The Shakin' Street Gazette, Volume 8
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PATTO – the JOHN HALSEY INTERVIEW
PATTO – the JOHN HALSEY INTERVIEW Patto, apart from being one of the finest (purely subjective, of course) bands this country ever produced, were not blessed with good fortune. Forever on the verge of making it really big, they broke up after six years of knocking on the door and finding no-one home. Subsequently, two of their number died while the other two were involved in a terrible car smash which left one with severe physical injuries and the other with severe mental problems. Drummer John Halsey is now the only Patto member who could possible give us an interview. Mike Patto and Ollie Halsall are both gone, while bassist Clive Griffiths apparently doesn't even recall being in a band! Despite bearing the scars of the accident (Halsey walks with a pronounced limp), John was only too pleased to submit to a Terrascopic grilling - an interview which took place in the wonderful Suffolk pub he runs with his wife Elaine. Bancroft and I spent a lovely afternoon and evening with the Halseys, B & B'd in the shadow of a 12th Century church cupboard and returned to London the next morning with one of the most enjoyable interviews either of us has ever done. John Halsey: I started playing drums because two mates who lived in my road in North Finchley (N. London), where I'm from, wanted to form a group. This was years and years ago, 1958, 1959. Want to see the photo? PT: Oh, look at that! 1959! Me, with a microphone inside me guitar that used to go out through me Mum's tape recorder, and if you put 'Record' and 'Play' on together, it'd act like an amplifier. -
Register of Entertainers, Actors and Others Who Have Performed in Apartheid South Africa
Register of Entertainers, Actors And Others Who Have Performed in Apartheid South Africa http://www.aluka.org/action/showMetadata?doi=10.5555/AL.SFF.DOCUMENT.nuun1988_10 Use of the Aluka digital library is subject to Aluka’s Terms and Conditions, available at http://www.aluka.org/page/about/termsConditions.jsp. By using Aluka, you agree that you have read and will abide by the Terms and Conditions. Among other things, the Terms and Conditions provide that the content in the Aluka digital library is only for personal, non-commercial use by authorized users of Aluka in connection with research, scholarship, and education. The content in the Aluka digital library is subject to copyright, with the exception of certain governmental works and very old materials that may be in the public domain under applicable law. Permission must be sought from Aluka and/or the applicable copyright holder in connection with any duplication or distribution of these materials where required by applicable law. Aluka is a not-for-profit initiative dedicated to creating and preserving a digital archive of materials about and from the developing world. For more information about Aluka, please see http://www.aluka.org Register of Entertainers, Actors And Others Who Have Performed in Apartheid South Africa Alternative title Notes and Documents - United Nations Centre Against ApartheidNo. 11/88 Author/Creator United Nations Centre against Apartheid Publisher United Nations, New York Date 1988-08-00 Resource type Reports Language English Subject Coverage (spatial) South Africa Coverage (temporal) 1981 - 1988 Source Northwestern University Libraries Description INTRODUCTION. REGISTER OF ENTERTAINERS, ACTORS AND OTHERS WHO HAVE PERFORMED IN APARTHEID SOUTH AFRICA SINCE JANUARY 1981. -
YPS 2010 Ján “BOBO” Hangoni
JOZEF M ÝTNY PHOTO NEWS 2/2013 YPS 2010 Ján “BOBO” Hangoni Y N T Ý M F E Z O J : O T O H P NAZARETH Dan McCafferty © Page JOZEF MYTNY Contents - Obsah 3 WHAT IS PHOTO NEWS? ČO JE TO PHOTO NEWS? PHOTO NEWS 4 Address - Príhovor Partneri Partners 5 - 31 NAZARETH &YPS 2010, Trenčín 2013 32 34 Ján “BOBO” Hangoni YPS 2010 Redakcia - Edition Jozef Mýtny 35 - 44 SMOLENICE CASTLE 2012 www.mpl.sk 45 - 61 Peter Leginský CANNES Fotograf a hviezdy +421 915 888 771 62 Flood in Bratislava 2013. Záplavy v Bratislave 2013. [email protected] 63 - 76 RANCINAN CAROLINE GAUDRIAULT www.chinarestaurantgarden.sk TRILOGY OF THE MODERNS + CHAOS Photo: title -page 77 - 88 JOZEF M ÝTNY PHOTO PICTURE FOR SALE ©photo: Jozef Mýtny 89 JOZEF M ÝTNY BEST PHOTO FOR SALE (original negativ) 90 - 91 “FREE PHOTOGRAPHY” VOĽNÉ FOTOGRAFIE Mediálny Partneri 92 - 93 Modern KOMMUNISTS or HYENAS in Slovak photography Media Partners 94 - 95 WANTED BORIS JAVOREK 96 JOZEF SABOVČÍK 97 Prices for advertisements Cenník inzercie na stránkach JOZEF MÝTNY PHOTO NEWS 98 Models PHOTO NEWS www.kanadskyslovak.ca Všetky práva vyhradené. Nijaká čas ť JOZEF M ÝTNY PHOTO NEWS nesmie by ť znova tlačená alebo reprodukovaná, či pou žitá v akejko ľvek forme, či u ž elektonickými, mechanickými alebo inými v súčasnosti známymi alebo neskôr vynájdenými prostriedkami, vrátane kopírovania či videozáznamu, ani nemôže byť zahrnuté do nijakého informačného či rešeršového systému bez písomného povolenia vydavate ľa ako aj autora fotografií. All rights reserved. No part of JOZEF M ÝTNY PHOTO NEWS may be reprinted or reproduced or utilized in any form or by any electronic, mechanical or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers. -
Omega Auctions Ltd Catalogue 28 Apr 2020
Omega Auctions Ltd Catalogue 28 Apr 2020 1 REGA PLANAR 3 TURNTABLE. A Rega Planar 3 8 ASSORTED INDIE/PUNK MEMORABILIA. turntable with Pro-Ject Phono box. £200.00 - Approximately 140 items to include: a Morrissey £300.00 Suedehead cassette tape (TCPOP 1618), a ticket 2 TECHNICS. Five items to include a Technics for Joe Strummer & Mescaleros at M.E.N. in Graphic Equalizer SH-8038, a Technics Stereo 2000, The Beta Band The Three E.P.'s set of 3 Cassette Deck RS-BX707, a Technics CD Player symbol window stickers, Lou Reed Fan Club SL-PG500A CD Player, a Columbia phonograph promotional sticker, Rock 'N' Roll Comics: R.E.M., player and a Sharp CP-304 speaker. £50.00 - Freak Brothers comic, a Mercenary Skank 1982 £80.00 A4 poster, a set of Kevin Cummins Archive 1: Liverpool postcards, some promo photographs to 3 ROKSAN XERXES TURNTABLE. A Roksan include: The Wedding Present, Teenage Fanclub, Xerxes turntable with Artemis tonearm. Includes The Grids, Flaming Lips, Lemonheads, all composite parts as issued, in original Therapy?The Wildhearts, The Playn Jayn, Ween, packaging and box. £500.00 - £800.00 72 repro Stone Roses/Inspiral Carpets 4 TECHNICS SU-8099K. A Technics Stereo photographs, a Global Underground promo pack Integrated Amplifier with cables. From the (luggage tag, sweets, soap, keyring bottle opener collection of former 10CC manager and music etc.), a Michael Jackson standee, a Universal industry veteran Ric Dixon - this is possibly a Studios Bates Motel promo shower cap, a prototype or one off model, with no information on Radiohead 'Meeting People Is Easy 10 Min Clip this specific serial number available. -
NAZARETH Wild Dogz (Hard Rock)
NAZARETH Wild dogz (Hard Rock) Année de sortie : 2011 Nombre de pistes : 11 Durée : 55' Support : CD Provenance : Reçu du label Débutons cette chronique par un coup de gueule : proposer un nouvel album de NAZARETH muni d’un visuel aussi désastreux, repoussant et approximatif relève d’un manque de respect pour cette formation de vétérans. C’est à se demander si le label espère réellement vendre quelques exemplaires de Big Dogz ! Cela étant dit, il serait dommage de passer à côté de cet album. Les plus jeunes d’entre vous ne connaisse peut-être pas NAZARETH, groupe écossais qui connut une heure de gloire dans les années 70. Au cours de sa longue carrière, le groupe est toujours resté ancré dans une formule du Hard Rock gavé de Blues, de Boogie, quand bien même il eut des périodes plus Pop, plus West Coast. On se permettra de recommander chaleureusement l’écoute d’oeuvres comme Razamanaz (1973), Loud’n’Proud (1974), Rampant (1974), Hair Of The Dog (1975), Expect No Mercy (1977), No Mean City (1978) ainsi que le live Snaz (1981). Les amateurs de Hard Rock’n’Roll bien chaud y trouveront leur compte. Aujourd’hui, il ne reste plus de la formation d’origine que le bassiste Pete AGNEW et le chanteur Dan McCAFFERTY, dont le timbre erraillé est à rapprocher de celui d’un Brian JOHNSON, pas moins. Au menu, on trouve un Hard Rock classique, parfaitement maîtrisé, même si évidemment la formule est archi-connue. L’approche du groupe est dorénavant moins frénétique qu’à ses débuts puisque le tempo général des compositions oscille entre le médium (le très carré Sleeptalker, le chaloupé Watch Your Back, No Mean Monster, Lifeboat, le Boogie The Toast) et le lent (le menaçant et lourd Big Dog’s Gonna Howl en ouverture, le bluesy When Jesus Comes To Save The World Again). -
Marxman Mary Jane Girls Mary Mary Carolyne Mas
Key - $ = US Number One (1959-date), ✮ UK Million Seller, ➜ Still in Top 75 at this time. A line in red 12 Dec 98 Take Me There (Blackstreet & Mya featuring Mase & Blinky Blink) 7 9 indicates a Number 1, a line in blue indicate a Top 10 hit. 10 Jul 99 Get Ready 32 4 20 Nov 04 Welcome Back/Breathe Stretch Shake 29 2 MARXMAN Total Hits : 8 Total Weeks : 45 Anglo-Irish male rap/vocal/DJ group - Stephen Brown, Hollis Byrne, Oisin Lunny and DJ K One 06 Mar 93 All About Eve 28 4 MASH American male session vocal group - John Bahler, Tom Bahler, Ian Freebairn-Smith and Ron Hicklin 01 May 93 Ship Ahoy 64 1 10 May 80 Theme From M*A*S*H (Suicide Is Painless) 1 12 Total Hits : 2 Total Weeks : 5 Total Hits : 1 Total Weeks : 12 MARY JANE GIRLS American female vocal group, protégées of Rick James, made up of Cheryl Ann Bailey, Candice Ghant, MASH! Joanne McDuffie, Yvette Marine & Kimberley Wuletich although McDuffie was the only singer who Anglo-American male/female vocal group appeared on the records 21 May 94 U Don't Have To Say U Love Me 37 2 21 May 83 Candy Man 60 4 04 Feb 95 Let's Spend The Night Together 66 1 25 Jun 83 All Night Long 13 9 Total Hits : 2 Total Weeks : 3 08 Oct 83 Boys 74 1 18 Feb 95 All Night Long (Remix) 51 1 MASON Dutch male DJ/producer Iason Chronis, born 17/1/80 Total Hits : 4 Total Weeks : 15 27 Jan 07 Perfect (Exceeder) (Mason vs Princess Superstar) 3 16 MARY MARY Total Hits : 1 Total Weeks : 16 American female vocal duo - sisters Erica (born 29/4/72) & Trecina (born 1/5/74) Atkins-Campbell 10 Jun 00 Shackles (Praise You) -
Are We Still Rolling?
Are We Still Phill BRrowonlling? Studios, Drugs and Rock ‘n’ Roll - One Man’s Journey Recording Classic Albums Are We Still Phill BrRowonlling? Studios, Drugs and Rock ‘n’ Roll - One Man’s Journey Recording Classic Albums To Sally: Thank you for everything. I could not have achieved as much without you. “There’s my truth, there’s your truth, and then there’s The Truth.” -Steve Smith “This is my truth - some may disagree.” -Phill Brown In memory of musicians, producers, family and friends who did not make it to 2010: Robert Ash, Mark Bolan, John Bonham, Lenny Breau, Linda Brown, Vicki Brown, Leslie Brown, Jenny Bruce, David Byron, Sandy Denny, Dave Domlio, Jim Capaldi, Mongezi Feza, Lowell George, Keith Harwood, Alex Harvey, Bill Hicks, Nicky Hopkins, Brian Jones, Paul Kossoff, Vincent Crane, Ronnie Lane, John Martyn, George Melly, Bob Marley, Steve Marriott, Jimmy Miller, Denise Mills, Willie Mitchell, Roy Morgan, Mickie Most, Harry Nilsson, Kenji Omura, Robert Palmer, Mike Patto, Cozy Powell, Keith Relf, Lou Reizner, Nigel Rouse, Del Shannon, Norman Smith, Alan Spenner, Guy Stevens, Peter Veitch, Kevin Wilkinson, Suzanne Wightman and Chris Wood. Are We Still Phill BrRowonlling? Studios, Drugs and Rock ‘n’ Roll - One Man’s Journey Recording Classic Albums Copyright 2010 by Phill Brown Published by Tape Op Books www.tapeop.com [email protected] (916) 444-5241 Distributed by Hal Leonard www.halleonard.com Art Direction by John Baccigaluppi Editing by Larry Crane Graphic Design by Scott McChane Proofreading by Caitlin Gutenberger Legal Counsel by Alan Korn Front Cover photo by Roger Hillier Phill would like to thank Larry Crane and John Baccigaluppi at Tape Op Books, Roger Hillier, Julian Gill, Robert Palmer, Barbara Marsh, Dana Gillespie, John Fenton, Ray Doyle, Steve Smith, Sasha Mitchell, Caroline Hillier and Paula Beetlestone. -
Une Discographie De Robert Wyatt
Une discographie de Robert Wyatt Discographie au 1er mars 2021 ARCHIVE 1 Une discographie de Robert Wyatt Ce présent document PDF est une copie au 1er mars 2021 de la rubrique « Discographie » du site dédié à Robert Wyatt disco-robertwyatt.com. Il est mis à la libre disposition de tous ceux qui souhaitent conserver une trace de ce travail sur leur propre ordinateur. Ce fichier sera périodiquement mis à jour pour tenir compte des nouvelles entrées. La rubrique « Interviews et articles » fera également l’objet d’une prochaine archive au format PDF. _________________________________________________________________ La photo de couverture est d’Alessandro Achilli et l’illustration d’Alfreda Benge. HOME INDEX POCHETTES ABECEDAIRE Les années Before | Soft Machine | Matching Mole | Solo | With Friends | Samples | Compilations | V.A. | Bootlegs | Reprises | The Wilde Flowers - Impotence (69) [H. Hopper/R. Wyatt] - Robert Wyatt - drums and - Those Words They Say (66) voice [H. Hopper] - Memories (66) [H. Hopper] - Hugh Hopper - bass guitar - Don't Try To Change Me (65) - Pye Hastings - guitar [H. Hopper + G. Flight & R. Wyatt - Brian Hopper guitar, voice, (words - second and third verses)] alto saxophone - Parchman Farm (65) [B. White] - Richard Coughlan - drums - Almost Grown (65) [C. Berry] - Graham Flight - voice - She's Gone (65) [K. Ayers] - Richard Sinclair - guitar - Slow Walkin' Talk (65) [B. Hopper] - Kevin Ayers - voice - He's Bad For You (65) [R. Wyatt] > Zoom - Dave Lawrence - voice, guitar, - It's What I Feel (A Certain Kind) (65) bass guitar [H. Hopper] - Bob Gilleson - drums - Memories (Instrumental) (66) - Mike Ratledge - piano, organ, [H. Hopper] flute. - Never Leave Me (66) [H. -
The Moody Blues Tour / Set List Project - Updated April 9, 2006
The Moody Blues Tour / Set List Project - updated April 9, 2006 compiled by Linda Bangert Please send any additions or corrections to Linda Bangert ([email protected]) and notice of any broken links to Neil Ottenstein ([email protected]). This listing of tour dates, set lists, opening acts, additional musicians was derived from many sources, as noted on each file. Of particular help were "Higher and Higher" magazine and their website at www.moodies- magazine.com and the Moody Blues Official Fan Club (OFC) Newsletters. For a complete listing of people who contributed, click here. Particular thanks go to Neil Ottenstein, who hosts these pages, and to Bob Hardy, who helped me get these pages converted to html. One-off live performances, either of the band as a whole or of individual members, are not included in this listing, but generally can be found in the Moody Blues FAQ in Section 8.7 - What guest appearances have the band members made on albums, television, concerts, music videos or print media? under the sub-headings of "Visual Appearances" or "Charity Appearances". The current version of the FAQ can be found at www.toadmail.com/~notten/FAQ-TOC.htm I've construed "additional musicians" to be those who played on stage in addition to the members of the Moody Blues. Although Patrick Moraz was legally determined to be a contract player, and not a member of the Moody Blues, I have omitted him from the listing of additional musicians for brevity. Moraz toured with the Moody Blues from 1978 through 1990. From 1965-1966 The Moody Blues were Denny Laine, Clint Warwick, Mike Pinder, Ray Thomas and Graeme Edge, although Warwick left the band sometime in 1966 and was briefly replaced with Rod Clarke. -
Jeffrey Perrin Dennis Pearne Gideon King & City Blog Eric Kilburn
•Our 35th Year Proudly Promoting All Things Music• FREE! July 2020 Dennis Pearne Eric Kilburn Jeffrey Perrin Gideon King & City Blog Reboot: King’s X - January 2006 Due to the unpredictability of the think itʼs going well. making records with Ogre Tones. It feels more love with each other and said, “Man, weʼve Coronavirus, we are temporarily halting METRONOME: Your new album is called like Kingʼs X to me. We had Michael Wagener got to make a record together.” So we figured our club and concert listings. They will Ogre Tones. How did you come up with producing which was a wonderful thing. out how we could do it, we did it, and now continue when things begin to stabilize. In the that name? METRONOME: How did you guys meet we have Ogre Tones. meantime, we’re bringing back old interviews We just jumped around with different Michael? METRONOME: I wanted to talk to you that you may be interested in. If you like what things and that word came up because of the Some how he was at one of our national about your album Manic Moonligh. Was you’re reading, say thank you to Greg Frediani tones we were using, it sounded like “Ogre.” shows a couple of years ago. He was on it hard to translate the songs on Manic of The Vinyl Vault in Littleton, MA. He’s the Then we came up with Ogre Tones and finally the bus hanging with us and he was telling Moonlight in the live arena? guy that suggested it. -
Peter Frampton Steve Marriott
Humble Pie was formed in late 1968 when Steve Marriott, guitarist and incomparable blues rock vocalist, left the Small Faces, and joined forces with guitarist/singer Peter Frampton, formerly of The Herd, ex-Spooky Tooth bassist Greg Ridley, and 17 year- old drummer Jerry Shirley. Few people today remember Steve Marriott, and that’s a pity. His voice was what Jimmy Page wanted Robert Plant to sound like, and Plant openly emulated Marriott. Humble Pie’s fade out from rock consciousness was due to multitude of factors. Their studio albums were relatively poor sellers, and relying so heavily on cover songs probably worked against them. The group disbanded in 1975, reunited briefly in 1979, then saw Marriott quit and move back to England in 1983. In 1991, he and Peter Frampton were collaborating on a possible HP reunion in California, when Steve rather abruptly flew home to England. Marriott was tragically killed in a fire at his home on April 19, 1991. - elevenwarriors.com + + + + + Thanks to whotrader for sharing these tracks at The Traders’ Den. PETER FRAMPTON whotrader noted: “I didn’t receive any information with the CDR when I received [it]. The song titles are all guesses and the style of music really varies from song to song.” Lineage: STEVE MARRIOTT ? > cdr trade circa 1995 Humble Pie Reunion Demos Transfer: EAC > Flac level 8 Los Angeles, CA; Early 1991 MP3 Version Steve Marriott / Peter Frampton Reunion Demos 1991 Frampton Marriott / Peter Steve 01. Scratch My Back 4:10 02. Why I Need the Blues 4:14 03. Rolling Stone part 2 4:02 04. -
Spooky Tooth Eigenlijk Begon Voor Deze Band Alles Met Een Combo
Spooky Tooth Eigenlijk begon voor deze band alles met een combo genoemd The VIPS dat in 1965 naar London kwam om het te maken. Ze hebben het nooit gemaakt onder deze naam, en hun eerste accommodaties gingen van een bed bij een vriend tot in een koude kelder ergens in de buurt van Berwick Street. De VIPS waren Mike Harrison, Greg Ridley, Jim Henshaw, Frank Kenyon en Walter Johnstone. Ze speelden meestal soul en bluesnummers. Ze konden steeds optreden in zeer selecte clubs en uiteindelijk werden ze de band waar andere bands naar kwamen kijken. Maar al snel, en dit na een optreden in de beroemde Duitse Star Club, zag drummer Walter Johnstone het niet meer zitten. Hij kreeg te veel heimwee en miste zijn homestee, en verliet daarom The VIPS. Chris Blackwell, destijds de manager van The Spencer Davis Group, was de eerste die The VIPS aan een platencontract hielp; hij was onder de indruk van hun sound en ook hun houding heeft een doorslaggevend argument geweest voor Blackwell. Chris’ naam zal vanaf hier een grote rol spelen tot de creatie van Spooky Tooth. In The Elbow Room, Birmingham, speelde een jonge Steve Winwood piano en gitaar en vertoefde er steeds in het gezelschap van Jim Capaldi, Chris Wood en Mike Kellie. Jim was destijds de frontman van de groep Deep Feeling, waarin ook een uitstekende gitarist speelde, nl. Luther Grosvenor. Chris Wood (tenor sax) en Mike Kellie (drums) speelden beiden in Locomotive. Het was een idee van Steve Winwood die via Paul Metcalf (later te zien als Mr.