe potuto scrivere e che non scrisse mai, quanto meno non con il suo nome in copertina. Quando esce per la prima volta, su iniziativa di Milton Greene (fotografo e amico dell’attrice), My Story è a firma unicamente della Monroe. Solo con la riedizione del 2007, per i tipi di Taylor Trade, viene riconosciuto l’apporto dello sceneggiatore (questa volta, l’opera è attribuita a: «Marilyn Monroe with Ben Hecht»).
[Show full text]
MJI'icn PICIURE PUBLICITY DEPARI'ments An
- THE LIFEJ3L(X)D OF HOLLYMX)D: MJI'ICN PICIURE PUBLICITY DEPARI'MENTS PRIOR TO IDRLD WAR II An Honors Thesis (ID 499) by Mark R. Scroggs Dr. Frank Walsh, Advisor Ball State University Muncie, Indiana March, 1980 //.~ {."; ~- , -~' -I TABLE OF CXNI'ENTS I. Creating the first movie stars ••.••••••••••••••••••••••••••••••• l II. Publicity Department responsibilities ••••••••••.•••••••••••••••• 7 III. Hollywcx:Xl and the rredia •••••••••••••••••••••••••••••••••••••••• 22 IV. Gone With The Wind's publicity campaign •••••••••••••••••••••••• 29 Footnotes Bibliography THE LIFEBlOOD OF HOLLYVOJD: IDl'ICN PIcruRE PUBLICITY DEPARIMENTS PRIOR 'ID WORID WAR II ~tion pictures have played a rrajor role in shaping Arrerica's culture and lifestyles during the tvJentieth century. Movies have been used as an entertainment rredium, catalyst for social refonn and leaders in fashion and lifestyle trends. Each generation has had its awn film stars, such as Douglas Fairbanks, Joan Crawford, Elizabeth Taylor and John Travolta, who have served as heartthrobs, role m:xiels and exarrples of persons who have achieved the goals that the rrovie-goers wish to achieve. Film stars did not becane larger than life images and role m::x:1els on talent alone, although talent is irrportant in rrovie stardan. Stars need fans and admirers who will buy tickets and keep these stars errployed. Publicity brings screen personalities to the people and enables these people to identify with and learn nore about these personalities. For this task of bringing the stars to the people, rrotion picture depa.rt::rrents and occasionally stars themselves hired publicity agents or fomed publicity depart:ments to sell their players to the public. These publicity depa.rt::rrents and agents created the star system which we have today.
[Show full text]
Journalism 375/Communication 372 the Image of the Journalist in Popular Culture
JOURNALISM 375/COMMUNICATION 372 THE IMAGE OF THE JOURNALIST IN POPULAR CULTURE Journalism 375/Communication 372 Four Units – Tuesday-Thursday – 3:30 to 6 p.m. THH 301 – 47080R – Fall, 2000 JOUR 375/COMM 372 SYLLABUS – 2-2-2 © Joe Saltzman, 2000 JOURNALISM 375/COMMUNICATION 372 SYLLABUS THE IMAGE OF THE JOURNALIST IN POPULAR CULTURE Fall, 2000 – Tuesday-Thursday – 3:30 to 6 p.m. – THH 301 When did the men and women working for this nation’s media turn from good guys to bad guys in the eyes of the American public? When did the rascals of “The Front Page” turn into the scoundrels of “Absence of Malice”? Why did reporters stop being heroes played by Clark Gable, Bette Davis and Cary Grant and become bit actors playing rogues dogging at the heels of Bruce Willis and Goldie Hawn? It all happened in the dark as people watched movies and sat at home listening to radio and watching television. “The Image of the Journalist in Popular Culture” explores the continuing, evolving relationship between the American people and their media. It investigates the conflicting images of reporters in movies and television and demonstrates, decade by decade, their impact on the American public’s perception of newsgatherers in the 20th century. The class shows how it happened first on the big screen, then on the small screens in homes across the country. The class investigates the image of the cinematic newsgatherer from silent films to the 1990s, from Hildy Johnson of “The Front Page” and Charles Foster Kane of “Citizen Kane” to Jane Craig in “Broadcast News.” The reporter as the perfect movie hero.
[Show full text]
“Can't Help Singing”: the “Modern” Opera Diva In
“CAN’T HELP SINGING”: THE “MODERN” OPERA DIVA IN HOLLYWOOD FILM, 1930–1950 Gina Bombola A dissertation submitted to the faculty at the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Music in the College of Arts and Sciences. Chapel Hill 2017 Approved by: Annegret Fauser Tim Carter Mark Katz Chérie Rivers Ndaliko Jocelyn Neal ©2017 Gina Bombola ALL RIGHTS RESERVED ii ABSTRACT Gina Bombola: “Can’t Help Singing”: The “Modern” Opera Diva in Hollywood Film, 1930–1950 (Under the direction of Annegret Fauser) Following the release of Columbia Pictures’ surprise smash hit, One Night of Love (1934), major Hollywood studios sought to cash in on the public’s burgeoning interest in films featuring opera singers. For a brief period thereafter, renowned Metropolitan Opera artists such as Grace Moore and Lily Pons fared well at the box office, bringing “elite” musical culture to general audiences for a relatively inexpensive price. By the 1940s, however, the studios began grooming their own operatic actresses instead of transplanting celebrities from the stage. Stars such as Deanna Durbin, Kathryn Grayson, and Jane Powell thereby became ambassadors of opera from the highly commercial studio lot. My dissertation traces the shifts in film production and marketing of operatic singers in association with the rise of such cultural phenomena as the music-appreciation movement, all contextualized within the changing social and political landscapes of the United States spanning the Great Depression to the Cold War. Drawing on a variety of methodologies—including, among others, archival research, film analysis, feminist criticisms, and social theory—I argue that Hollywood framed opera as less of a European theatrical art performed in elite venues and more of a democratic, albeit still white, musical tradition that could be sung by talented individuals in any location.
[Show full text]
Marilyn Monroe's Star Canon: Postwar American Culture and the Semiotics
University of Kentucky UKnowledge Theses and Dissertations--English English 2016 MARILYN MONROE’S STAR CANON: POSTWAR AMERICAN CULTURE AND THE SEMIOTICS OF STARDOM Amanda Konkle University of Kentucky, [email protected] Digital Object Identifier: http://dx.doi.org/10.13023/ETD.2016.038 Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Konkle, Amanda, "MARILYN MONROE’S STAR CANON: POSTWAR AMERICAN CULTURE AND THE SEMIOTICS OF STARDOM" (2016). Theses and Dissertations--English. 28. https://uknowledge.uky.edu/english_etds/28 This Doctoral Dissertation is brought to you for free and open access by the English at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--English by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known.
[Show full text]
Will Success Spoil Rock Hunter? and Involved an Axelrod-Like Writer, a Monroe-Like Star, and a Satanic Agent Who Collected Percentages of Souls Rather Than Salaries
The American Century Theater presents by George Axelrod Audience Guide Written and compiled by Jack Marshall January 15–February 6 Theatre II, Gunston Arts Center Theater you can afford to seesee———— ppplaysplays you can’t afford to miss! About The American Century Theater The American Century Theater was founded in 1994. We are a professional company dedicated to presenting great, important, and neglected American plays of the twentieth century . what Henry Luce called “the American Century.” The company’s mission is one of rediscovery, enlightenment, and perspective, not nostalgia or preservation. Americans must not lose the extraordinary vision and wisdom of past playwrights, nor can we afford to surrender our moorings to our shared cultural heritage. Our mission is also driven by a conviction that communities need theater, and theater needs audiences. To those ends, this company is committed to producing plays that challenge and move all Americans, of all ages, origins and points of view. In particular, we strive to create theatrical experiences that entire families can watch, enjoy, and discuss long afterward. These audience guides are part of our effort to enhance the appreciation of these works, so rich in history, content, and grist for debate. The American Century Theater is a 501(c)(3) professional nonprofit theater company dedicated to producing significant 20th Century American plays and musicals at risk of being forgotten. The American Century Theater is supported in part by Arlington County through the Cultural Affairs Division of the Department of Parks, Recreation, and Cultural Resources and the Arlington Commission for the Arts. This arts event is made possible in part by the Virginia Commission on the Arts and the National Endowment for the Arts, as well as by many generous donors.
[Show full text]
The Gossip Industry
Copyright by Anne Helen Petersen 2011 The Dissertation Committee for Anne Helen Petersen Certifies that this is the approved version of the following dissertation: THE GOSSIP INDUSTRY: PRODUCING AND DISTRIBUTING STAR IMAGES, CELEBRITY GOSSIP, AND ENTERTAINMENT NEWS 1910 - 2010 Committee: Janet Staiger, Supervisor Thomas Schatz Michael Kackman Susan McLeland Mary Desjardins THE GOSSIP INDUSTRY: PRODUCING AND DISTRIBUTING STAR IMAGES, CELEBRITY GOSSIP, AND ENTERTAINMENT NEWS 1910 - 2010 by ANNE HELEN PETERSEN, B.A.; M.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin May 2011 Dedication For my mother, who has always modeled intelligence with verve. Acknowledgements I would not be the scholar I am today without the tremendous and ongoing support of a number of professors, all of whom have modeled the type of mentorship, scholarship, and dedication to the field that I try to emulate. From my first semester as an undergrad to my final semester as a Ph.D. student, Janet Staiger, Thomas Schatz, and Michael Kackman at the University of Texas, Michael Aronson at the University of Oregon, and Robert Sickels at Whitman College have served as models, mentors, colleagues, and friends. The dissertation-writing process was an arduous one made enjoyable by the efficiency and editorial guidance of Janet Staiger and the keen eyes of my committee members. I am particularly grateful to Susan McLeland and Mary Desjardins for their close readings and insight on early versions of various chapters.
[Show full text]
How the Great Become Great… and You & I Don't CASE STUDIES
Greatness: How The Great Become Great… And You & I Don’t CASE STUDIES Bill Dorris Ph.D. School of Communications Dublin City University Dublin 9, Ireland © 2017 Contents p2 Blog p3 Introduction p4 Hitch Goes to Hollywood p6 Woody Finds His Footsteps p20 Norma Jeane Becomes Her Dreams p40 Notes p61 Hitch Goes to Hollywood – Notes p61 Woody Finds His Footsteps – Notes p66 Norma Jeane Becomes Her Dreams – Notes p76 Sources p84 Blog The book that the 3 massive case studies presented here are related to is entitled: Greatness: How The Great Become Great… and You & I Don’t (2017). A thorough introduction to this book, plus free PDF of it, are available on my Blog: www.greatnessbd.com. You can also send in any questions or comments re the overall Greatness analysis and/or the case studies presented in this book. Introduction The three case studies presented in this book are intended to provide comprehensive demonstrations of the theoretical analysis made in Greatness: How The Great Become Great… and You & I Don’t (2017) by applying this analysis to three very different lives over the course of 20+ years of development. There are several reasons for presenting such extensive case studies First off, while many of us tend to think of various greats with reference to one or perhaps two defining characteristics - Mozart's 'perfect pitch' being the key to his compositions, or Einstein’s 'pure intellect' being the power behind his theory of relativity - in my experience becoming a great in any field always involves the interplay of not one or two but typically five Key Characteristics.
[Show full text]
PHOTOPLAY MAGAZINE and WOMEN in WORLD WAR II Laura
FINDING MEANING IN THE STARS: PHOTOPLAY MAGAZINE AND WOMEN IN WORLD WAR II Laura Lacy A thesis submitted to the faculty at the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Master of Arts in the School of Media and Journalism. Chapel Hill 2017 Approved by: Barbara Friedman Anne Johnston Joy Kasson © 2017 Laura Lacy ALL RIGHTS RESERVED ii ABSTRACT Laura Lacy: Finding Meaning in the Stars: Photoplay Magazine and Women in World War II (Under the direction of Barbara Friedman) Photoplay was one of the most popular fan magazines of the 1940s, filled with seemingly authentic glimpses into Hollywood stars’ lives. Within that content, Photoplay communicated values, norms, concerns, and ideologies to women readers. Adopting the theoretical framework of cultural studies, this thesis studies Photoplay from October 1942 through November 1945, adding to the body of research about women, media, and World War II by offering an in-depth textual analysis of the magazine during the war. It examines what messages regarding women’s wartime roles and behaviors appeared, how they changed over time, how Photoplay reinforced or challenged prevailing mass-mediated notions about women’s wartime roles, and what the magazine tells us about women readers of Photoplay and historical audiences. This research reveals that a relationship deeper than one between an unknowable celebrity author and a passive reader existed behind the tales about celebrity romance, women on the homefront, and war work. iii ACKNOWLEDGEMENTS This project was anything but a solitary effort, and I owe so much to the people who have helped me along the way.
[Show full text]
Glaser Weil 310.553.3000 TEL 310.556.2920 FAX November 25, 2015 Timothy Mcosker
/ <-z tfp '} ( 333 S. Hope Street Suite 2610 Los Angeles, CA 90071 Glaser Weil 310.553.3000 TEL 310.556.2920 FAX November 25, 2015 Timothy McOsker Direct Dial 310.556.7870 VIA HAND DELIVERY Email tmcsoker@giaserwei!.com President Herb Wesson Honorable Members of the City Council 200 North Main Street 200 North Main Street Los Angeles, CA 90012 Los Angeles, CA 90012 Re: Nomination of 118-126 Flores Avenue as a Historic-Cultural Monument President Wesson and Honorable Members of the City Council: This office represents BLDG Flores, LLC (“BLDG”), the owner of the property located at 118-126 Flores Avenue in Los Angeles (the “Property”) which is the subject of item no. 13 on the City Council agenda of November 25, 2015 (CF 15-1170). The Property does not qualify as a Historical-Cultural Monument (“HCM”) under the City’s standards. The application for nomination was submitted by a holdover tenant seeking to evade the landlord’s legal use of the Ellis Act. Approval of the HCM application would deprive BLDG of substantially all economic value of its property. Furthermore, an approval would violate due process and private property rights, and subject the City to significant liability. For all these reasons, described in more detail below, we respectfully request that the City Council deny the historic designation of the Property. 1. The Flores Property Does Not Qualify as an HCM. After conducting extensive due diligence on the Property and finding no restraints or limitations due a historic designation, BLDG purchased the Property. After BLDG’s purchase of the Property and as BLDG was preparing its application for a small lot subdivision, the citywide historic resources survey, SurveyLA was published for the area and concluded that the Property potentially contributed to a possible historic district (though no such district exists today or has ever existed).
[Show full text]
The Actors Studio and Hollywood in the 1950S: a History of Theatrical
THE ACTORS STUDIO AND HOLLYWOOD IN THE 1950s A History of Theatrical Realism Mario Beguiristain The Edwin Mellen Press Lewiston •Queenston• Lampeter Library of Congress Cataloging-in-Publication Data Beguiristain, Mario. The actors studio and Hollywood in the 1950s : a history of theatrical realism I Mario Beguiristain. p.cm.. Includes bibliographical references and index. ISBN-·13: 978-0-7734-.5703-4 ISBN-10: 0-7734-.5703-8 L Title. hors serie. A CIP catalog record for this book is available from the British Library .. Copyright © 2006 Mario Beguiristain All rights reserved.. For information contact The Edwin Mellen Press The Edwin Mellen Press Box450 Box67 Lewiston, New York Queenston, Ontario USA 14092-0450 CANADA LOS 1LO The Edwin Mellen Press, Ltd. Lampeter, Ceredigion, Wales UNITED KINGDOM SA48 8LT Printed in the United States of America The Actors Studio and Hollywood in the 1950s A History of Theatrical Realism For my parents, Rosa and Rodolfo, and in memory of my professor, Arthur Knight TABLE OF CONTENTS Foreword by Peter Krikes, Ph.D. i Preface iii Acknowledgments v Chapters I. THE SEARCH FOR A FILM STYLE Intro0A/@5;: 1 -@A>1-:0"A><;?1;2@41%@A0E 3 1102;>@41%@A0E 5 &;C->0-125:5@5;:;2%@E81 7 125:5@5;:;2&41-@>5/-8$1-85?9 9 1@4;0;8;3E 13 >5@5/-8<<>;-/4 16 $1B51C;2@415@1>-@A>1 21 II. REALISM IN FILM AND THEATRE: 5?@;>5/-8:@1>-/tion 29 $1-85?9;:@41%/>11: 34 589-:0&41-@>1 41 III.
[Show full text]