Midpacific Volume12 Issue3.Pdf

Total Page:16

File Type:pdf, Size:1020Kb

Midpacific Volume12 Issue3.Pdf SEPTEMBER, 1916. ONE SHILLING A COPY 12 SHILLINGS A YEAR 11111111111111111111111111111111111111 6 - 2 7 -5- 6-- IWACIPIC. itagazwzie THE 1919 PAN-PACIFIC EXPOSITION IN HONOLULU II HMLIN CLOSED DU is a corner of the Court of Seasons at the San Francisco Exposition. 620 e are no Seasons in Hawaii, only eternal spring. At the 1919 Exposi- .M5 tion one month will be as another---perfection. -77 1111141111111111 ioL. XII. No. 3. HONOLULU, HAWAII. GORDON & GOTCH, (Proprietary, Limited) Agents for Australasia. Speedy Trains in New South Wales f The Mother State of the Australian Commonwealth. The World's Famous Railway Bridge Over the Hawkesbury River, N. S. W. All the year round New South Wales is railway bridge. Here is to be found the best place for the tourist. From.Syd- glorious river scenery as well as eiccellent ney and New Castle, as well as from points fishing and camping grounds. By rail also in other states, there are speedy trains, with is reached the splendid trout fishing streams , comfortable accommodations, at very cheap of New South Wales, stocked with rates to the interesting points of the Mother yearling and two year old trout. State of the Australian Commonwealth. Beautiful waterfalls abound throughout Within a few hours by rail of the metrop- the state and all beauty spots are reached olis of Sydney are located some of the most after a few hours' comfortable trip from wonderful bits o scenery in the world. It Sydney. is but a half afternoon's train ride to the beautiful Blue Mountains, particularly fa- Steamship passengers arriving at. Sydney mous for the ,exhilarating properties of at- disembark at Circular Quay. Here the mosphere. nere and in other parts of the city tramways (electric traction) converge, state' are the world's most wonderful and and this is the terminus of thirty routes, beautiful limestone caverns. Those of varying from two to eleven miles in length. Jenolan are known by fame in every land. One of the best means of seeing the pic- Reached by the south coast railways are turesque views and places of interest about the surf bathing and picnicing resorts famed Sydney is to travel around them all by elec- throughout Australia and even abroad. tric tram. The cost is trifling, as the fares on Within a score of miles of Sydney is the the state railways are low. The secretary beautiful Hawkesbury river and its great of the railway system is J. L. Spurway. 1.1.1Minnenettetsvm•Atkvittgene • MUM nt1P lAtjokbert1 • • 1..• ttnemp•WIMptermium • patztt zunaknemos■ .---5 ., 4., . oIlr to-Partur III agazitir . • CONDUCTED BY ALEXANDER HUME FORD VOLUME XII. • E No.3. E . 1 CONTENTS FOR SEPTEMBER, 1916. 'X • • Our Art Section (The 1919 Pan-Pacific Exposition, Honolulu) 201 • • The New Idea in Expositions, Honolulu, 1919 - - - 217 Balboa Day in Hawaii 227 • By Jean West Maury. • A Solomon Island Cruise 233 '.; (From the Log of the Snark.) 4 By Charmian Kittredge London. X. • Jenolan Caves, New South Wales 239 4--4 • By Una Kidgell. On to Buitenzorg 249 • From the Editor's Diary. • 0 Polo in Hawaii 253 By Laurence Redington. !• • E The New Korea 259 • By Count Terauchi, Gov.-General of Chosen. • . China's Ancient Wonders 265 ! By Frederick McCormick. e • Hawaii's Flower—Hibiscus 271 • . E By Alonzo Gartley. • Transportation in the Philippines . 277 • By 0. Garfield Jones. • • • • New Zealand's Main Railway 283 • By R. Farnall. vil • Following of Living Lava Flow 287 I • By L. W. de ris-Norton. Tongan Homes 293 • By W. T. Brigham, 21.M., Sc.D., Director Bishop Museum. • • Encyclopedia of Hawaii and the Pacific. i-,F. Mg, II: id-rarifir II: agazittr • Published by ALEXANDER HUME FORD, Honolulu, T. H. Printed by the Honolulu Star-Bulletin, Ltd. !II' • Yearly subscriptions in the United States and possessions, $2.00 in advance. Canada and Mexico, $2.50. For all foreign countries, $3.00. Single copies, 25c. Entered as second-class matter at the Honolulu Postoffice. I I pi.- Permission is given to republish articles from • the Mid-Pacific Magazine when credit is given :0 11. :ire- • trestard • NO • • • • froil UM • IrettniciffidfrNt -1 — - ---- •- • '-', 4 •4 • • • • ._. i !.. K. 1..ii 1! il I' T.' • ti. '4 4 i'l 4,...: iliiiiMf• • -404•Nt•i sititaKsYt•i alriblfretriiNtrantiAltriNIANT•lt rArectsa trearent•t•tria•IttostrectreariAltriariariaoc •1 1-11VIAmmz/4 ■ vP APVIIMMIPSIIIMV•It vIRIASIJ • 4%44AI' -040,<IMMA11 IPLTAINIAMWP4-• 1.‘...1044YMptowsilwrsuu•ANTI, 4!1 • • • Tisch • 1, •riAll imir •mireilrarareilWrah IrelrreclracIrriellfrAi tat, • 1'4Ni • Writ • ir•i• ir • red 11YedVirall ■Irsimmps431141mmtvp wy•Amts iv,I) op,v„r 4,1:x•AMIVINNIMINIA, MVS,V0.1tM • MILWAVSIVV4, 7 +4, ti • • • • • • •p • • • 1 p iirowarvilaitriortrat • tan • • trictriarict • t • UNt • Vita oranitratiNkirlartatiAtiltriartiltd,;704-ilair• • • • • 4 • • • 4' • ; ■ • 41P. -4A-Ifiii1VW: ••l'iora tadrancareitrearestrinraareafahtrev • • • • t• rentrehrovista tria 114•Itactr•Vrie ii JIKTA 11 MILIVZ.11,0%.1:1VJP.V.41AMMIMAP4■11.1t>"4• AAPAIVPAXIVVRAXXNMIPJPSIVSAVNIIAWAAADSAIMNXTVWIMNIPVSWA WAIN • AIM • • 11YertiltiottaiiNtaAl • rattan • • .1 • idaNtreilriscl • te"':.•!:!-TZ•aMMIMMILMMAMPAMIM MIXIAAKTAINVIIMIAMI6L IVAXIPIVVIIKWIMMIARVINI•JI-11M • • • • • • • • 1.•4 -7.-ortervoy-14,--t444, • trilhireNtrailtiAllYiKtrectrecltritstrirsi 1' •AltrWfria e tilit • Itrid • r • triortromrigarecirdnimi• • • • it' •ir •ltrieareistristriKt • at aaaaa • •171Ntioct • tiittectrestr•NitfeltriAllrfiffifiNtiitifiOr •AWALWILMIMWILM4W414stk, IMPAIMMIPVIAWSM14■0311MPSTZW) UJlk) UJI■fl J4 • 11l4WIPMAMIA • • • • • • • • • • • T , • • • • • ion t llec • co e l ar on ds lan Is iian • 4==• Hawa e l t n • • • ■ WC, iti-orato strakartaresi •IMIVENtriellV acIt'i'drrisks ' • tr&ta • WAWA • iirtaroorrii • • •ir .-trav• • 1tti S11 MIAL3V1IM MILA4114 • IMPAMVSP1 • • 1 • WIAIVIPAMIIM-PA Lk•AIMIM ,(4! • • • (101611ricliCtreiteartatif6treVes • tammarect • • • • rachtittell t •irAtorailtrior d • ityinuity-witr; 143.•41.124-•-•21M'IMAITAINAINIXIMMIMILMMIRDAMP)1• 4 Arayeaviatecties Kernstristaistrictriati lie • VVIM41.143-SVPM •I'VritAltriAlrfactslyistetactairresti • wammt3vmmovam, ■ • P4ovimmil • ‘• Y•~ir~•sir/ai~rai~rair~•~irierr•~irr.~n.~iri.~irr•~v~aitie~ir~irni ~r• ~ • IMMIAIMMIL■TAIMILWIMMV/41-141M4WIPS/414143NIMMIMIA, • WP,14k•AMIATIIIMMJIMMIMMIlf. • 4 4 • 1, ■ IA IW ■ • i err tt liti WNM • N ltre • trAl *% Ire ■ • - e lIY it • • • irnir ir 1, r 1 etwir. I • ir• r-• • • /•l Tao . ■ ol 4 travirr .",4•141_,SiAMMIMM • AMVIMPAPIAMSY • • • • I • Ik19-11.WMIM.V.IY • I WM •1).1.1,1"41,411A, txTlVVIMAti ta, kr cs 43' (..) .4 g 4I4. mir•-Th•twirait•iwartivete rna•it-d •aaaa 40 • 'NAMtrestriedVAttWic'iVatiNtriAltreiltrilt a ■ • 1 • 14i1WIiii 41,1M11,MMASIWP VPAIMMIMILIALAPVIVJIMIX14,14%/4MINVIMMI • 1/41•404)019 twimmusnmamompsquvon4P/mo! • 't•-3rdwa-viaimorocomordiord-N ror-• rastadard-mwrdiordidradvirdwrrimiorrostraNnforaordrordiordomie si do • rdora\d-tivrteri-doad stiMMMIlk•AIMIMMAIMANIMIL•VM • WILK•41,4 • • IMILMIMMIxtv WrIPLIPPAMIX•410Y4MMPAILMILWIL, • • 5 L!. 71! '704' • ltrtclrigittiAl • • tiorracriareartitriovestreitosimrer • tantarivtittstactailitrtarto • irab-si amiraNirreorreareoraNi The Hon. Walter Francis Frear, L.L. D., Ex-Governor of Hawaii and president of the Hands- Around-the-Pacific Movement, who is making a three months' tour of Australia and New Zealand. He is one of the Advisory Committee of the 1919 Pan-Pacific Exposition in Honolulu. flith-Pariftr flittgazittr CONDUCTED BY ALEXANDER HUME FORD VOLUME XII. SEPTEMBER, 1916 No. 3 The model in the Bishop Museum, Honolulu, of an Hawaiian preparing tapa, an almost lost art that it is hoped will be revived for the 1919 Exposition. This might, with proper scenic background, become a model for a diorama on a large scale of the ancient Polynesian industry of tapa making. The New Idea in Expositions Honolulu, 1919 T WAS from a tiny, provincial fair, der-compelling exhibit of those islands at for the sale of home-made goods held the San Francisco Exposition was devel- I first in a backwoods native village of oped. From that tiny Moro exchange, or- the Philippines, that the unique and won- ganized a few years ago by a young army 217 ?18 THE MID-PACIFIC Here are seen some of the dioramas in the Canada Building at the San Diego Exposition that merge into each other and make the visitor believe that he is looking out doors upon the real scenes that are so skilfully depicted in the dioramas. officer, grew first the annual Philippine Ex- of money that is to be spent, but the amount position, that lasts a month each year in of brains, energy, and the power of co- Manila, and from that developed the won- operation of all Pacific races in Hawaii and derful self-supporting exhibition of the around the Pacific Ocean that is to tell the home industries of the Philippines, that at story in Hawaii. San Francisco and San Diego astonished the It was the boast of the San Francisco visiting world only less than did the Ca- Exposition Company that it had spent five nadian exhibit and buildings at these ex- million dollars upon exhibit buildings alone positions which cost a million and a half before the gates of the great Panama-Pacific dollars to build and install. International Exposition were thrown open The people of the Philippines have given to the world, and it was a boast that at- the world expositions an object lesson as to tracted thronging thousands. It is ithe how brains, energy, and grit combined with boast of the proposed Pan-Pacific Exposi- co-operation on the part of the many lowly, tion in Honolulu in 1919, that the
Recommended publications
  • Pacific Islands Program
    / '", ... it PACIFIC ISLANDS PROGRAM ! University of Hawaii j Miscellaneous Work Papers 1974:1 . BIBLIOGRAPHY OF HAWAIIAN LANGUAGE MATERIALS AT THE UNIVERSITY OF HAWAII, MANOA CAMPUS Second Printing, 1979 Photocopy, Summer 1986 ,i ~ Foreword Each year the Pacific Islands Program plans to duplicate inexpensively a few work papers whose contents appear to justify a wider distribution than that of classroom contact or intra-University circulation. For the most part, they will consist of student papers submitted in academic courses and which, in their respective ways, represent a contribution to existing knowledge of the Pacific. Their subjects will be as varied as is the multi-disciplinary interests of the Program and the wealth of cooperation received from the many Pacific-interested members of the University faculty and the cooperating com­ munity. Pacific Islands Program Room 5, George Hall Annex 8 University of Hawaii • PRELIMINARY / BIBLIOGRAPHY OF HAWAIIAN LANGUAGE MATERIALS AT THE UNIVERSITY OF HAWAII, MANOA CAMPUS Compiled by Nancy Jane Morris Verna H. F. Young Kehau Kahapea Velda Yamanaka , . • Revised 1974 Second Printing, 1979 PREFACE The Hawaiian Collection of the University of Hawaii Library is perhaps the world's largest, numbering more than 50,000 volumes. As students of the Hawaiian language, we have a particular interest in the Hawaiian language texts in the Collection. Up to now, however, there has been no single master list or file through which to gain access to all the Hawaiian language materials. This is an attempt to provide such list. We culled the bibliographical information from the Hawaiian Collection Catalog and the Library she1flists. We attempted to gather together all available materials in the Hawaiian language, on all subjects, whether imprinted on paper or microfilm, on tape or phonodisc.
    [Show full text]
  • Towards Fatele Theology: a Contextual Theological Response in Addressing Threats of Global Warming in Tuvalu
    Towards Fatele Theology: A Contextual Theological Response in Addressing Threats of Global Warming in Tuvalu A Thesis Submitted to the Faculty of Theology In Partial Fulfillment of the Requirements For The Degree of Master of Theology By Maina Talia Advisor: Prof, Dr. M.P. Joseph Tainan Theological College and Seminary Tainan, Taiwan May 2009 ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! 2009 Maina Talia ALL RIGHTS RESERVED ! ! ! ! ! ! This thesis is dedicated to the followings: My parents Talia Maina Salasopa and the late Lise Moeafu Talia, OBE. Mum, your fatele’s will remains as living text for the Tuvaluan generations in their search for the presence of the Divine. And my grandma Silaati Telito, in celebrating her 90th Birthday. ! ! i ACKNOWLEDGEMENT “So you also, when you have done everything you were told to do, should say, ‘We are unworthy servants; we have only done our duty.” (Luke 17:10) The completion of this thesis is not an individual achievement. Without the help of many, it would never have come to a final form. Because I was not endorsed by the Ekalesia Kelisiano Tuvalu, it remains dear to me. Rev. Samuelu Tialavea Sr the General Secretary of the Congregational Christian Church in American Samoa (CCCAS) offered his church’s sponsorship. I owe a big fa’afetai tele to the CCCAS and the Council for World Mission for granting me a scholarship. Fakafetai lasi kii to my thesis advisor Prof, Dr. M.P. Joseph great theologian, who helped me through the process of writing, especially giving his time for discussion. His constructive advice and words of encouragement contributed in many ways to the formation of fatele theology.
    [Show full text]
  • Freebern, Charles L., 1934
    THE MUSIC OF INDIA, CHINA, JAPAN AND OCEANIA: A SOURCE BOOK FOR TEACHERS Item Type text; Dissertation-Reproduction (electronic) Authors Freebern, Charles L., 1934- Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 06/10/2021 06:04:40 Link to Item http://hdl.handle.net/10150/290233 This dissertation has been microfilmed exactly as received 70-6670 FREEBERN, Charles L., 1934- IHE MUSIC OF INDIA, CHINA/JAPAN AND OCEANIA: A SOURCE BOOK FOR TEACHERS. [Appendix "Pronounciation Tape Recording" available for consultation at University of Arizona Library]. University of Arizona, A. Mus.D., 1969 Music University Microfilms, Inc., Ann Arbor, Michigan CHARLES L. FREEBERN 1970 ALL RIGHTS RESERVED • a • 111 THE MUSIC OP INDIA, CHINA, JAPAN AND OCEANIA: A SOURCE BOOK FOR TEACHERS by Charles L. Freebern A Dissertation Submitted to the Faculty of the SCHOOL OF MUSIC In Partial Fulfillment of the Requirements For the Degree of DOCTOR OF MUSICAL ARTS In the Graduate College THE UNIVERSITY OF ARIZONA 19 6 9 THE UNIVERSITY OF ARIZONA. GRADUATE COLLEGE I hereby recommend that this dissertation prepared under my direction by Charles L, Freebern entitled THE MUSIC OF INDIA, CHINA, JAPAN AND OCEANIA: A SOURCE BOOK FOR TEACHERS be accepted as fulfilling the dissertation requirement of the degree of Doctor of Musical Arts &• 7?)• as. in? Dissertation Director fca^e After inspection of the final copy of the dissertation, the following members of the Final Examination Connnittee concur in its approval and recommend its acceptance:" _ ^O^tLUA ^ AtrK.
    [Show full text]
  • Not for Reproduction Without Permission
    permission without reproduction for Not Occasional Paper 45 Te Kauhiva Tokelau Composing and Choreographing Cultural Sustainability Candice Elanna Steiner Center for Pacific Islands Studies School of Pacific and Asian Studies University of Hawai‘i, Mānoa Honolulu, Hawai‘i Te Kauhiva Tokelau: Composing and Choreographing Cultural Sustainability is also available through ScholarSpace, a digital repository of the University of Hawai‘i library system, at http://scholarspace.manoa.hawaii.edu/. is abstracted or indexed in Abstracts on Rural Develop- ment in the Tropics, Anthropological Index, CAB Interna- tional, Current Military and Political Literature, Hawaii © 2015 by Candice Elanna Steiner Inter- national Bibliography of the Social Sciences, Sociological Abstracts, and ISBN-13: 978-0692442319 ISBN-10: 0692442316 ISSN: 0897 -8905 Cover design Roy Asotasi, by Susana P Fihaki 2010 10, 100 72 Interior design and layout by Candice Elanna Steiner Cartography by Manoa Mapworks, Inc., Honolulu, Hawai‘i © 2014 issn 1043–898x ansi z39.48–1984. For my parents E he galo koe i toku loto Contents Illustrations vii Preface ix 1 Building a Future 1 2 A Bud Flowering in the Pacific 16 3 Embracing Pacific Island Ways of Knowing and Learning 29 4 Making the Gathering Complete 45 5 Conclusions 72 Appendix A: Notes on Transcriptions 77 Appendix B: Te Tinifu Tokelau 79 Appendix C: Ko te Fatu (Introduction) 85 Appendix D: Ko te Fatu (Fātele) 89 Appendix E: Tautai o te Moana o Tokelau 99 Appendix F: Te Moana 109 Appendix G: Mānaia te Fakatahiga Nei 119 Notes 135 Glossary 139 References 141 Illustrations Figures 1.1 Lumanaki students pose for a group picture after performing a preview of their 2012 Tokelau Sports and Culture Tournament entries.
    [Show full text]
  • Island Soundscape: Music of Hawaii, the Solomon Islands, and Papua New Guinea a Smithsonian Folkways Lesson Designed By: Sarah H
    Island Soundscape: Music of Hawaii, the Solomon Islands, and Papua New Guinea A Smithsonian Folkways Lesson Designed by: Sarah H. Watts University of Washington Summary: Discover the island cultures of the South Pacific and their musical expressions with songs, crafts, and games. Uses recordings of Hawaiian slack key guitar, rhythmic game songs from the Solomon Islands, and Papua New Guinea flute playing. Suggested Grade Levels: 3-5 Country: United States, Solomon Islands, Papua New Guinea Region: Pacific Islands Culture Group: Hawaiian, Melanesian Genre: World Instruments: Shakers Language: Hawaiian Co-Curricular Areas: Social Studies, Dance National Standards: 1, 2, 5, 6, 9 Prerequisites: None Objectives: Listening to instruments, singing, beats, form, ostinato Singing short melodic figures Moving to a steady beat; playing moving games; inventing movements Playing rhythms Notating short rhythms Materials: “Fair Hawaii” by Tony Ku & Tomomi Sugiura from Original Hawaiian Steel Guitar (FW08714_101) http://www.folkways.si.edu/tony-ku/fair- hawaii/hawaii/music/track/smithsonian “E Pele Pele Pele” from Hawaiian Chants, Hula and Love Dance Songs (FW04271_101) http://www.folkways.si.edu/hawaiian-dancers-male-singer/e-pele-pele- pele-hawaiian-drama-hula/hawaii/music/track/smithsonian “Anoai” from Hawaiian Chants, Hula and Love Dance Songs (FW 04271_104) http://www.folkways.si.edu/hawaiian-dancers-male-singer/anoai-hula- uliuli/hawaii/music/track/smithsonian “Singing Games A, B, C” from Polynesian Songs and Games from Bellona (Mungiki),
    [Show full text]
  • Student Quiz Answers
    TODAY’S MUSIC EDUCATION RESOURCE STUDENT MUSIC OF HAWAII 1) Mele is the traditional Hawaiian term for musical chant. QUIZ 2) Mexican cowboys, known as pianolos, introduced the guitar to Hawaii. 3) The slack-key guitar is tuned down, or “slacked”, to create a major chord ANSWERS when strumming open strings. 4) “Jumping Flea” Vol.40, No.4 5) Joseph Kekuku 6) Hapa Haole 7) Steel guitar deeply influenced country music, particularly in Nashville 8) Don Ho became one of Hawaii’s most famous singers in the latter half of the 20th century. 9)Thousands of American troops were stationed in Hawaii during World War HARRY STYLES II, creating a demand for more popular music acts. 1) Harry Styles, Niall Horan, Liam Payne, Lou- 10)Two kinds of Hawaiian chanting include mele oli, a cappella songs, isTomlinson, and Zayn Malik and mele hula, dance music performed as a group. 2)Because he thought it would sound “cool” when The X-Factor announcer said it 3) Member Zayn Malik wanted to go solo 4) Harry Styles 5) Pink Floyd,The Rolling Stones,The Beat- les, Fleetwood Mac, Freddie Mercury, Elvis, ShaniaTwain 6) 2016 7) Fine Line 8) Fishing community, Unique images of a DANCE MUSIC rare fish, a Variety of “fish bowls”, letting the fish go into the ocean 9) “Stepping into the Light” and becoming 1) Cave paintings, pieces of pottery yourself 2)To tell a story, form of protest, religious/spiritual, ceremony such as a wed- 10) “Sign of theTimes”, “Fine Line”, “Adore ding, to have fun You”, “Watermelon Sugar”, “Golden” 3) Music written specifically for the purpose of dance 4) 1930’s-50’s 5) Entrance of rock-and-roll and rhythm and blues 6) Disco 7) Use of technology (synthesizers, electric drums, etc) 8) Billy Ray Cyrus 9) Cerebellum 10) Rhythm and Syncopation © 2020 IN TUNE PARTNERS, LLC.
    [Show full text]
  • 17Th Cycle of the Lawrence Welk Show #1701
    17th Cycle of the Lawrence Welk Show #1701 "Hawaii" Guest: Charlotte Harris Airs: August 24, 2019 OAD: Week of 9/7-9/13, 1972 Soft winds, dreamy songs, catamarans skimming over blue waters, and the haunting music of Hawaii permeates this outstanding show. The whole gang flew to Hawaii and spent a week on location in some of the most beautiful spots on the Island. This show features Guy and Raina on the "Hawaiian Wedding Song", Clay Hart, Sandi & Salli sing "Pearly Shells", and Mary Lou and Gail enlist Charlie Parlato's help on "The Cockeyed Mayor of Kaunakakai". #1702 "Occupations" Guest: Jack lmel Airs: August 31, 2019 OAD: March 8, 1969 Lawrence and his Musical Family go to work! This charming show features the various occupations that keep us busy, ranging from Sandi & Salli as a couple of astronauts singing "We'll Make It To The Moon Tonighf', Larry Hooper digging deep in a coal mine singing "Sixteen Tons", and Jack lmel as "The Sound Effects Man". #1703 "School Days" Guest: Myron Floren & Family Airs: September 7, 2019 OAD: September 18, 1971 Myron Floren hosts "School Days" and enjoys hearing the special memories of his four Burgess grandchildren who coax him to play their favorite songs. Joe Feeney remembers "The Sweetheart of Sigma Chi", Tanya sings "Autumn Leaves", and Myron plays a rousing "Shall We Dance". #1704 "Big City, U.S.A Host: Bobby Burgess Airs: September 14, 2019 OAD: Week of January 7-13, 1982 Favorite songs that represent cities, states and other geographical sites are featured in "Big City, U.S.A".
    [Show full text]
  • SONGS of BELLONA ISLAND (NA TAUNGUA 0 Mungiklj
    Jane Mink Rossen SONGS OF BELLONA ISLAND (NA TAUNGUA 0 MUNGIKlj VOLUME ONE ,".~-,~~ '.f;4;41C'{it::?~..· " ........... Acta Ethnomusicologica Danica 4 Language and Culture of Rennell and Bellona Islands: Volume VI (NA TAUNGUA 0 MUNGIKI) -- £ , i • lit • .0,,~ 7nh4 !C..J ;1,1,",­ l. Acta Ethnomusicologica Danica 4 Forlaget Kragen, Copenhagen 1987 Language and Culture of Rennell and Bellona Islands: Volume VI SONGS OF BELLONA ISLAND (NA TAUNGUA 0 MUNGIKI) Volume One To my parents and children, and to the memory of Paul Sa'engeika, Joshua Kaipua, Sanga'eha and Tupe'uhi. "The sacred song goes back to the ancestors and forward to the descendants.... " (pese song) I hope that the Bellonese people will find a way to bring their own historical art and wisdom to this modern world, and tap the strength which comes from having one's own culture. Denne afhandling er af det filosofiske fakultet ved K0benhavns Universitet antaget til offentlig at forsvares for den filosofiske doktorgrad. KfJbenhavn, den 4. juni 1985 Michael Chestnutt h. a.decanus Danish Folklore Archives, Skrifter 5 Songs of Bellona Island (na taungua 0 Mungiki), Volume One 1987 Forlaget Kragen ApS ISBN 879806 36-8-5 COPYRIGHT © 1987 Jane Mink Rossen Cover photograph: The dance mako ngangi, 1974: Jane Mink Rossen CON TEN T 5, Volume One PART 1. Music in Traditional Life and Thought Chapter Page: Preface Introduction 1 Field Work 11 One: The Art of Music on Bellona 22 1.1 Status of music in the traditional culture 23 1.2 Poetry and language 26 Two: Musical Genres and Classification
    [Show full text]
  • The Festivalisation of Pacific Cultures in New Zealand: Diasporic Flow and Identity Within ‘A Sea of Islands’
    The Festivalisation of Pacific Cultures in New Zealand: Diasporic Flow and Identity within ‘a Sea of Islands’ A thesis submitted for the degree of Doctor of Philosophy The University of Otago Dunedin New Zealand Jared Mackley-Crump 2012 Abstract In the second half of the twentieth century, New Zealand witnessed a period of significant change, a period that resulted in dramatic demographic shifts. As a result of economic diversification, the New Zealand government looked to the Pacific (and to the at the time predominantly rural Māori population) to fill increasing labour shortages. Pacific Peoples began to migrate to New Zealand in large numbers from the mid-1960s and continued to do so until the mid-1970s, by which time changing economic conditions had impacted the country’s migration needs. At around this time, in 1976, the first major moment of the festivalisation of Pacific cultures occured. As the communities continued to grow and become entrenched, more festivals were initiated across the country. By 2010, with Pacific peoples making up approximately 7% of the population, there were twenty-five annual festivals held from the northernmost towns to the bottom of the South Island. By comparing the history of Pacific festivals and peoples in New Zealand, I argue that festivals reflect how Pacific communities have been transformed from small communities of migrants to large communities of largely New Zealand-born Pacific peoples. Uncovering the meanings of festivals and the musical performances presented within festival spaces, I show how notions of place, culture and identity have been changed in the process. Conceiving of the Pacific as a vast interconnected ‘Sea of Islands’ kinship network (Hau’ofa 1994), where people, trade, arts and customs have circulated across millennia, I propose that Pacific festivals represent the most highly visible public manifestations of this network operating within New Zealand, and of New Zealand’s place within it.
    [Show full text]
  • Music 96676 Songs, 259:07:12:12 Total Time, 549.09 GB
    Music 96676 songs, 259:07:12:12 total time, 549.09 GB Artist Album # Items Total Time A.R. Rahman slumdog millionaire 13 51:30 ABBA the best of ABBA 11 43:42 ABBA Gold 9 36:57 Abbey Lincoln, Stan Getz you gotta pay the band 10 58:27 Abd al Malik Gibraltar 15 54:19 Dante 13 50:54 Abecedarians Smiling Monarchs 2 11:59 Eureka 6 35:21 Resin 8 38:26 Abel Ferreira Conjunto Chorando Baixinho 12 31:00 Ace of Base The Sign 12 45:49 Achim Reichel Volxlieder 15 47:57 Acid House Kings Sing Along With 12 35:40 The Acorn glory hope mountain 12 48:22 Acoustic Alchemy Early Alchemy 14 45:42 arcanum 12 54:00 the very best of (Acoustic Alchemy) 16 1:16:10 Active Force active force 9 42:17 Ad Vielle Que Pourra Ad Vielle Que Pourra 13 52:14 Adam Clayton Mission Impossible 1 3:27 Adam Green Gemstones 15 31:46 Adele 19 12 43:40 Adele Sebastan Desert Fairy Princess 6 38:19 Adem Homesongs 10 44:54 Adult. Entertainment 4 18:32 the Adventures Theodore And Friends 16 1:09:12 The Sea Of Love 9 41:14 trading secrets with the moon 11 48:40 Lions And Tigers And Bears 13 55:45 Aerosmith Aerosmith's Greatest Hits 10 37:30 The African Brothers Band Me Poma 5 37:32 Afro Celt Sound System Sound Magic 3 13:00 Release 8 45:52 Further In Time 12 1:10:44 Afro Celt Sound System, Sinéad O'Connor Stigmata 1 4:14 After Life 'Cauchemar' 11 45:41 Afterglow Afterglow 11 25:58 Agincourt Fly Away 13 40:17 The Agnostic Mountain Gospel Choir Saint Hubert 11 38:26 Ahmad El-Sherif Ben Ennas 9 37:02 Ahmed Abdul-Malik East Meets West 8 34:06 Aim Cold Water Music 12 50:03 Aimee Mann The Forgotten Arm 12 47:11 Air Moon Safari 10 43:47 Premiers Symptomes 7 33:51 Talkie Walkie 10 43:41 Air Bureau Fool My Heart 6 33:57 Air Supply Greatest Hits (Air Supply) 9 38:10 Airto Moreira Fingers 7 35:28 Airto Moreira, Flora Purim, Joe Farrell Three-Way Mirror 8 52:52 Akira Ifukube Godzilla 26 45:33 Akosh S.
    [Show full text]
  • Hawaiian Recordings in the Slack Key Tunings
    Dancing Cat Records Hawaiian Slack Key Information Booklet, SECTION V: HAWAIIAN RECORDINGS IN THE SLACK KEY TUNINGS This section includes a list of the most important (usually) available recordings by Hawaiian Slack Key guitarists in each of the 50 tunings in the CHART OF RECORDED TUNINGS- SECTION IVa, that have had songs recorded in them (the other 12 tunings in the chart that are closely related to another tuning in the chart, bur have not had any songs recorded in them are also listed here, for continuity). The following information is listed for each tuning (the number of the tuning coincides to its number in the tuning chart on page 34). Here are some particulars about this section: 1. Artists which have recorded a particular tuning are listed alphabetically under that tuning. 2. The titles of the recordings are in all capital letters; the record label and number, indication of whether the title is out-of-print (no longer commercially available) and information on whether the Slack Key artist listed is backing up somebody else are also indicated. If the song has another title, we will indicate this within parentheses. 3. Song titles are in italics and are separated by a semi-colon. Medleys have slashes between their component songs. 4. There may be discrepancies in the spellings of some of the song titles. For reference purposes, the titles in this booklet are spelled as printed on the recordings unless there had been an obvious typographic error on the album notes. 5. If a song is played in a key other than the key of the tuning or if the guitar is tuned noticeably higher or lower than the normal pitch the tuning is in, or if the guitar is capoed to a higher pitch, this will be indicated after the song or songs.
    [Show full text]
  • RCA Camden Label Discography the RCA Camden Label Was Started in 1953 As a Budget Label
    RCA Discography Part 57 - By David Edwards, Mike Callahan, and Patrice Eyries. © 2018 by Mike Callahan RCA Camden Label Discography The RCA Camden label was started in 1953 as a budget label. It was named after Camden New Jersey which was the manufacturing and distribution center of RCA Victor records. Much of the material released by Camden were reissues of albums released by RCA Victor, usually with a few less songs. Initially the label was used for classical releases but soon started releasing popular, country and comedy albums. Albums released by Camden included ones released by RCA of Canada using the same numbering system. These RCA of Canada albums were only distributed in Canada and were not listed in the Schwann catalogs. CAL 100 – Tchaikovsky: Nutcracker Suite/Saint-Saens: Carnival of the Animals – Warwick Symphony Orchestra [195?] CAL 101 – Prokofieff: Peter and the Wolf/Richard Strauss: Till Eulenspiegel’s Merry Pranks – Boston Symphony Orchestra [195?] CAL 102 – Beethoven: Symphony No. 3 in E-Flat (Eroica) – London Philharmonic Orchestra [195?] CAL 103 – Symphonies No. 5 Op. 67, C Minor (Beethoven) – Stattford Symphony Orchestra (London Philharmanic Orchestra) [1960] CAL 104 – Dvorak: Symphony No. 5 in E-Minor (New World) – Philadelphia Orchestra [195?] CAL 105 – Concert Classics – Warwick Symphony Orchestra [195?] Sibelius: Finlandia/Boccherini: Minuet/Haydn: 18th Century Dance/Bach: Fugue in G minor/Wagner: Lohengrin Act 1 Prelude; Magic Fire Music/Handel: Pastoral Symphony CAL 106 – Schubert: Symphony No. 8 Unfinished/Symphony No. 5 – Serge Koussevitzky, Boston Symphony Orchestra [195?] CAL 107 – Franck: Symphony in D Minor – San Francisco Symphony [195?] CAL 108 - Sibelius Symphony No.
    [Show full text]