DOCSLIB.ORG

Tega Discovery Phase Research

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Tega Discovery Phase Research TEGA DISCOVERY PHASE RESEARCH July 1, 2020 A GIRL EFFECT REPORT FOR THE GAME OF CHOICE, NOT CHANCE™ PROJECT TEGA DISCOVERY PHASE RESEARCH FIELD RESEARCH DATES: MAY 11 – MAY 26, 2019 USAID Cooperative Agreement 7200AA18CA00046 Report prepared by Girl Effect for Howard Delafield International, under the Game of Choice, Not Chance ™ Project Draft submitted August 9, 2019 | Final version July 1, 2020 This report and the Game of Choice, Not Chance™ Project are made possible by the generous support of the American people through the United States Agency for International Development (USAID) under the terms of the Cooperative Agreement No. 7200AA18CA00046. The contents are the responsibility of Girl Effect and Howard Delafield International, and do not necessarily reflect the views of USAID or the United States Government. Girl Effect Enterprises India Pvt. Ltd. Howard Delafield International, LLP Nehru Rd, Madhuvan Society, Sen Nagar, 1101 30th Street NW, Suite 500 Santacruz East, Mumbai, Maharashtra 400055 Washington, DC 20007 www.girleffect.org www.howard-delafield.com Contents Executive Summary 5 Objectives 5 Methods 6 Data Collection 7 Sample 10 Fieldwork 11 Locations 11 Quality Assurance 13 During Data Collection 13 Spot Checks 13 Video Audit 13 Post Data Collection 13 TEGA Talks 13 Translation 13 Analysis 14 Ethical Considerations 14 Key Findings 15 Girls Lives and Lifestyles 15 Boyfriends and Relationships 15 Mobile and Gaming 16 Psychographic Profiles 16 Chapter 1: Girls Lives and Lifestyles 17 The Good Girl 17 Peers: Trusted confidantes 20 The Neighborhood: Eve teasing and the safety to roam 21 Families: Gatekeepers and Decision-makers 23 Education: Achieving aspirations and making friends 25 Dreams: Career goals and independence 26 Fears: Failure to achieve or maintain agency 28 Inspirational Figures: Often family or a friend 29 Chapter 2: boyfriends 31 Game of Choice, Not Chance | TEGA Discovery Research Phase | page 2 boyfriends: Secret and taboo, but many girls have them 31 Girls approve of their friends having boyfriends 32 The prospect of marriage is not welcomed 34 Chapter 3: Family Planning, Reproductive Health 35 Physical issues: Girls do have trusted confidantes 36 Menstruation: Girls are preoccupied by their cycle 37 Menstrual Taboos are pervasive and restrictive 37 Contraceptive Knowledge is poor 38 Consent and Personal Rights: Girls are conflicted 39 STIs and Reproductive Health: Girls are naive 41 Seeking RH/FP care is seen as risky 42 Perceptions of Pregnancy 42 Chapter 4: Mobile and Gaming 44 Owners vs borrowers: Most girls borrow 44 Mobile habits: Phones are used in leisure time 45 Social media: Not common among borrowers 45 Games: A very popular use of mobiles 46 Game Genres: Adventure comes out on top 46 Chapter 5: Avatar Stimuli 47 The Romantic 47 The Pushover 48 The Gemini 49 The Freedom Fighter 51 Chapter 6: Psychographic Profiles 52 Type-1 - Pranita 53 Type-2 - Laxmi 53 Type-3 - Rani 54 Type-4 - Kalpana 54 Profile Case Studies 54 Annex 1: Avatar Stimuli 63 Annex 2: Data from Wave 3 (RH/FP) 65 Annex 3: Data from Wave 2 (Mobile and Gaming) 67 Wave 1 Interview Guide 71 Game of Choice, Not Chance | TEGA Discovery Research Phase | page 3 Wave 2 Interview Guide 72 Wave 3a Interview Guide 75 Wave 3b Interview Guide 78 Wave 4 Interview Guide 84 Screener 87 *Eve-teasing is a euphemism for the sexual harassment or assault of a woman by a man, and is used throughout South Asia, which includes, but is not limited to, India, Pakistan, bangladesh and Nepal. Game of Choice, Not Chance | TEGA Discovery Research Phase | page 4 Executive Summary In response to the Direct-to-Consumer (DTC) Approaches to Fertility Awareness and Adolescent Reproductive Health Addendum to the USAID Development Innovation Accelerator Board Agency Announcement (bAA), USAID has funded Girl Effect as part of a consortium with Howard Delafield International LLP (HDI), the Virginia Serious Games Institute, and Cycle Technologies1 to pilot a program in India entitled A Game of Choice, Not Chance™ (GOC). The game combines: 1) an interactive story-based video game; 2) a reproductive health education e-learning tool; 3) a data analytics tool; and 4) a web portal that links to family planning/reproductive health (FP/RH) products and care. The GOC game will challenge players to make realistic FP/RH decisions and choices within a safe and private virtual space, enabling them to experience the simulated outcomes of their choices. The research is designed to provide the foundation for the creative inputs for the development of the game as mentioned in the Sub IR 1 of the Game of Choice, Not Chance Results Framework: ‘Design, Development and Testing of FP/RH Adolescent Game.’ The research is aimed to ‘mine’ insights from the audience to help in the creative development of realistic, believable, and relatable elements for the game. The research will be used as a foundation for understanding the life choices of the adolescent girls, their decision points, and the hurdles and motivators for making the healthy choices. Objectives The overall aims of the exploratory phase of the study were: ● Evoke insights on the life and lifestyles of adolescent girls ages 15 to 19, including unmarried and married girls. Develop a holistic understanding of their lives and interactions with peers, gatekeepers, and the media. ● Use interview data to develop psychographic profiles based on the data collected and the girls accounts of their lived experiences, including their aspirations, attitudes, dreams, motivations and influences, and also their fears, anxieties, and insecurities. ● Analyze the developed psychographic concepts (personas) to understand perceptions of the various ‘labels’ that are used to describe profiles. For example: What does ‘conservative’ or ‘ambitious’ mean to the target audience? The psychographic profiles/personas will be developed 1 The work featured in this report was completed and reported in 2019 prior to the GOC Project’s expansion on partnerships. Since October, 2019, two additional partners were incorporated, Indusgeeks and Vihara Innovation Network. Game of Choice, Not Chance | TEGA Discovery Research Phase | page 5 by NAM ER@VSGI in the form of two-dimensional animated sketches, or stimuli, and will be shared with Girl Effect before the fieldwork is conducted. ● Determine the level of their reproductive health and family planning knowledge, their attitude, behaviors, and self-efficacy, with a particular focus on their understanding of the benefits of delaying sex, and an exploration of what options are aspirational if they were to refuse or negotiate relationships, marriage, and childbirth. Explore and understand anxieties and insecurities, especially while navigating relationships. ● Understand girls’ technological awareness and their mobile use, including phone preferences and usage, social media engagement, screen time, and internet use. ● Determine target audience engagement with mobile games, including but not limited to the name and type of games, collaboration/competition during games, and reasons for playing/deleting the games. ● Develop a data set on girls’ preferences when it comes to game characters/avatars, including character types, personalities, personas and appearance. Methods This piece of research used Technology Enabled Girl Ambassadors (TEGAs), a girl-led, peer to peer, qualitative interviewing methodology, powered by Girl Effect, to administer research to help inform the design of the game. TEGAs are trained female researchers ages 18-21, who use a customized app to interview respondents in a peer-orientated, youth focused way. TEGAs confidentially conduct interviews with girls of their own age which then reveals candid information that assists in understanding audiences and beneficiaries, and the themes and issues needed to inform program and product design. TEGAs are girls from targeted communities who undergo a rigorous training process to become qualified digital researchers. The curriculum is devised in partnership with the Market Research Society (MRS). Through a specially developed app, the girl researchers conduct the research themselves and data is then transferred, organized and made visible on the TEGA data hub within minutes. TEGAs are trained to be non-judgmental, practice active listening to allow the respondents to open up freely, and to ask open-ended questions. TEGAs are able to discuss sensitive topics like adolescent reproductive health, mobile phone use, and relationships. TEGA interviews produce data that is subjective, and the TEGAs also provide feedback on questions and the content of interviews, making the process participatory for respondents and the TEGAs themselves. Game of Choice, Not Chance | TEGA Discovery Research Phase | page 6 TEGA is a research methodology that adheres to LEAN research principles2. LEAN research is developed along the lines of human-centered approaches to design research projects for development or humanitarian settings. TEGA has been developed with the guidance of researchers at MIT’s D-Lab and Tufts University. The principles guiding the TEGA approach focus on research that is rigorous, relevant, respectful, and right-sized. The application of these principles has implications on design and execution of the TEGA interviews. 1. TEGA’s smaller samples of respondents guarantee quality engagement without risking research fatigue in communities and saturation in findings. 2. TEGAs themselves feed into research design and analysis. 3. TEGA respondents are never interviewed
Load more

Recommended publications
  • Assets.Kpmg › Content › Dam › Kpmg › Pdf › 2012 › 05 › Report-2012.Pdf
    Digitization of theatr Digital DawnSmar Tablets tphones Online applications The metamorphosis kingSmar Mobile payments or tphones Digital monetizationbegins Smartphones Digital cable FICCI-KPMG es Indian MeNicdia anhed E nconttertainmentent Tablets Social netw Mobile advertisingTablets HighIndus tdefinitionry Report 2012 E-books Tablets Smartphones Expansion of tier 2 and 3 cities 3D exhibition Digital cable Portals Home Video Pay TV Portals Online applications Social networkingDigitization of theatres Vernacular content Mobile advertising Mobile payments Console gaming Viral Digitization of theatres Tablets Mobile gaming marketing Growing sequels Digital cable Social networking Niche content Digital Rights Management Digital cable Regionalisation Advergaming DTH Mobile gamingSmartphones High definition Advergaming Mobile payments 3D exhibition Digital cable Smartphones Tablets Home Video Expansion of tier 2 and 3 cities Vernacular content Portals Mobile advertising Social networking Mobile advertising Social networking Tablets Digital cable Online applicationsDTH Tablets Growing sequels Micropayment Pay TV Niche content Portals Mobile payments Digital cable Console gaming Digital monetization DigitizationDTH Mobile gaming Smartphones E-books Smartphones Expansion of tier 2 and 3 cities Mobile advertising Mobile gaming Pay TV Digitization of theatres Mobile gamingDTHConsole gaming E-books Mobile advertising RegionalisationTablets Online applications Digital cable E-books Regionalisation Home Video Console gaming Pay TVOnline applications
    [Show full text]
  • Digital Dawn
    Digitization of theatr Digital DawnSmar Tablets tphones Online applications The metamorphosis kingSmar Mobile payments or tphones Digital monetizationbegins Smartphones Digital cable FICCI-KPMG es Indian MeNicdia anhed E nconttertainmentent Tablets Social netw Mobile advertisingTablets HighIndus tdefinitionry Report 2012 E-books Tablets Smartphones Expansion of tier 2 and 3 cities 3D exhibition Digital cable Portals Home Video Pay TV Portals Online applications Social networkingDigitization of theatres Vernacular content Mobile advertising Mobile payments Console gaming Viral Digitization of theatres Tablets Mobile gaming marketing Growing sequels Digital cable Social networking Niche content Digital Rights Management Digital cable Regionalisation Advergaming DTH Mobile gamingSmartphones High definition Advergaming Mobile payments 3D exhibition Digital cable Smartphones Tablets Home Video Expansion of tier 2 and 3 cities Vernacular content Portals Mobile advertising Social networking Mobile advertising Social networking Tablets Digital cable Online applicationsDTH Tablets Growing sequels Micropayment Pay TV Niche content Portals Mobile payments Digital cable Console gaming Digital monetization DigitizationDTH Mobile gaming Smartphones E-books Smartphones Expansion of tier 2 and 3 cities Mobile advertising Mobile gaming Pay TV Digitization of theatres Mobile gamingDTHConsole gaming E-books Mobile advertising RegionalisationTablets Online applications Digital cable E-books Regionalisation Home Video Console gaming Pay TVOnline applications
    [Show full text]
  • 130214.Stellarswanso
    C M Y K 13 EBRUARY WEDNESDAY We support the use of 2013 recycled newsprint KOLKATA NEW DELHI SILIGURI BHUBANESWAR LC 12+4 Rs 2.50 website: www.thestatesman.net | | | | email: [email protected] Available at: KOLKATTA: Salt Lake: The Prime Luxury Watch Boutique, City Centre 23584333; Ho Chi Minh Sarani: Ram’s, Metro Plaza 22888882; Vardaan Market: Murlis, Camac Street 033-22870450; BHUBANESHWAR: Bapuji Nagar: Sa’aa International 0674-2597568; GUWAHATI: G.S. Road Maya Jewels by Gitanjali 0361-2462120; Fancy Bazaar, MS Road: Exclusive Lines 0361-2734723 The Time Square 0361-2524308; Helios, The Cube 0361-2343555; Lakhtokia: Jewelsouk by Gitanjali, Lakhtokia Fancy Bazar 0361-2733945; SILIGURI: Sevoke Rd: Furtra Global Bazar, Orbit Mall-Inox 0353-2545709; Matigara: Maple, City Centre 0353-2571227. C M Y K C M Y K KOLKATA WEDNESDAY 13 FEBRUARY 2013 2 Available at: KOLKATTA: Salt Lake: The Prime Luxury Watch Boutique, City Centre 23584333; Ho Chi Minh Sarani: Ram’s, Metro Plaza 22888882; Vardaan Market: Murlis, Camac Street 033-22870450. C M Y K C M Y K 13 EBRUARY WEDNESDAY We support the use of 2013 recycled newsprint KOLKATA NEW DELHI SILIGURI BHUBANESWAR LC 12+4 Rs 2.50 website: www.thestatesman.net | | | | email: [email protected] Industrial output down NEW DELHI, 12 EB: Even as industrial output contracted by 0.6 per cent in December, the COP SHOT IN CAMPUS VIOLENCE second consecutive month of decline, retail inflation remained in double digits at 10.79 per cent in January, driven by higher prices of vegetables, edible oil, cereals and protein-based items.
    [Show full text]
  • Women and Soap-Operas: Popularity, Portrayal and Perception
    International Journal of Scientific and Research Publications, Volume 2, Issue 6, June 2012 1 ISSN 2250-3153 Women and Soap-Operas: Popularity, Portrayal and Perception Dr. Aaliya Ahmed Media Education Research Centre, Kashmir University, India Abstract- In the multi-media world of today, television has immense popularity. The closed soap opera is more common in emerged as an important instrument of transmission of Latin America, where it dominates primetime programming from knowledge and information. Working as a complimentary agent Mexico to Chile. In India, Geet, Dil Mil Gaye fall in this to other sources, television has enhanced the process of change category. These „telenovelas‟ are broadcast nightly and may by providing timely information about education, hygiene, stretch over three or four years and hundreds of episodes. They health, customs and so on. The purpose of television is to inform, are, however, designed eventually to end, and it is the educate and entertain its viewers. Television, because of its anticipation of closure in both the design and reception of the predominance of visual movement has the capacity of bringing closed soap opera that makes it fundamentally different from the the world into the living room with great authenticity and open form. The term itself signals an aesthetic and cultural efficacy. As a result of this, television has a more profound and incongruity: the events of everyday life elevated to the subject persuasive impact on its viewers, particularly women. Women matter of an operatic form. are treated as “special audience groups”, so that appropriate measures can be taken to cater to their propensities and inclinations.
    [Show full text]
  • A : Specific Content Related
    ACTION BY BCCC ON COMPLAINTS RECEIVED FROM 20 JUNE 2011 TO 15 March 2014 S.N Programme Channel Total Nature of Complaints TELECAST Action By BCCC O Number of DATE OF Complaints THE Received PROGRAM REVIEWED BY BCCC A : SPECIFIC CONTENT RELATED COMPLAINTS A-1 : Specific Content related complaints Disposed 1 90120 Big CBS Love 1 The programme displays women’s undergarments in an indecent 23.10.2013 BCCC sought a reply from the channel’s representatives, who had come for the and derogatory manner. The visuals, where women’s HEARING of another programme ‘Rules of Engagement’. The channel undergarments are shown with a description about what kind of contended it had stopped telecasting this serial since 29/11/ 2013. The S&P undergarments can be used to impress a boy, are indecent and team had been strengthened towards the end of the last year and based on the objectifies women. Children watching the show may get curious to recommendations of their S&P team, the channel has decided not to air any know what these women are discussing. The channel should not international content in the near future. Based on the BCCC’s suggestion, the telecast such content when a large number of children watch TV. channel undertook not to repeat any of the impugned episodes. In case the channel decides to air any international content, it would pass through strict scrutiny to make it fit for universal viewing. BCCC took the channel’s reply on record. The complaint was DISPOSED OF. 2 Maximum Exposure Big CBS Love 1 The channel has telecast ‘Maximum Exposure’, a programme 12.11.2013 BCCC sought a reply from the channel’s representatives, who had come for the based on some real videos of strange acts/stunts performed by HEARING of another programme ‘Rules of Engagement’.
    [Show full text]
  • Evaluation of 4 New Strategic Initiatives
    Evaluation of 4 New Strategic Initiatives - Confidential - 0 Where are we today as a Network and the Indian TV Market… TAM’s introduction of LC1 Markets in the panel, has resulted in the ratings of the flagship channels to fall, along with reach and TSV The MSM bouquet doesn't have a material presence in the Regional space Key competition – Star, Zee and Colors have a well established presence in the regional space and Star and Zee’s flagship channels are performing better in the GEC genre, even with the LC1 expansion Absence of regional channels in the bouquet is a clear gap in the Network's genre reach Key competition, has a far more “pan-India” offering both in terms of genre spread and ratings Competition has a strategic advantage with presence in carriage. Both Star & Zee have presence in ground distribution (Star DEN, Tata Sky & Dish) MSM currently doesn’t have a “complete package” offering for advertisers and distributors - Confidential - 1 The Potential implications.. Flagship channel’s falling reach & TSV, may result in advertisers reducing the Premium on the channel With programming not targeted to female audiences in small towns, the introduction of TAM meters and further expansion, in Rural markets may result in further drop in ratings We also run the risk of being dropped by operators due to gaps in our bouquet offering and also for strategic reasons, which may further fuel a decline in reach and ratings. TRAIs mandate of 12 minutes per clock-hour for Advertising and Promotions The network should aim to target all SECs, markets, across both genres to reduce the risk of being ignored by media planners and also potentially losing presence on ground - Confidential - 2 Opportunity 1 – Female-skewed, lower SEC GEC Plan - Confidential - 3 LC1 Market – An Introduction LC 1 corresponds to towns with less than 100k population in Urban India In 2013, TAM released data for five new LC1 markets: Gujarat, Madhya Pradesh, Uttar Pradesh, PHCHP and Rajasthan.
    [Show full text]
  • Unit 2 Gender on Television
    Visualising Gender UNIT 2 GENDER ON TELEVISION Vinaya Nayak Structure 2.1 Introduction 2.2 Objectives 2.3 Definition 2.4 Indian Television and Gender 2.5 Historical Perspective 2.6 Newsreaders in Indian Television 2.7 Cable Television and Gender: Soap Operas 2.8 Let Us Sum Up 2.9 Unit End Questions 2.10 Glossary 2.11 References 2.12 Suggested Readings 2.1 INTRODUCTION Television is often referred to as a ‘woman’s’ medium. This feminisation of the media arises from the programmes aired on television and the manner in which television programmes are consumed. The fact that television, unlike cinema or theatre is watched inside one’s home, allows for an assumption that the principle audience are women; therefore the content or programs such as soap operas and serials are generally made with a female spectatorship in mind. Another important aspect that leads to the female centric nature of television is advertising. Today, upper class women have been considered decision makers and therefore targets of the advertising message, it only follows that the content of the programme must find favour with female viewers. Of course, we have to examine this connection more vigorously and it is important to understand that the notion that television is a woman’s media is at best an assumption, as belonging to all genders obviously television programs are watched by members of households, belonging to all genders. However, this perception of television perhaps also enables a closer scrutiny of how women are portrayed on television. The representation of women in the mass media has been closely scrutinised by media commentators, critics, academics, researchers and within the women’s movement.
    [Show full text]
  • Earnings Release for the Quarter Ended June 30, 2016
    EARNINGS RELEASE FOR THE QUARTER ENDED JUNE 30, 2016 Advertising Revenues of Rs 9,120 Mn, Up 19.2% YoY Subscription Revenues of Rs 5,282 Mn, Up 14.2% YoY Consolidated Operating Revenues of Rs 15,716 Mn, Up 18.5% YoY EBITDA of Rs 4,532 Mn; EBITDA Margin of 28.8% Profit after Tax of Rs 2,181 Mn; PAT Margin of 13.9% Q1 HIGHLIGHTS Advertising revenues for the quarter were Rs 9,120 million, recording a growth of 19.2% over Q1 FY16. During the quarter, domestic advertising revenues stood at Rs 8,415 million while international advertising revenues stood at Rs 705 million. Subscription revenues were Rs 5,282 million for the quarter ended June 30, 2016 recording a growth of 14.2% over Q1 FY16. During the quarter, domestic subscription revenues stood at Rs 4,179 million while international subscription revenues stood at Rs 1,103 million. Consolidated operating revenues for the quarter stood at Rs 15,716 million, recording a growth of 18.5% as compared to the corresponding quarter last fiscal. Operating profit (EBITDA) for the quarter stood at Rs 4,532 million. EBITDA margin stood at 28.8% Profit after Tax (PAT) for the quarter ended June 30, 2016 was Rs 2,181 million. PAT Margin stood at 13.9%. The company has adopted Ind-AS reporting methodology for reporting its financials commencing Q1 FY2017. Like-to-like financials for previous quarters (Q1 FY2016) have been restated accordingly. Zee Entertainment Enterprises Limited 18th Floor, A - Wing, Marathon Futurex, N. M.
    [Show full text]
  • Gender Issues in Hindi Language Family Based Teleserials
    International Journal of Applied Home Science RESEARCH PAPER Volume 5 (3), March (2018) : 669-682 ISSN : 2394-1413 Received : 22.01.2018; Revised : 07.02.2018; Accepted : 27.02.2018 Gender issues in hindi language family based teleserials SUDHA SACHDEVA Ph.D. Scholar Department of Development Communication and Extension, Lady Irwin College, University of Delhi, New Delhi (India) ABSTRACT Teleserials in India constitute major share of the time devoted to entertainment programmes on the Hindi language channels of Indian television. In India, teleserials rose to popularity after Humlog, the first TV serial that became a major success on Doordarshan. Liberalization and globalization led to the private channels started telecasting mega serials about big business families. The year 2008 led to the birth of Colors TV as a new channel, and Balika Vadhu, as a women centric thematic soap. A new shift in the emphasis in the content of family based teleserials was observed. UN and CEDAW guidelines as well as Beijing 20 laid emphasis on portrayal on women in media and its linkages with gender empowerment. Content of teleserials became a question of primary concern. As a part of the doctoral study on ‘Gender issues in the Hindi language family based teleserials’, an analysis of the primary themes of the content of 182 teleserials on Youtube over the time frame 2008-2016 was conducted across four popular Hindi channels i.e. Starplus, Zee TV, Sony and Colors within the context of gender. A total of 182 family based teleserials were telecasted across the four identified channels between 2008-2016. Of them, 87 teleserials (47.80%) revolved around women and gender.
    [Show full text]
  • A : SPECIFIC CONTENT RELATED COMPLAINTS A-1 : Specific Content Related Complaints Disposed 1 Mad Men Star World 1 the Whole Scene Offends Good Taste and Decency
    ACTION BY BCCC ON COMPLAINTS RECEIVED FROM 20 JUNE 2011 TO 20 NOVEMBER 2013 S.N Programme Channel Total Nature of Complaints TELECAST Action By BCCC O Number of DATE OF Complaints THE Received PROGRAM REVIEWED BY BCCC A : SPECIFIC CONTENT RELATED COMPLAINTS A-1 : Specific Content related complaints Disposed 1 Mad Men Star World 1 The whole scene offends good taste and decency. It clearly 24.05.2013 BCCC did not find anything objectionable in the said episode. The complaint shows that men are trying to sell the product using women’s was DISPOSED OF. body. The caption on the woman’s picture which says “So well built, we can’t show you the second floor” is highly suggestive and obscene. It is indirectly portraying women’s body as a sex object. Dialogues like ‘a wink, but it’s not a leer’ and ‘modest people want to be stimulated too’ are also very indecent. The channel should have avoided telecast of such a scene. 2 Excused Big CBS Prime 1 The kissing scenes between the couples have been shot from 26.06.2013 BCCC did not find anything objectionable in the said episode. The programme close quarters and have been shown for long duration. The scene 05.07.2013 is telecast during watershed hours on an earlier direction of the Council. The wherein Brenden takes Kristina on the other side of the pool looks complaint was DISPOSED OF. really indecent. The channel should not telecast such visuals without proper editing as they not only offend good taste and decency, but also denigrate the image of women.
    [Show full text]
  • Pioneering Vision
    PIONEERING VISION ZEE ENTERTAINMENT ENTERPRISES LIMITED ANNUAL REPORT 2011-12 FORWARD-LOOKING STATEMENT In this Annual Report, we have disclosed forward looking information to enable investors to comprehend our prospects and take investment decisions. This report and other statements - written and oral - that we periodically make contain forward looking statements that set out anticipated results based on the management’s plans and assumptions. We have tried, wherever possible, to identify such statements by using words such as ‘anticipate’, ‘estimate’, ‘expects’, ‘projects’, ‘intends’, ‘plans’, ‘believes’, and words of similar substance in connection with any discussion of future performance. We cannot guarantee that these forward looking statements will be realised, although we believe we have been prudent in our assumptions. The achievements of results are subject to risks, uncertainties and even inaccurate assumptions. Should known or unknown risks or uncertainties materialize, or should underlying assumptions prove inaccurate, actual results could vary materially from those anticipated, estimated or projected. Readers should keep this in mind. We undertake no obligation to publicly update any forward looking statement, whether as a result of new information, future events or otherwise. CONTENTS CORPORATE OVERVIEW BOARD & MANAGEMENT REPORTS 02 Vision 48 Notice 04 A 5 Minute Read 50 Directors’ Report 06 Letter to the Shareholders 56 Annexure to Directors’ Report 10 Innovation 60 Report on Corporate Governance 14 Expertise 80 Management
    [Show full text]
  • Cinema, Radio, Your Professional Education in the World of for Promotion of Arts T E L Ev I S I O N a N D C O M P U T E R C E N T R I C Media and Entertainment
    SCHOOL OF 25 YEARS Alumni ARJUN KAPOOR AAFT is indebted to Late Shri Suraj Prakash Marwah (The Founder of AAFT) for his invaluable contribution to our mission to provide quality media education worldwide Marwah Productions a creative enterprise CONTENTS Board of Directors pg Patrons Academic Council Advisory Council 4-7 Board of Advisors From The President’s Desk Message From CEO pg Message From CMO Message From Director ASMS 8-13 Message From Dean AAFT About Us Infrastructure pg Technology Partner International Faculty Guest Faculty 14-21 In-House Production Studio In-House Film Company In-House Film Club Online Tv pg In-House Radio In-House Publications Filmmaking Production 22-31 Master Classes / Seminars / Workshops Practical Exposure pg Student Projects Student Portfolio 32-71 TV Programmes Shot At Studios (Television Production) Our Alumnus Events pg News Celebrity Visits Industry Speak & Student Speak 72-92 International Students Study Tour To London (UK) Placements pg Core Faculty International Chamber of Media & Entertainment 93-105 Industries (ICMEI) Our Presence BOARD OF DIRECTORS PATRONS LT. GEN. K. M. SETH (RETD.) Hon’ble Former Governor of Chhattisgarh DR. BHISHMA NARAIN SINGH Hon’ble Former Governor & Union Minister DR. R. L. BHATIA Hon’ble Former Governor of Kerala SHRI VED MARWAH Hon’ble Former Governor of Jharkhand IEUAN WYN JONES Former Deputy First Minister fo Wales SHATRUGHAN SINHA Former Union Minister 4 ACADEMIC ADVISORY COUNCIL COUNCIL PROF. KARL BARDOSH ADVISORY Tisch School of the Arts, New York University, USA COUNCIL TERI C MCLUHAN SOORAJ BARJATYA Visiting Professor of Film, New York University, USA Renowned Director DR.
    [Show full text]