Milliarium Zero and the Winterfilm Collective Present
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Michael J. Allen North Carolina State University Department of History Box 8108 Raleigh, NC 27695-8108 919.767.1172 [email protected]
Michael J. Allen North Carolina State University Department of History Box 8108 Raleigh, NC 27695-8108 919.767.1172 [email protected] 1. EMPLOYMENT_________________________________________________ NORTH CAROLINA STATE UNIVERSITY, Raleigh, NC (2003-present) Assistant Professor of U.S. history 2. EDUCATION ______________________________________________ NORTHWESTERN UNIVERSITY, Evanston, IL (1997-2003) Degrees: Ph.D., December 2003; M.A., December 1998 Dissertation: “The War’s Not Over Until the Last Man Comes Home”: Body Recovery And The Vietnam War Dissertation Committee: Michael Sherry (chair), Nancy MacLean, Laura Hein Major Field: U.S. History Minor Field: U.S.-East Asian Relations in the Cold War Master’s Thesis: “Seeketh That Which is Gone Astray”: Finding the Meaning of Prisoner of War Defection Following the Korean War THE UNIVERSITY OF CHICAGO, Chicago, IL (1992-96) Degree: A.B. with honors, June 1996 Concentration: History Honors Thesis: From Normal to Neurotic: Psychoneurotic World War II Veterans and the Roots of Postwar Anxiety Thesis Adviser: George Chauncey 3. HONORS, FELLOWSHIPS AND AWARDS__________________________ PROFESSIONAL CHASS Scholarly Project Award, North Carolina State University (2006) Pride of the Wolfpack Award, North Carolina State University (2004) CHASS Summer Research Grant, North Carolina State University (2004) GRADUATE Dissertation Year Fellowship, Northwestern University (2002-03) Kaplan Center for the Humanities Graduate Teaching Fellow, Northwestern University (2001-02) The Dirksen Congressional Center Research Award (2001) Gerald R. Ford Foundation Research Grant (2000) Graduate Research Grant, Northwestern University (2000) University Fellow, Northwestern University (1997-98) UNDERGRADUATE General Honors in The College, The University of Chicago (1996) Honors in the History Concentration, The University of Chicago (1996) Dean’s List, The University of Chicago (1993-96) Ph.D. -
The 21St Hamptons International Film Festival Announces Southampton
THE 21ST HAMPTONS INTERNATIONAL FILM FESTIVAL ANNOUNCES SOUTHAMPTON OPENING, SATURDAY’S CENTERPIECE FILM AUGUST: OSAGE COUNTY, SPOTLIGHT AND WORLD CINEMA FILMS INCLUDING LABOR DAY, HER, THE PAST AND MANDELA: LONG WALK TO FREEDOM WILL FORTE TO JOIN BRUCE DERN IN “A CONVERSATION WITH…” MODERATED BY NEW YORK FILM CRITICS CIRCLE CHAIRMAN JOSHUA ROTHKOPF Among those expected to attend the Festival are: Anna Paquin, Bruce Dern, Ralph Fiennes, Renee Zellweger, Dakota Fanning, David Duchovny, Helena Bonham Carter, Edgar Wright, Kevin Connolly, Will Forte, Timothy Hutton, Amy Ryan, Richard Curtis, Adepero Oduye, Brie Larson, Dane DeHaan, David Oyelowo, Jonathan Franzen, Paul Dano, Ralph Macchio, Richard Curtis, Scott Haze, Spike Jonze and Joe Wright. East Hampton, NY (September 24, 2013) -The Hamptons International Film Festival (HIFF) is thrilled to announce that Director Richard Curtis' ABOUT TIME will be the Southampton opener on Friday, October 11th and that Saturday's Centerpiece Film is AUGUST: OSAGE COUNTY directed by John Wells. As previously announced, KILL YOUR DARLINGS will open the Festival on October 10th; 12 YEARS A SLAVE will close the Festival; and NEBRASKA is the Sunday Centerpiece. The Spotlight films include: BREATHE IN, FREE RIDE, HER, LABOR DAY, LOUDER THAN WORDS, MANDELA: LONG WALK TO FREEDOM, THE PAST and CAPITAL.This year the festival will pay special tribute to Oscar Award winning director Costa-Gavras before the screening of his latest film CAPITAL. The Festival is proud to have the World Premiere of AMERICAN MASTERS – MARVIN HAMLISCH: WHAT HE DID FOR LOVE as well as the U.S Premiere of Oscar Winner Alex Gibney’s latest doc THE ARMSTRONG LIE about Lance Armstrong. -
Malooly, Coury- Honors Project
WE GAVE THIS COUNTRY OUR ALL, AND WE RECEIVED LIES, BETRAYAL, AND NEGLECT! VIETNAM VETERANS AGAINST THE WAR IN THE ANTI-VIETNAM WAR MOVEMENT by Coury Malooly Submitted in partial fulfillment of the requirements for Departmental Honors in the Department of History Texas Christian University Fort Worth, Texas May 4, 2020 1 WE GAVE THIS COUNTRY OUR ALL, AND WE RECEIVED LIES, BETRAYAL, AND NEGLECT! VIETNAM VETERANS AGAINST THE WAR IN THE ANTI-VIETNAM WAR MOVEMENT Project Approved: Supervising Professor: Kara Vuic, PhD, Department of History Peter Worthing, PhD, Department of History Brad Lucas, PhD, Department of English 2 ABSTRACT The Vietnam War is arguably the most controversial war in American history. The motives, rationale, and methods used to fight the war stir great controversy within the U.S. public. To some, the United States would have won the Vietnam War if it had not “been fighting with one hand behind its back” due to the anti-war movement, but to others, the United States could never achieve victory in the Vietnam War because of the determination of the North Vietnamese state and the Viet Cong. This debate sparked hostility against Vietnam veterans in America during the war as well. American popular culture and myth commonly portray Vietnam veterans as brash, impulsive, and sometimes even violent people received with hostility by the leftist anti-war protestors like the hippies and draft card burners. However, veterans who fought in the war made up one significant part of the anti-war movement, many of whom enlisted. Though the common view is that the military is largely conservative, Vietnam veterans received hostility from conservatives as well because they were considered ineffective fighters and losers in some cases. -
The Final Cover-Up Scott Camil Last Week When Richard Nixon Finally
The Final Cover-Up Scott Camil Last week when Richard Nixon finally died, my 14-year old daughter Laurel who is an International Baccalaureate student at Eastside High School here in Gainesville asked me, "Why is Nixon being honored?" She wanted to know what kind of message society was sending to the youth of America by paying so much tribute and honor to a person who was so totally without honor. In seeking to come up with a good answer for her, I read all of the articles I could in the days following Nixon's death to see if I could figure out this total distortion of history which could honor the most dishonorable President we have ever had. So let's take a look at the record. Nixon's 1946 "political career began as it ended, with deliberate duplicity designed for one purpose: to win."(sk/v 557) "He once confided to a friend, 'If you can't lie you'll never go anywhere'".(sk/v 557) In his first political race, he won by smearing his opponent, Congressman Jerry Voorhis, as a communist sympathizer. This was done with advertising, speeches and an anonymous telephone campaign where people were called on the phone and told, "This is a friend of yours, I just want you to know that Jerry Voorhis is a communist." (tfan/wc 55) The person would then hang up. As a freshman congressman, Nixon was assigned to the House Un-American Activities Committee. His most infamous success on the committee was the attack on Alger Hiss, a state department official who was convicted of perjury and sent to prison. -
The Gilder Lehrman Collection
the Gilder Lehrman institute of american history the Gilder Lehrman institute of american history 19 west 44th street, suite 500 new york, ny 10036 646-366-9666 www.gilderlehrman.org Annual Report 2001 Board of Advisors Co-Chairmen Richard Gilder Lewis E. Lehrman President James G. Basker Executive Director Lesley S. Herrmann Advisory Board Dear Board Members and Friends, Joyce O. Appleby, Professor of History Emerita, James O. Horton, Benjamin Banneker Professor University of California Los Angeles of American Studies and History, George We present the Institute’s annual report for 2001, a year in which William F. Baker, President, Channel Thirteen/WNET Washington University Thomas H. Bender, University Professor of the Kenneth T. Jackson, Jacques Barzun Professor the study of American history took on a new importance. Our Humanities, New York University of History, Columbia University and President, activities continue to expand, and we look forward to significant Lewis W. Bernard, Chairman, Classroom Inc. New-York Historical Society David W. Blight, Class of 1959 Professor of History Daniel P. Jordan, President, Thomas Jefferson growth in 2002. and Black Studies, Amherst College Memorial Foundation Gabor S. Boritt, Robert C. Fluhrer Professor of David M. Kennedy, Donald J. McLachlan Professor Civil War Studies, Gettysburg College of History, Stanford University (co-chair, Advisory Board) Roger G. Kennedy, Director Emeritus, Richard Brookhiser, Senior Editor, National Review National Park Service James G. Basker Lesley S. Herrmann Kenneth L. Burns, Filmmaker Roger Kimball, Managing Editor, The New Criterion President Executive Director David B. Davis, Sterling Professor of History Emeritus, Richard C. Levin, President, Yale University Yale University (co-chair, Advisory Board) James M. -
HBO: Brand Management and Subscriber Aggregation: 1972-2007
1 HBO: Brand Management and Subscriber Aggregation: 1972-2007 Submitted by Gareth Andrew James to the University of Exeter as a thesis for the degree of Doctor of Philosophy in English, January 2011. This thesis is available for Library use on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. I certify that all material in this thesis which is not my own work has been identified and that no material has previously been submitted and approved for the award of a degree by this or any other University. ........................................ 2 Abstract The thesis offers a revised institutional history of US cable network Home Box Office that expands on its under-examined identity as a monthly subscriber service from 1972 to 1994. This is used to better explain extensive discussions of HBO‟s rebranding from 1995 to 2007 around high-quality original content and experimentation with new media platforms. The first half of the thesis particularly expands on HBO‟s origins and early identity as part of publisher Time Inc. from 1972 to 1988, before examining how this affected the network‟s programming strategies as part of global conglomerate Time Warner from 1989 to 1994. Within this, evidence of ongoing processes for aggregating subscribers, or packaging multiple entertainment attractions around stable production cycles, are identified as defining HBO‟s promotion of general monthly value over rivals. Arguing that these specific exhibition and production strategies are glossed over in existing HBO scholarship as a result of an over-valuing of post-1995 examples of „quality‟ television, their ongoing importance to the network‟s contemporary management of its brand across media platforms is mapped over distinctions from rivals to 2007. -
Found, Featured, Then Forgotten: U.S. Network TV News and the Vietnam Veterans Against the War © 2011 by Mark D
Found, Featured, then Forgotten Image created by Jack Miller. Courtesy of Vietnam Veterans Against the War. Found, Featured, then Forgotten U.S. Network TV News and the Vietnam Veterans Against the War Mark D. Harmon Newfound Press THE UNIVERSITY OF TENNESSEE LIBRARIES, KNOXVILLE Found, Featured, then Forgotten: U.S. Network TV News and the Vietnam Veterans Against the War © 2011 by Mark D. Harmon Digital version at www.newfoundpress.utk.edu/pubs/harmon Newfound Press is a digital imprint of the University of Tennessee Libraries. Its publications are available for non-commercial and educational uses, such as research, teaching and private study. The author has licensed the work under the Creative Commons Attribution-Noncommercial 3.0 United States License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc/3.0/us/. For all other uses, contact: Newfound Press University of Tennessee Libraries 1015 Volunteer Boulevard Knoxville, TN 37996-1000 www.newfoundpress.utk.edu ISBN-13: 978-0-9797292-8-7 ISBN-10: 0-9797292-8-9 Harmon, Mark D., (Mark Desmond), 1957- Found, featured, then forgotten : U.S. network tv news and the Vietnam Veterans Against the War / Mark D. Harmon. Knoxville, Tenn. : Newfound Press, University of Tennessee Libraries, c2011. 191 p. : digital, PDF file. Includes bibliographical references (p. [159]-191). 1. Vietnam Veterans Against the War—Press coverage—United States. 2. Vietnam War, 1961-1975—Protest movements—United States—Press coverage. 3. Television broadcasting of news—United States—History—20th century. I. Title. HE8700.76.V54 H37 2011 Book design by Jayne White Rogers Cover design by Meagan Louise Maxwell Contents Preface ..................................................................... -
The Wealth of Networks How Social Production Transforms Markets and Freedom
Name /yal05/27282_u00 01/27/06 10:25AM Plate # 0-Composite pg 3 # 3 The Wealth of Networks How Social Production Transforms Markets and Freedom Yochai Benkler Yale University Press Ϫ1 New Haven and London 0 ϩ1 Name /yal05/27282_u00 01/27/06 10:25AM Plate # 0-Composite pg 4 # 4 Copyright ᭧ 2006 by Yochai Benkler. All rights reserved. Subject to the exception immediately following, this book may not be repro- duced, in whole or in part, including illustrations, in any form (beyond that copy- ing permitted by Sections 107 and 108 of the U.S. Copyright Law and except by reviewers for the public press), without written permission from the publishers. The author has made an online version of the book available under a Creative Commons Noncommercial Sharealike license; it can be accessed through the author’s website at http://www.benkler.org. Printed in the United States of America. Library of Congress Cataloging-in-Publication Data Benkler, Yochai. The wealth of networks : how social production transforms markets and freedom / Yochai Benkler. p. cm. Includes bibliographical references and index. ISBN-13: 978-0-300-11056-2 (alk. paper) ISBN-10: 0-300-11056-1 (alk. paper) 1. Information society. 2. Information networks. 3. Computer networks—Social aspects. 4. Computer networks—Economic aspects. I. Title. HM851.B457 2006 303.48'33—dc22 2005028316 A catalogue record for this book is available from the British Library. The paper in this book meets the guidelines for permanence and durability of the Committee on Production Guidelines for Book Longevity of the Council on Library Resources. -
CIVIL ACTION : V
Case 2:05-cv-05213-JF Document 28 Filed 08/03/2006 Page 1 of 7 IN THE UNITED STATES DISTRICT COURT FOR THE EASTERN DISTRICT OF PENNSYLVANIA CARLTON A. SHERWOOD, et al. : CIVIL ACTION : v. : : JOHN F. KERRY and : ANTHONY T. PODESTA : No. 05-05213-JF MEMORANDUM AND ORDER Fullam, Sr. J. August 3, 2006 This action for alleged defamation and related torts concerns events which occurred during the last stages of the 2004 presidential election, but most of the first 102 paragraphs of plaintiffs’ complaint rehearse the alleged misdeeds of persons and organizations protesting the Vietnam War, in the 1970s. According to the complaint, the defendant Senator John F. Kerry, the Democratic candidate for president in 2004, was involved in antiwar protests in the 1970s, following his return from the Vietnam conflict. He allegedly had some role in investigating and exposing alleged atrocities committed by U.S. troops during the Vietnam Conflict, and gave testimony before a Senate committee in opposition to further involvement by the United States in that war. The plaintiff Carlton A. Sherwood disagrees with the views allegedly expressed by Senator Kerry in the 1970s, and insists that the alleged atrocities purportedly disclosed by Senator Kerry (or, more accurately, several other Case 2:05-cv-05213-JF Document 28 Filed 08/03/2006 Page 2 of 7 people allegedly associated with Senator Kerry) either did not occur at all, or were grossly exaggerated. Plaintiff Sherwood, who is described in the complaint, at length, as an award-winning journalist of great integrity and renown, concluded that Senator Kerry had insulted the honor of all Vietnam vets, and that the negative aspects of his character should be brought to light before the 2004 presidential election. -
90 Minutes Press Contact
90 Minutes Press Contact: Susan Senk PR & Marketing 212-876-5948 Susan Senk: [email protected] Linda Altman: [email protected] 2 SHORT SYNOPSIS Set in the world of Russian immigrants living in New York City, Downtown Express uses music to explore the clash of old world values against the lure and excitement of a new country. Under the watch of his loving but overbearing father, virtuoso violinist and Juilliard student Sasha (Grammy nominee Philippe Quint) prepares for a critical recital meant to launch his career. Yet, he is increasingly drawn to the rhythms of the streets of New York, and when he meets singer-songwriter Ramona (acclaimed recording artist Nellie McKay), he joins her band, falls in love, and begins to lead a double life, careening frantically between two worlds. As his classical debut nears, Sasha must decide whether to break with his father and forge his own destiny. LONG SYNOPSIS Downtown Express tells a classic story of youthful rebellion, but tells it with a unique voice: through music. Set in the world of Russian immigrants living in New York City, Downtown Express explores the ways that old world values inevitably clash with the lure and excitement of a new country. The film stars two acclaimed musicians: Philippe Quint, a Grammy-award nominated virtuoso, classical violinist, and Nellie McKay, a singer-songwriter whose songs, part jazz, part sparkly pop, are noted for their wit and quirky humor. Quintʼs role in Downtown Express marks the first time that a classical musician has been featured as the lead in an American film. -
Doc Nyc Announces Full Lineup for Tenth Anniversary Edition November 6-15, 2019
DOC NYC ANNOUNCES FULL LINEUP FOR TENTH ANNIVERSARY EDITION NOVEMBER 6-15, 2019 Festival’s Biggest Slate Ever Includes 28 World Premieres, 27 US Premieres Among More Than 300 Films and Events Once Were Brothers: Robbie Robertson and The Band Opens Festival, The Capote Tapes Closes Event Bikram: Yogi, Guru, Predator Screens as Centerpiece Includes New Films by Veteran Documentarians Barbara Kopple, Joe Berlinger, Kim Longinotto, Michael Apted, Patricio Guzmán, Alan Berliner, Eva Mulvad, Weijun Chen, Thomas Balmès, Beth B, Geeta Gandbhir, Dror Moreh, Yung Chang, Kate Davis & David Heilbroner, Jennifer Siebel Newsom, Oren Jacoby, Ngawang Choephel, Treva Wurmfeld, Mark Benjamin & Marc Levin, Julia Ivanova, Deborah Shaffer & Rachel Reichman Special Guests include Robbie Robertson, Dr. Ruth Westheimer, Ben Taylor, Sally Taylor, Kori Withers, Chris Stills, André Leon Talley, Lydia Lunch, Thurston Moore, Donita Sparks, Maurice Hines, Nicholas Kristof, Sheryl WuDunn, Soledad O’Brien, Elliott Erwitt, Audrey Flack, Buster Williams NEW YORK, Oct. 10, 2019 – DOC NYC, America’s largest documentary festival, announced the full lineup for its expanded tenth anniversary edition, running November 6-15 at the IFC Center in Greenwich Village and Chelsea’s SVA Theatre and Cinépolis Chelsea. The 2019 festival includes 136 feature-length documentaries among over 300 films and events overall, making this landmark year DOC NYC’s biggest edition yet. Included are 28 world premieres, 27 US or North American premieres and 59 NYC premieres, with more than 500 doc -
Changing Channels and Bridging Divides: the Failure and Redemption of American Broadcast Television Regulation
Minnesota Journal of Law, Science & Technology Volume 6 Issue 1 Article 3 2004 Changing Channels and Bridging Divides: The Failure and Redemption of American Broadcast Television Regulation Anthony E. Varona Follow this and additional works at: https://scholarship.law.umn.edu/mjlst Recommended Citation Anthony E. Varona, Changing Channels and Bridging Divides: The Failure and Redemption of American Broadcast Television Regulation, 6 MINN. J.L. SCI. & TECH. 1 (2004). Available at: https://scholarship.law.umn.edu/mjlst/vol6/iss1/3 The Minnesota Journal of Law, Science & Technology is published by the University of Minnesota Libraries Publishing. VARONA_A1 12/29/2004 1:45:38 PM Changing Channels and Bridging Divides: The Failure and Redemption of American Broadcast Television Regulation Anthony E. Varona* Introduction .................................................................................. 3 I. The Mythology of Television Broadcasters as Public Trustees .................................................................................. 10 A. The Origins of American Broadcast Regulation........... 10 1. The Growing Cacophony ............................................ 13 B. Congressional Codification of Broadcast Public Trusteeship.......................................................................... 14 1. The 1927 Radio Act..................................................... 14 2. The 1934 Communications Act .................................. 16 C. Early Attempts to Interpret the Public Interest Standard .............................................................................