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Fanning the Flames: Fandoms and Consumer Culture in Contemporary Japan
FANNING THE FLAMES Fans and Consumer Culture in Contemporary Japan Edited by William W. Kelly Fanning the Flames SUNY series in Japan in Transition Jerry Eades and Takeo Funabiki, editors Fanning the Flames Fans and Consumer Culture in Contemporary Japan EDITED BY WILLIAM W. K ELLY STATE UNIVERSITY OF NEW YORK PRESS Published by State University of New York Press, Albany © 2004 State University of New York All rights reserved Printed in the United States of America No part of this book may be used or reproduced in any manner whatsoever without written permission. No part of this book may be stored in a retrieval system or transmitted in any form or by any means including electronic, electrostatic, magnetic tape, mechanical, photocopying, recording, or otherwise without the prior permission in writing of the publisher. For information, address State University of New York Press, 90 State Street, Suite 700, Albany, NY 12207 Production by Kelli Williams Marketing by Michael Campochiaro Library of Congress Cataloging-in-Publication Data Fanning the f lames : fans and consumer culture in contemporary Japan / edited by William W. Kelly. p. cm. — (SUNY series in Japan in transition) Includes bibliographical references and index. ISBN 0-7914-6031-2 (alk. paper) — ISBN 0-7914-6032-0 (pbk. : alk.paper) 1. Popular culture—Japan—History—20th century. I. Kelly, William W. II. Series. DS822.5b. F36 2004 306'.0952'09049—dc22 2004041740 10987654321 Contents List of Illustrations vii Acknowledgments ix Introduction: Locating the Fans 1 William W. Kelly 1 B-Boys and B-Girls: Rap Fandom and Consumer Culture in Japan 17 Ian Condry 2 Letters from the Heart: Negotiating Fan–Star Relationships in Japanese Popular Music 41 Christine R. -
Laibach Is a Slovenian Multi-Media Collective, Founded in 1980 in the Mining Town Trbovlje
LAIBACH Laibach is a cross-media pop-art formation, founded in 1980 in the industrial mining town Trbovlje, in Slovenia (then still Yugoslavia). The name Laibach (German for the capital city Ljubljana) as well as the group’s militant self-stylisation, propagandist manifestos and statements has raised numerous debates on their artistic and political positioning. Many theorists, among them Slavoj Žižek repeatedly, have discussed the Laibach-phenomenon. The main elements of Laibach’s varied practices are: strong references to the history of avant- garde, nazi-kunst and socialist realism, de-individualisation in their public actions as anonymous quartet, conceptual proclamations, and forceful sonic stage performances - mostly labelled as industrial pop music, but their artistic strategy also carries a lot of humour and tactics of persiflage and disinformation. Self-defined ‘engineers of human souls’ are practicing collective work (official member names are Eber, Saliger, Dachauer and Keller), dismantling individual authorship and establishing the principle of hyper-identification. Already within their early Laibach Kunst exhibitions they created and defined the term ‚retro- avant-garde’ (in 1983), creatively questioned artistic ‚quotation’, appropriation, copyright, and promoting copy-left. Starting out as both an art and music group, Laibach became internationally renowned, especially with their violating re-interpretations of hits by Queen, the Stones, the Beatles, but also by their unique and daring concerts during the war in occupied Sarajevo (1995) or their recent one in North Korean capital of Pyongyang (2015). But what many do not know, however, is that Laibach in fact began its career as a visual art group. Images that most people know from the paintings of the NSK Irwin group – the cross, the coffee cup, the deer, the metal worker and the Red Districts – were originally Laibach motifs. -
The Genealogy of Dislocated Memory: Yugoslav Cinema After the Break
University of Massachusetts Amherst ScholarWorks@UMass Amherst Doctoral Dissertations Dissertations and Theses April 2014 The Genealogy of Dislocated Memory: Yugoslav Cinema after the Break Dijana Jelaca University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/dissertations_2 Part of the Communication Commons Recommended Citation Jelaca, Dijana, "The Genealogy of Dislocated Memory: Yugoslav Cinema after the Break" (2014). Doctoral Dissertations. 10. https://doi.org/10.7275/vztj-0y40 https://scholarworks.umass.edu/dissertations_2/10 This Open Access Dissertation is brought to you for free and open access by the Dissertations and Theses at ScholarWorks@UMass Amherst. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. THE GENEALOGY OF DISLOCATED MEMORY: YUGOSLAV CINEMA AFTER THE BREAK A Dissertation Presented by DIJANA JELACA Submitted to the Graduate School of the University of Massachusetts Amherst in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY February 2014 Department of Communication © Copyright by Dijana Jelaca 2014 All Rights Reserved THE GENEALOGY OF DISLOCATED MEMORY: YUGOSLAV CINEMA AFTER THE BREAK A Dissertation Presented by DIJANA JELACA Approved as to style and content by: _______________________________________ Leda Cooks, Chair _______________________________________ Anne Ciecko, Member _______________________________________ Lisa Henderson, Member _______________________________________ James Hicks, Member ____________________________________ Erica Scharrer, Department Head Department of Communication TO LOST CHILDHOODS, ACROSS BORDERS, AND TO MY FAMILY, ACROSS OCEANS ACKNOWLEDGMENTS This dissertation is about a part of the world that I call “home” even though that place no longer physically exists. I belong to that “lost generation” of youth whose childhoods ended abruptly when Yugoslavia went up in flames. -
Die Zeitgenössischen Literaturen Südosteuropas
Südosteuropa - Jahrbuch ∙ Band 11 (eBook - Digi20-Retro) Hans Hartl (Hrsg.) Die zeitgenössischen Literaturen Südosteuropas Verlag Otto Sagner München ∙ Berlin ∙ Washington D.C. Digitalisiert im Rahmen der Kooperation mit dem DFG-Projekt „Digi20“ der Bayerischen Staatsbibliothek, München. OCR-Bearbeitung und Erstellung des eBooks durch den Verlag Otto Sagner: http://verlag.kubon-sagner.de © bei Verlag Otto Sagner. Eine Verwertung oder Weitergabe der Texte und Abbildungen, insbesondere durch Vervielfältigung, ist ohne vorherige schriftliche Genehmigung des Verlages unzulässig. «Verlag Otto Sagner» ist ein Imprint der Kubon & Sagner GmbH. Hans Hartl - 978-3-95479-722-6 Downloaded from PubFactory at 01/11/2019 10:04:40AM via free access 00063162 SÜDOSTEUROPA-JAHRBUCH Im Namen defSüdosteuropa-Gesellschaft herausgegeben von WALTER ALTHAMMER 11. Band Die zeitgenössischen Literaturen Südosteuropas 18. Internationale Hochschulwoche der Südosteuropa-Gesellschaft 3.—7. Oktober 1977 in Tutzing Selbstverlag der Südosteuropa-Gesellschaft München 1978 Hans Hartl - 978-3-95479-722-6 Downloaded from PubFactory at 01/11/2019 10:04:40AM via free access REDAKTION: Hans Hartl, München Bayerische Staatsbibliothek München Druck: Josef Jägerhuber, Starnberg Hans Hartl - 978-3-95479-722-6 Downloaded from PubFactory at 01/11/2019 10:04:40AM via free access INHALT Walter Althammer: Vorwort III EINFÜHRUNG Reinhard Lauer: Typologische Aspekte der Literaturen Südosteuropas........................................1 JUGOSLAWIEN Jože Pogačnik: Die Literaturen Jugoslawiens -
Vatra Veche 8, 2019
8 Români din toate ţă rile, uni ţi-vă! Lunar de cultur ă * Serie veche nou ă* Anul XI, nr. 8 (128) august 2019 *ISSN 2066-0952 VATRA, Foaie ilustrat ă pentru familie (1894) *Fondatori I. Slavici, I. L. Caragiale, G. Co şbuc VATRA, 1971 *Redactor-şef fondator Romulus Guga* VATRA VECHE, 2009, Redactor-şef Nicolae B ăciu ţ _____________________________________________________________________________________________ _______________________________________________________________________________ INSCRIP ȚIE Tot ce se poate-nțelege E f ără speran ță și lege Și cre ște dospind din eres Tot ce e f ără-nțeles. ANA BLANDIANA Marcel Lup șe, Buzduganul florilor de in _____________________________________________________________________________________________________________________ Inscrip ție, de Ana Blandiana/1 Vatra veche dialog cu Ana Blandiana, de Nicolae B ăciu ț/3 Cununa de Aur a Serilor de Poezie de la Struga, de Nicolae Băciu ț/4 Cuvântul de acceptare al laureatului, de Ana Blandiana,/5 Cununa de Aur, 2019, de Nicolae Băciu ț/5 Eseu. Staulul Miori ței, de A.I. Brumaru/6 Mai altfel, despre Veronica Micle, de Dumitru Hurubă/ 9 Eminescum, de Răzvan Ducan/10 Remember -30. N. Steinhardt, de Veronica Pavel Lerner/11 Poeme de Dumitru Ichim/12 Ognean Stamboliev, Premiul pentru traducerea lui Eminescu/12 Elisabeta Bo țan, Premiul European Clemente Rebora 2018- 2019/12 Să ne reamintim de… Valentin Silvestru, de Dumitru Hurub ă/13 Coresponden ţa lui Dimitrie Stelaru, de Gheorghe Sar ău/14 Inedit. Blestemul chinezesc, de Francisc P ăcurariu/15 Vremea întreb ărilor (Octavian Paler), de Nicolae Postolache/17 Text și context în diarismul românesc (Eugen Simion), de Florian Copcea/20 Poeme de Tania Nicolescu/23 Scrisori deschise, de Constantin Stancu/24 Ochean întors. -
Irwin & Neue Slowenische Kunst
Irwin & Neue Slowenische Kunst (NSK) Have you ever considered what, exactly, it means to identify yourself in terms of your nationality? A nation’s self identity is complex and often provokes heated debate. For example, being an “American” must mean something other than being a citizen of the United States of America since citizens are sometimes accused of acting in an “un-American” way. In the early 1980s, questions of national identity came to the forefront of politics in an area of the northernmost part of Yugoslavia that is now known as the Republic of Slovenia. At the time, “Slovenia” was not—nor had it ever been—a country. Rather, “Slovenia” had always been a part of something else. In the early 1980s, it was a part of Yugoslavia. Before that, it had been a part of the Nazi Reich, France, the Hapsburg Empire, Greater Hungary, the Ottoman Empire, and so on. So what did it mean to be Slovene when “Slovenia” was merely an idea of a nation that consisted, essentially, of layer upon layer of assimilated outside influences? In 1984, the visual arts collective Irwin and the Scipion Nasice Sisters Theater Group joined with the inter-media group Laibach to form a collective enterprise known as Neue Slowenische Kunst (NSK), or “New Slovenian Art.” Using German (rather than Slovene) for the name of the collective conjured images of German domination of the region during World War II and made it clear that the group did not plan to create nationalist art to be exploited for the cause of Slovenian liberation. -
Socio-Anthropologie
SOCIO-ANTHROPOLOGIE Sommaire N°23/24 1er sem. 2009 L’Anthropologie face au moment historique Dejan DIMITRIJEVIC Avant-propos Dejan DIMITRIJEVIC Le procès d’Andrija Artukovic, un événement oublié Slobodan NAUMOVIC Otpor ! et « la révolution électorale » en Serbie Mladen OSTOJIC Collective Memory in Personal Accounts of Veterans of the Croatian War 1991-1995 Vassilis GOUNARIS et Yannis FRANGOPOULOS La quête de la nation grecque moderne et le « cas grec » comme un cas paradoxal de la construction du fait national contemporain Fernando MATAMOROS PONCE Une approche des structurations symboliques Histoire, mémoire et croyance dans les milieux de la résistance au Chiapas Socio-anthropologie, n° 23-24, 2e sem. 2008/1er semestre 2009 Jean-François GOSSIAUX Point de vue de l’acteur et regard myope Anthropologie apocryphe de la déroute française en Corée (1866) Sylvain LAZARUS Sur une nouvelle politique radicalement contemporaine et sur la philosophie de la politique de Louis Althusser lecteur de Lénine Varia Charlie GALIBERT L’incommunicabilité dans le cadre de la pratique anthropologique Ce numéro a été coordonné par Dejan DIMITRIJEVIC Université de Nice Sophia Antipolis CIRCPLES (EA 3159) Image de couverture : 2 AVANT-PROPOS Une réflexion conséquente sur l’anthropologie, mais peut- être plus largement sur toutes les disciplines qui fondent leur méthode sur une démarche empirique, nécessite aujourd’hui de penser le rapport à l’histoire (en tant que réalité temporelle, et non comme discipline académique) et l’inscription dans la temporalité. Pour appréhender cette dimension problématique le recueil du présent volume a choisi de donner à voir différents rapports aux réalités évolutives. Présenter un ensemble varié de mises en narration nous permet d’ouvrir le débat sur l’importance et les implications des choix narratifs. -
Post-Communist Romania
Political Science • Eastern Europe Carey Edited by Henry F. Carey Foreword by Norman Manea “Henry Carey’s collection captures with great precision the complex, contradic- tory reality of contemporary Romania. Bringing together Romanian, West European, and American authors from fields as diverse as anthropology, politi- Romania cal science, economics, law, print and broadcast journalism, social work, and lit- ROMANIA SINCE 1989 erature, the volume covers vast ground, but with striking detail and scholarship and a common core approach. Romania since 1989 provides perhaps the most comprehensive view of the continuing, murky, contested reality that is Romania today and is a must read for any scholar of modern Romania, of East-Central Europe, and of the uncertain, troubled, post-socialist era.” since 1989 —David A. Kideckel, Central Connecticut State University Sorin Antohi “The wealth of detail and quality of insights will make this an excellent source- Wally Bacon book for students of political change after the Cold War. It should be taken seri- Gabriel Ba˘ descu ously by policy practitioners increasingly involved with Romania’s problems.” Zoltan Barany —Tom Gallagher, Professor of Peace Studies, Bradford University, U.K. Politics, Jóhanna Kristín Birnir Larry S. Bush Those who study Romania must confront the theoretical challenges posed by a Economics, Pavel Câmpeanu country that is undergoing a profound transformation from a repressive totali- Henry F. Carey tarian regime to a hazy and as yet unrealized democratic government. The most and Society Daniel Da˘ ianu comprehensive survey of Romanian politics and society ever published abroad, Dennis Deletant this volume represents an effort to collect and analyze data on the complex prob- Christopher Eisterhold lems of Romania’s past and its transition into an uncertain future. -
The Irish Jewish Museum
2009 Learning from the past ~ lessons for today The Holocaust Memorial Day Committee in association with the Department of Justice, Equality and Law Reform; Dublin City Council; Dublin Maccabi Charitable Trust and the Jewish Representative Council of Ireland The Crocus International Project The Holocaust Educational Trust of Ireland invites school children to plant yellow crocuses in memory of one and a half million Jewish children and thousands of other children who were murdered during the Holocaust. Crocuses planted in the shape of a star of David by pupils of St Martin’s Primary School, Garrison, Co Fermanagh, Northern Ireland Holocaust Memorial Day 2009 National Holocaust Memorial Day Commemoration Sunday 25 January 2009 Mansion House, Dublin Programme MC: Yanky Fachler Voice: Moya Brennan Piper: Mikey Smith • Introductory remarks: Yanky Fachler • Words of welcome: Lord Mayor of Dublin, Councillor Eibhlin Byrne • Keynote address: President of Ireland, Mary McAleese • The Stockholm Declaration: Swedish Ambassador to Ireland, Mr Claes Ljungdahl Musical interlude: Moya Brennan • The Department of Justice, Equality and Law Reform: Sean Aylward, General Secretary • HOLOCAUST SURVIVOR: TOMI REICHENTAL • The Holocaust: Conor Lenihan TD, Minister for Integration • The victims of the Holocaust: Niall Crowley, former CEO of the Equality Authority • Book burning: Professor Dermot Keogh, University College Cork • The Évian Conference: Judge Catherine McGuinness, President of the Law Reform Commission • Visa appeals on behalf of Jews in Europe: -
May '68 in Yugoslavia
SLAVICA TER 24 SLAVICA TERGESTINA European Slavic Studies Journal VOLUME 24 (2020/I) May ’68 in Yugoslavia SLAVICA TER 24 SLAVICA TERGESTINA European Slavic Studies Journal VOLUME 24 (2020/I) May ’68 in Yugoslavia SLAVICA TERGESTINA European Slavic Studies Journal ISSN 1592-0291 (print) & 2283-5482 (online) WEB www.slavica-ter.org EMAIL [email protected] PUBLISHED BY Università degli Studi di Trieste Dipartimento di Scienze Giuridiche, del Linguaggio, dell’Interpretazione e della Traduzione Universität Konstanz Fachbereich Literaturwissenschaft Univerza v Ljubljani Filozofska fakulteta, Oddelek za slavistiko EDITORIAL BOARD Roman Bobryk (Siedlce University of Natural Sciences and Humanities) Margherita De Michiel (University of Trieste) Tomáš Glanc (University of Zurich) Vladimir Feshchenko (Institute of Linguistics, Russian Academy of Sciences) Kornelija Ičin (University of Belgrade) Miha Javornik (University of Ljubljana) Jurij Murašov (University of Konstanz) Blaž Podlesnik (University of Ljubljana, technical editor) Ivan Verč (University of Trieste, editor in chief) ISSUE CO-EDITED BY Jernej Habjan and Andraž Jež EDITORIAL Antonella D’Amelia (University of Salerno) ADVISORY BOARD Patrizia Deotto (University of Trieste) Nikolaj Jež (University of Ljubljana) Alenka Koron (Institute of Slovenian Literature and Literary Studies) Đurđa Strsoglavec (University of Ljubljana) Tomo Virk (University of Ljubljana) DESIGN & LAYOUT Aljaž Vesel & Anja Delbello / AA Copyright by Authors Contents 8 Yugoslavia between May ’68 and November ’89: -
Prose, Poetry & Essay
Prose, Poetry & Essay New Romanian Titles Translation Alistair Ian Blyth Freeze‑frame COSMIN CIOTLOȘ This catalogue contains a sample of Romanian literature from the last two years. More than a collection of books or, even less so, authors, it is an assemblage of sensibilities. Selecting from a large number of published works, I asked myself whether it would pro‑ vide a representative image. In other words, whether it would pro‑ vide an interested (non‑Romanian) audience a conclusive outline of an organic and highly active intellectual medium. I therefore tried to forget that I myself was part of that same system and that in writ‑ ing literary criticism I myself possessed a clear picture of the topog‑ raphy of Romanian literature today, with all my natural likes and dislikes. I ignored predetermined strategic calculations and only at the very end, when the whole map was ready, did I subject it to anal‑ ysis. I was thereby able to conclude that an equitable distribution had been made. There are authors here whose names internation‑ ally well known, having been translated by major publishers and won high‑profile awards, and there are authors who are more unfa‑ miliar, at the beginning of their careers, but who hold out the prom‑ ise of solid bodies of work. Likewise, the selection includes authors of widely varying biological and literary ages. Some of them, who emerged in the 1960s, are true living classics, who lay down stylistic laws and act as masters to their younger apprentices. The majority, of course, sprouted in the nursery of the so‑called “eighties generation,” which represented a turning point in Romanian literary awareness. -
Archive 2012
Volume 19 CUPRINS / TABLE OF CONTENTS 2012 ALLRO TIME AND LITERATURE Openings /8 MARCEL CORNIS-POPE – AUTHOR-READER INTERACTIONS IN THE AGE OF HYPERTEXTUAL AND MULTIMEDIA COMMUNICATION / 9 Time and Literature- Visions and Alienations /23 IULIAN BOLDEA - MIHAI EMINESCU: TIMP, POEZIE, VIS/MIHAI EMINESCU: TIME, POETRY, DREAM / 24 ION SIMUŢ – SENTIMENTUL TIMPULUI ÎN PROZA NATURISTĂ A LUI MIHAIL SADOVEANU /TIME PERCEPTION IN MIHAIL SADOVEANU’S WRITINGS ABOUT NATURE /34 MARIUS MIHEŢ- BACOVIA- A POET’S LATE TIME / 45 MAGDALENA INDRIEȘ - LE JEU DES TEMPS DANS « NAISSANCE DE L’ODYSSEE » /GAME OF TIMES IN « NAISSANCE DE L’ODYSSEE » / 48 IOANA ALEXANDRESCU - EN LA PENUMBRA DE JUAN BENET : RETRATO TEMPORAL / EN LA PENUMBRA by BENET : A PORTRAYAL OF TENSES/56 ADINA BANDICI- TIME AND NARRATIVE IN VIRGINIA WOOLF’S MRS. DALLOWAY / 68 LIDIA GHIULAI - OCTAVIAN PALER – INNER JOURNEYS, TRAVELING IN TIME / 81 DANA SALA – THE EBBS OF WATER-TIME INTERACTIONS IN ALEXANDRU VLAD ’S NOVEL “PLOILE AMARE” (BITTER RAINS) / 88 Times and Taste(s) in Fiction /92 MAGDA DANCIU & DELIA RADU - WAYS OF READING FOOD TODAY: THE SCOTTISH WHODUNITS / 93 ANEMONA ALB - GASTRONOMY AND POWER IN JEANETTE WINTERSON’S “THE PASSION / 102 Classics and moderns/111 NAGY LEVENTE- LE „TRIPLEX CONFINIUM.” LE ROLE DE LUIGI FERDINANDO MARSILI DANS L'ETABLISSEMENT DE LA FRONTIERE ENTRE LA MOLDAVIE, LA VALACHIE ET LA TRANSYLVANIE APRES LA PAIX DE KARLOWITZ / THE "TRIPLEX CONFINIUM". MARSILI’S ROLE IN REMAPPING AFTER THE PEACE OF KARLOWITZ/ 112 IOAN DERŞIDAN - THE SCHOOLMASTER DELIVERED TO HIS