NCR Regional Development Plan 2017-2022 © 2018 Metropolitan Manila Development Authority
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Skip to (CFAHShAociottoQcenmtte tp Meea(s/r: ncsia(n//tip/bi dnw(i/eldiinxtweyd.xp weI.nhpxsp..hgpt/prfhuao)pcqv/t)ic.oponnhst a)(/cint-duesx).php/accessibility#) MMDA Offices 2012 MMDA Memorandum Circular No. 08 (/index.php/19-legal-matters/mmda-memorandum- circulars/282-2012-mmda-memorandum-circular-no-08) Written by Super User Category: MMDA Memorandum Circulars (/index.php/19-legal-matters/mmda-memorandum-circulars) Published: 23 January 2014 Hits: 402 2012 MMDA Memorandum Circular No. 04-A (/index.php/19-legal-matters/mmda- memorandum-circulars/281-2012-mmda-memorandum-circular-no-04-a) Written by Super User Category: MMDA Memorandum Circulars (/index.php/19-legal-matters/mmda-memorandum-circulars) Published: 23 January 2014 Hits: 234 REPUBLIKA NG PILIPINAS TANGGAPAN NG PANGULO Pangasiwaan sa Pagpapaunlad ng Kalakhang Maynila (Metropolitan Manila Development Authority) MEMORANDUM CIRCULAR SERIES OF 2012 TO: ALL CONCERNED SUBJECT: PRESCRIBING ALTERNATE ROUTES FOR TRUCKS AFFECTED BY MEMORANDUM CIRCULAR NO. 4, S. 2012, "IMPLEMENTING A TEMPORARY MODIFIED TRUCK BAN IN METROPOLITAN MANILA ON MAY 2 to 5, 2012 FOR THE 45TH ASIAN DEVELOPMENT BANK (ADB) BOARD OF GOVERNORS ANNUAL MEETING AND FOR THIS PURPOSE, TEMPORARILY MODIFYING MMDA RESOLUTION NO. 07-05, SERIES of 2007." DATE: April 30, 2012 1.0 INTRODUCTION: 1.1. On April 27, 2012 this Authority issued Memorandum Circular No. 4, Series of 2012 entitled: IMPLEMENTING A TEMPORARY MODIFIED TRUCK BAN IN METROPOLITAN MANILA ON MAY 2 to 5, 2012 FOR THE 45TH ASIAN DEVELOPMENT BANK (ADB) BOARD OF GOVERNORS ANNUAL MEETING AND FOR THIS PURPOSE, TEMPORARILY MODIFYING MMDA RESOLUTION NO. 07-05, SERIES of 2007. -
Resettlement Plan PHI: EDSA Greenways Project (Balintawak
Resettlement Plan February 2020 PHI: EDSA Greenways Project (Balintawak Station) Prepared by Department of Transportation for the Asian Development Bank. This resettlement plan is a document of the borrower. The views expressed herein do not necessarily represent those of ADB's Board of Directors, Management, or staff, and may be preliminary in nature. Your attention is directed to the “terms of use” section of this website. In preparing any country program or strategy, financing any project, or by making any designation of or reference to a particular territory or geographic area in this document, the Asian Development Bank does not intend to make any judgments as to the legal or other status of any territory or area CURRENCY EQUIVALENTS (As of 30 January 2020; Central Bank of the Philippines) Philippine Peso (PhP) (51.010) = US $ 1.00 ABBREVIATIONS ADB Asian Development Bank AH Affected Household AO Administrative Order AP Affected Persons BIR Bureau of Internal Revenue BSP Bangko Sentral ng Pilipinas CA Commonwealth Act CGT Capital Gains Tax CAP Corrective Action Plan COI Corridor of Impact DA Department of Agriculture DAO Department Administrative Order DAR Department of Agrarian Reform DAS Deed of Absolute Sale DBM Department of Budget and Management DDR Due Diligence Report DED Detailed Engineering Design DENR Department of Environment and Natural Resources DILG Department of Interior and Local Government DMS Detailed Measurement Survey DO Department Order DOD Deed of Donation DOTr Department of Transportation DPWH Department of -
Jean Judith Xavier
Jean Judith Xavier ICACM International Casting & Creative Management Sydney, NSW 2010 Michael Turkic: +61 481 085 972 William Le (text): +61 405 539 752 E: [email protected] W: http://www.icacm.com.au Biography Jean Judith Javier is a singer, musical theatre performer and a film actor, who is unstoppable in bringing her heart to her audience, she draws courage from them. As a soprano, Jean Judith sings for opera and musical theatre but never limits her capacity by performing pieces from world arts songs. As a film actor, her roles are unconventional that manifest her embodied inner strength but mystical persona. She learns how to sing at an early age of nine performing in the church and villages. Coming from a humble beginning, Jean Judith captures the skill of fine singing from her mother and her sensitivity for arts was nurtured by being deeply connected to the expressive musical cultures of the Philippines, her motherland. Her tenacity to work as a full-time actor and the faith she puts to her craft gave her opportunities to perform in cities and provinces in the Philippines and South and East Asian countries like Korea, Indonesia, Macau, Hong Kong, Taiwan and various cities in China. She assumed self-title roles from many original musicales that have had impacted the history of Philippine contemporary theatre. In opera, she played Sisa for “Noli Me Tangere: The Opera”, a difficult role. But her portrayal of the most iconic Philippine fictive character and deranged woman captures her audience giving her standing ovations and critical acclaim from critics. -
Rockwell of Ages DESPITE Its Unassuming Moniker, the Garage in Rockwell Center Is a Hub of Activity, but Not of the Automotive Kind
MARCH 2013 www.lopezlink.ph See story on page 10 http://www.facebook.com/lopezlinkonline www.twitter.com/lopezlinkph Rockwell of ages DESPITE its unassuming moniker, the Garage in Rockwell Center is a hub of activity, but not of the automotive kind. Prospective sales executives in spiffy business attire wait to be called in for their appointments. Staff in uniform dress shorts and polo shirts flit around preparing the conference rooms and looking after guests. In the inner offices, twentysomethings type away at their computers. Even big boss Miguel L. Lopez, Rockwell Land Corporation senior vice Turn to page 6 Landslide Lea Salonga returns Power Plant Mall is ‘grad central’ …page 3 to TV …page 4 in Leyte …page 12 Lopezlink March 2013 BIZ NEWS NEWS Lopezlink March 2013 At the Pinoy Media Congress Landslide in Leyte FPH to redeem and Students urged to serve, ABS-CBN: GMA’S libel declare cash dividend love country; EL launches case has no basis EDC continues search on preferred shares ABS-CBN Corporation reiterat- THE board of directors of First shares starting on the fifth an- book of speeches ed its stand that the nine-year-old Philippine Holdings Corpora- niversary of the issue date. In his keynote address, EL3 libel case filed by GMA Network tion (FPH) has approved the Additionally, the board also against it has no basis. for missing workers company’s option to redeem approved payment of a cash ABS-CBN chairman Eugenio said the media’s role is to “serve ABS-CBN chairman Eu- A landslide possibly triggered while 10 were taken to the The workers were hired by families of the casualties and all of its 43,000,000 series B dividend on the series B preferred Lopez III (leftmost) with the people no matter what the genio Lopez III (EL3) and preferred shares. -
Traffic Solutions for Metro Manila: a Realistic Approach Traffic
Traffic Solutions for Metro Manila: A Realistic Approach Traffic congestion and traffic discipline are perennial discussions at coffee shops and in meeting rooms throughout Metro Manila. It is an accepted fact that congestion hinders the free flow of goods and services, contributes significantly to pollution, and costs billions of pesos (billions!) in wasted fuel, time and productivity. Studies have been done, solutions proposed, and money spent for years, with little real improvement to show for the expense. Those tasked with managing the problem, from one administration to the next, have all clung persistently to the same mantra – that the answer lies in more roadways and the use of the latest high-tech gadgets. I would like to offer an alternative opinion: Traffic in Metro Manila is congested and chaotic because we allow it to be that way. 'We' in this case refers to both the road users and the road managers. We don't follow, or effectively enforce, the basic rules which are designed to ensure a safe, efficient flow of traffic. We don't respect lane markings (including turn lanes), we ignore traffic signs and signals, and we routinely drive in ways that are both dangerous and disruptive to the flow of traffic. Pedestrians cross wherever they want, and they stand in the roadway in large numbers while waiting for public transportation. Public buses and jeepneys operate aggressively and dangerously. Each of these behaviors, repeated at thousands of points across Metro Manila roadways every day, disrupt the free flow of traffic and cause the congestion and chaos that we have come to accept as normal. -
September 2020 Issue
Volume XXXVIII No. 9 September 2020 Montreal, QC www.filipinostar.org Second COVID-19 wave has already stOaTTAWrA,tSepetembder 23:, PM in address to natesttedipoositiven for the virus. 2020 -- Prime Minister Justin Trudeau "This is the time for all of us as says that in some parts of the country Canadians, to do our part for our the COVID-19 second wave has country, as government does its part already begun, but Canadians have for you," he said. the power to flatten the curve again, in Responding to Trudeau’s his evening address to the nation declaration of a second wave, CTV from his West Block office. Infectious Disease Specialist Dr. Abdu "In our four biggest provinces, Sharkawy said that he thinks we’re the second wave isn’t just starting, it’s “very much there.” already underway," said Trudeau, of “We have seen that the the current outbreaks in British numbers are rising disproportionate to Columbia, Alberta, Ontario and the number of tests that are being Quebec. "We’re on the brink of a fall done, and we've seen a consistent that could be much worse than the trend of community transmission that spring." has been uncontrolled now for some COVID-19 cases have jumped time. And it's evidenced by people in nationally, from about 300 cases per my emergency room and in my ICU,” day in mid-August to 1,248 on Prime Minister Justin Trudeau delivers his address to the nation Dr. Sharkawy said, adding that Tuesday, prompting Chief Public in the evening after the speech from the throne from his West addressing the current testing Health Officer Dr. -
Silverlens / Searching Sanctuary Curated by Gregory Halili
POPE BACAY, MARIONNE CONTRERAS, JIGGER CRUZ, ROCELIE DELFIN, DINA GADIA, MARK ANDY GARCIA, GREGORY HALILI, PAOLO ICASAS, BREE JONSON, POW MARTINEZ, MAYA MUÑOZ, RAFFY T. NAPAY, WAWI NAVARROZA, ELAINE NAVAS, BERNARDO PACQUING, PATRICIA PEREZ EUSTAQUIO, CHRISTINA QUISUMBING RAMILO, POPO SAN PASCUAL, NICOLE TEE, RYAN VILLAMAEL, LIV VINLUAN Copyright © 2020 Silverlens Inc. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic or otherwise, without the prior written consent of the above mentioned copyright holders, with the exception of brief excerpts and quotations used in articles, critical essays or research. Text © Gregory Halili. 2020 All rights reserved. No part of this essay may be reproduced, modified, or stored in a retrieval system or retransmission, in any form or by any means, for reasons other than personal use, without written permission from the author. 2263 Don Chino Roces Avenue Extension Makati City, Philippines 1231 T +632.88160044 F +632.88160044 M +63917.5874011 Tue-Fri 10am-7pm, Sat 10am-6pm www.silverlensgalleries.com [email protected] If the current state of environmental decline continues its destructive path, then inevitably, nature will only exist as a memory. We live in a country blessed by natural abundance. Yet, we seem to believe that our resources are unlimited, depleting its wealth dry. In 1904, The Bureau of Forestry released the “The Forest Manual”, which contained the National Forest Act (No.1148) from the Philippine Commission pertaining to forest services and regulations. At this time, it is estimated that the Philippine forest cover was at 70%. -
Reuters Institute Digital News Report 2020
Reuters Institute Digital News Report 2020 Reuters Institute Digital News Report 2020 Nic Newman with Richard Fletcher, Anne Schulz, Simge Andı, and Rasmus Kleis Nielsen Supported by Surveyed by © Reuters Institute for the Study of Journalism Reuters Institute for the Study of Journalism / Digital News Report 2020 4 Contents Foreword by Rasmus Kleis Nielsen 5 3.15 Netherlands 76 Methodology 6 3.16 Norway 77 Authorship and Research Acknowledgements 7 3.17 Poland 78 3.18 Portugal 79 SECTION 1 3.19 Romania 80 Executive Summary and Key Findings by Nic Newman 9 3.20 Slovakia 81 3.21 Spain 82 SECTION 2 3.22 Sweden 83 Further Analysis and International Comparison 33 3.23 Switzerland 84 2.1 How and Why People are Paying for Online News 34 3.24 Turkey 85 2.2 The Resurgence and Importance of Email Newsletters 38 AMERICAS 2.3 How Do People Want the Media to Cover Politics? 42 3.25 United States 88 2.4 Global Turmoil in the Neighbourhood: 3.26 Argentina 89 Problems Mount for Regional and Local News 47 3.27 Brazil 90 2.5 How People Access News about Climate Change 52 3.28 Canada 91 3.29 Chile 92 SECTION 3 3.30 Mexico 93 Country and Market Data 59 ASIA PACIFIC EUROPE 3.31 Australia 96 3.01 United Kingdom 62 3.32 Hong Kong 97 3.02 Austria 63 3.33 Japan 98 3.03 Belgium 64 3.34 Malaysia 99 3.04 Bulgaria 65 3.35 Philippines 100 3.05 Croatia 66 3.36 Singapore 101 3.06 Czech Republic 67 3.37 South Korea 102 3.07 Denmark 68 3.38 Taiwan 103 3.08 Finland 69 AFRICA 3.09 France 70 3.39 Kenya 106 3.10 Germany 71 3.40 South Africa 107 3.11 Greece 72 3.12 Hungary 73 SECTION 4 3.13 Ireland 74 References and Selected Publications 109 3.14 Italy 75 4 / 5 Foreword Professor Rasmus Kleis Nielsen Director, Reuters Institute for the Study of Journalism (RISJ) The coronavirus crisis is having a profound impact not just on Our main survey this year covered respondents in 40 markets, our health and our communities, but also on the news media. -
Philippine Humanities Review, Vol. 13, No
The Politics of Naming a Movement: Independent Cinema According to the Cinemalaya Congress (2005-2010) PATRICK F. CAMPOS Philippine Humanities Review, Vol. 13, No. 2, December 2011, pp. 76- 110 ISSN 0031-7802 © 2011 University of the Philippines 76 THE POLITICS OF NAMING A MOVEMENT: INDEPENDENT CINEMA ACCORDING TO THE CINEMALAYA CONGRESS (2005-2010) PATRICK F. CAMPOS Much has been said and written about contemporary “indie” cinema in the Philippines. But what/who is “indie”? The catchphrase has been so frequently used to mean many and sometimes disparate ideas that it has become a confusing and, arguably, useless term. The paper attempts to problematize how the term “indie” has been used and defined by critics and commentators in the context of the Cinemalaya Film Congress, which is one of the important venues for articulating and evaluating the notion of “independence” in Philippine cinema. The congress is one of the components of the Cinemalaya Independent Film Festival, whose founding coincides with and is partly responsible for the increase in production of full-length digital films since 2005. This paper examines the politics of naming the contemporary indie movement which I will discuss based on the transcripts of the congress proceedings and my firsthand experience as a rapporteur (2007- 2009) and panelist (2010) in the congress. Panel reports and final recommendations from 2005 to 2010 will be assessed vis-a-vis the indie films selected for the Cinemalaya competition and exhibition during the same period and the different critical frameworks which panelists have espoused and written about outside the congress proper. Ultimately, by following a number PHILIPPINE HUMANITIES REVIEW 77 of key and recurring ideas, the paper looks at the key conceptions of independent cinema proffered by panelists and participants. -
Transportation History of the Philippines
Transportation history of the Philippines This article describes the various forms of transportation in the Philippines. Despite the physical barriers that can hamper overall transport development in the country, the Philippines has found ways to create and integrate an extensive transportation system that connects the over 7,000 islands that surround the archipelago, and it has shown that through the Filipinos' ingenuity and creativity, they have created several transport forms that are unique to the country. Contents • 1 Land transportation o 1.1 Road System 1.1.1 Main highways 1.1.2 Expressways o 1.2 Mass Transit 1.2.1 Bus Companies 1.2.2 Within Metro Manila 1.2.3 Provincial 1.2.4 Jeepney 1.2.5 Railways 1.2.6 Other Forms of Mass Transit • 2 Water transportation o 2.1 Ports and harbors o 2.2 River ferries o 2.3 Shipping companies • 3 Air transportation o 3.1 International gateways o 3.2 Local airlines • 4 History o 4.1 1940s 4.1.1 Vehicles 4.1.2 Railways 4.1.3 Roads • 5 See also • 6 References • 7 External links Land transportation Road System The Philippines has 199,950 kilometers (124,249 miles) of roads, of which 39,590 kilometers (24,601 miles) are paved. As of 2004, the total length of the non-toll road network was reported to be 202,860 km, with the following breakdown according to type: • National roads - 15% • Provincial roads - 13% • City and municipal roads - 12% • Barangay (barrio) roads - 60% Road classification is based primarily on administrative responsibilities (with the exception of barangays), i.e., which level of government built and funded the roads. -
Earth Day 2008 Celebrated Vietnam Hosts Asia-Pacific Forestry Week
Vol.6, No. 2 March - April 2008 Vietnam Hosts Asia-Pacific Forestry Week PWPA with Philippine Delegation ietnam hosted the Asia-Pacific Forestry Week last 21-26 April 2008 at its National Convention Center Me Tri, Tu Liem, Hanoi. V Organized by the Food and Agriculture Organization of the United Nation, the event was the largest and most important forestry-related events in the Asia- Pacific region in 2008. About 500 delegates from governments, non-governmental organizations, research institutions, regional and international networks, UN agencies and the private sector who attended the event were provided with a unique opportunity for sharing perspectives and seeking solutions to the most challenging issues facing forests and Trio in Hanoi. (l‐r) Dr. Florentino Tesoro, former Department of Science and Technology undersecretary, Forester Jose Lorenzo, PWPA forestry today. (Continued on page 2) adviser and Forester Romeo Acosta, Forest Management Bureau direc‐ tor and head of Philippine delegation. Earth Day 2008 Celebrated PWPA and EDNP Sponsor Pontifical Mass n concluding the April-long Network Philippines, Inc. (EDNP) mangrove tree species. Earth day celebration, the sponsored the Pontifical Mass held PWPA donated 500 seedlings of Philippine Wood last April 22, 2008 at the Manila Cathe- bakauan which were distributed to the Producers Association dral, City of Manila. Earth Day 2008 public for planting after the mass. (PWPA) and the Earth Day has the theme: “Tubig ng Buhay Ating I Pagyamanin at Linisin.” The Earth Day started very early that morning with a fluvial parade The mass was celebrated by His dubbed, “Paglalayag, Paglalakbay at Eminence, Gaudencio Cardinal Pagtitipon,” with about a hundred Rosales and attended by represen- decorated boats - half of them coming tatives from different sectors of soci- from Plaza Mexico in Manila and the ety including incumbent and former other from Bacoor, Cavite - converging heads of the Department of Environ- at the SM Mall of Asia in Pasay City. -
Wawi Navarroza: Self-Portraits & the Tropical Gothic
WAWI NAVARROZA Copyright © 2019 Silverlens Inc. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic or otherwise, without the prior written consent of the above mentioned copyright holders, with the exception of brief excerpts and quotations used in articles, critical essays or research. Text © Wawi Navarroza. 2019 All rights reserved. No part of this essay may be reproduced, modiied, or stored in a retrieval system or retransmission, in any form or by any means, for reasons other than personal use, without written permission from the author. 2263 Don Chino Roces Avenue Extension Makati City, Philippines 1231 T +632.8160044 F +632.8160044 M +63917.5874011 Tue-Fri 10am-7pm, Sat 10am-6pm www.silverlensgalleries.com [email protected] Coming from a string of moving places and foreign travels after the fire which destroyed her Taguig studio, Navarroza re-established herself in Manila at the end of 2018, signaling her return to studio practice, providing the venue for the elaborate mise-en-scènes we see in this new exhibition. The artist looks back and forward, coming full circle to a genre that has defined her early art-making and has punctuated an arc of more than a decade: Self-Portraits. Navarroza employs formal composition in tableau vivant large format which is staged for the camera. At the same time, she subverts photography in a way that the final image is rendered almost as a flat collage, deliberately controlled by lighting techniques and careful arrangements in the scenography.