1 Evolution and Collective Intelligence of the Electric Sheep
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Fractal 3D Magic Free
FREE FRACTAL 3D MAGIC PDF Clifford A. Pickover | 160 pages | 07 Sep 2014 | Sterling Publishing Co Inc | 9781454912637 | English | New York, United States Fractal 3D Magic | Banyen Books & Sound Option 1 Usually ships in business days. Option 2 - Most Popular! This groundbreaking 3D showcase offers a rare glimpse into the dazzling world of computer-generated fractal art. Prolific polymath Clifford Pickover introduces the collection, which provides background on everything from Fractal 3D Magic classic Mandelbrot set, to the infinitely porous Menger Sponge, to ethereal fractal flames. The following eye-popping gallery displays mathematical formulas transformed into stunning computer-generated 3D anaglyphs. More than intricate designs, visible in three dimensions thanks to Fractal 3D Magic enclosed 3D glasses, will engross math and optical illusions enthusiasts alike. If an item you have purchased from us is not working as expected, please visit one of our in-store Knowledge Experts for free help, where they can solve your problem or even exchange the item for a product that better suits your needs. If you need to return an item, simply bring it back to any Micro Center store for Fractal 3D Magic full refund or exchange. All other products may be returned within 30 days of purchase. Using the software may require the use of a computer or other device that must meet minimum system requirements. It is recommended that you familiarize Fractal 3D Magic with the system requirements before making your purchase. Software system requirements are typically found on the Product information specification page. Aerial Drones Micro Center is happy to honor its customary day return policy for Aerial Drone returns due to product defect or customer dissatisfaction. -
Transformations in Sirigu Wall Painting and Fractal Art
TRANSFORMATIONS IN SIRIGU WALL PAINTING AND FRACTAL ART SIMULATIONS By Michael Nyarkoh, BFA, MFA (Painting) A Thesis Submitted to the School of Graduate Studies, Kwame Nkrumah University of Science and Technology in partial fulfilment of the requirements for the degree of DOCTOR OF PHILOSOPHY Faculty of Fine Art, College of Art and Social Sciences © September 2009, Department of Painting and Sculpture DECLARATION I hereby declare that this submission is my own work towards the PhD and that, to the best of my knowledge, it contains no material previously published by another person nor material which has been accepted for the award of any other degree of the University, except where due acknowledgement has been made in the text. Michael Nyarkoh (PG9130006) .................................... .......................... (Student’s Name and ID Number) Signature Date Certified by: Dr. Prof. Richmond Teye Ackam ................................. .......................... (Supervisor’s Name) Signature Date Certified by: K. B. Kissiedu .............................. ........................ (Head of Department) Signature Date CHAPTER ONE INTRODUCTION Background to the study Traditional wall painting is an old art practiced in many different parts of the world. This art form has existed since pre-historic times according to (Skira, 1950) and (Kissick, 1993). In Africa, cave paintings exist in many countries such as “Egypt, Algeria, Libya, Zimbabwe and South Africa”, (Wilcox, 1984). Traditional wall painting mostly by women can be found in many parts of Africa including Ghana, Southern Africa and Nigeria. These paintings are done mostly to enhance the appearance of the buildings and also serve other purposes as well. “Wall painting has been practiced in Northern Ghana for centuries after the collapse of the Songhai Empire,” (Ross and Cole, 1977). -
An Introduction to Apophysis © Clive Haynes MMXX
Apophysis Fractal Generator An Introduction Clive Haynes Fractal ‘Flames’ The type of fractals generated are known as ‘Flame Fractals’ and for the curious, I append a note about their structure, gleaned from the internet, at the end of this piece. Please don’t ask me to explain it! Where to download Apophysis: go to https://sourceforge.net/projects/apophysis/ Sorry Mac users but it’s only available for Windows. To see examples of fractal images I’ve generated using Apophysis, I’ve made an Issuu e-book and here’s the URL. https://issuu.com/fotopix/docs/ordering_kaos Getting Started There’s not a defined ‘follow this method workflow’ for generating interesting fractals. It’s really a matter of considerable experimentation and the accumulation of a knowledge-base about general principles: what the numerous presets tend to do and what various options allow. Infinite combinations of variables ensure there’s also a huge serendipity factor. I’ve included a few screen-grabs to help you. The screen-grabs are detailed and you may need to enlarge them for better viewing. Once Apophysis has loaded, it will provide a Random Batch of fractal patterns. Some will be appealing whilst many others will be less favourable. To generate another set, go to File > Random Batch (shortcut Ctrl+B). Screen-grab 1 Choose a fractal pattern from the batch and it will appear in the main window (Screen-grab 1). Depending upon the complexity of the fractal and the processing power of your computer, there will be a ‘wait time’ every time you change a parameter. -
Annotated List of References Tobias Keip, I7801986 Presentation Method: Poster
Personal Inquiry – Annotated list of references Tobias Keip, i7801986 Presentation Method: Poster Poster Section 1: What is Chaos? In this section I am introducing the topic. I am describing different types of chaos and how individual perception affects our sense for chaos or chaotic systems. I am also going to define the terminology. I support my ideas with a lot of examples, like chaos in our daily life, then I am going to do a transition to simple mathematical chaotic systems. Larry Bradley. (2010). Chaos and Fractals. Available: www.stsci.edu/~lbradley/seminar/. Last accessed 13 May 2010. This website delivered me with a very good introduction into the topic as there are a lot of books and interesting web-pages in the “References”-Sektion. Gleick, James. Chaos: Making a New Science. Penguin Books, 1987. The book gave me a very general introduction into the topic. Harald Lesch. (2003-2007). alpha-Centauri . Available: www.br-online.de/br- alpha/alpha-centauri/alpha-centauri-harald-lesch-videothek-ID1207836664586.xml. Last accessed 13. May 2010. A web-page with German video-documentations delivered a lot of vivid examples about chaos for my poster. Poster Section 2: Laplace's Demon and the Butterfly Effect In this part I describe the idea of the so called Laplace's Demon and the theory of cause-and-effect chains. I work with a lot of examples, especially the famous weather forecast example. Also too I introduce the mathematical concept of a dynamic system. Jeremy S. Heyl (August 11, 2008). The Double Pendulum Fractal. British Columbia, Canada. -
Bachelorarbeit Im Studiengang Audiovisuelle Medien Die
Bachelorarbeit im Studiengang Audiovisuelle Medien Die Nutzbarkeit von Fraktalen in VFX Produktionen vorgelegt von Denise Hauck an der Hochschule der Medien Stuttgart am 29.03.2019 zur Erlangung des akademischen Grades eines Bachelor of Engineering Erst-Prüferin: Prof. Katja Schmid Zweit-Prüfer: Prof. Jan Adamczyk Eidesstattliche Erklärung Name: Vorname: Hauck Denise Matrikel-Nr.: 30394 Studiengang: Audiovisuelle Medien Hiermit versichere ich, Denise Hauck, ehrenwörtlich, dass ich die vorliegende Bachelorarbeit mit dem Titel: „Die Nutzbarkeit von Fraktalen in VFX Produktionen“ selbstständig und ohne fremde Hilfe verfasst und keine anderen als die angegebenen Hilfsmittel benutzt habe. Die Stellen der Arbeit, die dem Wortlaut oder dem Sinn nach anderen Werken entnommen wurden, sind in jedem Fall unter Angabe der Quelle kenntlich gemacht. Die Arbeit ist noch nicht veröffentlicht oder in anderer Form als Prüfungsleistung vorgelegt worden. Ich habe die Bedeutung der ehrenwörtlichen Versicherung und die prüfungsrechtlichen Folgen (§26 Abs. 2 Bachelor-SPO (6 Semester), § 24 Abs. 2 Bachelor-SPO (7 Semester), § 23 Abs. 2 Master-SPO (3 Semester) bzw. § 19 Abs. 2 Master-SPO (4 Semester und berufsbegleitend) der HdM) einer unrichtigen oder unvollständigen ehrenwörtlichen Versicherung zur Kenntnis genommen. Stuttgart, den 29.03.2019 2 Kurzfassung Das Ziel dieser Bachelorarbeit ist es, ein Verständnis für die Generierung und Verwendung von Fraktalen in VFX Produktionen, zu vermitteln. Dabei bildet der Einblick in die Arten und Entstehung der Fraktale -
Apophysis :– an Intermediate User Guide
Apophysis :– An Intermediate User Guide By Carl Skepper (aka 2B2H) April 2006 Contents Introduction 3 Working with the Editor 4 Using my Metallica script 10 Falling in love with Julia (and Julia ‘n’) 15 Tiling (prepare to be disappointed) 24 Use of blur 31 Adding Colour to your flames 37 Introduction Welcome to my intermediate user guide to using the great freeware application called Apophysis , also affectionately known as ‘Apo’. I first downloaded this software on December 5 th 2005 and I have been hooked on it ever since. The variety of fractals it is able to produce is only limited by your creativity but saying that, your creativity amounts to nothing if you fail to persevere despite the lack of documentation out there. The definitive starter guides are those by Lance and for scripting, by Datagram. Links to both (and much more useful stuff) can be found at The Fractal Farm website : http://www.woosie.net/fracfan/viewtopic.php?t=15 These guides help you with the GUI and offer some basic advice on creating fractals. This guide is different. Together we will create specific flames so you can see how they are done. By doingthis I hope you will gain a better understandiing of Apo and use the knowledge to create your own fractal wonders ☺ It is not intended to teach you the basics of the GUI, those are covered in the docs linked at The Fractal Farm. It will show you a few tricks that you may not be aware of. I do not profess to be any kind of expert with the software. -
Michael Angelo Gomez – Exegesis
CCA1103 – Creativity: Theory, Practice, and History 1 CCA1103 – Creativity: Theory, Practice, and History Fractal Imaging: A Mini Exegesis by Michael Angelo Gomez 10445917 CCA1103 – Creativity: Theory, Practice, and History Project Exegesis Christopher Mason 2 CCA1103 – Creativity: Theory, Practice, and History Table of Contents I. Introduction ......................................................................................................................... 4 II. Purpose and Application.................................................................................................... 4 III. Theoretical Context .......................................................................................................... 6 IV. The Creative Process ..................................................................................................... 10 V. Conclusion ....................................................................................................................... 18 VI. Appendices ..................................................................................................................... 19 VII. References .................................................................................................................... 21 3 CCA1103 – Creativity: Theory, Practice, and History I. Introduction Upon the completion of my proposed creative project, a number of insights have been unearthed in light of the perception of my work now that it has reached its final stage of presentation and display. This reflection -
The Aesthetics and Fractal Dimension of Electric Sheep
International Journal of Bifurcation and Chaos, Vol. 18, No. 4 (2008) 1243–1248 c World Scientific Publishing Company THE AESTHETICS AND FRACTAL DIMENSION OF ELECTRIC SHEEP SCOTT DRAVES Spotworks, 2261 Market St #158, San Francisco, CA 94114, USA RALPH ABRAHAM Mathematics Department, University of California, Santa Cruz, CA 95064, USA PABLO VIOTTI Politics Department, University of California, Santa Cruz, CA 95064, USA FREDERICK DAVID ABRAHAM Blueberry Brain Institute, 1396 Gregg Hill Road, Waterbury Center, VT 05677, USA JULIAN CLINTON SPROTT Physics Department, University of Wisconsin, Madison, WI 53706-1390, USA Received January 22, 2007; Revised May 31, 2007 Physicist Clint Sprott demonstrated a relationship between aesthetic judgments of fractal images and their fractal dimensions [1993]. Scott Draves, aka Spot, a computer scientist and artist, has created a space of images called fractal flames, based on attractors of two-dimensional iterated function systems. A large community of users run software that automatically downloads animated fractal flames, known as “sheep”, and displays them as their screen-saver. The users may vote electronically for the sheep they like while the screen-saver is running. In this report we proceed from Sprott to Spot. The data show an inverted U-shaped curve in the relationship between aesthetic judgments of flames and their fractal dimension, confirming and clarifying earlier reports. Keywords: Fractal dimensions; electric sheep. 1. Introduction thus combines the Electric Sheep of Draves and the fractal aesthetics of Sprott. This is a report on a new study of aesthetic judg- The Electric Sheep home page is available ments made by a large community participating from electricsheep.org. -
Furniture Design Inspired from Fractals
169 Rania Mosaad Saad Furniture design inspired from fractals. Dr. Rania Mosaad Saad Assistant Professor, Interior Design and Furniture Department, Faculty of Applied Arts, Helwan University, Cairo, Egypt Abstract: Keywords: Fractals are a new branch of mathematics and art. But what are they really?, How Fractals can they affect on Furniture design?, How to benefit from the formation values and Mandelbrot Set properties of fractals in Furniture Design?, these were the research problem . Julia Sets This research consists of two axis .The first axe describes the most famous fractals IFS fractals were created, studies the Fractals structure, explains the most important fractal L-system fractals properties and their reflections on furniture design. The second axe applying Fractal flame functional and aesthetic values of deferent Fractals formations in furniture design Newton fractals inspired from them to achieve the research objectives. Furniture Design The research follows the descriptive methodology to describe the fractals kinds and properties, and applied methodology in furniture design inspired from fractals. Paper received 12th July 2016, Accepted 22th September 2016 , Published 15st of October 2016 nearly identical starting positions, and have real Introduction: world applications in nature and human creations. Nature is the artist's inspiring since the beginning Some architectures and interior designers turn to of creation. Despite the different artistic trends draw inspiration from the decorative formations, across different eras- ancient and modern- and the geometric and dynamic properties of fractals in artists perception of reality, but that all of these their designs which enriched the field of trends were united in the basic inspiration (the architecture and interior design, and benefited nature). -
How the Networked Environment Saved the Screensaver
GA2008, 11th Generative Art Conference Across time and space: how the networked environment saved the screensaver N. R. Spratt, BVA School of Design, UNITEC, Auckland, New Zealand e-mail: [email protected] Abstract: Having come to represent an idle computer, the widespread adoption of broadband network systems and the ‘always online’ computer has helped reinvent the screensaver and the way it functions. This paper looks at two types of networked screensaver projects – the distributed computing network screensaver, and the more recent widget-style screensaver—and discusses the way that they use data flows to reshape the way that the applications behave and visualise themselves. Seti@home and Scott Draves’ Electric Sheep are compared with That Ltd.’s Drop Clock and Kaze to Desktop, looking at the different ways that they engage with data flows and notions of computer downtime. 1. Introduction: The screensaver was a programme initially developed to protect computer displays from screen burn when they weren’t being used. Over the last 25 years though they come to represent a type of inactivity, populating office and home computers that have been left dormant: a visualisation of idleness in a world obsessed with productivity. At a time when it was becoming increasingly obsolete due to improvements in computer display technology, the screensaver’s embrace of data networks has given it a new sense of purpose and possibility. Computer downtime has now become an opportunity for screensavers to quietly interact with data feeds: dynamically generating forms that respond to the flow of information, or in the case of the Berkeley Open Infrastructure for Network Computing (BOINC), putting millions of PCs to work collectively searching for extraterrestrial life or a cure for cancer. -
An Explanation of the Electric Sheep Distributed Screen-Saver by Scott Draves, Ph.D
The Interpretation of Dreams: An Explanation of the Electric Sheep Distributed Screen-Saver by Scott Draves, Ph.D. DreamWorks SKG, San Francisco, USA Intro The name Electric Sheep comes from Philip K. Dick's novel Do Androids Dream of Electric Sheep. It realizes the collective dream of sleeping computers from all over the Internet. Electric Sheep is a distributed screen-saver that harnesses idle computers into a render farm with the purpose of animating and evolving artificial life-forms. The project is an attention vortex. It illustrates the process by which the longer and closer one studies some- thing, the more detail and structure appears. 1. The Client When the software is activated, the screen goes black and an animated 'sheep' appears. In parallel, the screen- saver client contacts the server and joins the distributed computation of new sheep, an idea inspired by the SETI@home project. [1] The screen-saver is a window into a visual space shared among all users. Clients render JPEG frames and upload them to the server. When all the frames are ready, the server compresses them into an MPEG anima- tion. Each animation is the phenotype of an artificial organism, an 'electric sheep.' Clients download the MPEG sheep and display them one after another in a continuous, ever-changing sequence. About once every five minutes a new sheep is born and distributed to all active clients. Each sheep is an ani- mated fractal flame. [2] Example still frames appear in Figure 1. The shape is specified by a string of 120 real numbers -- a genetic code of sorts. -
Announcement
Announcement 24 articles, 2016-06-12 12:02 1 Live Then, Live Now — Magazine — Walker Art Center August 15, 1981 was a Saturday with temperatures in the 70s—on (0.01/1) the cool side for the height of summer in Minneapolis. Diana Ross... 2016-06-12 06:54 11KB www.walkerart.org 2 Jorge Cavelier|Colombia|Special Project Art Santa Fe|Horizon Jorge Cavelier, “Special Project at Art Santa Fe” entitled “Horizon” (0.01/1) curated by Silvia Medina, Chief Curator of Contemporary Art Projects and Linda Mariano... 2016-06-12 07:17 2KB contemporaryartprojectsusa.com 3 They Are Wearing: London Men’s Fashion Week Spring 2017 WWD went off the runways and onto the streets and sidewalks for (0.01/1) the best looks from London Collections: Men. 2016-06-11 16:02 1KB wwd.com 4 Maria Fernanda Lairet, Inaugurates the 2016 Winter Season at MDC-West|Art + Design Museum Miami, Florida Jan. 5, 2016 – The Miami Dade College (MDC) Campus Galleries of Art + Design presents several campus exhibitions... 2016-06-12 10:59 1KB contemporaryartprojectsusa.com 5 Rosaria “AESTUS” Vigorito|Italy-USA Artist’s Statement: … most events are inexpressible, taking place in a realm where no word has ever entered, and more inexpressible than... 2016-06-12 10:59 2KB contemporaryartprojectsusa.com 6 Hippie Modernism: The Struggle for Utopia exhibition catalogue - by Walker Art Center design studio / Design Awards While the turbulent social history of the 1960s is well known, its cultural production remains comparatively under-examined. In this substantial volume,... 2016-06-11 18:52 6KB designawards.core77.com 7 Audition Announcement! Choreographers’ Evening 2016 The Walker Art Center and Guest Curator Rosy Simas are seeking dance makers of all forms to be presented in the 44th Annual Choreographers’ Evening.