Books These Notes Are Mainly for My Own Interest. They Help Me to Recall Books That I Have Read. I Have No Pretensions to Be
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The Children Act : a Novel / Ian Mcewan
Also by Ian McEwan First Love, Last Rites In Between the Sheets The Cement Garden The Comfort of Strangers The Child in Time The Innocent Black Dogs The Daydreamer Enduring Love Amsterdam Atonement Saturday On Chesil Beach Solar Sweet Tooth This book is a work of fiction. Names, characters, businesses, organizations, places, events, and incidents either are the product of the author’s imagination or are used fictitiously. Any resemblance to actual persons, living or dead, events, or locales is entirely coincidental. Copyright © 2014 by Ian McEwan All rights reserved. Published in the United States by Nan A. Talese/Doubleday, a division of Random House LLC, New York, a Penguin Random House company. www.nanatalese.com Originally published in Great Britain by Jonathan Cape, an imprint of the Random House Group Ltd., London DOUBLEDAY is a registered trademark of Random House LLC. Nan A. Talese and the colophon are trademarks of Random House LLC. Ian McEwan is an unlimited company no. 7473219 registered in England and Wales. Jacket design by Michael J. Windsor Jacket illustrations: blood © rangizzz/Shutterstock; texture © Flas100/Shutterstock Library of Congress Cataloging-in-Publication Data McEwan, Ian, author. The children act : a novel / Ian McEwan. — First American edition. pages cm ISBN 978-0-385-53970-8 (hardcover) — ISBN 978-0-385-53971-5 (eBook) 1. Women judges—Fiction. 2. Self-actualization (Psychology) in women—Fiction. 3. Religion and law—England—Fiction. 4. Legal stories. I. Title. PR6063.C4C48 2014 823′.914—dc23 2014018448 v3.1 TO RAY DOLAN Contents Cover Other Books by This Author Title Page Copyright Dedication Epigraph Chapter One Chapter Two Chapter Three Chapter Four Chapter Five Acknowledgments A Note About the Author When a court determines any question with respect to … the upbringing of a child … the child’s welfare shall be the court’s paramount consideration. -
Ian Mcewan: an Alternative History of the Future of Humanity 2 Machines Like Me Has a Fantastic Setting but Very Real Political and Social Preoccupations (Sat, Apr
1 Ian McEwan: An alternative history of the future of humanity 2 Machines Like Me has a fantastic setting but very real political and social preoccupations (Sat, Apr. 13, 2019) 3 www.irishtimes.comhttps://www.irishtimes.com/culture/books/ian-mcewan-an-alternative-history-of-the-future-of-humanity- 4 1.3854699#.XLM22CHd9-E.mailto 5 “The present is the frailest of improbable constructs,” says the narrator of 6 Ian McEwan’s 16th novel Machines Like Me. “It could have been different. 7 Any part of it, or all of it, could be otherwise.” 8 In the author’s house down a quiet mews in London’s Bloomsbury, he 9 makes tea as I set up my equipment for our interview, and the present political moment can’t help but invade 10 our friendly small talk about books. What has he been reading recently? He loves Sally Rooney’s Normal 11 People, he tells me, admiring especially what he calls the “clever rhetorical trick” of how she merges the 12 thoughts of protagonists Marianne and Connell. The prose is “very fine, approachable and easily absorbed, 13 but nicely overladen with emotional frit”. 14 On souped-up multi-strain creative nonfiction he’s not so keen. “I want some invention: to be stretched in 15 that way.” But he likes the autofiction of Knausgaard, I’ve read somewhere. He’s “compelling in his 16 thoroughness” but can be overwhelming. “One day I’d say I can’t take any more of this, and the next day 17 read 100 pages. It’s a bit like Brexit coverage,” he tells me. -
What Literature Knows: Forays Into Literary Knowledge Production
Contributions to English 2 Contributions to English and American Literary Studies 2 and American Literary Studies 2 Antje Kley / Kai Merten (eds.) Antje Kley / Kai Merten (eds.) Kai Merten (eds.) Merten Kai / What Literature Knows This volume sheds light on the nexus between knowledge and literature. Arranged What Literature Knows historically, contributions address both popular and canonical English and Antje Kley US-American writing from the early modern period to the present. They focus on how historically specific texts engage with epistemological questions in relation to Forays into Literary Knowledge Production material and social forms as well as representation. The authors discuss literature as a culturally embedded form of knowledge production in its own right, which deploys narrative and poetic means of exploration to establish an independent and sometimes dissident archive. The worlds that imaginary texts project are shown to open up alternative perspectives to be reckoned with in the academic articulation and public discussion of issues in economics and the sciences, identity formation and wellbeing, legal rationale and political decision-making. What Literature Knows The Editors Antje Kley is professor of American Literary Studies at FAU Erlangen-Nürnberg, Germany. Her research interests focus on aesthetic forms and cultural functions of narrative, both autobiographical and fictional, in changing media environments between the eighteenth century and the present. Kai Merten is professor of British Literature at the University of Erfurt, Germany. His research focuses on contemporary poetry in English, Romantic culture in Britain as well as on questions of mediality in British literature and Postcolonial Studies. He is also the founder of the Erfurt Network on New Materialism. -
Illusion and Reality in the Fiction of Iris Murdoch: a Study of the Black Prince, the Sea, the Sea and the Good Apprentice
ILLUSION AND REALITY IN THE FICTION OF IRIS MURDOCH: A STUDY OF THE BLACK PRINCE, THE SEA, THE SEA AND THE GOOD APPRENTICE by REBECCA MODEN A thesis submitted to the University of Birmingham for the degree of MASTER OF PHILOSOPHY (Mode B) Department of English School of English, Drama and American and Canadian Studies University of Birmingham September 2011 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. ABSTRACT This thesis considers how Iris Murdoch radically reconceptualises the possibilities of realism through her interrogation of the relationship between life and art. Her awareness of the unreality of realist conventions leads her to seek new forms of expression, resulting in daring experimentation with form and language, exploration of the relationship between author and character, and foregrounding of the artificiality of the text. She exposes the limitations of language, thereby involving herself with issues associated with the postmodern aesthetic. The Black Prince is an artistic manifesto in which Murdoch repeatedly destroys the illusion of the reality of the text in her attempts to make language communicate truth. Whereas The Black Prince sees Murdoch contemplating Hamlet, The Sea, The Sea meditates on The Tempest, as Murdoch returns to Shakespeare in order to examine the relationship between life and art. -
The 'Insider Outsider, in Iris Murdoch,S Bruno's Dream And
にはなぜ目をつぶったのか。ケインズやムーア を正確に認識できないというペシミズムが、ヨー 物それぞれが主役となり、描出される図式に注目 タファーによって「連続性」を象徴した。またク の‘ Sincerity’ をロマンティシズムのあやまちだ ロッパの思想史に長く一貫して継承されてきた重 すると、人間関係の渦巻の連鎖が螺旋、組紐など リモンドをヒンドゥー教のナタラージャ(踊るシ と否定するけれども、彼女が敬意をもって肯定す 要な主題であるのを考えると、彼女の‘ Good’ や 聖書写本『ケルズの書』の抽象文様の世界をス ヴァ神)で象徴しようとしたものは、ヒンドゥー るシモ̶ヌ・ヴェイユの‘ Attention’ とどこがど ‘Perfection’ の理念はその系譜のうちのどこにど トーリーの運びによって描出しようとする、マー 教の重要な特徴である「宗教的寛容の精神」であ う違うと言えるのか。プラトンの洞窟の比喩や、 う位置づけられるものなのか。 ドックの技法が読み取れる。 ろう。ティマーがダンカンとの偶発的な愛の衝動 ピュロンの判断中止の懐疑主義以来、人間は現実 かつてジョイスは『フィネガンズ・ウェイク』 の結果、被った精神的打撃により、「古い神」へ で実験的言語を駆使して『ケルズの書』の宇宙の の信仰の喪失を体験したが、キルケゴールや、サ イメージを表現しようと試みた。ジョイスとはた ン・ファン・デラ・クルスを読み、次第に救われ がいに、きわめて異質の作家であるマードック てゆくプロセスを描いて、マードックは他者認識 研究発表要約 は、渦巻状をなす抽象的な形象の絡まり合いが、 を可能にする「寛容」の精神が小説論の基本にあ 次第に中心を移動させつつ連続してゆく世界の秩 ることを表明している。この作品中に『ケルズの The‘ Insider Outsider’ in Iris Murdoch’s Bruno’s Dream 序をストーリーによって表現することを試みたと 書』の intertextuality は随所に散見できるが、『ケ and Kazuo Ishiguro’s The Remains of the Day 考察される。 ルズの書復刻版』の序文で U. エーコが、「未完 マードックは「連続性」の概念を次のように表 の書であるが今後も連続して書き続けることが期 Wendy Jones Nakanishi 現している。ローズはジェラードへの「憧憬と 待される哲学的大作の典型」であると述べたよう 愛」において善意の人であり、連続性の世界の住 に、本作品でもジェラードとクリモンドが「現代 This article compares two novels whose theme is the reflections and regrets of a 人であると述べ、一方ジィーンは、クリモンドと の善と魂」に関する思索の書を、今後も連続して lonely male protagonist. In Bruno’s Dream( 1969), it is Bruno, a sick old man nearing 共に連続性の世界の外側の偶発性をはらんだ実世 書き続けるだろうとの予感を提示して、小説はこ death. In The Remains of the Day( 1990), it is the butler Stevens who, preoccupied with 界に生きているという。 こで閉じている。 his work, has always kept to himself and now discovers a longing to establish human かねてマードックは絵画など芸術作品を援用 本作品は、同性婚や宗教的寛容の精神など、時 contact with others. Both are depicted as essentially alone. In the drama of life they are して作品のメッセージを提示するのだが、本作 代の抱えている問題を先取りしながら、それを超 spectators rather than actors. They are‘ insider outsiders’. 品ではマチスの絵画『ダンス』(Succession)のメ える普遍的な世界観を提示している。 The sense of alienation Bruno and Stevens experience is so acutely described because they are the creation of authors who were‘ insider outsiders’ themselves: inhabiting England but not native to it. -
Narrative Topography: Fictions of Country, City, and Suburb in the Work of Virginia Woolf, W. G. Sebald, Kazuo Ishiguro, and Ian Mcewan
Narrative Topography: Fictions of Country, City, and Suburb in the Work of Virginia Woolf, W. G. Sebald, Kazuo Ishiguro, and Ian McEwan Elizabeth Andrews McArthur Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2012 © 2012 Elizabeth Andrews McArthur All rights reserved ABSTRACT Narrative Topography: Fictions of Country, City, and Suburb in the Work of Virginia Woolf, W. G. Sebald, Kazuo Ishiguro, and Ian McEwan Elizabeth Andrews McArthur This dissertation analyzes how twentieth- and early twenty-first- century novelists respond to the English landscape through their presentation of narrative and their experiments with novelistic form. Opening with a discussion of the English planning movement, “Narrative Topography” reveals how shifting perceptions of the structure of English space affect the content and form of the contemporary novel. The first chapter investigates literary responses to the English landscape between the World Wars, a period characterized by rapid suburban growth. It reveals how Virginia Woolf, in Mrs. Dalloway and Between the Acts, reconsiders which narrative choices might be appropriate for mobilizing and critiquing arguments about the relationship between city, country, and suburb. The following chapters focus on responses to the English landscape during the present era. The second chapter argues that W. G. Sebald, in The Rings of Saturn, constructs rural Norfolk and Suffolk as containing landscapes of horror—spaces riddled with sinkholes that lead his narrator to think about near and distant acts of violence. As Sebald intimates that this forms a porous “landscape” in its own right, he draws attention to the fallibility of representation and the erosion of cultural memory. -
The Concept of Irony in Ian Mcewan's Selected Literary Works
Univerzita Palackého v Olomouci Filozofická fakulta Katedra anglistiky a amerikanistiky Bc. Eva Mádrová Concept of Irony in Ian McEwan’s Selected Literary Works Diplomová práce PhDr. Libor Práger, Ph.D. Olomouc 2013 Prohlašuji, že jsem tuto diplomovou práci na téma “Concept of Irony in Ian McEwan’s Selected Literary Works” vypracovala samostatně pod odborným dohledem vedoucího práce a uvedla jsem všechny použité podklady a literaturu. V Olomouci dne Podpis I would like to thank my supervisor PhDr. Libor Práger, Ph.D. for his assistance during the elaboration of my diploma thesis, especially for his valuable advice and willingness. Table of contents Introduction 6 1. Ian McEwan 7 2. Methodology: Analysing irony 8 2.1 Interpreter, ironist and text 8 2.2 Context and textual markers 10 2.3 Function of irony 11 2.4 Postmodern perspective 12 3. Fiction analyses 13 3.1 Atonement 13 3.1.1 Family reunion ending as a trial of trust 13 3.1.2 The complexity of the narrative: unreliable narrator and metanarrative 14 3.1.3 Growing up towards irony 17 3.1.4 Dramatic encounters and situations in a different light 25 3.2 The Child in Time 27 3.2.1 Loss of a child and life afterwards 27 3.2.2 The world through Stephen Lewis’s eyes 27 3.2.3 Man versus Universe 28 3.2.4 Contemplation of tragedy and tragicomedy 37 3.3 The Innocent 38 3.3.1 The unexpected adventures of the innocent 38 3.3.2 The single point of view 38 3.3.3 The versions of innocence and virginity 40 3.3.4 Innocence in question 48 3.4 Amsterdam 50 3.4.1 The suicidal contract 50 3.4.2 The multitude -
Rare Books, Manuscripts, Maps & Photography (489) Lot 86
Rare Books, Manuscripts, Maps & Photography (489) Wed, 17th May 2017, Edinburgh Lot 86 Estimate: £700 - £1000 + Fees Murdoch, Iris, 15 inscribed and/or signed first editions, 8 other first editions The Flight from the Enchanter. 1956. First edition, inscribed "Penelope & Ralph with best wishes from Iris" on endpaper (also with name F. Clarke, Apr. 1956), title-page signed, dustwrapper repaired on verso with sellotape & consequential discolouration; The Bell. 1958, First edition, dustwrapper spotted at edge, one small closed tear; A Severed Head. 1961. First edition, inscribed "Ralph & Penelope love from Iris" on endpaper, title-page signed, dustwrapper a little soiled and very slightly rubbed; An Unofficial Rose. London: Chatto & Windus, 1962, First edition, inscribed on endpaper "Penelope & Ralph, with my best wishes & my love, Iris", signed on title page, dust-jacket slightly discoloured, slightly rubbed; The Unicorn. 1963. First edition, inscribed on endpaper, signed on the title page, dustwrapper lightly soiled, a few closed tears; The Italian Girl. 1964. First edition, dust- jacket slightly rubbed, slightly marked; The Tale of the Angels.1966. First edition, dust-jacket torn without loss; The Nice and the Good. 1968, dustwrapper; Bruno's Dream. 1969. First edition, inscribed "Penelope & Ralph with my Love, Iris" on endpaper, title-page signed, dust-jacket a trifle rubbed, small tear at corner; another copy. 1969. First edition, inscribed "Penelope, Ralph from Iris, all love" and signed on title, spine of dustwrapper worn with loss & slightly soiled; A Fairly Honourable Defeat. 1970, dustwrapper; An Accidental Man. 1971. First edition, inscribed "Penelope & Ralph with love Iris" on endpaper, title-page signed and with Worcester City Libraries stamp, dustwrapper slightly faded, slightly rubbed; The Black Prince. -
The Book of Abstracts
THE BOOK OF ABSTRACTS Editor: Ferit Kılıçkaya, Ph.D. Mehmet Akif Ersoy University ____________________________________ Mehmet Akif Ersoy University Department of Foreign Language Education Burdur, TURKEY May 12 – 14, 2016 The 5th International Conference on Language, Literature and Culture [ THE BOOK OF ABSTRACTS ] Editor: Ferit Kılıçkaya, Ph.D. Mehmet Akif Ersoy University ____________________________________ Mehmet Akif Ersoy University Department of Foreign Language Education Burdur, TURKEY May 12 – 14, 2016 i Published by the Department of Foreign Language Education, Faculty of Education, Mehmet Akif Ersoy University, Burdur, TURKEY Original material in this book of abstracts may be reproduced with the permission of the publisher, provided that (1) the material is not reproduced for sale or profitable gain, (2) the author is informed, and (3) the material is prominently identified as coming from the 5th International Conference in Language, Literature and Culture: The Book of Abstracts. The authors are responsible for the contents of their abstracts and warrant that their abstract is original, has not been previously published, and has not been simultaneously submitted elsewhere. The views expressed in the abstracts in this publication are those of the individual authors and are not necessarily shared by the editor or the reviewers. ©2016 Department of Foreign Language Education, Mehmet Akif Ersoy University ISBN: 9786058327900 ii HONORARY COMMITTEE Hasan Kürklü, Governor of Burdur Ali Orkun Ercengiz, Mayor of Burdur Prof. Dr. Adem -
Ward, Christopher J. (2010) It's Hard to Be a Saint in the City: Notions of City in the Rebus Novels of Ian Rankin. Mphil(R) Thesis
Ward, Christopher J. (2010) It's hard to be a saint in the city: notions of city in the Rebus novels of Ian Rankin. MPhil(R) thesis. http://theses.gla.ac.uk/1865/ Copyright and moral rights for this thesis are retained by the author A copy can be downloaded for personal non-commercial research or study, without prior permission or charge This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the Author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the Author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Glasgow Theses Service http://theses.gla.ac.uk/ [email protected] It’s Hard To Be A Saint In The City: Notions of City in the Rebus Novels of Ian Rankin Christopher J Ward Submitted for the degree of M.Phil (R) in January 2010, based upon research conducted in the department of Scottish Literature and Faculty of Arts, University of Glasgow © Christopher J Ward, 2010 Contents Acknowledgements 3 Introduction: The Crime, The Place 4 The juncture of two traditions 5 Influence and intent: the origins of Rebus 9 Combining traditions: Rebus comes of age 11 Noir; Tartan; Tartan Noir 13 Chapter One: Noir - The City in Hard-Boiled Fiction 19 Setting as mode: urban versus rural 20 Re-writing the Western: the emergence of hard-boiled fiction 23 The hard-boiled city as existential wasteland 27 ‘Down these mean streets a man must -
1 No- G COMEDY and the EARLY NOVELS of IRIS MURDOCH Larry
no- G 1 COMEDY AND THE EARLY NOVELS OF IRIS MURDOCH Larry/Rockefeller A Dissertation Submitted to the Graduate School of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY August 1968 Approved by Doctoral Committee _Adviser Department of English I a Larry Jean Rockefeller 1969 ALL RIGHTS RESERVED PREFACE Why has Iris Murdoch failed in her attempt to resur rect the novel of characters? That is the question which has perplexed so many readers who find in her novels sig nificant statements about the human condition rendered by a talent equalled only by a handful of other writers of our time, and it is the question which the pages follow ing try to answer. In general, the implicit argument under lying those pages is tripartite: (1) only comedy of a kind which resembles closely Murdoch's conception of love will allow a novelist to detach himself enough from his charac ters to give them a tolerant scope within which to humanly exist; (2) Murdoch has succeeded in maintaining that balanced synthesis between acceptance and judgement only in her earli est work and only with complete success in The Bell; and (3) the increasingly bitter tone of her satire — not to mention just the mere fact of her use of satire as a mode for character creation — has, in her most recent work, blighted the vitality of her characters by too strictly limiting them to usually negative meanings. Close analysis has been made, hence, of the ways in which comic devices affect us as readers in our perception of Murdoch's per sons. -
Iris Murdoch'un the Sea the Sea Romanında Lacancı İlkeler
Atatürk Üniversitesi Sosyal Bilimler Enstitüsü Dergisi 2015 19 (3): 103-126 ‘There is no Such Thing as a Sexual Relationship’: Lacanian Principles in Iris Murdoch’s The Sea The Sea Seda ARIKAN (*) Abstract: Iris Murdoch, the English philosopher and writer, and Jacques Lacan, the French philosopher and psychoanalyst, tried to depict the human relations in a questioning way in the twentieth century. In this respect, their ideas frequently meet on the fields such as philosophy and psychoanalysis. This paper will handle Murdoch’s well-known novel The Sea The Sea in terms of its protagonist’s, Charles Arrowby’s unconscious motivations in connection with his obsessive love for Hartley. When Charles’s sexual and emotional relationships, such as his relationship with Clement who is old enough to be his mother, his obsession for his first love who is married to another man, his will to steal women from their husbands, and his references to his strict mother are considered, he seems more as a representative of Lacanian subject of the unconscious. In this sense, the references that direct the readers to Charles’s unconscious motivations demonstrate in particular his own but in general everybody’s paradoxical desire to attain the absolute jouissance which is lost in the symbolic order in Lacanian terminology. Charles’s quest for jouissance is presented by his sexual relationships, namely Lacanian object petit a’s. However, the impossibility to attain jouissance is also reflected by those of love failures. As Lacan theorizes, all sexual relationships are illusions and fantasies that cannot ensure jouissance for human being, here for Charles.