1 the Phenomena of Mary Elizabeth Jane Colter

Total Page:16

File Type:pdf, Size:1020Kb

1 the Phenomena of Mary Elizabeth Jane Colter THE PHENOMENA OF MARY ELIZABETH JANE COLTER: CREATING AN ARCHITECTURAL SENSE OF PLACE ON GRAND CANYON By BARBARA ANN MATUSIK A DISSERTATION PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF FLORIDA 2017 1 © 2017 Barbara Ann Matusik 2 To my husband Robert who took me to the Grand Canyon. 3 ACKNOWLEDGMENTS I would like to thank my committee for their expertise and for balancing their schedules to attend meetings. Foremost, I would like to thank my committee Chair, Janet Snyder Matthews for her steadfast guidance regarding the National Park Service and Historic Preservation Law. I received significant feedback and encouragement from my Historic Preservation and architecture committee members, Morris Hylton, Peter E. Prugh and Vandana Baweja. A well-deserved thank you goes to mentor, Michael J. Heckenberger for his expertise in the field of anthropology, methodology, and theoretical framework. A special “thank you” to my dear Flagstaff, Arizona friend Jane Scholes for making a copy of an original M.E.J. Colter’s 1933 Manual for Drivers and Guides from the University of Northern Arizona Library. Without her assistance, my initial research would not have been possible. My gratitude also goes to Colleen L. Hyde, Museum Specialist and staff at the Grand Canyon National Park Museum Collection Archives for their assistance in locating M.E.J. Colter archival material and generating digital files necessary to my research. Nevertheless, any errors or omissions that may occur are mine. I cannot forget the Native American individuals who have shared their Hopi and Navajo culture leaving an indelible impression on my Worldview. Lastly, I want to express my appreciation to author, Arnold Berke for his advice and David Norton, restoration contractor of D.L. Norton General Contracting in Scottsdale, AZ for all the information on Historic Restoration to M.E.J. Colter’s structures at Grand Canyon National Park. 4 TABLE OF CONTENTS page ACKNOWLEDGMENTS .................................................................................................. 4 LIST OF FIGURES .......................................................................................................... 7 LIST OF DEFINITIONS ................................................................................................. 10 LIST OF ABBREVIATIONS ........................................................................................... 11 ABSTRACT ................................................................................................................... 12 CHAPTER 1 WHO WAS MARY ELIZABETH JANE COLTER? ...................................................... 13 Introducing M.E.J. Colter ........................................................................................ 13 M.E.J. Colter’s Education Background ................................................................... 15 Teaching Years in St. Paul, MN .............................................................................. 19 National Trends and M.E.J. Colter’s Inspirations .................................................... 20 Alvarado Exhibit for the Fred Harvey Company ...................................................... 24 M.E.J. Colter’s First Grand Canyon Architecture .................................................... 27 Finding M.E.J. Colter’s Inspirations ........................................................................ 28 Early Grand Canyon Architecture ........................................................................... 30 2 METHODOLOGY ....................................................................................................... 43 Qualitative Methods ................................................................................................ 43 Research Questions ............................................................................................... 45 Historical Research ................................................................................................. 45 Creating the Case Study ......................................................................................... 46 Research Design Defined ....................................................................................... 47 Literature Review .................................................................................................... 49 Analyzing the Information ....................................................................................... 59 3 THE FRED HARVEY COMPANY ............................................................................... 62 Who was Fred Harvey? .......................................................................................... 62 The Santa Fe Railway Partnership ......................................................................... 67 Harvey Hotels, Restaurants and Harvey Girls, a Harvey Trademark ...................... 71 The 1915 San Diego World’s Fair ........................................................................... 78 Mary Colter Hotels Outside of Grand Canyon ......................................................... 82 La Fonda in Santa Fe, NM ............................................................................... 86 La Posada in Winslow, AZ ............................................................................... 91 5 The Harvey Company Indian Department and Native American Collection ............ 93 4 THE NATIONAL PARKS BEGINNINGS ................................................................... 104 Architecture - The Early National Park Years ....................................................... 106 Architecture – 1916 the Organic Act and the National Park Service ..................... 107 Creation Of Nationa Park Service 1938 Design .................................................... 114 5 IN SEARCH OF ANCIENT TOWERS ...................................................................... 125 Ancient Ruins of the Southwest ............................................................................ 126 Who Were the Ancient Builders of the Southwest? .............................................. 129 Mary Elisabeth Jane Colter’s Research ................................................................ 136 The Desert View Watchtower ............................................................................... 139 The Hopi World View ............................................................................................ 147 The Native Voice .................................................................................................. 153 6 CONCLUSION: A SENSE OF PLACE AT GRAND CANYON TODAY ..................... 166 APPENDIX A LIST OF M.E.J. COLTER BUILDINGS & INTERIOR DESIGNS ........................... 171 B M.E.J. COLTER FIREPLACES ............................................................................. 173 C MARY ELIZABETH JANE COLTER INFLUENCE? .............................................. 177 LIST OF REFERENCES ............................................................................................. 178 BIOGRAPHICAL SKETCH .......................................................................................... 184 6 LIST OF FIGURES Figure page 1-1 Saint Paul High School 1888 postcard ............................................................... 36 1-2 California School of Design c. 1890s Mark Hopkins Mansion, San Francisco .... 36 1-3 A.F. Mathews portrait of M.E.J. Colter c.1890 .................................................... 37 1-4 A. F. Mathews c.1989 with CSD class ............................................................... 37 1-5 Walter J. Mathews architect – First Unitarian Church of Oakland c.1890 .......... 38 1-6 Walter J. Mathews architect – Oakland residence G.C. Perkins c. 1880s ......... 38 1-7 AT&SF Railway architect rendering - The Alvarado Hotel Albuquerque, NM ..... 38 1-8 Colter’s arrangement of FHC museum objects c.1905 ....................................... 39 1-9 Colter’s arrangement of FHC sales room c.1905 ................................................ 39 1-10 M.E.J. Colter - Hopi House at Grand Canyon 2012 ............................................ 40 1-11 Oraibi Arizona c.1898 Photographer George Wharton James (1858-1923) ....... 40 1-12 Edward Curtis collection 1925 plate no. 576 ...................................................... 41 1-13 House Restoration, Old Oraibi, Third Mesa, Hopi Nation ................................... 41 1-14 The Hopi House 12-17-2014 historic restoration ................................................ 42 1-15 Colter’s A) 1914 Lookout Studio GRCA # 09590 B) 2014 restoration .............. 42 1-16 Colter’s 1914 Hermit’s Rest GRCA # 107091 & GRCA # 07514 ........................ 42 3-1 Map of the Old Santa Fe Trail with the AT&SF Railway route ........................... 99 3-2 Santa Fe NM Palace of Governors A) c.1822 & B) c.1900s …........................... 99 3-3 El Ortiz Hotel 1910 Lamy, NM A) exterior & B) Harvey Girl at counter …. ....... 100 3-4 El Navajo Hotel - AT&SF Railway Depot exterior Gallup, NM .......................... 100 3-5 El Navajo interior Navajo sand paintings ......................................................... 100 3-6 LA Union Station 1939 M.E.J. Colter Pueblo Deco style Restaurant …. .......... 101 3-7 La Fonda Hotel on the Plaza in Santa Fe, NM December 2014 ....................... 101 7 3-8 A) La Fonda’s Cantinita metal light fixture by M.E.J. Colter
Recommended publications
  • Women Architects
    E-Newsletter | May 2012 Women Architects What do the Hearst Castle in California and many of the buildings in Grand Canyon National Park have in common? They were designed by women architects! In this month's newsletter, we feature two early women architects - Julia Morgan and Mary Colter. California's first licensed woman architect, Julia Morgan, studied architecture in Paris. After failing the entrance examination to the École des Beaux-Arts twice, she learned that the faculty had failed her deliberately to discourage her admission. Undeterred, she gained admission and received her certificate in architecture in 1902. By 1904, she had opened her own architecture practice in San Francisco. After receiving acclaim when one of her buildings on the Mills College campus withstood the 1906 San Francisco earthquake, she was commissioned to rebuild the damaged Fairmont Hotel. With this project Morgan's reputation as well as her architecture practice was assured. Julia Morgan Morgan designed her first building for the YWCA in Oakland in 1912. She then began work on the YWCA's seaside retreat Asilomar, near Monterey, which has hosted thousands of visitors since its founding in 1913. Today Asilomar is a state historical park. Morgan's work on the Hearst Castle, which is also now a state historical monument, cemented her reputation. The Castle, located at San Simeon, has attracted more than 35 million visitors since it opened to the public in 1958. Architect Mary Colter was asked by railroad magnate Fred Harvey to design hotels and restaurants along the Santa Fe Railway route, with the objective of bringing tourists to the southwestern United States.
    [Show full text]
  • Grand Canyon Getaway September 23-26, 2019 $1641.00
    Golden Opportunity Grand Canyon Getaway September 23-26, 2019 $1641.00 (Double) $1985.00 (Single) Accepting Deposits (3-00.00) (Cash, credit card or check) $300.00 2nd Payment Due May 3, 2019 $300.00 3rd Payment Due June 7, 2019 $300.00 4th Payment Due July 5, 2 019 Balance due August 2, 2019 The Grand Canyon is 277 river miles long, up to 18 miles wide, and an average depth of one mile. Over 1,500 plant, 355 bird, 89 mammalian, 47 reptile, 9 amphibian, and 17 fish species. A part of the Colorado River basin that has taken over 40 million years to develop. Rock layers showcasing nearly two billion years of the Earth’s geological history. Truly, the Grand Canyon is one of the most spectacular and biggest sites on Earth. We will board our flight at New Orleans International Airport and fly into Flagstaff, AR., where we will take a shuttle to the Grand Canyon Railway Hotel in Williams, AR to spend our first night. The hotel, w hich is located adjacent to the historic Williams Depot, is walking distance to downtown Williams and its famed main street – Route 66. The hotel features rooms updated in 2015 and 2016 with an indoor swimming pool and a hot tub. Williams, AR. Is a classic mountain town located in the Ponderosa Pine forest at around 6,800 feet elevation. The town has a four-season climate and provides year-round activities, from rodeos to skiing. Dubbed the “Gateway to the Grand Canyon”, Williams Main Street is none other than the Mother Road herself – Route 66.
    [Show full text]
  • Trip Planner
    National Park Service U.S. Department of the Interior Grand Canyon National Park Grand Canyon, Arizona Trip Planner Table of Contents WELCOME TO GRAND CANYON ................... 2 GENERAL INFORMATION ............................... 3 GETTING TO GRAND CANYON ...................... 4 WEATHER ........................................................ 5 SOUTH RIM ..................................................... 6 SOUTH RIM SERVICES AND FACILITIES ......... 7 NORTH RIM ..................................................... 8 NORTH RIM SERVICES AND FACILITIES ......... 9 TOURS AND TRIPS .......................................... 10 HIKING MAP ................................................... 12 DAY HIKING .................................................... 13 HIKING TIPS .................................................... 14 BACKPACKING ................................................ 15 GET INVOLVED ................................................ 17 OUTSIDE THE NATIONAL PARK ..................... 18 PARK PARTNERS ............................................. 19 Navigating Trip Planner This document uses links to ease navigation. A box around a word or website indicates a link. Welcome to Grand Canyon Welcome to Grand Canyon National Park! For many, a visit to Grand Canyon is a once in a lifetime opportunity and we hope you find the following pages useful for trip planning. Whether your first visit or your tenth, this planner can help you design the trip of your dreams. As we welcome over 6 million visitors a year to Grand Canyon, your
    [Show full text]
  • Reflexive Regionalism and the Santa Fe Style
    Reflexive Regionalism and the Santa Fe Style Ron Foresta Department of Geography University of Tennessee, Knoxville Abstract:The Santa Fe Style is an assembly of cultural features associated with the city of Santa Fe and its surrounding Upper Rio Grande Valley. The style, often dismissed as a confection for tourists because of its gloss and worldliness, is in fact a manifestation of reflexive regionalism. This overlooked cultural process occurs when worldly outsiders fashion regional traits into responses to the life challenges that they and their extra- regional reference groups face. In this case, outsiders fashioned what they found in early-twentieth-century Santa Fe into responses to challenges that accompanied the rise of American industrial capitalism. Threats to elite hegemony, the destruction of established lifeways, and the need for new perspectives on American society were prominent among the challenges to which the Santa Fe Style responded. Reflexive regionalism is thus the kind of cultural process that Regulation Theory posits but has found difficult to convincingly identify in the real world, i.e., one that adapts individuals and societies to periodic shifts in the logic and practices of capitalism. I examine seven individuals who made signal contributions to the Santa Fe Style. Each reveals a key facet of Santa Fe’s reflexive regionalism. Together they show how this process created the Santa Fe Style and, more generally, how it works as an engine of cultural invention. The key concepts here are reflexive regionalism, the Santa Fe Style, cosmopolitanism, Regulation Theory, the work of the age, and the project of the self.
    [Show full text]
  • Grand Canyon.Com's Spring Travel Guide
    Grand Canyon.com’s Spring Travel Guide Second Edition Helping You Get Even More Out of Your Grand Canyon Vacation! Thank you for choosing Grand Canyon.com as your Southwest destination specialist! You’ve chosen a truly extraordinary place for your spring vacation, and our mission is to help you get the most out of your trip. Having helped thousands of busy people like you plan their Grand Canyon vacations for over 20 years, our staff has made a few observations and picked up a few insider tips that can help save you time, money and hassle - sometimes all three at once! It was to that end that we presented our First Annual Spring Break Travel Guide in February. Since then, peoples’ response has been nothing short of overwhelming. But with spring break extending well into April this year, we realized that a few things needed updating in order for you to be as well informed as possible before hitting the road. It is to that end that we present: Grand Canyon.com’s First Annual Spring Travel Guide: The Second Edition Before you dig in, we recommend that you grab a few things: a map or road atlas, a pen and/or a highlighter, maybe a beverage, a few minutes of quiet time, and your “Grand Canyon Top Tours Brochure.” Let’s get started and get YOU* to the Grand Canyon! *Got most of your trip figured out already? Skip to Chapter 8 Traveler Tip 1 - Where’s It At and What Side Am I On? The Grand Canyon is in Northern Arizona.
    [Show full text]
  • An Architectural Walk Around the South
    An Architectural Walk Around the South Rim Oscar Berninghaus, A Showery Day Grand Canyon, 1915 El Tovar, 1905 Power House, 1926 Hopi House, 1905 Hermit's Rest, 1914 Lookout Studio (The Lookout), 1914 Desert View Watchtower, 1932 Bright Angel Lodge, 1936 Charles Whittlesey, El Tovar, 1905 Charles Whittlesey, El Tovar, 1905 Charles Whittlesey, El Tovar, 1905 Dreams of mountains, as in their sleep they brood on things eternal Daniel Hull (?), Powerhouse, 1926 Daniel Hull (?), Powerhouse, 1926 Daniel Hull (?), Powerhouse, 1926 Mary Jane Colter, Indian Building, Albuquerque, 1902 Mary Jane Colter, Hopi House, 1905 Walpi, c. 900 CE Interior of Home at Oraibi Mary Jane Colter, Hopi House, 1905 Mary Jane Colter, Hopi House, Nampeyo and Lesou, 1905 Mary Jane Colter, Hopi House, 1905 Mary Jane Colter, Hopi House, 1905 Mary Jane Colter, Hermit’s Rest ,1914 The Folly, Mount Edgcumbe, Cornwall, c. 1747 Sargent's Folly, Franklin Park, Boston, 1840 Mary Jane Colter, Hermit’s Rest ,1914 Mary Jane Colter, Hermit’s Rest ,1914 Mary Jane Colter, Lookout Studio, (The Lookout), 1914 Mary Jane Colter, Lookout Studio, (The Lookout), 1914 Mary Jane Colter, Lookout Studio, (The Lookout), 1914 Mary Jane Colter, Lookout Studio, (The Lookout), 1914 Frank Lloyd Wright, Kaufmann House, Bear Run, PA , 1935 Mary Jane Colter, Lookout Studio, (The Lookout), 1914 Mary Jane Colter, Desert View Watchtower, 1934 Square Tower, Hovenweep Round Tower, Hovenweep Round Tower, Cliff Palace Mary Jane Colter, Desert View Watchtower, 1934 Mary Jane Colter, Desert View Watchtower, 1934 Casa Rinconada Kiva, c. 1,200 CE Casa Rinconada Kiva, c. 1,200 CE Mary Jane Colter, Desert View Watchtower, 1934 Pueblo Bonito, c.
    [Show full text]
  • Finding Aid Formatting
    Title: Museum of Northern Arizona Photo Archives – Crafts and Arts Prints Dates: 1930s-1990s Extent: 2802 images Name of Creator(s): Museum of Northern Arizona staff including Leland Abel, John Adair, E. Capps, Harold S. Colton, S. Cooper, Robert Fronske, Marc Gaede, Parker Hamilton, Lyndon L. Hargrave, Neil Judd, A.J. "Lex" Lindsay, P. Long, M. Middleton, T. Nichols, L. W. Smith, C. Turner, W.M. Wells, and Barton Wright. Organizational History: In 1959, the Photography Department and position of Photographer created by director Dr. E. B. Danson, with Parker Hamilton as MNA’s first Assistant in Photography, later that year promoted to Photographer. Prior to 1959, the photo archives were a part of the Publications Department but not under the management of a photographer. In 1960, a large-scale cataloging initiative of new and old prints, negatives, and slides was undertaken. A photography studio and cataloging room was established in Fleischman Hall (now Schaeffer) in 1965. An inventory was made of negatives in June 1969 which noted missing negatives. By the early 1980s the Photography Department became the Photo Archives, reflecting a shift in focus from active photography to preservation of and access to existing materials. An inventory of negatives was done again in February 1988 with notes made of missing negatives. The Photo Archives moved to the Library in 1995. In 2005, the Photo Archives ceased operation as a department, and staff photography became the responsibility of the Marketing Department while the care of materials and use requests were the responsibility of the Library staff. The Photo Archives were made the responsibility of the Archivist in 2008.
    [Show full text]
  • Grand Canyon National Park
    GRAND CANYON NATIONAL PARK • A R I Z 0 N A • UNITED STATES DEPARTMENT OF THE INTERIOR NATIONAL PARK SERVICE Grand Canyon [ARIZONA] National Park United States Department of the Interior Harold L. Ickes, Secretary NATIONAL PARK SERVICE Arno B. Cammerer, Director UNITED STATES GOVERNMENT PRINTING OFFICE WASHINGTON : 1936 Rules and Regulations A HE following summary of rules is intended as a guide for all park visitors. You are respectfully requested to facilitate the best in park administration by carefully observing the regulations. Complete regu­ lations may be seen at the office of the Superintendent. Preservation of 7\[atural Features The first law of a national park is preservation. Disturbance, injury, or destruction in any way of natural features, including trees, flowers, and other vegetation, rocks, and all wildlife, is strictly prohibited. Penalties are imposed for removing fossils and Indian remains, such as arrowheads, etc. Camps Camp or lunch only in designated areas. All rubbish that will burn should be disposed of in camp fires. Garbage cans are provided for noninflammable refuse. Wood and water are provided in all designated camp grounds. Fires Fires are absolutely prohibited except in designated spots. Do not go out of sight of your camp, even for a few moments, without making sure that your fire is either out entirely or being watched. Dogs, Cats, or other Domestic Animals Such animals are prohibited on Government lands within the park except as allowed through permission of the Superintendent, secured from park rangers at entrances. Automobiles The speed limit of 35 miles an hour is rigidly enforced.
    [Show full text]
  • A Preservation Plan for the Fred Harvey Houses
    University of Pennsylvania ScholarlyCommons Theses (Historic Preservation) Graduate Program in Historic Preservation 2010 Branding the Southwest: A Preservation Plan for the Fred Harvey Houses Patrick W. Kidd University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/hp_theses Part of the Historic Preservation and Conservation Commons Kidd, Patrick W., "Branding the Southwest: A Preservation Plan for the Fred Harvey Houses" (2010). Theses (Historic Preservation). 144. https://repository.upenn.edu/hp_theses/144 Suggested Citation: Kidd, Patrick W. (2010) "Branding the Southwest: A Preservation Plan for the Fred Harvey Houses." (Masters Thesis). University of Pennsylvania, Philadelphia, PA. This paper is posted at ScholarlyCommons. https://repository.upenn.edu/hp_theses/144 For more information, please contact [email protected]. Branding the Southwest: A Preservation Plan for the Fred Harvey Houses Keywords Historic Preservation; Southwest, Railroad Disciplines Architecture | Historic Preservation and Conservation Comments Suggested Citation: Kidd, Patrick W. (2010) "Branding the Southwest: A Preservation Plan for the Fred Harvey Houses." (Masters Thesis). University of Pennsylvania, Philadelphia, PA. This thesis or dissertation is available at ScholarlyCommons: https://repository.upenn.edu/hp_theses/144 BRANDING THE SOUTHWEST: A PRESERVATION PLAN FOR THE FRED HARVEY HOUSES Patrick W. Kidd A Thesis in Historic Preservation Presented to the Faculties of the University of Pennsylvania in Partial Fulfillment of the Requirements of the Degree of Master of Science in Historic Preservation 2010 ____________________________ Advisor Dr. Aaron V. Wunsch, PhD Lecturer in Architectural History ____________________________ Program Chair Dr. Randall F. Mason, PhD Associate Professor This work is dedicated to all those who strive to preserve and promote our rich rail heritage and to make it available to future generations.
    [Show full text]
  • Appreciating Mary Colter and Her Roots in St
    Louis and Maybelle: Somewhere Out in the West John W. Larson —page 13 Winter 2011 Volume 45, Number 4 “We Can Do Better with a Chisel or a Hammer” Appreciating Mary Colter and Her Roots in St. Paul Diane Trout-Oertel, page 3 Artist Arthur F. Matthews painted the portrait of Mary Jane Elizabeth Colter seen above in about 1890, when she graduated from the California School of Design. Colter subsequently taught art for many years at Mechanic Arts High School in St. Paul and later designed eight buildings at the Grand Canyon National Park in Arizona. Shown here is Hermit’s Rest, located at the westernmost stop on the south rim, a building that Colter designed in 1914. The Colter portrait is reproduced courtesy of the Arizona Historical Society, Flagstaff, Ariz. Photograph of Hermit’s Rest courtesy of Alexander Vertikoff. Hermit’s Rest copyright © Alexander Vertikoff. RAMSEY COUNTY HISTORY RAMSEY COUNTY Executive Director Priscilla Farnham Founding Editor (1964–2006) Virginia Brainard Kunz Editor Hıstory John M. Lindley Volume 45, Number 4 Winter 2011 RAMSEY COUNTY HISTORICAL SOCIETY THE MISSION STATEMENT OF THE RAMSEY COUNTY HISTORICAL SOCIETY BOARD OF DIRECTORS ADOPTED BY THE BOARD OF DIRECTORS ON DECEMBER 20, 2007: Paul A. Verret The Ramsey County Historical Society inspires current and future generations President Cheryl Dickson to learn from and value their history by engaging in a diverse program First Vice President of presenting, publishing and preserving. William Frels Second Vice President Julie Brady Secretary C O N T E N T S Carolyn J. Brusseau Treasurer 3 “We Can Do Better with a Chisel and a Hammer” Thomas H.
    [Show full text]
  • FINAL SENT to NMDOT Official Scenic Historic Marker Program
    FINAL SENT TO NMDOT Official Scenic Historic Marker Program CPRC meeting: April 9, 2010 Name of Marker: Side One: Harvey Girls Side Two: Mary Elizabeth Jane Colter, (1869–1958) Review: Original Text/Replacement Marker Revised Text Move of Existing Marker New Marker NMDOT District: District 3 NMDOT Highway: Suggested Site for Installation: Downtown Abq, Next to Rail Runner Station Existing or Proposed Text: Side One: Harvey Girls In 1883, the Fred Harvey Company hired women to serve in its diners and hotels along the Atchison, Topeka and Santa Fe Railway. Thousands of respectable, intelligent women were recruited from the Midwest and East Coast to come west. Known as Harvey Girls, many of these women stayed and became founding members of their adopted communities, forever changing the cultural landscape of the Wild West. Word Count: 65 Side Two: Mary Elizabeth Jane Colter, 1869–1958 In 1902, the Fred Harvey Company hired Mary Colter as interior designer of the Alvarado Hotel in Albuquerque. She was an architect for the company when few women worked in the field. She designed many famous resorts and inns, including the hotel interiors of La Fonda in Santa Fe. In 1987, four of her buildings in Grand Canyon National Park were designated a National Historic Landmark. 66 words Previous Title and Text: N/A Researcher/author: Karren Sahler Source(s): Berke, Arnold. Mary Colter: Architect of the Southwest. New York: Princeton Architectural Press, 2002. Grattan, Virginia L. Mary Colter: Builder Upon the Red Earth, Grand Canyon, AZ: Grand Canyon Natural History Association, 1992. Morris, Juddi. The Harvey Girls: The Women Who Civilized the West.
    [Show full text]
  • Business Grand Canyon SKYWALK Preview Betting to 'Improve Our Lot,' Hualapai Tribe Puts up $30M Opens to Public Next Week; Be Prepared to Pay by Levi J
    Business Grand Canyon SKYWALK Preview Betting to 'improve our lot,' Hualapai Tribe puts up $30M Opens to public next week; be prepared to pay By Levi J. Long ARIZONA DAILY STAR Tucson, Arizona | Published: 03.21.2007 The Colorado River flows more than 4,000 feet below the Hualapai Tribe's Skywalk, which swings 70 feet out from the edge of Grand Canyon West, near Kingman. DEAN KNUTH / arizona daily star GRAND CANYON WEST — The Hualapai Tribe is betting $30 million that an unpaved transportation artery leading to a remote stretch of the Grand Canyon rim will pump life into the tribe's tourism-based economy. On Tuesday, Hualapai officials invited hundreds of VIPs and members of the news media to tour the tribe's new steel and glass-bottomed walkway, jutting 70 feet past the canyon's dusty edge. Their hope: It will funnel thousands more tourists, and their dollars, to the remote reservation. The Skywalk, which is scheduled to open to the public March 28, soars about 4,000 feet above the canyon floor. Visitors who are not faint of heart and willing to pay $75 each can get a bird's eye view of the canyon from the horseshoe-shaped walkway. Under construction since mid-2005, the Skywalk has received worldwide attention, thrusting the 2,300-member Hualapai Tribe into a media whirlwind. "This is the only one of its kind in the world, and it's on our reservation," said Waylon Honga, chief operating officer for Grand Canyon Resort Corp., which guides reservation business and tourism development.
    [Show full text]