Goethe Medal 2020 Press Pack Contents
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Drucksache Nr.: 03221-11 öffentlich Fachbereich Dezernent(in) / Geschäftsführer Datum 41/KB StD Stüdemann 04.02.2011 verantwortlich Telefon Dringlichkeit Michael Hoppe 25177 - Sabine Bartel Beratungsfolge Beratungstermine Zuständigkeit Ausschuss für Kultur, Sport und Freizeit 01.03.2011 Empfehlung Hauptausschuss und Ältestenrat 31.03.2011 Empfehlung Rat der Stadt 31.03.2011 Beschluss Tagesordnungspunkt Literaturpreis der Stadt Dortmund – Nelly-Sachs-Preis 2011 hier: Wahl der Fachpreisrichter Beschlussvorschlag Der Rat wählt auf Vorschlag des Ausschusses für Kultur, Sport und Freizeit für die Verleihung des Literaturpreises der Stadt Dortmund – Nelly-Sachs-Preis 2011 als Fachpreisrichter Frau Dr. Ina Hartwig, Frankfurt, Herrn Peter Hamm, Tutzing, Herrn Dr. Martin Lüdke, Frankfurt, in die Jury. Finanzielle Auswirkungen 2000,-€ für Honorare und Reisekosten Ullrich Sierau Jörg Stüdemann Oberbürgermeister Stadtdirektor Fortsetzung der Vorlage: Drucksache-Nr.: Seite 03221-11 2 Begründung Der vom Rat der Stadt 1962 gestiftete Literaturpreis der Stadt Dortmund – Nelly-Sachs-Preis wird im Jahr 2011 zum 26. Mal vergeben. Der Preis ist durch Beschluss des Rates vom 8.11.2001 mit 15.000 € dotiert. Nach § 4 der Satzung für den Literaturpreis der Stadt Dortmund – Nelly-Sachs-Preis beruft der Rat auf Vorschlag des Kulturausschusses für jede Preisverleihung drei Fachpreisrichter/innen. Folgende Fachpreisrichter/innen werden vorgeschlagen, die wegen ihrer beruflichen Tätigkeit über profunde Kenntnisse der deutschen und internationalen Literatur verfügen: Ina Hartwig, geb. 1963 in Hamburg, studierte Romanistik und Germanistik in Avignon und Berlin. Ihre Dissertation über „Sexuelle Poetik“, eine vergleichende Arbeit über Proust, Musil, Genet und Jelinek, erschien 1998 im Fischer Verlag. Sie war Herausgeberin des „Kursbuch“ (2002-2005) und Gastprofessorin in St. Louis (USA) und in Göttingen. -
The Children Act : a Novel / Ian Mcewan
Also by Ian McEwan First Love, Last Rites In Between the Sheets The Cement Garden The Comfort of Strangers The Child in Time The Innocent Black Dogs The Daydreamer Enduring Love Amsterdam Atonement Saturday On Chesil Beach Solar Sweet Tooth This book is a work of fiction. Names, characters, businesses, organizations, places, events, and incidents either are the product of the author’s imagination or are used fictitiously. Any resemblance to actual persons, living or dead, events, or locales is entirely coincidental. Copyright © 2014 by Ian McEwan All rights reserved. Published in the United States by Nan A. Talese/Doubleday, a division of Random House LLC, New York, a Penguin Random House company. www.nanatalese.com Originally published in Great Britain by Jonathan Cape, an imprint of the Random House Group Ltd., London DOUBLEDAY is a registered trademark of Random House LLC. Nan A. Talese and the colophon are trademarks of Random House LLC. Ian McEwan is an unlimited company no. 7473219 registered in England and Wales. Jacket design by Michael J. Windsor Jacket illustrations: blood © rangizzz/Shutterstock; texture © Flas100/Shutterstock Library of Congress Cataloging-in-Publication Data McEwan, Ian, author. The children act : a novel / Ian McEwan. — First American edition. pages cm ISBN 978-0-385-53970-8 (hardcover) — ISBN 978-0-385-53971-5 (eBook) 1. Women judges—Fiction. 2. Self-actualization (Psychology) in women—Fiction. 3. Religion and law—England—Fiction. 4. Legal stories. I. Title. PR6063.C4C48 2014 823′.914—dc23 2014018448 v3.1 TO RAY DOLAN Contents Cover Other Books by This Author Title Page Copyright Dedication Epigraph Chapter One Chapter Two Chapter Three Chapter Four Chapter Five Acknowledgments A Note About the Author When a court determines any question with respect to … the upbringing of a child … the child’s welfare shall be the court’s paramount consideration. -
Ian Mcewan: an Alternative History of the Future of Humanity 2 Machines Like Me Has a Fantastic Setting but Very Real Political and Social Preoccupations (Sat, Apr
1 Ian McEwan: An alternative history of the future of humanity 2 Machines Like Me has a fantastic setting but very real political and social preoccupations (Sat, Apr. 13, 2019) 3 www.irishtimes.comhttps://www.irishtimes.com/culture/books/ian-mcewan-an-alternative-history-of-the-future-of-humanity- 4 1.3854699#.XLM22CHd9-E.mailto 5 “The present is the frailest of improbable constructs,” says the narrator of 6 Ian McEwan’s 16th novel Machines Like Me. “It could have been different. 7 Any part of it, or all of it, could be otherwise.” 8 In the author’s house down a quiet mews in London’s Bloomsbury, he 9 makes tea as I set up my equipment for our interview, and the present political moment can’t help but invade 10 our friendly small talk about books. What has he been reading recently? He loves Sally Rooney’s Normal 11 People, he tells me, admiring especially what he calls the “clever rhetorical trick” of how she merges the 12 thoughts of protagonists Marianne and Connell. The prose is “very fine, approachable and easily absorbed, 13 but nicely overladen with emotional frit”. 14 On souped-up multi-strain creative nonfiction he’s not so keen. “I want some invention: to be stretched in 15 that way.” But he likes the autofiction of Knausgaard, I’ve read somewhere. He’s “compelling in his 16 thoroughness” but can be overwhelming. “One day I’d say I can’t take any more of this, and the next day 17 read 100 pages. It’s a bit like Brexit coverage,” he tells me. -
Publishing & the Book in Africa
Publishing & the Book in Africa: A Literature Review for 2017 Hans M. Zell [email protected] Copyright © Hans Zell Publishing Consultants 2018 This is the third in a series of annual reviews of select new literature in English that has appeared on the topic of publishing and the book sector in sub-Saharan Africa. The previous annual literature reviews can be found as follows: 2016: https://www.academia.edu/31441110/Publishing_and_the_Book_in_Africa_A_Literature_ Review_for_2016 (pre-print version) Print/online version published in The African Book Publishing Record 43, no. 2 (May 2017): 120- 170. https://doi.org/10.1515/abpr-2017-0004 2015: https://www.academia.edu/20432811/Publishing_and_the_Book_in_Africa_- _A_Literature_Review_for_2015 (pre-print version) Print/online version published in The African Book Publishing Record 42, no. 1 (March 2016): 11-37. https://doi.org/10.1515/abpr-2016-0003. Extensively annotated and/or with abstracts, the present list brings together new literature published during the course of 2017, a total of 157 records. Also included are a small number of articles and other documents published in 2016 or earlier, and which have not hitherto been included in previous annual literature reviews or in the Publishing, Books & Reading in Sub-Saharan Africa online database (see also below). The literature review covers books, chapters in books and edited collections, journal articles, Internet documents and reports, theses and dissertations, interviews, audio/video recordings and podcasts, as well as a number of blog postings, with their posting dates indicated. Newspaper articles and stories are not generally included, unless of substantial length or of special significance. Records are grouped under a range of regional/country and topic-specific headings. -
Kulturpolitik Im Welt(En)Wandel Zusammenhalt Und Teilhabe in Einer Vielfältigen Welt
20./21. April 2018 6. Kulturpolitische Jahrestagung der Friedrich-Ebert-Stiftung Kulturpolitik im Welt(en)Wandel Zusammenhalt und Teilhabe in einer vielfältigen Welt Dokumentation 20./21. April 2018 6. Kulturpolitische Jahrestagung der Friedrich-Ebert-Stiftung Kulturpolitik im Welt(en)Wandel Zusammenhalt und Teilhabe in einer vielfältigen Welt Dokumentation Vorwort Was ist die Aufgabe von Kultur in einer Zeit drastischer politischer und kultu- reller Umbrüche? In einer Zeit, geprägt von wachsender sozialer Ungleichheit, zunehmendem Populismus und gegenseitiger Abschottung sind wir heraus- gefordert, diese Frage neu zu beantworten. Kunst und Kultur können Vielfalt sichtbar machen, Respekt und Toleranz ein- fordern, Grenzen überwinden und Wandlungsprozesse mitgestalten. Und wie ist eine Kulturpolitik zu gestalten, die Kunst und Kultur Freiräume gewährt und Strukturen zu ihrer Stärkung bereitstellt? Welche Weichenstel- lungen sind hier nötig? Diese und andere Fragen diskutierten am 20./21. April 2018 Akteur_innen der Kulturpolitik, Kulturschaffende aus allen Sparten und Verbandsvertreter_innen im Rahmen der 6. Kulturpolitischen Jahrestagung der Friedrich-Ebert- Stif tung. Wir können zurückblicken auf zwei Tage mit spannenden Impulsen und De- batten mit über 80 Referent_innen und über 200 Teilnehmenden. Am ersten Tag diskutierten wir den Wandel der Kultur- und Kreativbereiche und fragten, welche Instrumente der Kulturpolitik vonnöten sind. Am zweiten Tag standen ausgewählte neue Wirklichkeiten der Kunst- und Kulturlandschaft in Deutschland -
The Cultural Memory of German Victimhood in Post-1990 Popular German Literature and Television
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Digital Commons@Wayne State University Wayne State University Wayne State University Dissertations 1-1-2010 The ulturC al Memory Of German Victimhood In Post-1990 Popular German Literature And Television Pauline Ebert Wayne State University Follow this and additional works at: http://digitalcommons.wayne.edu/oa_dissertations Part of the European History Commons, European Languages and Societies Commons, and the German Literature Commons Recommended Citation Ebert, Pauline, "The ulturC al Memory Of German Victimhood In Post-1990 Popular German Literature And Television" (2010). Wayne State University Dissertations. Paper 12. This Open Access Dissertation is brought to you for free and open access by DigitalCommons@WayneState. It has been accepted for inclusion in Wayne State University Dissertations by an authorized administrator of DigitalCommons@WayneState. THE CULTURAL MEMORY OF GERMAN VICTIMHOOD IN POST-1990 POPULAR GERMAN LITERATURE AND TELEVISION by ANJA PAULINE EBERT DISSERTATION Submitted to the Graduate School of Wayne State University, Detroit, Michigan in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY 2010 MAJOR: MODERN LANGUAGES Approved by: ________________________________________ Advisor Date ________________________________________ ________________________________________ ________________________________________ ________________________________________ © COPYRIGHT BY ANJA PAULINE EBERT 2010 All Rights Reserved Dedication I dedicate this dissertation … to Axel for his support, patience and understanding; to my parents for their help in financial straits; to Tanja and Vera for listening; to my Omalin, Hilla Ebert, whom I love deeply. ii Acknowledgements In the first place I would like to express my deepest gratitude to my advisor, Professor Anne Rothe. -
Atonement : the Individual Progress of a Female Artist and the Evolution of Literary Conventions in the Postmodern Narrative by Ian Mcewan
T.C. İstanbul Üniversitesi Sosyal Bilimler Enstitüsü İngiliz Dili ve Edebiyatı Bilim Dalı Yüksek Lisans Tezi Atonement : The Individual Progress of a Female Artist and the Evolution of Literary Conventions in the Postmodern Narrative by Ian McEwan Nuria Zinnurova 2501010679 Tez Danı şmanı: Prof. Dr. Zeynep Ergün Düzeltilmi ş Tez İstanbul, 2006 DÜZELTME METN İ Tez içerisinde anlam bütünlü ğünün sa ğlanması için bazı bölümler çıkarılmı ş ve yeni düzenlemelere gidelerek,bazı bölümlere yeni alıntılar ve yeni açıklamalar eklenip akıcılık sa ğlanmı ştır. Birçok cümle yeniden yazılmı ş, bazı paragrafların düzenlemeleri, bazılarının ise yerleri de ğiştirilmi ştir. Bunlara ek olarak tez metninde saptanan gramer hatalar düzeltilmi ştir. 2 TEZ ONAYI İngiliz Dili ve Edebiyatı Bilim Dalının 2501010679 numaralı örencisi Nuria Zinnurova’nın hazırladı ğı “ Atonement : The Individual Prorgess of a Female Artist and the Evolution of Literary Conventions” konulu YÜKSEK L İSANS TEZ İ ile ilgili TEZ SAVUNMA SINAVI , Lisansüstü Ö ğretim Yönetmeli ği’nin 10. Maddesi uyarınca..................günü saat.............’de yapılmı ştır, sorulan sorulara alınan cevaplar sonunda adayın tezinin..........................’ne* OYB İRL İĞİ / OYÇOKLU ĞUYLA karar verilmi ştir. JÜR İ ÜYES İ KANAAT İ İMZA ....................................................................................................................................... ....................................................................................................................................... ...................................................................................................................................... -
The Concept of Irony in Ian Mcewan's Selected Literary Works
Univerzita Palackého v Olomouci Filozofická fakulta Katedra anglistiky a amerikanistiky Bc. Eva Mádrová Concept of Irony in Ian McEwan’s Selected Literary Works Diplomová práce PhDr. Libor Práger, Ph.D. Olomouc 2013 Prohlašuji, že jsem tuto diplomovou práci na téma “Concept of Irony in Ian McEwan’s Selected Literary Works” vypracovala samostatně pod odborným dohledem vedoucího práce a uvedla jsem všechny použité podklady a literaturu. V Olomouci dne Podpis I would like to thank my supervisor PhDr. Libor Práger, Ph.D. for his assistance during the elaboration of my diploma thesis, especially for his valuable advice and willingness. Table of contents Introduction 6 1. Ian McEwan 7 2. Methodology: Analysing irony 8 2.1 Interpreter, ironist and text 8 2.2 Context and textual markers 10 2.3 Function of irony 11 2.4 Postmodern perspective 12 3. Fiction analyses 13 3.1 Atonement 13 3.1.1 Family reunion ending as a trial of trust 13 3.1.2 The complexity of the narrative: unreliable narrator and metanarrative 14 3.1.3 Growing up towards irony 17 3.1.4 Dramatic encounters and situations in a different light 25 3.2 The Child in Time 27 3.2.1 Loss of a child and life afterwards 27 3.2.2 The world through Stephen Lewis’s eyes 27 3.2.3 Man versus Universe 28 3.2.4 Contemplation of tragedy and tragicomedy 37 3.3 The Innocent 38 3.3.1 The unexpected adventures of the innocent 38 3.3.2 The single point of view 38 3.3.3 The versions of innocence and virginity 40 3.3.4 Innocence in question 48 3.4 Amsterdam 50 3.4.1 The suicidal contract 50 3.4.2 The multitude -
Prizing African Literature: Awards and Cultural Value
Prizing African Literature: Awards and Cultural Value Doseline Wanjiru Kiguru Dissertation presented for the degree of Doctor of Philosophy in the Faculty of Arts and Social Sciences, Stellenbosch University Supervisors: Dr. Daniel Roux and Dr. Mathilda Slabbert Department of English Studies Stellenbosch University March 2016 i Stellenbosch University https://scholar.sun.ac.za Declaration By submitting this thesis electronically, I declare that the entirety of the work contained herein is my own, original work, that I am the sole author thereof (save to the extent explicitly otherwise stated), that reproduction and publication thereof by Stellenbosch University will not infringe any third party rights and that I have not previously in its entirety or in part submitted it for obtaining any qualification. March 2016 Signature…………….………….. Copyright © 2016 Stellenbosch University All rights reserved ii Stellenbosch University https://scholar.sun.ac.za Dedication To Dr. Mutuma Ruteere iii Stellenbosch University https://scholar.sun.ac.za Abstract This study investigates the centrality of international literary awards in African literary production with an emphasis on the Caine Prize for African Writing (CP) and the Commonwealth Short Story Prize (CWSSP). It acknowledges that the production of cultural value in any kind of setting is not always just a social process, but it is also always politicised and leaning towards the prevailing social power. The prize-winning short stories are highly influenced or dependent on the material conditions of the stories’ production and consumption. The content is shaped by the prize, its requirements, rules, and regulations as well as the politics associated with the specific prize. As James English (2005) asserts, “[t]here is no evading the social and political freight of a global award at a time when global markets determine more and more the fate of local symbolic economies” (298). -
CHAPTER I INTRODUCTION A. Background of the Study Love In
CHAPTER I INTRODUCTION A. Background of the Study Love in the Time of Cholera is a film that was directed by England director, Mike Newell, which in screen writer is Ronald Harwood and Gabriel Garcia Marquez, then producer by Scott Steindorff and editor by Mick Audsley. It was released in November 16, 2007 in English and there is some filming location at Cartagena (Colombia), London (UK) and Twickenham Film Studios, England (UK). Information about box office from imdb.com that budget Love in the Time of Cholera movie $45,000,000 (estimated) while in opening weekend $1,924,860 (USA) 852 screens and RUR 346,488 (Russia) 3 screens. The category of this film is drama romance in 139 minute of duration of this film. Love in the Time of Cholera was production by New Line Cinema, Stone Village Pictures, Grosvenor Park Media. Mike Newell is one of famous director. Mike Newell was born on March 28, 1942 in St. Albans, Hertfordshire, England. He was raised the son of amateur actors who exposed him early in life to the theatrical world. After receiving his education from St. Albans School, he attended the University of Cambridge, where he majored in English. Following his graduation in the early 1960s, Newell joined Granada Television as a 1 2 production trainee and spent a few years learning his craft with the intention of entering the theatre world. Instead he begin directing television helming the gangster series “Spindoe” (ITV, 1968) and the crime serial “Big Breadwinner Hog” (ITV, 1969) along with fellow director Michael Apted. -
An Introduction to the Work of Elfriede Jelinek, Nobel Laureate in Literature 2004
CLCWeb: Comparative Literature and Culture ISSN 1481-4374 Purdue University Press ©Purdue University Volume 7 (2005) Issue 1 Article 1 An Introduction to the Work of Elfriede Jelinek, Nobel Laureate in Literature 2004 Andrea Bandhauer University of Sydney Follow this and additional works at: https://docs.lib.purdue.edu/clcweb Part of the Comparative Literature Commons, and the Critical and Cultural Studies Commons Dedicated to the dissemination of scholarly and professional information, Purdue University Press selects, develops, and distributes quality resources in several key subject areas for which its parent university is famous, including business, technology, health, veterinary medicine, and other selected disciplines in the humanities and sciences. CLCWeb: Comparative Literature and Culture, the peer-reviewed, full-text, and open-access learned journal in the humanities and social sciences, publishes new scholarship following tenets of the discipline of comparative literature and the field of cultural studies designated as "comparative cultural studies." Publications in the journal are indexed in the Annual Bibliography of English Language and Literature (Chadwyck-Healey), the Arts and Humanities Citation Index (Thomson Reuters ISI), the Humanities Index (Wilson), Humanities International Complete (EBSCO), the International Bibliography of the Modern Language Association of America, and Scopus (Elsevier). The journal is affiliated with the Purdue University Press monograph series of Books in Comparative Cultural Studies. Contact: <[email protected]> Recommended Citation Bandhauer, Andrea. "An Introduction to the Work of Elfriede Jelinek, Nobel Laureate in Literature 2004." CLCWeb: Comparative Literature and Culture 7.1 (2005): <https://doi.org/10.7771/1481-4374.1252> This text has been double-blind peer reviewed by 2+1 experts in the field. -
Intertextuality in Ian Mcewan's Selected Novels
1 Intertextuality in Ian McEwan's Selected Novels Assist. Prof. Raad Kareem Abd-Aun, PhD Dijla Gattan Shannan (M.A. Student) Abstract The term intertextuality is coined by poststructuralist Julia Kristeva, in her essay “Word, Dialogue and Novel” (1969). The underlying principle of intertextuality is relationality and lack of independence. In this paper, this technique (intertextuality) will be discussed in Ian McEwan's selected novels. The novels are Enduring Love (1997), Atonement (2001), and Sweet Tooth (2012). Key Words: intertextuality, McEwan, Enduring Love, Atonement, Sweet Tooth. التناص في أعمال روائية مختارة ﻹيان مكيون أ.م. د. رعد كريم عبد عون دجلة كطان شنان أستخدم مصطلح التناص ﻷول مرة من قبل الناقدة جوليا كرستيفا في مقالتها )الكلمة و الحوار و الرواية( عام 1969. إن المبدأ الرئيس خلف التناص هو العﻻقة وعدم وجود اﻹستقﻻلية. وفي هذا البحث، ُدرست هذه التقنية في روايات مختارة ﻹيان مكيون، والروايات هي الحب اﻷبدي )1997( و الغفران )2001( و سويت تووث )2012(. الكلمات المفتاحية: التناص؛ مكيون؛ الحب اﻷبدي؛ الغفران؛ سويت تووث. 2 Intertextuality in Ian McEwan's Selected Novels Ian McEwan (1948) is one of the most significant British writers since the 1970s, this is due his way of the link between morality and the novel for a whole generation, in ways that befit the historical pressures of their time. This makes his novels have a significant form of cultural expression McEwan’s early works are characterized by self – ambiguity in which he is tackling important social themes within the fictional scenario. His early narrative is described as “snide and bored”, or as “acutely dysfunctional or the abusive”, at other times as “inexplicaply lawless”.