Glimpses of Id Domination and Abreaction in Ian Mcewan's First
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The Children Act : a Novel / Ian Mcewan
Also by Ian McEwan First Love, Last Rites In Between the Sheets The Cement Garden The Comfort of Strangers The Child in Time The Innocent Black Dogs The Daydreamer Enduring Love Amsterdam Atonement Saturday On Chesil Beach Solar Sweet Tooth This book is a work of fiction. Names, characters, businesses, organizations, places, events, and incidents either are the product of the author’s imagination or are used fictitiously. Any resemblance to actual persons, living or dead, events, or locales is entirely coincidental. Copyright © 2014 by Ian McEwan All rights reserved. Published in the United States by Nan A. Talese/Doubleday, a division of Random House LLC, New York, a Penguin Random House company. www.nanatalese.com Originally published in Great Britain by Jonathan Cape, an imprint of the Random House Group Ltd., London DOUBLEDAY is a registered trademark of Random House LLC. Nan A. Talese and the colophon are trademarks of Random House LLC. Ian McEwan is an unlimited company no. 7473219 registered in England and Wales. Jacket design by Michael J. Windsor Jacket illustrations: blood © rangizzz/Shutterstock; texture © Flas100/Shutterstock Library of Congress Cataloging-in-Publication Data McEwan, Ian, author. The children act : a novel / Ian McEwan. — First American edition. pages cm ISBN 978-0-385-53970-8 (hardcover) — ISBN 978-0-385-53971-5 (eBook) 1. Women judges—Fiction. 2. Self-actualization (Psychology) in women—Fiction. 3. Religion and law—England—Fiction. 4. Legal stories. I. Title. PR6063.C4C48 2014 823′.914—dc23 2014018448 v3.1 TO RAY DOLAN Contents Cover Other Books by This Author Title Page Copyright Dedication Epigraph Chapter One Chapter Two Chapter Three Chapter Four Chapter Five Acknowledgments A Note About the Author When a court determines any question with respect to … the upbringing of a child … the child’s welfare shall be the court’s paramount consideration. -
What Literature Knows: Forays Into Literary Knowledge Production
Contributions to English 2 Contributions to English and American Literary Studies 2 and American Literary Studies 2 Antje Kley / Kai Merten (eds.) Antje Kley / Kai Merten (eds.) Kai Merten (eds.) Merten Kai / What Literature Knows This volume sheds light on the nexus between knowledge and literature. Arranged What Literature Knows historically, contributions address both popular and canonical English and Antje Kley US-American writing from the early modern period to the present. They focus on how historically specific texts engage with epistemological questions in relation to Forays into Literary Knowledge Production material and social forms as well as representation. The authors discuss literature as a culturally embedded form of knowledge production in its own right, which deploys narrative and poetic means of exploration to establish an independent and sometimes dissident archive. The worlds that imaginary texts project are shown to open up alternative perspectives to be reckoned with in the academic articulation and public discussion of issues in economics and the sciences, identity formation and wellbeing, legal rationale and political decision-making. What Literature Knows The Editors Antje Kley is professor of American Literary Studies at FAU Erlangen-Nürnberg, Germany. Her research interests focus on aesthetic forms and cultural functions of narrative, both autobiographical and fictional, in changing media environments between the eighteenth century and the present. Kai Merten is professor of British Literature at the University of Erfurt, Germany. His research focuses on contemporary poetry in English, Romantic culture in Britain as well as on questions of mediality in British literature and Postcolonial Studies. He is also the founder of the Erfurt Network on New Materialism. -
Atonement : the Individual Progress of a Female Artist and the Evolution of Literary Conventions in the Postmodern Narrative by Ian Mcewan
T.C. İstanbul Üniversitesi Sosyal Bilimler Enstitüsü İngiliz Dili ve Edebiyatı Bilim Dalı Yüksek Lisans Tezi Atonement : The Individual Progress of a Female Artist and the Evolution of Literary Conventions in the Postmodern Narrative by Ian McEwan Nuria Zinnurova 2501010679 Tez Danı şmanı: Prof. Dr. Zeynep Ergün Düzeltilmi ş Tez İstanbul, 2006 DÜZELTME METN İ Tez içerisinde anlam bütünlü ğünün sa ğlanması için bazı bölümler çıkarılmı ş ve yeni düzenlemelere gidelerek,bazı bölümlere yeni alıntılar ve yeni açıklamalar eklenip akıcılık sa ğlanmı ştır. Birçok cümle yeniden yazılmı ş, bazı paragrafların düzenlemeleri, bazılarının ise yerleri de ğiştirilmi ştir. Bunlara ek olarak tez metninde saptanan gramer hatalar düzeltilmi ştir. 2 TEZ ONAYI İngiliz Dili ve Edebiyatı Bilim Dalının 2501010679 numaralı örencisi Nuria Zinnurova’nın hazırladı ğı “ Atonement : The Individual Prorgess of a Female Artist and the Evolution of Literary Conventions” konulu YÜKSEK L İSANS TEZ İ ile ilgili TEZ SAVUNMA SINAVI , Lisansüstü Ö ğretim Yönetmeli ği’nin 10. Maddesi uyarınca..................günü saat.............’de yapılmı ştır, sorulan sorulara alınan cevaplar sonunda adayın tezinin..........................’ne* OYB İRL İĞİ / OYÇOKLU ĞUYLA karar verilmi ştir. JÜR İ ÜYES İ KANAAT İ İMZA ....................................................................................................................................... ....................................................................................................................................... ...................................................................................................................................... -
The Concept of Irony in Ian Mcewan's Selected Literary Works
Univerzita Palackého v Olomouci Filozofická fakulta Katedra anglistiky a amerikanistiky Bc. Eva Mádrová Concept of Irony in Ian McEwan’s Selected Literary Works Diplomová práce PhDr. Libor Práger, Ph.D. Olomouc 2013 Prohlašuji, že jsem tuto diplomovou práci na téma “Concept of Irony in Ian McEwan’s Selected Literary Works” vypracovala samostatně pod odborným dohledem vedoucího práce a uvedla jsem všechny použité podklady a literaturu. V Olomouci dne Podpis I would like to thank my supervisor PhDr. Libor Práger, Ph.D. for his assistance during the elaboration of my diploma thesis, especially for his valuable advice and willingness. Table of contents Introduction 6 1. Ian McEwan 7 2. Methodology: Analysing irony 8 2.1 Interpreter, ironist and text 8 2.2 Context and textual markers 10 2.3 Function of irony 11 2.4 Postmodern perspective 12 3. Fiction analyses 13 3.1 Atonement 13 3.1.1 Family reunion ending as a trial of trust 13 3.1.2 The complexity of the narrative: unreliable narrator and metanarrative 14 3.1.3 Growing up towards irony 17 3.1.4 Dramatic encounters and situations in a different light 25 3.2 The Child in Time 27 3.2.1 Loss of a child and life afterwards 27 3.2.2 The world through Stephen Lewis’s eyes 27 3.2.3 Man versus Universe 28 3.2.4 Contemplation of tragedy and tragicomedy 37 3.3 The Innocent 38 3.3.1 The unexpected adventures of the innocent 38 3.3.2 The single point of view 38 3.3.3 The versions of innocence and virginity 40 3.3.4 Innocence in question 48 3.4 Amsterdam 50 3.4.1 The suicidal contract 50 3.4.2 The multitude -
CHAPTER I INTRODUCTION A. Background of the Study Love In
CHAPTER I INTRODUCTION A. Background of the Study Love in the Time of Cholera is a film that was directed by England director, Mike Newell, which in screen writer is Ronald Harwood and Gabriel Garcia Marquez, then producer by Scott Steindorff and editor by Mick Audsley. It was released in November 16, 2007 in English and there is some filming location at Cartagena (Colombia), London (UK) and Twickenham Film Studios, England (UK). Information about box office from imdb.com that budget Love in the Time of Cholera movie $45,000,000 (estimated) while in opening weekend $1,924,860 (USA) 852 screens and RUR 346,488 (Russia) 3 screens. The category of this film is drama romance in 139 minute of duration of this film. Love in the Time of Cholera was production by New Line Cinema, Stone Village Pictures, Grosvenor Park Media. Mike Newell is one of famous director. Mike Newell was born on March 28, 1942 in St. Albans, Hertfordshire, England. He was raised the son of amateur actors who exposed him early in life to the theatrical world. After receiving his education from St. Albans School, he attended the University of Cambridge, where he majored in English. Following his graduation in the early 1960s, Newell joined Granada Television as a 1 2 production trainee and spent a few years learning his craft with the intention of entering the theatre world. Instead he begin directing television helming the gangster series “Spindoe” (ITV, 1968) and the crime serial “Big Breadwinner Hog” (ITV, 1969) along with fellow director Michael Apted. -
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IJELLH Volume 6, Issue 12, December 2018 73 J.Ramona Asst.Professor of English Bon Secours College for Women India. [email protected] TEMPORAL EXPERIENCES IN THE SELECT NOVELS OF IAN McEWAN Abstract This paper exerts to analyze Ian’s concept of temporal experiences in this postmodern world. Ian’s novels stands out for its highlight on temporality and the tacit exigency to tackle one’s moral identity. McEwan designs his novels as a fictitious narrative based on various themes, using them in hookup with his plots, characters and symbols, to add emphasis to the concepts and the ideas that shape his stories. His themes range from universal to the complex. The overriding temporal frame of his novels are uncanny. Key Words: Temporal, Mundanity, Sacrosanct, Servitude, Ethical Vision. “Temporal and spiritual things are inseparably connected, and even will be.” - Joseph Smith In the light of temporality the author appears to juxtapose the time of mundanity for the characters and a time that is sacrosanct and servitude, thus stressing an ethical vision, IJELLH Volume 6, Issue 12, December 2018 74 possibly beyond what the self – centered British society in this postmodern world can foresee. All the underlying attention to temporal expressions and the prominent zerohour of life only reinforces the author’s call for moral inquiries and search for accountable, ethical stances in an era of transition and deterioration. McEwan continues to explore the impact on ordinary people of unusual or extreme situations, as they face sudden shocking violence or slip into acute psychological states. The Cement Garden is a clear metaphor of dysfunctional mourning of the characters Jack and his siblings. -
Intertextuality in Ian Mcewan's Selected Novels
1 Intertextuality in Ian McEwan's Selected Novels Assist. Prof. Raad Kareem Abd-Aun, PhD Dijla Gattan Shannan (M.A. Student) Abstract The term intertextuality is coined by poststructuralist Julia Kristeva, in her essay “Word, Dialogue and Novel” (1969). The underlying principle of intertextuality is relationality and lack of independence. In this paper, this technique (intertextuality) will be discussed in Ian McEwan's selected novels. The novels are Enduring Love (1997), Atonement (2001), and Sweet Tooth (2012). Key Words: intertextuality, McEwan, Enduring Love, Atonement, Sweet Tooth. التناص في أعمال روائية مختارة ﻹيان مكيون أ.م. د. رعد كريم عبد عون دجلة كطان شنان أستخدم مصطلح التناص ﻷول مرة من قبل الناقدة جوليا كرستيفا في مقالتها )الكلمة و الحوار و الرواية( عام 1969. إن المبدأ الرئيس خلف التناص هو العﻻقة وعدم وجود اﻹستقﻻلية. وفي هذا البحث، ُدرست هذه التقنية في روايات مختارة ﻹيان مكيون، والروايات هي الحب اﻷبدي )1997( و الغفران )2001( و سويت تووث )2012(. الكلمات المفتاحية: التناص؛ مكيون؛ الحب اﻷبدي؛ الغفران؛ سويت تووث. 2 Intertextuality in Ian McEwan's Selected Novels Ian McEwan (1948) is one of the most significant British writers since the 1970s, this is due his way of the link between morality and the novel for a whole generation, in ways that befit the historical pressures of their time. This makes his novels have a significant form of cultural expression McEwan’s early works are characterized by self – ambiguity in which he is tackling important social themes within the fictional scenario. His early narrative is described as “snide and bored”, or as “acutely dysfunctional or the abusive”, at other times as “inexplicaply lawless”. -
Narrative Theory
NARRATIVE THEORY EDITED BY JAMES PHELAN AND PETER J. RABINOWITZ A Companion to Narrative Theory Blackwell Companions to Literature and Culture This series offers comprehensive, newly written surveys of key periods and movements and certain major authors, in English literary culture and history. Extensive volumes provide new perspectives and positions on contexts and on canonical and postcanoni- cal texts, orientating the beginning student in new fields of study and providing the experienced undergraduate and new graduate with current and new directions, as pioneered and developed by leading scholars in the field. 1 A Companion to Romanticism Edited by Duncan Wu 2 A Companion to Victorian Literature and Culture Edited by Herbert F. Tucker 3 A Companion to Shakespeare Edited by David Scott Kastan 4 A Companion to the Gothic Edited by David Punter 5 A Feminist Companion to Shakespeare Edited by Dympna Callaghan 6 A Companion to Chaucer Edited by Peter Brown 7 A Companion to Literature from Milton to Blake Edited by David Womersley 8 A Companion to English Renaissance Literature and Culture Edited by Michael Hattaway 9 A Companion to Milton Edited by Thomas N. Corns 10 A Companion to Twentieth-Century Poetry Edited by Neil Roberts 11 A Companion to Anglo-Saxon Literature and Culture Edited by Phillip Pulsiano and Elaine Treharne 12 A Companion to Restoration Drama Edited by Susan J. Owen 13 A Companion to Early Modern Women’s Writing Edited by Anita Pacheco 14 A Companion to Renaissance Drama Edited by Arthur F. Kinney 15 A Companion to Victorian Poetry Edited by Richard Cronin, Alison Chapman, and Antony H. -
Masarykova Univerzita Filozofická Fakulta Katedra
Masarykova univerzita Filozofická fakulta Katedra anglistiky a amerikanistiky Bakalářská diplomová práce 2020 Tereza Berková i Masaryk University Faculty of Arts Department of English and American Studies English Language and Literature Tereza Berková Representation of Love in Selected Novels by Ian McEwan Bachelor's Diploma Thesis 2 Supervisor: prof. Mgr. Milada Franková, CSc., M.A. 2020 / declare that I have worked on this thesis independently, using only the primary and secondary sources listed in the bibliography. Author's signature 3 I would like to thank my supervisor, prof. Mgr. Milada Franková, CSc, M. A., for her helpful input, guidance, and a great deal of patience. Furthermore, I would like to thank Daniel Garner and my family for their support and understanding. 4 TABLE OF CONTENTS INTRODUCTION 6 ABOUT IAN MCEWAN 9 ON BEING A CONTEMPORARY WRITER 9 MCEWAN'S BIBLIOGRAPHY AND STYLE 10 REPRESENTATION OF ROMANTIC COUPLES IN THE NOVELS 16 JACK AND JULIE IN THE CEMENT GARDEN 17 ROBBIE AND CECILIA IN ATONEMENT 25 EDWARD AND FLORENCE IN ON CHESIL BEACH 35 CONCLUSION 42 WORKS CITED 44 SUMMARY 46 RESUME 47 5 INTRODUCTION The theme of love has been an inspiration for the works of artists and writers from the time immemorial, and its representation and depiction has been changing depending on the time period and the interpretation as both emotion and act of affection. The contemporary British literature employs the theme of love in both major and minor roles, covering diverse concepts in which love can feature. Paradoxically, the phenomenon of love cannot be so easily defined. Various theories have been proposed to explain and define love, yet the concept of love remains too broad, biased, and reliant on subjective perception. -
Ian Mcewan's Atonement
UNIVERZITA PALACKÉHO V OLOMOUCI Pedagogická fakulta Katedra anglického jazyka ANETA VRÁGOVÁ III. ročník – prezenční studium Obor: Anglický jazyk se zaměřením na vzdělávání – Německý jazyk se zaměřením na vzdělávání IAN MCEWAN’S ATONEMENT: COMPARISON OF THE NOVEL AND THE FILM ADAPTATION Bakalářská práce Vedoucí práce: Mgr. Josef Nevařil, Ph.D. Olomouc 2015 Prohlášení: Prohlašuji, že jsem závěrečnou práci vypracovala samostatně a použila jen uvedených pramenů a literatury. V Olomouci (datum) ……………………………………………… vlastnoruční podpis I would like to thank Mgr. Josef Nevařil, Ph. D. for his assistance, comments and guidance throughout the writing process. CONTENTS INTRODUCTION .......................................................................................................... 6 1. BIOGRAPHY OF IAN MCEWAN ...................................................................... 7 1.1. BIOGRAPHY ................................................................................................... 7 1.2. LITERARY OUTPUT ...................................................................................... 8 1.3. AUTOBIOGRAPHICAL ASPECTS ................................................................ 9 2. POSTMODERNISM .......................................................................................... 12 3. COMPARISON OF THE NOVEL ATONEMENT AND THE FILM ADAPTATION ......................................................................................................................... 14 3.1. NOVEL: GENERAL INFORMATION ........................................................ -
Postmodern Children and the Cement Garden of Ian Mcewan Réka Vajda [email protected]
Eger Journal of English Studies XX (2020) 65–76 65 Postmodern Children and THE CEMENT GARDEN of Ian McEwan Réka Vajda [email protected] Postmodern childhood narratives often explore disturbing themes, break social conventions and taboos. In order to comment on this kind of representation, this study will introduce Ian McEwan’s controversial novel The Cement Garden (1978), the story of four children who, in the middle of a particularly hot summer, find themselves orphaned. The novel narrated by fourteen-year-old Jack explores such themes as sexuality, incest, death, the struggles of coming of age, isolation, gender roles and parent-child relationships. Keywords: child, childhood, postmodern, Ian McEwan. 1 Introduction The twentieth century or the “century of the child,” as called by James and Prout (1997, 1), witnessed a great increase in the attention paid to childhood and children. Psychologist James Sully, the author of Studies of Childhood, wrote at the very end of the nineteenth century: “With the growth of a poetic or sentimental interest in childhood there has come a new and different kind of interest. Ours is a scientific age, and science has cast its inquisitive eye on the infant […] we now speak of the beginning of a careful and methodical investigation of child nature.” (1993, 4) He was right. By the 1970s psychologists, sociologists and anthropologists have offered extensive accounts on various aspects of childhood and the child. In 1960 French historian Philip Ariés published his controversial book Centuries of Childhood, in which he questioned some of the existing assumptions about the nature of childhood. -
Enduring Love by Ian Mcewan
Enduring Love by Ian McEwan A level Student Workbook by Gerry Ellis ~ Wessex Publications ~ CONTENTS Using the Workbook ............................................................................1 1. Ian McEwan - A brief Biography...................................................2 2. Commentary and criticism on McEwan's early work up to ‘Enduring Love’ .............................................................................4 3. 'Mother Tongue' .............................................................................8 4. A brief summary of 'Enduring Love'..............................................13 5. 'Enduring Love' - Chapter by Chapter............................................14 6. De Clerambault's syndrome and 'Enduring Love' ..........................71 7. Two interviews with Ian McEwan on 'Enduring Love'..................73 8. Criticism of 'Enduring Love' ..........................................................80 9. Themes ...........................................................................................87 10. Characters in the novel...................................................................91 11. Essay Questions..............................................................................93 Enduring Love Using the Workbook USING THE WORKBOOK This Workbook examines various aspects of ‘Enduring Love’ and you will be asked to complete Tasks on each of these as you progress through the different sections. All the Tasks are designed to help you look carefully at the novel and to come to an appreciation