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American Strategic Policy and Iranian Political Development 1943-1979
University of Montana ScholarWorks at University of Montana Graduate Student Theses, Dissertations, & Professional Papers Graduate School 1985 American strategic policy and Iranian political development 1943-1979 Mohsen Shabdar The University of Montana Follow this and additional works at: https://scholarworks.umt.edu/etd Let us know how access to this document benefits ou.y Recommended Citation Shabdar, Mohsen, "American strategic policy and Iranian political development 1943-1979" (1985). Graduate Student Theses, Dissertations, & Professional Papers. 5189. https://scholarworks.umt.edu/etd/5189 This Thesis is brought to you for free and open access by the Graduate School at ScholarWorks at University of Montana. It has been accepted for inclusion in Graduate Student Theses, Dissertations, & Professional Papers by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. COPYRIGHT ACT OF 1976 Th is is an unpublished manuscript in which copyright sub s is t s , Any further r epr in tin g of it s contents must be approved BY THE AUTHOR, Man sfield L ibrary Un iv e r s it y of Montana Date : •*' 1 8 AMERICAN STRATEGIC POLICY AND IRANIAN POLITICAL DEVELOPMENT 1943-1979 By Mohsen Shabdar B.A., Rocky Mountain College, 1983 Presented in partial fu lfillm e n t of the requirements for the degree of Master of Arts UNIVERSITY OF MONTANA 1985 Approved by: ‘ Chairman, Board of Examir\efs Dean, Graduate School UMI Number: EP40653 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. -
HISTORY of UKRAINE and UKRAINIAN CULTURE Scientific and Methodical Complex for Foreign Students
Ministry of Education and Science of Ukraine Flight Academy of National Aviation University IRYNA ROMANKO HISTORY OF UKRAINE AND UKRAINIAN CULTURE Scientific and Methodical Complex for foreign students Part 3 GUIDELINES FOR SELF-STUDY Kropyvnytskyi 2019 ɍȾɄ 94(477):811.111 R e v i e w e r s: Chornyi Olexandr Vasylovych – the Head of the Department of History of Ukraine of Volodymyr Vynnychenko Central Ukrainian State Pedagogical University, Candidate of Historical Sciences, Associate professor. Herasymenko Liudmyla Serhiivna – associate professor of the Department of Foreign Languages of Flight Academy of National Aviation University, Candidate of Pedagogical Sciences, Associate professor. ɇɚɜɱɚɥɶɧɨɦɟɬɨɞɢɱɧɢɣɤɨɦɩɥɟɤɫɩɿɞɝɨɬɨɜɥɟɧɨɡɝɿɞɧɨɪɨɛɨɱɨʀɩɪɨɝɪɚɦɢɧɚɜɱɚɥɶɧɨʀɞɢɫɰɢɩɥɿɧɢ "ȱɫɬɨɪɿɹ ɍɤɪɚʀɧɢ ɬɚ ɭɤɪɚʀɧɫɶɤɨʀ ɤɭɥɶɬɭɪɢ" ɞɥɹ ɿɧɨɡɟɦɧɢɯ ɫɬɭɞɟɧɬɿɜ, ɡɚɬɜɟɪɞɠɟɧɨʀ ɧɚ ɡɚɫɿɞɚɧɧɿ ɤɚɮɟɞɪɢ ɩɪɨɮɟɫɿɣɧɨʀ ɩɟɞɚɝɨɝɿɤɢɬɚɫɨɰɿɚɥɶɧɨɝɭɦɚɧɿɬɚɪɧɢɯɧɚɭɤ (ɩɪɨɬɨɤɨɥʋ1 ɜɿɞ 31 ɫɟɪɩɧɹ 2018 ɪɨɤɭ) ɬɚɫɯɜɚɥɟɧɨʀɆɟɬɨɞɢɱɧɢɦɢ ɪɚɞɚɦɢɮɚɤɭɥɶɬɟɬɿɜɦɟɧɟɞɠɦɟɧɬɭ, ɥɶɨɬɧɨʀɟɤɫɩɥɭɚɬɚɰɿʀɬɚɨɛɫɥɭɝɨɜɭɜɚɧɧɹɩɨɜɿɬɪɹɧɨɝɨɪɭɯɭ. ɇɚɜɱɚɥɶɧɢɣ ɩɨɫɿɛɧɢɤ ɡɧɚɣɨɦɢɬɶ ɿɧɨɡɟɦɧɢɯ ɫɬɭɞɟɧɬɿɜ ɡ ɿɫɬɨɪɿɽɸ ɍɤɪɚʀɧɢ, ʀʀ ɛɚɝɚɬɨɸ ɤɭɥɶɬɭɪɨɸ, ɨɯɨɩɥɸɽ ɧɚɣɜɚɠɥɢɜɿɲɿɚɫɩɟɤɬɢ ɭɤɪɚʀɧɫɶɤɨʀɞɟɪɠɚɜɧɨɫɬɿ. ɋɜɿɬɭɤɪɚʀɧɫɶɤɢɯɧɚɰɿɨɧɚɥɶɧɢɯɬɪɚɞɢɰɿɣ ɭɧɿɤɚɥɶɧɢɣ. ɋɬɨɥɿɬɬɹɦɢ ɪɨɡɜɢɜɚɥɚɫɹ ɫɢɫɬɟɦɚ ɪɢɬɭɚɥɿɜ ɿ ɜɿɪɭɜɚɧɶ, ɹɤɿ ɧɚ ɫɭɱɚɫɧɨɦɭ ɟɬɚɩɿ ɧɚɛɭɜɚɸɬɶ ɧɨɜɨʀ ɩɨɩɭɥɹɪɧɨɫɬɿ. Ʉɧɢɝɚ ɪɨɡɩɨɜɿɞɚɽ ɩɪɨ ɤɚɥɟɧɞɚɪɧɿ ɫɜɹɬɚ ɜ ɍɤɪɚʀɧɿ: ɞɟɪɠɚɜɧɿ, ɪɟɥɿɝɿɣɧɿ, ɩɪɨɮɟɫɿɣɧɿ, ɧɚɪɨɞɧɿ, ɚ ɬɚɤɨɠ ɪɿɡɧɿ ɩɚɦ ɹɬɧɿ ɞɚɬɢ. ɍ ɩɨɫɿɛɧɢɤɭ ɩɪɟɞɫɬɚɜɥɟɧɿ ɪɿɡɧɨɦɚɧɿɬɧɿ ɞɚɧɿ ɩɪɨ ɮɥɨɪɭ ɿ ɮɚɭɧɭ ɤɥɿɦɚɬɢɱɧɢɯ -
Federal Register/Vol. 63, No. 20/Friday, January 30, 1998/Notices
5142 Federal Register / Vol. 63, No. 20 / Friday, January 30, 1998 / Notices LIBRARY OF CONGRESS provided by the URAA, copyright work before December 8, 1994, the date protection was restored on January 1, the URAA was enacted. See 17 U.S.C. Copyright Office 1996, in certain works by foreign 104A(h)(4). Before a copyright owner [Docket No. 97±3C] nationals or domiciliaries of World can enforce a restored copyright against Trade Organization (WTO) or Berne a reliance party, the copyright owner Copyright Restoration of Works In countries that were not protected under must file a Notice of Intent (NIE) with Accordance With the Uruguay Round the copyright law for the reasons listed the Copyright Office or serve an NIE on Agreements Act; List Identifying below in (2). Specifically, for restoration such a party. Copyrights Restored Under the of copyright, a work must be an original An NIE may be filed in the Copyright Uruguay Round Agreements Act for work of authorship that: Office within 24 months of the date of Which Notices of Intent to Enforce (1) is not in the public domain in its restoration of copyright. Alternatively, Restored Copyrights Were Filed in the source country through expiration of an owner may serve an NIE on an Copyright Office term of protection; individual reliance party at any time (2) is in the public domain in the during the term of copyright; however, AGENCY: Copyright Office, Library of United States due to: such notices are effective only against Congress. (i) noncompliance with formalities the party served and those who have ACTION: Publication of Seventh List of imposed at any time by United States actual knowledge of the notice and its Notices of Intent to Enforce Copyrights copyright law, including failure of contents. -
Richard Phillips: New Museum
G A G O S I A N G A L L E R Y March 3, 2009 PRESS RELEASE GAGOSIAN GALLERY 980 MADISON AVENUE T. 212.744.2313 NEW YORK NY 10075 F. 212.772.7962 GALLERY HOURS: Tue - Sat 10:00am - 6:00pm RICHARD PHILLIPS: NEW MUSEUM Saturday, March 14– Saturday, May 2, 2009 Opening reception: Saturday, March 14th, from 6 to 8pm “At its core, this show is the conflict between capitalism, fascism, and communism. It looks into the nature of representation, propaganda, and misinformation, and how they redirect the ideologies of institutions.” --Richard Phillips Gagosian Gallery is pleased to present “NEW MUSEUM,” a series of nine monumental paintings by Richard Phillips. Over the last decade, Phillips has developed a striking signature style that derives its tension from his selective use of popular images that he subjects to the technical, value-laden refinements of academic painting. For Phillips, critique is as much an intrinsic material in the conception and staging of his paintings as the canvas and paint with which they are made. His deft and selective scrambling and conflating of subject and genre continues to provide challenging comment on the condition and reach of painting in our time. As a self-conscious American painter weaned on postmodern appropriation strategies, Phillips is an active protagonist in the continually evolving discourse on the many lives and deaths of painting and how this interacts, throughout history, with the complex politics of making and reading images. “NEW MUSEUM” construes painting as an act of civil disobedience rather than one of benign compliance with existing aesthetic conventions. -
Richard Phillips, 2009
Published on the occasion of the exhibition: RICHARD PHILLIPS EUM S MU NEW March 14 – May 2, 2009 Gagosian Gallery 980 Madison Avenue New York, NY 10075 T. 212.744.2313 www.gagosian.com Publication © 2009 Gagosian Gallery All artworks © 2009 Richards Phillips They Like to Look at Pictures © 2009 Bettina Funcke Editor: John Good Managing editor: Alison McDonald Project manager: Nicole Heck Gagosian Gallery coordinators: Andisheh Avini, Nina Coticchia, Darlina Goldak, and Melissa Lazarov. Copy editor: Jennifer Knox White Photography by Rob McKeever Catalogue design by Goto Design, New York Printing and color separations by Meridian Printing, East Greenwich, RI Richard Phillips would like to thank Josephine Meckseper, Alisa Baremboym, Katerina Llanes, and Gregory Edwards. All rights reserved. No part of this publication may be used or reproduced in any manner whatsoever without prior written permission from the copyright holders. ISBN # 1-932598-92-8 THEY LIKE TO LOOK AT PICTURES BETTINA FUNCKE art-world chatter, with history and with politics, a viewer might think body stretching from under her breasts to just below her vulva. One trying to claim? In displacing the object of desire, Phillips might be DOUBLE BIND he or she catches sight of what the fabric of visual culture is made side of the canvas cuts through the middle of her right thigh and offering an analogy for the inescapable intersection of conceptual of, or might get a sense of what composes the power of images— along her waist, and the other along her left upper leg and ribs. art with commerce, a relation illuminated by the fantasy of an art Works of art are ascetic and shameless; the culture industry deception, seduction, subjugation, fear, and desire—only to realize The woman holds a Romeo and Julietta cigar just to the side of the that thinks it might evade consumption by deliberately negating is pornographic and prudish. -
Nazism - Rationalwiki
Nazism - RationalWiki https://rationalwiki.org/wiki/Nazism Nazism From RationalWiki Nazism (less commonly known as National Socialism ) refers to the political A lunatic Chaplin imitator beliefs held by the Nazi Party (officially the "National Socialist German and his greatest fans Workers' Party" - Nationalsozialistische Deutsche Arbeiterpartei , commonly Nazism shortened to NSDAP). It resembled the contemporary doctrine of fascism in many particulars, such as its authoritarianism and ethnic nationalism, although it had a much stronger emphasis on race. It destroyed terrorized ruled Germany from 1933 to 1945, during a period known as the "Third Reich." In case you were wondering, the first Reich was the Holy Roman Empire and the second Reich was the German Empire. Despite being in office longer than Hitler, the Weimar Republic doesn't count. First as tragedy Communists of that time lumped all their authoritarian enemies together under Erwin Rommel the label of "fascist". Today, continuing this usage, many people use the terms Savitri Devi Vidkun Quisling Nazi and fascist interchangeably. Since very few true Nazis are still living Muhammad Amin al- (although there are quite a few neo-Nazi groups), the term is often used more Husseini generally in reference to various authoritarians, especially those who focus on Question of hate, racism, or grammar; though brandishing the term Nazi around to anyone Homosexuality who disagrees with you in a haphazard fashion rather diminishes the atrocities Social Darwinism committed by the Nazi regime. -
Cinema and the Nationality Question in Soviet Ukraine During the Long 1960S
SCENES OF BELONGING: CINEMA AND THE NATIONALITY QUESTION IN SOVIET UKRAINE DURING THE LONG 1960S by Joshua J. First A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (History) in The University of Michigan 2008 Doctoral Committee: Professor William G. Rosenberg, Chair Professor Ronald G. Suny Associate Professor Scott Spector Associate Professor Johannes von Moltke © Joshua J. First 2008 Preface While conducting research for this dissertation, I ran across an odd article from 1996 in a short-lived Ukrainian newspaper called Film Currier (Kinokur”er), which excitedly reported on the front page that Planet 3963, discovered by astronomer Liudmila Chernykh from the Crimean Astrophysics Observatory in 1969, had been renamed in honor of the recently deceased Soviet filmmaker Sergei Paradzhanov. The editors thanked Tat’iana Derevianko at the Oleksandr Dovzhenko Museum for her efforts at achieving recognition for the change with international organizations, writing that it was important that the “universe have as many of ‘our’ planets as possible.” While affirming the national significance of the re-naming, which fit with the larger project of re-imagining Ukrainian history and its canon of heroes and villains – Turgenev Street in L’viv, for example, became Heroes of the UPA Street – the editors nonetheless kept “our” in quotes, suggesting either an ironic detachment from the possessive pronoun, or an inability to commit to such stellar possessions when the newly independent republic did not even have firm possession over its own coastline. Perhaps they felt the Museum was overstating Paradzhanov’s importance, but just as likely the editors were ambivalent about associating the filmmaker’s name with Ukraine in particular. -
NOVEMBER 2018 | CHESHVAN/KISLEV 5779 2 Congregation Agudath Israel of West Essex Masthead
NOVEMBER 2018 | CHESHVAN/KISLEV 5779 2 Congregation Agudath Israel of West Essex masthead NOVEMBER 2018 | CHESHVAN/KISLEV 5779 Contents 2. 17th Annual Israel Walkathon 10. Education Matters 21. Congregational Nurse 4. Schedule of Services 12. Adult Education 23. Sisterhood 5. From the Pulpit: 14. Shabbaton Sponsored by Annual Thanksgiving Basket Drive Rabbi Alan Silverstein The Honey Foundation 24. The New Jersey Devils 15. Early Childhood Center 6. From the Pulpit: Rabbi Ari Lucas 25. Men's Club Caldwell Hadassah — The Robyn Helzner Trio Debbie Kruger Aufruf So You Think You Can Dance 27. Environmental Committee 7. CAI 2nd Annual Comedy Night 16. Development News with Judy Gold 28. B'nei Mitzvah 19. Shabbat in Pajamas Cantor's Notes 32. Tributes & Donations 8. Rich Recht Family 9. The Michael and Barbara Chanukah Concert 37. Yahrtzeit Donations Erlichman Film Series: GI Jews The Daffodil Project Personals CAI Super Bowl Shabbat Dinner 19. Torah for Tots 38. Photos of the Month CAI Men's Club 20. Social Worker New Jersey Jewish Singles Ping Pong Tournament Shabbat Meditation • MEMBER OF CONGREGATION AGUDATH ISRAEL • This message above an ad means the advertiser is a member of Congregation Agudath Israel. Please thank them for supporting CAI by supporting them! Cover image ©em dem/Thanksgiving Table @Thalestria, https://tinyurl.com/y79zcvnn Special thanks to Abby Meth Kanter for her assistance in editing this publication. The Voice is published monthly from September to June by Congregation Agudath Israel of West Essex. 20 Academy Road, -
Batikhäxan – Ett Kvinnligt Supermonster En Kritisk Diskursanalys Av Tre Politiska Pamfletter
Batikhäxan – ett kvinnligt supermonster En kritisk diskursanalys av tre politiska pamfletter Författare: Elisabeth Lahti Davidsson Handledare: Piia Posti Examinator: Peter Forsgren Termin: VT19 Ämne: Litteraturvetenskap Nivå: Master Kurskod: 5LI01E Abstract This thesis shows how misogynous and stereotypical images of women, which historically have been used to transform them into witches and monsters, are now reused in the construction of the term “batikhäxa” (“tie-dye witch”). Feminist and discourse theory form the framework of this study which includes the analysis of three opinion pieces, or political pamphlets, that were published between 2010 – 2018: "Batikhäxorna och makten" by the pseudonym Julia Caesar, "Refugee 'Children" & The Women Who Sexually Exploit Them" by the pseudonym Angry Foreigner and "De ansvariga för Sveriges kaos behöver en intervention för att ställas till svars" by Katerina Janouch. I use critical discourse analysis to study how discursive strategies are applied in these political pamphlets to delegitimate women, making them the scapegoats of society by use of the concept of the tie-dye witch. My thesis argues that the use of the tie-dye witch discourse reproduces patriarchal power relations by denying women the right to have and express their opinions, decide over their own bodies and exercise power in society. The tie-dye witch can therefore also be understood as an anti-feminist counterimage to the feminist witch who was established as a female role model in the 1960s. The study also uncovers the psychological function of the tie-dye witch as a female super monster who demarks the borders of nation, culture, religion, body and gender. In the studied texts, the tie-dye witch is constructed to separate "us" from "the others", and in doing so she also acts as a unifying figure in and of anti-feminist, Islamophobic, xenophobic, nationalist and apocalyptic discourses. -
NIE Lists More Than One Copyright Proprietor Are Hasta Que Se Ponga El Sol
Friday January 30, 1998 Part V Library of Congress Copyright Office Copyright Restoration of Works in Accordance With the Uruguay Round Agreements Act; Notice federal register 5141 5142 Federal Register / Vol. 63, No. 20 / Friday, January 30, 1998 / Notices LIBRARY OF CONGRESS provided by the URAA, copyright work before December 8, 1994, the date protection was restored on January 1, the URAA was enacted. See 17 U.S.C. Copyright Office 1996, in certain works by foreign 104A(h)(4). Before a copyright owner [Docket No. 97±3C] nationals or domiciliaries of World can enforce a restored copyright against Trade Organization (WTO) or Berne a reliance party, the copyright owner Copyright Restoration of Works In countries that were not protected under must file a Notice of Intent (NIE) with Accordance With the Uruguay Round the copyright law for the reasons listed the Copyright Office or serve an NIE on Agreements Act; List Identifying below in (2). Specifically, for restoration such a party. Copyrights Restored Under the of copyright, a work must be an original An NIE may be filed in the Copyright Uruguay Round Agreements Act for work of authorship that: Office within 24 months of the date of Which Notices of Intent to Enforce (1) is not in the public domain in its restoration of copyright. Alternatively, Restored Copyrights Were Filed in the source country through expiration of an owner may serve an NIE on an Copyright Office term of protection; individual reliance party at any time (2) is in the public domain in the during the term of copyright; however, AGENCY: Copyright Office, Library of United States due to: such notices are effective only against Congress. -
Power, Sexuality, and the Masochistic Aesthetic from Sacher-Masoch to Kharms" (2016)
University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations 2016 Power, Sexuality, and the Masochistic Aesthetic From Sacher- Masoch to Kharms Maya Vinokour University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/edissertations Part of the Comparative Literature Commons, Eastern European Studies Commons, European Languages and Societies Commons, German Literature Commons, and the Slavic Languages and Societies Commons Recommended Citation Vinokour, Maya, "Power, Sexuality, and the Masochistic Aesthetic From Sacher-Masoch to Kharms" (2016). Publicly Accessible Penn Dissertations. 2078. https://repository.upenn.edu/edissertations/2078 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/edissertations/2078 For more information, please contact [email protected]. Power, Sexuality, and the Masochistic Aesthetic From Sacher-Masoch to Kharms Abstract This project centers on what I call the “masochistic aesthetic,” which emerged as literature dovetailed with medicine and law in German-speaking Europe and Russia around 1900. I argue that incipient totalitarian societies instrumentalized art and literature to produce citizens who enthusiastically consented to painful social discipline — that is, political masochists. Masochistic narratives like Leopold von Sacher-Masoch’s Venus in Furs (1870), Anton Chekhov’s The Duel (1891), or Andrei Platonov’s Happy Moscow (1933-6) reflect the ethnographic attention to borderlands, regulation of the body, and indefinite delay of pleasure inherent in the imperial or totalitarian settings that engendered them. After tracing the origins of the masochistic aesthetic to the synthesis of sexology and literature in Austria-Hungary, I track its passage into degeneration discourse in late-imperial Russia (Lev Tolstoy, Anton Chekhov) and the labor rationalization movements of interwar German-speaking Europe (Franz Kafka, Robert Walser). -
Federal Communications Commission 445 12Th Street, SW Washington, DC 20554
Federal Communications Commission 445 12th Street, SW Washington, DC 20554 Dear Chairman Genachowski and FCC Commissioners: On January 14, 2010, the SavetheInternet.com Coalition filed more than 35,000 signatures on a letter in support of Net Neutrality. Since then, an additional 23,000 Americans have signed on to the attached letter urging you to stand with the public in your commitment to strong Net Neutrality rules. These people signed onto the attached letter prior to the April 6 Comcast v. FCC decision by the U.S. Court of Appeals for the D.C. Circuit. After April 6, SavetheInternet.com Coalition members gathered more than 200,000 additional signatures on a second letter, calling on the FCC to “reclassify broadband as a telecommunications service.” These additional signatures are filed separately. It’s clear that the public wants the FCC to keep the Internet open and free of corporate gatekeepers. The SavetheInternet.com Coalition urges the FCC to firmly support Net Neutrality. Please restore the agency’s authority over broadband services and move promptly to protect the open Internet with strong Net Neutrality rules. Misty Perez Truedson SavetheInternet.com Free Press 501 Third Street NW, Suite 875 Washington, DC 20001 Ph 202.265.1490 Fax 202.265.1489 April 26, 2010 Federal Communications Commission 445 12th Street, SW Washington, DC 20554 Dear Chairman Genachowski and FCC Commissioners: The public and the president have expressed overwhelming support for Net Neutrality. The FCC must act to keep the Internet open and free of corporate gatekeepers. Without vital Net Neutrality protections, the Internet would cease to be a public platform for free speech, equal opportunity, economic growth and innovation.