Christ in the Margins: Confronting Racism Through the (Written) Word in Post-Civil War America
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Graduate Theses, Dissertations, and Problem Reports 2015 Christ in the Margins: Confronting Racism through the (Written) Word in Post-Civil War America Cara L. Snider Follow this and additional works at: https://researchrepository.wvu.edu/etd Recommended Citation Snider, Cara L., "Christ in the Margins: Confronting Racism through the (Written) Word in Post-Civil War America" (2015). Graduate Theses, Dissertations, and Problem Reports. 6679. https://researchrepository.wvu.edu/etd/6679 This Dissertation is protected by copyright and/or related rights. It has been brought to you by the The Research Repository @ WVU with permission from the rights-holder(s). You are free to use this Dissertation in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you must obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This Dissertation has been accepted for inclusion in WVU Graduate Theses, Dissertations, and Problem Reports collection by an authorized administrator of The Research Repository @ WVU. For more information, please contact [email protected]. Christ in the Margins: Confronting Racism through the (Written) Word in Post-Civil War America Cara L. Snider Dissertation submitted to the Eberly College of Arts & Sciences at West Virginia University in partial fulfillment of the requirements for the degree of Doctor of Philosophy in English Timothy Sweet, Ph.D., Chair John R. Ernest, Ph.D. Cari Carpenter, Ph.D. Michael Germana, Ph.D. Edward J. Blum, Ph.D. Morgantown, WV 2015 Keywords: race reform, postbellum fiction, Mark Twain, Charles Sheldon, Frances Harper, Sutton Griggs Copyright 2015 Cara L. Snider Abstract: Christ in the Margins: Confronting Racism through the (Written) Word in Post-Civil War America Cara L. Snider This dissertation examines fictional texts of the late nineteenth century in order to recover the response of progressive Christian writers facing a growing tide of racial violence, injustice, and segregation in the postbellum decades. By investigating the works of Mark Twain, Charles Sheldon, Frances Harper, and Sutton Griggs, I argue that we gain access to a cadre of writers who sought to translate emerging strains of New Theology into practical means of race reform. They regarded their novels as sermons to the masses and saw writing as a sacred practice of communicating the Word to fellow believers; and their brand of Christian Liberalism was rooted in Incarnational theology, prized the humanity of Christ, insisted on a social gospel, and exhorted others to adopt a self-sacrificial and costly form of discipleship. Throughout the late nineteenth century both white and black ministers turned toward storytelling in the pulpit, and so the era’s prolific writers paralleled this movement by embracing homiletic realism in literature. The resulting narratives were often bestsellers that captivated wide audiences even while exposing the false process of racial categorization, revealing race as a social construct, and depicting tangible acts of social Christianity among disenfranchised and violently oppressed African-American communities. By returning to these narratives, then, we are able to reconstruct the period of race reform in the postbellum years—one that bridges Protestant abolitionist zeal with progressive Civil Rights activism—and we draw closer to a more complex and accurate understanding of America’s racial and theological past. Acknowledgements Take not, oh Lord, our literal sense. Lord, in Thy great Unbroken speech our limping metaphor translate. --C. S. Lewis1 Our lives are built on stories, and scholarship is a form of storytelling that values the past in an effort to make it meaningful to the present. In the course of completing this project I’ve come to value the many family members, friends, mentors, professors, colleagues, and students who have shared my personal and scholarly story. You’ve listened to me talk endlessly about nineteenth-century literature and race (whether you wanted to hear it or not), you asked questions that grounded my argument in significant and detailed ways, and you’ve sustained me with your encouragement when the road seemed far, far too long. The following pages are dedicated to our collective, blessed story. This project is very much a testament to the guidance of Dr. John Ernest, whose courses in nineteenth-century literature and critical race theory exposed me to stories both captivating and horrifying. Our readings and discussions through the years re-oriented my conception of American literature at its core, taught me what kinds of questions to ask, and reinforced the importance of a nuanced understanding of history, race, and theology. Above all, John taught me to truly listen to the voices of the past and to do so with reverence. I am grateful for his close reading of my work, for his generous encouragement throughout this project, and for his commitment to leading by example as a scholar, mentor, professor, and friend. Quite simply I am not the same scholar or person I was before I began working with you, John. Thank you. Also while at West Virginia University, I benefited from the careful and sincere guidance 1 C.S. Lewis, “Footnote to All Prayers.” The Cambridge Companion to C.S. Lewis. Ed. Robert MacSwain and Michael Ward. New York: Cambridge University Press, 2010. 300. iii of Dr. Timothy Sweet whose early American literature courses honed my research and writing ability, who taught me always to keep a skeptical audience in mind (especially when writing about theology), and who rejoiced with me as my project came together. Tim, your feedback on my early drafts and your enthusiasm for my work has been such an encouragement during my time away from WVU. Bring on the hooding! I would like also to thank the other members of my dissertation committee—Dr. Cari Carpenter, Dr. Michael Germana, and Dr. Edward J. Blum—for their careful reading of this project, for the ideas and connections their comments generated, and for the resources they suggested. You’ve have given me much to pursue in the coming year. I’ll be in touch. Other members of the WVU community who were integral the process of this degree and project include professors Gwen Bergner, Tom Sura, and Lisa Weihman; graduate directors Dennis Allen and Adam Komisaruk (thanks for keeping everything on track!); English Department staff members Amanda Tustin, Michelle Marshall, and Mary Vasquez; and my fellow graduate student colleagues, in particular Joel and Emily Christenson, Jake Ivey, Lauren Thompson, Ginny Young, Courtney Novosat, Andrea Bebell, and Kwabena Opoku-Agyemang. To the esteemed Copper Beech crew, David Goldberg and Joe Rizzo: I would never have made it through without our endless political debates, family dinners, and “award” ceremonies. And to Yvonne Swartz, whose moved from colleague status to friend-for-life: I am grateful for your generosity, your family who always welcomes me, and your ability to produce amazing and homemade food while working a hundred hours a week. While dissertating, I spent the last two years away from WVU as a full-time lecturer at Shepherd University, and there my colleagues in the Department of English and Modern Languages quickly became like family. They encouraged me to press on in my writing, supplied iv me with countless cups of coffee and numerous home-baked goods, and lavished me with celebration when I finished. In particular I wish heaping blessings upon Drs. Heidi Hanrahan, Carrie Messenger, Christy Wenger, Jon Elmore, Betty Ellzey, Tim Nixon, Jim Lewin, Mark Cantrell, Chad Loewen-Schmidt, Denis Berenschodt, Rachel Krantz, and Eva-Maria Suárez- Büdenbender. To Dr. Dow Benedict, Shepherd’s Dean of the College of Arts and Humanities: Thanks for always asking, “How’s the diss coming?” I promised you I’d finish! And finally to Brenda Feltner, our department’s resident magician, professional whiz, and house mother: you’re the best! I’ll think of you all every time I look at “Dr. Dog.” As anyone who has completed a doctoral degree knows, it is the friendships along the way that sustain you. I’ve been fortunate to add some wonderful characters to my story over the years, and my cup overflows with their generosity, love, support, laughter, and conversation. My life is regularly shaped by my companions for life—Julie Hasson, Jill Hasson, and Amanda Downin—who remind me not to take myself too seriously, to always “count down” to the good times, to live through the questions into the answers, and to revel in the quiet moments… at least until the next outburst of laughter. Then there are my former college roommates and kindred spirits Stacey Shcolnik, Gina Henker, who are my fellow sojourners through the difficult questions and my adopted sisters for life. So many of our conversations live on in this project. There are also several former professor friends from my undergraduate years who have stayed in touch and who provided me a foundation in literary, theological, and philosophical study: Drs. Don Deardorff, Dave Mills, Kevin Heath, and Jeff Cook. I am indebted, too, to my University of New Hampshire crew—fellow graduate student friends who came into my life when I was a Masters student and (thankfully) never left: Meagan Rodgers, Abby Knoblauch, Nicola Imbrascio, Chrissy Healey, Beth Cooper, Jeff Ringer, Mike Garcia, Mike and Courtney v DePalma, Charmaine Dull, Steve and Beth Simpson, Yassmeen Abdulhamid, and Rachael Berkey. Our years together were something special, indeed. Of course, my family has borne the weight of this project for many years, and I thank them for helping me carry this load, praying me through the struggles, and rejoicing when I rejoiced. To my siblings and their families—Keith, Diana, Brian, Susan, Dave, Nathaniel, Alex, William, Sammy, Ben, and Austin: thank you for loving me in tangible ways and celebrating each milestone along this long journey.