The Children Act : a Novel / Ian Mcewan
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Ian Mcewan: an Alternative History of the Future of Humanity 2 Machines Like Me Has a Fantastic Setting but Very Real Political and Social Preoccupations (Sat, Apr
1 Ian McEwan: An alternative history of the future of humanity 2 Machines Like Me has a fantastic setting but very real political and social preoccupations (Sat, Apr. 13, 2019) 3 www.irishtimes.comhttps://www.irishtimes.com/culture/books/ian-mcewan-an-alternative-history-of-the-future-of-humanity- 4 1.3854699#.XLM22CHd9-E.mailto 5 “The present is the frailest of improbable constructs,” says the narrator of 6 Ian McEwan’s 16th novel Machines Like Me. “It could have been different. 7 Any part of it, or all of it, could be otherwise.” 8 In the author’s house down a quiet mews in London’s Bloomsbury, he 9 makes tea as I set up my equipment for our interview, and the present political moment can’t help but invade 10 our friendly small talk about books. What has he been reading recently? He loves Sally Rooney’s Normal 11 People, he tells me, admiring especially what he calls the “clever rhetorical trick” of how she merges the 12 thoughts of protagonists Marianne and Connell. The prose is “very fine, approachable and easily absorbed, 13 but nicely overladen with emotional frit”. 14 On souped-up multi-strain creative nonfiction he’s not so keen. “I want some invention: to be stretched in 15 that way.” But he likes the autofiction of Knausgaard, I’ve read somewhere. He’s “compelling in his 16 thoroughness” but can be overwhelming. “One day I’d say I can’t take any more of this, and the next day 17 read 100 pages. It’s a bit like Brexit coverage,” he tells me. -
The Concept of Irony in Ian Mcewan's Selected Literary Works
Univerzita Palackého v Olomouci Filozofická fakulta Katedra anglistiky a amerikanistiky Bc. Eva Mádrová Concept of Irony in Ian McEwan’s Selected Literary Works Diplomová práce PhDr. Libor Práger, Ph.D. Olomouc 2013 Prohlašuji, že jsem tuto diplomovou práci na téma “Concept of Irony in Ian McEwan’s Selected Literary Works” vypracovala samostatně pod odborným dohledem vedoucího práce a uvedla jsem všechny použité podklady a literaturu. V Olomouci dne Podpis I would like to thank my supervisor PhDr. Libor Práger, Ph.D. for his assistance during the elaboration of my diploma thesis, especially for his valuable advice and willingness. Table of contents Introduction 6 1. Ian McEwan 7 2. Methodology: Analysing irony 8 2.1 Interpreter, ironist and text 8 2.2 Context and textual markers 10 2.3 Function of irony 11 2.4 Postmodern perspective 12 3. Fiction analyses 13 3.1 Atonement 13 3.1.1 Family reunion ending as a trial of trust 13 3.1.2 The complexity of the narrative: unreliable narrator and metanarrative 14 3.1.3 Growing up towards irony 17 3.1.4 Dramatic encounters and situations in a different light 25 3.2 The Child in Time 27 3.2.1 Loss of a child and life afterwards 27 3.2.2 The world through Stephen Lewis’s eyes 27 3.2.3 Man versus Universe 28 3.2.4 Contemplation of tragedy and tragicomedy 37 3.3 The Innocent 38 3.3.1 The unexpected adventures of the innocent 38 3.3.2 The single point of view 38 3.3.3 The versions of innocence and virginity 40 3.3.4 Innocence in question 48 3.4 Amsterdam 50 3.4.1 The suicidal contract 50 3.4.2 The multitude -
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IJELLH Volume 6, Issue 12, December 2018 73 J.Ramona Asst.Professor of English Bon Secours College for Women India. [email protected] TEMPORAL EXPERIENCES IN THE SELECT NOVELS OF IAN McEWAN Abstract This paper exerts to analyze Ian’s concept of temporal experiences in this postmodern world. Ian’s novels stands out for its highlight on temporality and the tacit exigency to tackle one’s moral identity. McEwan designs his novels as a fictitious narrative based on various themes, using them in hookup with his plots, characters and symbols, to add emphasis to the concepts and the ideas that shape his stories. His themes range from universal to the complex. The overriding temporal frame of his novels are uncanny. Key Words: Temporal, Mundanity, Sacrosanct, Servitude, Ethical Vision. “Temporal and spiritual things are inseparably connected, and even will be.” - Joseph Smith In the light of temporality the author appears to juxtapose the time of mundanity for the characters and a time that is sacrosanct and servitude, thus stressing an ethical vision, IJELLH Volume 6, Issue 12, December 2018 74 possibly beyond what the self – centered British society in this postmodern world can foresee. All the underlying attention to temporal expressions and the prominent zerohour of life only reinforces the author’s call for moral inquiries and search for accountable, ethical stances in an era of transition and deterioration. McEwan continues to explore the impact on ordinary people of unusual or extreme situations, as they face sudden shocking violence or slip into acute psychological states. The Cement Garden is a clear metaphor of dysfunctional mourning of the characters Jack and his siblings. -
Ian Mcewan's Atonement
UNIVERZITA PALACKÉHO V OLOMOUCI Pedagogická fakulta Katedra anglického jazyka ANETA VRÁGOVÁ III. ročník – prezenční studium Obor: Anglický jazyk se zaměřením na vzdělávání – Německý jazyk se zaměřením na vzdělávání IAN MCEWAN’S ATONEMENT: COMPARISON OF THE NOVEL AND THE FILM ADAPTATION Bakalářská práce Vedoucí práce: Mgr. Josef Nevařil, Ph.D. Olomouc 2015 Prohlášení: Prohlašuji, že jsem závěrečnou práci vypracovala samostatně a použila jen uvedených pramenů a literatury. V Olomouci (datum) ……………………………………………… vlastnoruční podpis I would like to thank Mgr. Josef Nevařil, Ph. D. for his assistance, comments and guidance throughout the writing process. CONTENTS INTRODUCTION .......................................................................................................... 6 1. BIOGRAPHY OF IAN MCEWAN ...................................................................... 7 1.1. BIOGRAPHY ................................................................................................... 7 1.2. LITERARY OUTPUT ...................................................................................... 8 1.3. AUTOBIOGRAPHICAL ASPECTS ................................................................ 9 2. POSTMODERNISM .......................................................................................... 12 3. COMPARISON OF THE NOVEL ATONEMENT AND THE FILM ADAPTATION ......................................................................................................................... 14 3.1. NOVEL: GENERAL INFORMATION ........................................................ -
Postmodern Children and the Cement Garden of Ian Mcewan Réka Vajda [email protected]
Eger Journal of English Studies XX (2020) 65–76 65 Postmodern Children and THE CEMENT GARDEN of Ian McEwan Réka Vajda [email protected] Postmodern childhood narratives often explore disturbing themes, break social conventions and taboos. In order to comment on this kind of representation, this study will introduce Ian McEwan’s controversial novel The Cement Garden (1978), the story of four children who, in the middle of a particularly hot summer, find themselves orphaned. The novel narrated by fourteen-year-old Jack explores such themes as sexuality, incest, death, the struggles of coming of age, isolation, gender roles and parent-child relationships. Keywords: child, childhood, postmodern, Ian McEwan. 1 Introduction The twentieth century or the “century of the child,” as called by James and Prout (1997, 1), witnessed a great increase in the attention paid to childhood and children. Psychologist James Sully, the author of Studies of Childhood, wrote at the very end of the nineteenth century: “With the growth of a poetic or sentimental interest in childhood there has come a new and different kind of interest. Ours is a scientific age, and science has cast its inquisitive eye on the infant […] we now speak of the beginning of a careful and methodical investigation of child nature.” (1993, 4) He was right. By the 1970s psychologists, sociologists and anthropologists have offered extensive accounts on various aspects of childhood and the child. In 1960 French historian Philip Ariés published his controversial book Centuries of Childhood, in which he questioned some of the existing assumptions about the nature of childhood. -
The Sense and Sensibility in Later Novels of Ian Mcewan (Bachelor’S Thesis)
Palacký University in Olomouc Philosophical Faculty Department of English and American Studies The Sense and Sensibility in Later Novels of Ian McEwan (Bachelor’s thesis) Eva Pudová English Philology - Journalism Supervisor: PhDr. Libor Práger, PhD. Olomouc 2016 I confirm that I wrote this thesis myself and integrated corrections and suggestions of improvement of my supervisor. I also confirm that the thesis includes complete list of sources and literature cited. In Olomouc .................................. I would like to thank my supervisor, PhDr.Libor Práger, PhD, for his support, assistance and advice. Table of Contents Table of Contents .................................................................................................... 4 Introduction ............................................................................................................. 5 1. Ian McEwan ..................................................................................................... 7 2. Other works...................................................................................................... 9 3. Critical perspective ........................................................................................ 11 4. Characters ...................................................................................................... 14 4.1. Realness of the characters ...................................................................... 14 4.2. Character differences and similarities .................................................... 16 5. -
David Le Barzic Ian Mcewan Bibliographie © 2001-2003 De David Le Barzic
David Le Barzic Ian McEwan Bibliographie © 2001-2003 de David Le Barzic LE TEXTE EWANIEN : ŒUVRES DE FICTION Les traductions françaises disponibles sont indiquées entre crochets sous l’ouvrage anglais. Romans The Cement Garden. Londres : Picador (Jonathan Cape), 1978. [Le jardin de ciment. Trad. Claire Malroux. Paris : Points Seuil, 1980.] The Comfort of Strangers. Londres : Picador (Jonathan Cape), 1981. [Etrange séduction (Un bonheur de rencontre). Trad. J. Pierre Carasso. Paris : Points Seuil, 1983.] The Child in Time. Londres : Picador (Jonathan Cape), 1987. [L’enfant volé. Trad. Josée Strawson. Paris : Folio Gallimard, 1993.] The Innocent. Londres : Picador (Jonathan Cape), 1990. [L’innocent. Trad. Jean Guiloineau. Paris : Points Seuil, 1992.] Black Dogs. Londres : Jonathan Cape, 1992. [Les chiens noirs. Trad. Suzanne V. Mayoux. Paris : Folio Gallimard, 1994.] Enduring Love. Londres : Jonathan Cape, 1997. [Délire d’amour. Trad. Suzanne V. Mayoux. Paris : Gallimard, 1999.] Amsterdam. Londres : Jonathan Cape, 1998. [Amsterdam. Trad. Suzanne V. Mayoux. Paris : Gallimard, 2001.] Atonement. Londres : Jonathan Cape, 2001. Nouvelles en recueils First Love, Last Rites. Londres : Picador (Jonathan Cape), 1975. In Between the Sheets. Londres : Picador (Pan Books/Jonathan Cape), 1978. [Sous les draps et autres nouvelles. Trad. Françoise Cartano. Paris : Folio Gallimard, 1997.] Nouvelles hors recueils “Intersection.” Tri-Quarterly 34 (aut. 1975) : 63-86. “Untitled.” Tri-Quarterly 35 (hiv. 1976) : 62-3. “Deep Sleep, Light Sleeper.” Harpers & Queen, (08/1977) : 83-6. Fiction pour enfants Rose Blanche (avec Roberto Innocenti). Londres : Jonathan Cape, 1985 (basé sur un récit de Chrisophe Gallaz). The Daydreamer. Londres : Vintage, 1994. [Le rêveur. Trad. José Strawson. Paris : Gallimard, 1999.] Pièces de télévision et dramatiques The Imitation Game : Three Plays for Television. -
Glimpses of Id Domination and Abreaction in Ian Mcewan's First
DOI: https://doi.org/10.24113/ijellh.v8i1.10333 Glimpses of Id Domination and Abreaction in Ian McEwan’s First Love, Last Rites Shivani Singh Research Scholar Department of English and Foreign Studies Dr.Shakuntala Misra Rehabilitation University Lucknow, Uttar Pradesh, India [email protected] Abstract First Love, Last Rites, a collection of short stories by Ian McEwan was published in 1975. This was the first work written by McEwan that consist eight short stories with estranged and perplexed themes. Ian McEwan received a mixed reaction of criticism as well as appreciation by the readers. The stories are usually of fifteen to twenty pages with the following titles – “Solid Geometry”, “Homemade”, “Last Day of Summer”, “Cocker at the Theatre”, “Butterflies”, “Conversation with a Cupboard Man” and “First Love, Last Rites” and “Disguise”. The author has also included a short story named after the title of his collection. There are numerous aspects in the stories where either the narrators or the protagonists talk about their suppressed emotions or fulfilled desires without being concerned about the societal norms and environment around them. This paper will analyse eight short stories of McEwan in light of the psychoanalytical terms, ‘Id Domination’ and ‘Abreaction’. www.ijellh.com SMART MOVES JOURNAL IJELLH ONLINE ISSN: 2582-3574 PRINT ISSN: 2582-4406 Vol. 8, Issue 1, January 2020 87 Keywords – Id, Abreaction, First Love Last Rites, Psychoanalysis, Ian McEwan “Culturally, we are neither puritanical nor ‘liberated’. Just profoundly confused”. -Ian McEwan (First Love, Last Rites xii) Ian McEwan was born in 1948 in the British military town of Aldershot. -
BIBLIOTECA DELLA RICERCA DIRETTA DA GIOVANNI DOTOLI CHRISTOPHER WILLIAMS (Università Di Bari)
BIBLIOTECA DELLA RICERCA DIRETTA DA GIOVANNI DOTOLI CHRISTOPHER WILLIAMS (Università di Bari) CULTURA STRANIERA IAN McEWAN’S THE CEMENT GARDEN 66 AND THE TRADITION OF THE CHILD/ADOLESCENT AS ‘I-NARRATOR’ In the literary history of the English-speaking world, the theme of childhood was largely ignored until the Romantics. Of course, childhood had often been the subject of Elizabe- than lyrics, but in the Elizabethan drama, the main body of Augustan verse, and the 18th century novel, the child was CHRISTOPHER WILLIAMS generally absent or played at most a peripheral role. Although the rationalist school had consistently shown an interest in theories of education, it “seldom considered 1 the nature of the child as a child” . Children were perceived as small adults (they were even forced to dress like mini- ature adults), and it was believed that, through training, their IAN McEWAN’S THE CEMENT GARDEN infantile ways could be transformed into the moral and ra- AND THE TRADITION tional perfection of regulated childhood. As a tabula rasa, OF THE CHILD/ADOLESCENT AS ‘I-NARRATOR’ the child had everything to gain from the beneficent influ- ence of education; conversely, the adult – teacher, writer or parent – had precious little to learn from the child. The growing reaction against this rationalist, perfection- Estratto da ist idea, and the belief in the supremacy of Feeling over LE TRASFORMAZIONI DEL NARRARE Reason, led to a progressive concentration of interest upon the child in the second half of the 18th century. Atti del XVI Convegno Nazionale Rousseau, more than any other philosopher, was to influ- Ostuni (Brindisi) 14-16 ottobre 1993 ence the intellectual climate in which Blake, Wordsworth and Coleridge wrote. -
Nutshell Ian Mcewan
Nutshell A Novel Ian McEwan TARGET CONSUMER: Fans of Ian McEwan Readers of Julian Barnes, Martin Amis, Jonathan Franzen, Zadie Smith, and Kazuo Ishiguro Nutshell is a classic story of murder and deceit, told by a narrator with a perspective and voice unlike any in recent literature. A bravura performance, it is the finest recent work from a true master. To be bound in a nutshell, see the world in two inches of ivory, in a grain of sand. Why not, when all of literature, all of art, of human endeavour is just a speck in the universe of possible things. Author Bio: Ian McEwan is the bestselling author of sixteen books, including the novels The Children Act; Sweet Tooth; Solar, winner of the Bollinger Everyman Wodehouse Prize; On Chesil Beach; Saturday; Atonement, winner of the National Book Critics Circle Award and the W. H. Smith Literary Award; The Comfort of Strangers and Black Dogs, both short-listed for the Booker Prize; Amsterdam, winner of the Booker Prize; and The Child in Time, winner of the Whitbread Award; ON SALE 8/30/2016 as well as the story collections First Love, Last Rites, winner of the Somerset Maugham Award, and In Between the Sheets. NAN A. TALESE HC: 9780385542074 / $25.95 Residence: Gloucestershire, UK Author Site: http://www.ianmcewan.com EL: 9780385542081 / $12.99 Social: https://www.facebook.com/Ian-McEwan-305499726425/ BISAC 1: Fiction - Literary BISAC 2: Fiction - Family Life BISAC 3: Fiction - Psychological Page Count: 224 Trim Size: 5-5/8 x 8-1/4 Carton Count: 12 UPC: 050694925950 In-House Editor: Nan A. -
On Chesil Beach
ON CHESIL BEACH PRODUCTION NOTES Directed by Dominic Cooke Starring Saoirse Ronan, Billy Howle, Samuel West, Emily Watson and Anne-Marie Duff Adapted for the screen by Ian McEwan from his own novel On Chesil Beach In Australian cinemas August 9. 2018 AUSTRALIAN PUBLICITY REQUESTS: TRANSMISSION FILMS / Amy Burgess / +61 2 8333 9000 / [email protected] IMAGES High res images and poster available to download via the DOWNLOAD MEDIA tab at: http://www.transmissionfilms.com.au/films/on-chesil-beach Distributed in Australia by Transmission Films Running Time: 110 minutes THE CAST Florence Ponting......................................................................................................................................Saoirse Ronan Edward Mayhew.........................................................................................................................................Billy Howle Marjorie Mayhew................................................................................................................................Anne Marie-Duff Lionel Mayhew......................................................................................................................Adrian Scarborough Violet Ponting...........................................................................................................................................Emily Watson Geoffrey Ponting...............................................................................................................................Samuel West THE FILMMAKERS -
Goethe Medal 2020 Press Pack Contents
GOETHE MEDAL 2020 PRESS PACK CONTENTS 1. PRESS RELEASE: 2020 RECIPIENTS HONOURED 2. PRESS RELEASE: INTRODUCTION TO THE CEREMONY 3. PRESS RELEASE: ANNOUNCEMENT OF RECIPIENTS 4. LAUDATORY SPEECHES 5. GOETHE MEDAL CEREMONY ON 28 AUGUST 6. ABOUT THE RECIPIENTS 7. ABOUT THE PRESENTERS OF THE MEDALS 8. PRESS PHOTOS 9. ABOUT THE GOETHE MEDAL Susanne Meierhenrich Goethe Medal Press Officer, Goethe-Institut Tel.: +49 171 742 1717 [email protected] Viola Noll Deputy Press Officer Goethe-Institut Head Office Tel.: +49 30 25906 471 [email protected] www.goethe.de www.goethe.de/goethe-medaille GOETHE MEDAL: 2020 RECIPIENTS HONOURED The celebration for the recipients of the 2020 Goethe Medal took place today, on Goethe’s 271st birthday. The official honour of the Federal Republic of Germany was awarded to Bolivian artist and her country’s first indigenous museum director Elvira Espejo Ayca, British writer and passionate pro-European Ian McEwan and South African writer, publisher and curator Zukiswa Wanner. Their outstanding cultural work and commitment to the struggle against political restrictions and the narrowing of perspectives in civil society was honoured in a digital ceremony organised by the Goethe-Institut in collaboration with the broadcaster Deutsch Welle. “Accepting contradiction – the fruits of contradiction”, the theme of this year’s awards, is bizarrely apposite against the backdrop of the coronavirus pandemic. At a time when society seems to have come to a standstill, international cultural dialogue is more important than ever, said Klaus-Dieter Lehmann, President of the Goethe-Institut: “This year we are honouring three outstanding recipients from Africa, Latin America and Europe who are all a byword for the freedom of discourse.