On the Lecture: ”When Chaos Theory Meets Other Disciplines”
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Fractal 3D Magic Free
FREE FRACTAL 3D MAGIC PDF Clifford A. Pickover | 160 pages | 07 Sep 2014 | Sterling Publishing Co Inc | 9781454912637 | English | New York, United States Fractal 3D Magic | Banyen Books & Sound Option 1 Usually ships in business days. Option 2 - Most Popular! This groundbreaking 3D showcase offers a rare glimpse into the dazzling world of computer-generated fractal art. Prolific polymath Clifford Pickover introduces the collection, which provides background on everything from Fractal 3D Magic classic Mandelbrot set, to the infinitely porous Menger Sponge, to ethereal fractal flames. The following eye-popping gallery displays mathematical formulas transformed into stunning computer-generated 3D anaglyphs. More than intricate designs, visible in three dimensions thanks to Fractal 3D Magic enclosed 3D glasses, will engross math and optical illusions enthusiasts alike. If an item you have purchased from us is not working as expected, please visit one of our in-store Knowledge Experts for free help, where they can solve your problem or even exchange the item for a product that better suits your needs. If you need to return an item, simply bring it back to any Micro Center store for Fractal 3D Magic full refund or exchange. All other products may be returned within 30 days of purchase. Using the software may require the use of a computer or other device that must meet minimum system requirements. It is recommended that you familiarize Fractal 3D Magic with the system requirements before making your purchase. Software system requirements are typically found on the Product information specification page. Aerial Drones Micro Center is happy to honor its customary day return policy for Aerial Drone returns due to product defect or customer dissatisfaction. -
The Oxford Democrat
The Oxford Democrat. NUMBER 24 VOLUME 80. SOUTH PARIS, MAINE, TUESDAY, JUNE 17, 1913. where hit the oat "Hear Hear The drearily. "That's you look out for that end of the business. to an extent. low Voted Out the Saloons called ye! ye! poll· D. *ΆΚΚ. increase the aupply quite They he said. on | are now closed." Everyone drew a aigb nail on the head," "Mouey. ▲11 I want you to do 1b to pass this AMONG THE FARMERS. Some Kansas experiment· show an in- The following extract from λ lettei Auctioneer, DON'T HURRY OR WORRY of and went borne to aopper, ex- the mean and dirty thing that can here note." Lictjnsed crease after a crop of clover was turned 'rom Mrs. Benj. H. Fiab of Santa Bar relief, — who ate theirs world—that's «"»«· At Meals Follows. TH* cept tbe election board, the best man In the "Colonel Tod hunter," replied tlie »IU>. Dyspepsia "SPKED PLOW." under. The yield of corn was Increased >ara, Calif., may be of interest bott whip âû0TH and oat of pail· and boxes, and afterwards Thurs." "the Indorsement and the col- Moderate- 20 bushel· an acre, oats 10 bushels, rom the temperance and tbe suffrage Colonel the trouble. banker, Tera» I went to A serene mental condition and time began counting votes. aleep other man's mon- a Correspondence on practical agricultural topics potatoes 30 bushel*. itand point. "Ifs generally the lateral make this note good, and it's to chow your food is more la bearing them count. thoroughly aollcHed. -
Transformations in Sirigu Wall Painting and Fractal Art
TRANSFORMATIONS IN SIRIGU WALL PAINTING AND FRACTAL ART SIMULATIONS By Michael Nyarkoh, BFA, MFA (Painting) A Thesis Submitted to the School of Graduate Studies, Kwame Nkrumah University of Science and Technology in partial fulfilment of the requirements for the degree of DOCTOR OF PHILOSOPHY Faculty of Fine Art, College of Art and Social Sciences © September 2009, Department of Painting and Sculpture DECLARATION I hereby declare that this submission is my own work towards the PhD and that, to the best of my knowledge, it contains no material previously published by another person nor material which has been accepted for the award of any other degree of the University, except where due acknowledgement has been made in the text. Michael Nyarkoh (PG9130006) .................................... .......................... (Student’s Name and ID Number) Signature Date Certified by: Dr. Prof. Richmond Teye Ackam ................................. .......................... (Supervisor’s Name) Signature Date Certified by: K. B. Kissiedu .............................. ........................ (Head of Department) Signature Date CHAPTER ONE INTRODUCTION Background to the study Traditional wall painting is an old art practiced in many different parts of the world. This art form has existed since pre-historic times according to (Skira, 1950) and (Kissick, 1993). In Africa, cave paintings exist in many countries such as “Egypt, Algeria, Libya, Zimbabwe and South Africa”, (Wilcox, 1984). Traditional wall painting mostly by women can be found in many parts of Africa including Ghana, Southern Africa and Nigeria. These paintings are done mostly to enhance the appearance of the buildings and also serve other purposes as well. “Wall painting has been practiced in Northern Ghana for centuries after the collapse of the Songhai Empire,” (Ross and Cole, 1977). -
Herramientas Para Construir Mundos Vida Artificial I
HERRAMIENTAS PARA CONSTRUIR MUNDOS VIDA ARTIFICIAL I Á E G B s un libro de texto sobre temas que explico habitualmente en las asignaturas Vida Artificial y Computación Evolutiva, de la carrera Ingeniería de Iistemas; compilado de una manera personal, pues lo Eoriento a explicar herramientas conocidas de matemáticas y computación que sirven para crear complejidad, y añado experiencias propias y de mis estudiantes. Las herramientas que se explican en el libro son: Realimentación: al conectar las salidas de un sistema para que afecten a sus propias entradas se producen bucles de realimentación que cambian por completo el comportamiento del sistema. Fractales: son objetos matemáticos de muy alta complejidad aparente, pero cuyo algoritmo subyacente es muy simple. Caos: sistemas dinámicos cuyo algoritmo es determinista y perfectamen- te conocido pero que, a pesar de ello, su comportamiento futuro no se puede predecir. Leyes de potencias: sistemas que producen eventos con una distribución de probabilidad de cola gruesa, donde típicamente un 20% de los eventos contribuyen en un 80% al fenómeno bajo estudio. Estos cuatro conceptos (realimentaciones, fractales, caos y leyes de po- tencia) están fuertemente asociados entre sí, y son los generadores básicos de complejidad. Algoritmos evolutivos: si un sistema alcanza la complejidad suficiente (usando las herramientas anteriores) para ser capaz de sacar copias de sí mismo, entonces es inevitable que también aparezca la evolución. Teoría de juegos: solo se da una introducción suficiente para entender que la cooperación entre individuos puede emerger incluso cuando las inte- racciones entre ellos se dan en términos competitivos. Autómatas celulares: cuando hay una población de individuos similares que cooperan entre sí comunicándose localmente, en- tonces emergen fenómenos a nivel social, que son mucho más complejos todavía, como la capacidad de cómputo universal y la capacidad de autocopia. -
The Aesthetics and Fractal Dimension of Electric Sheep
International Journal of Bifurcation and Chaos, Vol. 18, No. 4 (2008) 1243–1248 c World Scientific Publishing Company THE AESTHETICS AND FRACTAL DIMENSION OF ELECTRIC SHEEP SCOTT DRAVES Spotworks, 2261 Market St #158, San Francisco, CA 94114, USA RALPH ABRAHAM Mathematics Department, University of California, Santa Cruz, CA 95064, USA PABLO VIOTTI Politics Department, University of California, Santa Cruz, CA 95064, USA FREDERICK DAVID ABRAHAM Blueberry Brain Institute, 1396 Gregg Hill Road, Waterbury Center, VT 05677, USA JULIAN CLINTON SPROTT Physics Department, University of Wisconsin, Madison, WI 53706-1390, USA Received January 22, 2007; Revised May 31, 2007 Physicist Clint Sprott demonstrated a relationship between aesthetic judgments of fractal images and their fractal dimensions [1993]. Scott Draves, aka Spot, a computer scientist and artist, has created a space of images called fractal flames, based on attractors of two-dimensional iterated function systems. A large community of users run software that automatically downloads animated fractal flames, known as “sheep”, and displays them as their screen-saver. The users may vote electronically for the sheep they like while the screen-saver is running. In this report we proceed from Sprott to Spot. The data show an inverted U-shaped curve in the relationship between aesthetic judgments of flames and their fractal dimension, confirming and clarifying earlier reports. Keywords: Fractal dimensions; electric sheep. 1. Introduction thus combines the Electric Sheep of Draves and the fractal aesthetics of Sprott. This is a report on a new study of aesthetic judg- The Electric Sheep home page is available ments made by a large community participating from electricsheep.org. -
An Introduction to the Mandelbrot Set
An introduction to the Mandelbrot set Bastian Fredriksson January 2015 1 Purpose and content The purpose of this paper is to introduce the reader to the very useful subject of fractals. We will focus on the Mandelbrot set and the related Julia sets. I will show some ways of visualising these sets and how to make a program that renders them. Finally, I will explain a key exchange algorithm based on what we have learnt. 2 Introduction The Mandelbrot set and the Julia sets are sets of points in the complex plane. Julia sets were first studied by the French mathematicians Pierre Fatou and Gaston Julia in the early 20th century. However, at this point in time there were no computers, and this made it practically impossible to study the structure of the set more closely, since large amount of computational power was needed. Their discoveries was left in the dark until 1961, when a Jewish-Polish math- ematician named Benoit Mandelbrot began his research at IBM. His task was to reduce the white noise that disturbed the transmission on telephony lines [3]. It seemed like the noise came in bursts, sometimes there were a lot of distur- bance, and sometimes there was no disturbance at all. Also, if you examined a period of time with a lot of noise-problems, you could still find periods without noise [4]. Could it be possible to come up with a model that explains when there is noise or not? Mandelbrot took a quite radical approach to the problem at hand, and chose to visualise the data. -
Furniture Design Inspired from Fractals
169 Rania Mosaad Saad Furniture design inspired from fractals. Dr. Rania Mosaad Saad Assistant Professor, Interior Design and Furniture Department, Faculty of Applied Arts, Helwan University, Cairo, Egypt Abstract: Keywords: Fractals are a new branch of mathematics and art. But what are they really?, How Fractals can they affect on Furniture design?, How to benefit from the formation values and Mandelbrot Set properties of fractals in Furniture Design?, these were the research problem . Julia Sets This research consists of two axis .The first axe describes the most famous fractals IFS fractals were created, studies the Fractals structure, explains the most important fractal L-system fractals properties and their reflections on furniture design. The second axe applying Fractal flame functional and aesthetic values of deferent Fractals formations in furniture design Newton fractals inspired from them to achieve the research objectives. Furniture Design The research follows the descriptive methodology to describe the fractals kinds and properties, and applied methodology in furniture design inspired from fractals. Paper received 12th July 2016, Accepted 22th September 2016 , Published 15st of October 2016 nearly identical starting positions, and have real Introduction: world applications in nature and human creations. Nature is the artist's inspiring since the beginning Some architectures and interior designers turn to of creation. Despite the different artistic trends draw inspiration from the decorative formations, across different eras- ancient and modern- and the geometric and dynamic properties of fractals in artists perception of reality, but that all of these their designs which enriched the field of trends were united in the basic inspiration (the architecture and interior design, and benefited nature). -
How the Networked Environment Saved the Screensaver
GA2008, 11th Generative Art Conference Across time and space: how the networked environment saved the screensaver N. R. Spratt, BVA School of Design, UNITEC, Auckland, New Zealand e-mail: [email protected] Abstract: Having come to represent an idle computer, the widespread adoption of broadband network systems and the ‘always online’ computer has helped reinvent the screensaver and the way it functions. This paper looks at two types of networked screensaver projects – the distributed computing network screensaver, and the more recent widget-style screensaver—and discusses the way that they use data flows to reshape the way that the applications behave and visualise themselves. Seti@home and Scott Draves’ Electric Sheep are compared with That Ltd.’s Drop Clock and Kaze to Desktop, looking at the different ways that they engage with data flows and notions of computer downtime. 1. Introduction: The screensaver was a programme initially developed to protect computer displays from screen burn when they weren’t being used. Over the last 25 years though they come to represent a type of inactivity, populating office and home computers that have been left dormant: a visualisation of idleness in a world obsessed with productivity. At a time when it was becoming increasingly obsolete due to improvements in computer display technology, the screensaver’s embrace of data networks has given it a new sense of purpose and possibility. Computer downtime has now become an opportunity for screensavers to quietly interact with data feeds: dynamically generating forms that respond to the flow of information, or in the case of the Berkeley Open Infrastructure for Network Computing (BOINC), putting millions of PCs to work collectively searching for extraterrestrial life or a cure for cancer. -
Open Source Resources for Teaching and Research in Mathematics
Open Source Resources for Teaching and Research in Mathematics Dr. Russell Herman Dr. Gabriel Lugo University of North Carolina Wilmington Open Source Resources, ICTCM 2008, San Antonio 1 Outline History Definition General Applications Open Source Mathematics Applications Environments Comments Open Source Resources, ICTCM 2008, San Antonio 2 In the Beginning ... then there were Unix, GNU, and Linux 1969 UNIX was born, Portable OS (PDP-7 to PDP-11) – in new “C” Ken Thompson, Dennis Ritchie, and J.F. Ossanna Mailed OS => Unix hackers Berkeley Unix - BSD (Berkeley Systems Distribution) 1970-80's MIT Hackers Public Domain projects => commercial RMS – Richard M. Stallman EMACS, GNU - GNU's Not Unix, GPL Open Source Resources, ICTCM 2008, San Antonio 3 History Free Software Movement – 1983 RMS - GNU Project – 1983 GNU GPL – GNU General Public License Free Software Foundation (FSF) – 1985 Free = “free speech not free beer” Open Source Software (OSS) – 1998 Netscape released Mozilla source code Open Source Initiative (OSI) – 1998 Eric S. Raymond and Bruce Perens The Cathedral and the Bazaar 1997 - Raymond Open Source Resources, ICTCM 2008, San Antonio 4 The Cathedral and the Bazaar The Cathedral model, source code is available with each software release, code developed between releases is restricted to an exclusive group of software developers. GNU Emacs and GCC are examples. The Bazaar model, code is developed over the Internet in public view Raymond credits Linus Torvalds, Linux leader, as the inventor of this process. http://en.wikipedia.org/wiki/The_Cathedral_and_the_Bazaar Open Source Resources, ICTCM 2008, San Antonio 5 Given Enough Eyeballs ... central thesis is that "given enough eyeballs, all bugs are shallow" the more widely available the source code is for public testing, scrutiny, and experimentation, the more rapidly all forms of bugs will be discovered. -
An Explanation of the Electric Sheep Distributed Screen-Saver by Scott Draves, Ph.D
The Interpretation of Dreams: An Explanation of the Electric Sheep Distributed Screen-Saver by Scott Draves, Ph.D. DreamWorks SKG, San Francisco, USA Intro The name Electric Sheep comes from Philip K. Dick's novel Do Androids Dream of Electric Sheep. It realizes the collective dream of sleeping computers from all over the Internet. Electric Sheep is a distributed screen-saver that harnesses idle computers into a render farm with the purpose of animating and evolving artificial life-forms. The project is an attention vortex. It illustrates the process by which the longer and closer one studies some- thing, the more detail and structure appears. 1. The Client When the software is activated, the screen goes black and an animated 'sheep' appears. In parallel, the screen- saver client contacts the server and joins the distributed computation of new sheep, an idea inspired by the SETI@home project. [1] The screen-saver is a window into a visual space shared among all users. Clients render JPEG frames and upload them to the server. When all the frames are ready, the server compresses them into an MPEG anima- tion. Each animation is the phenotype of an artificial organism, an 'electric sheep.' Clients download the MPEG sheep and display them one after another in a continuous, ever-changing sequence. About once every five minutes a new sheep is born and distributed to all active clients. Each sheep is an ani- mated fractal flame. [2] Example still frames appear in Figure 1. The shape is specified by a string of 120 real numbers -- a genetic code of sorts. -
Just Titles List
High School Book List ** These books are recommended for high school students only 100 Years of Solitude, Gabriel Garcia Marquez (1410L) 1776, David McCullough (1300L) 1984, George Orwell (1090L) A Long Way Gone: Memoirs of a Boy Soldier, Ishmael Beah (920L) A Thousand Splendid Suns, Khaled Hossennii (830L) A Walk in the Woods, Bill Bryson (1210L) The Absolutely True Diary of a Part-Time Indian, Sherman AleXie (600L) The Adventures of Huck Finn, Mark Twain (980L) The Adventures and Memoirs of Sherlock, Arthur Doyle (NC1070L) Alias Grace, Margaret Atwood Alice's Adventures in Wonderland, Lewis Carroll (890L) All Creatures Great and Small, James Herriot (990L) All Quiet on the Western Front , Erich Maria Remarque (830L) Revised 6/29/20 All Souls: A Family Story from Southie, Michael Patrick McDonald All the Pretty Horses, Cormac McCarthy (940L) And the Mountains Echoed, Khaled Hosseini And Then There Were None, Agatha Christie (570L) Angela’s Ashes, Frank McCourt (1110L) Animal Farm, George Orwell (1170L) Anthem, Ayn Rand (880L) Antigone, Sophocles (1090L) Arcadia, Tom Stoppard Around the World in Eighty Days, Jules Verne (1080L) As I Lay Dying, William Faulkner (870L) Athletic Shorts, Chris Crutcher (1010L) Atlas Shrugged, Ayn Rand (1070L) Autobiography of a Face, Lucy Grealy (1200L) Bad, Jean Ferris (730L) Batman: The Dark Knight Returns, Frank Miller Between the World and Me, Ta-Nehisi Coates (1090L) Beyond Religion: Ethics for a Whole World, Dalai Lama Billy Budd, Herman Melville (1450L) Black Hawk Down, Mark Bowden (970L) Bless Me, Ultima, Rudolfo Anaya (840L) Blood Done Sign My Name, Timothy Tyson (1240L) Revised 6/29/20 The Book, M. -
Biophilic Fractals and the Visual Journey of Organic Screen-Savers
Nonlinear Dynamics, Psychology, and Life Sciences, Vol. 12, No. 1, pp. 117-129. © 2008 Society for Chaos Theory in Psychology & Life Sciences Biophilic Fractals and the Visual Journey of Organic Screen-savers R.P. Taylor,1 University of Canterbury, Christchurch, New Zealand; University of Oregon, Eugene, OR J.C. Sprott, University of Wisconsin, Madison, WI Abstract: Computers have led to the remarkable popularity of mathematically- generated fractal patterns. Fractals have also assumed a rapidly expanding role as an art form. Due to their growing impact on cultures around the world and their prevalence in nature, fractals constitute a central feature of our daily visual experiences throughout our lives. This intimate association raises a crucial question – does exposure to fractals have a positive impact on our mental and physical condition? This question raises the opportunity for readers of this journal to have some visual fun. Each year a different nonlinear inspired artist is featured on the front cover of the journal. This year, Scott Draves’s fractal art works continues this tradition. In May 2007, we selected twenty of Draves’s artworks and invited readers to vote for their favorites from this selection. The most popular images will feature on the front covers this year. In this article, we discuss fractal aesthetics and Draves’s remarkable images. Key Words: fractals, biophilia, aesthetics, screen-savers On the 1st of March 1980, Benoit Mandelbrot first glimpsed what would become known as the Mandelbrot Set. In the intervening years, it has assumed iconic status, conquering the world’s computer screens in the role of the ultimate screen-saver.