HOG's EYE" IS ALL RIGHT Cey Kipp, Aged 75, and His Wife, of L-2(J|'16C; No

Total Page:16

File Type:pdf, Size:1020Kb

HOG's EYE Lowell Home Coming An?. 0 and 7,1913 (i and 7, 1913 A PROGRESSIVE PAPER FOR PROGRESSIVE PEOPLE ify'M'pon Public I/i lira vy No. VOL. XXI LOWELL, MICHIGAN, JULY 17, IQI3 6 < • • ! ffl 1RING your money to this bank and you can JOSI TEWS ALL STARTS OUT ILL ISLAND PARK READ* SNIPPING LPR I Look's Drug & Book store I !! [ P 1 sleep in perfect peace, knowing that it cannot ¥ 1 For Picnics. Grounds and Riv- * get away, and that when you want, it T Might Havci Started Something Opening Matiaee Has Good * ;; you only have to sign your name to a check and it is } but They Didn't. Crowd and Fast Races. ers Cleared of Rubbish. ' WILL NOT RE EASY j • Paris Green Machine Oil * ! i yours. Those who owe you gratitude often fail you I Jet ween .^12,000 and $13,000 The harness matinee at Recrea- Village Marshal Taylor has * AFTER AUG. 15 WHEN PRAY * * !! when you most need them, but an account at our run the .yearly expensos of the tion park Saturday afternoon had a gang of men gett ing Is- • land park in shape for picnic vis- that Kills that Wears Y !! bank always stands with open arms to receive you Lc.)\vell village schools; and the drew a large and orderly crowd. BILL TAKES EFFECT. } • public IntereHl in ways and means As an opening of tiie season itors. The rubbish and dead • Make sure you have the J very next time you !! when you need financial help. It it only wisdom to and disbursements thereto and event it was satisfactory to the and downed trees have been re- Record. Kepi of Shipper, .nd I ^ Paris GreGreec n come to right nil for your farm m&- J !! cultivate such friendship. Why not begin today ? thereol" is such that TKN TA \- promoters, who advertised a moved from river and grounds, Receivers and Package Con- • our store and ask for chinery, sewing machines, J I'AVlOltS actually attended the day of clean races. seats and tables made ready, tents by Railroads. { annual meetin^^• of School Dis- the races were sharply con- wells driven supplying good, etc. We have the oil that J trict No. 1 .Monday evenm£. tested and notable for close cold water; and swings put up. After August 15, the Fray bil !• ANSBACHER'S does the work perfectly These patriots deserve to have finishes. Only one race, the li.o.'t In addition to this, a muck- passed by the last legislature.!* and meets the requirements pacing was won in three straight needed work has been done in will be in force, and the shipment { their names written hi^li on the PARIS GREEN of the miichine upon which I CITY STATE BANK scroll of fame. Head the roll: heats, (ieorge I'riggs" LakeUdcs- protecting wearing river banks of liquor into dry territory iu J I). (J. Look, \V. S. Winegar. \\ sa horse, Woodbury, classing by with stone fronts. About 200 Michigan will not be the easy!* it kill!-1hr-piira^llw, hut I ICH it is to he used. not leirm tin- plant, netnem- himself in that event. wagon-loads of cobbie stone have The Bank that Pays Four Per Cent. l», Khodi'.s, U. 10. Sprinnett, 1\ matter it has been in the past.!} her, tfinl many pnrtn jf^'ens on DON'T buy machine oil M. .lohnson, .1. I'.. Veiter, F. 10. •lohu Mold of (I rand Ha pids been used in the work, which can when no •record ^ s were kept and *^ thiiie' markeiii •* ii*' t i c'inl ji11n li l • ' arscnl*ii '•'ill' 1 indiscrioriinately the use of White, U. Vaunhan, M. 13. Conk- carried off the free for-all purse be extended iroin year to year as the "packages'" could be marked * hi danttt'nniH i|u»ntiiicF—tii^y tht: ritfht oil means econ- lin, It. VanDyke. with Darby Allerlon, after hav- necessity arises. in any old way. Hereafter when either kill tht plunt nr "tent Its omy. TI.e old speakers' platform has growth. Ausbaeher's contains These gentlemen might have ing been beaten in heats '2 ami liquor is shipped into Ionia coun- nothing li/irmfiil t>I PIMHI Mfe •'started somethin"" tlmt would by Miss (ireatlu'.'iii. ;dso of been cut in half and sirengthei.ed ty for instance. the name of the and everyihliiK tlmt If (Jeu(ii\ When Machine (irand Hapids. Time in the final to serve this season. Another company or corporation that to Insect I lie. have made the taxpayers of Oil is needed Lowell "sli up and take not ice" ! half mile I.()(». will have to be provided next ships the "wet" goods must ap- WATCHES for vears to eome. lUit they 1 •lames llawley of Lowell got year, unless the long neglected pa- pear on the package, also the We Guarantee it in set. us. didn't. Thev simply— ' 1 away with the i'. in trot by win- villion idea is taken up and put name of the party to whom they Hn;) Every Way. Prices are right. Heard and approved the Sec-j ning third, fifth and sixth heats, lhrough to completion. are shipped. On the package retary's, Treasurer's and Librar- j Summaries as follows; The patronage the Island is must also be printed the kind If you ian's reports. j 2:40 CLASS. receiving this year would warrant and quantity of liquor it con- indorsed the financial reeom- ' Mildred Splnkw (.lann-H providing guests with shelter in tains, and its intended use. Tfci mendations of the Hoard to! .'141211 case of storms: and the picnic There is a stiff line of of ."?.'()(» • D. fl. LOOK. Re.vall Slorei business would increase if proper provided in the Pray bill for any ••air *T,.11,.. tor sdm,,! p.,jj;', 112! 2 I are up in 1 faeilit ies were pre)v"uied. including librarian s salary. Helva (J. (Woodwln. person who accepts a consign- mi 1 1 1 •• ment of liquor upon whi< h u falsi* • IIN tin-1"irt lire Inking IIIH-H 0 Voted $100 for director's* s da-1 I'ortinnd) ry and $100 fur new library Kli'Iiwood 1 'ic 1 trite Temperance Orator is Coming. statement appears if he knows ii tne air lion, KODAK tiiiality wil| Tcrklnn. l-'n-cport) 2 2 t :i 2 1 niiincv Lee Moirow, field secre- is false. For instance, if .lohn «ivi' yon 11mt conti'iitod books. Tiine-l.ir.l llt, 1:1\ 1:17. ills',. LHJ , a lie-elecled Trustees Look and tary of the American Temper- Doe accepts a shipment of liquor feeling which comes from owning the 2CI-ASS. 1*At I NO. 1 Van Dyke. anc' board, will speak at an op- marked for Kichard Hoe, claim- SPECIAL SALE OF BEST on the market. Woodhur.v (lico. That's all this time. Dnl not Lake () ICSHM) I I 1 en air meeting on Hill's shoo ing that Kicha rd lloe is his right (<You will remember the quality always. Sometime you may The Clown (.lanu'H Kurt, store corner Wednesday evening, name: or if he deceives the rail-• Wrand UapldH) 2 2 J July 'J3, at s o'clock, p. m. after you have forgotten the price.'' wish yon had been tliciv: and road or express agent by claim- ALARM CLOCKS .1. K (.lolm KelioKir. Lowell) 1 •"5 >' Mr. Morrow comes recommeii- ing his name is something other! And Kodak Small Priccs and Sim- you'll kick—"and be jigirered." i )ra Hancock ( W. Ut-a vcf, The finaiirial report is printj'd Lowm IO r» i ileij by press and pulpit as an than it is, and thereby conies in-! 1 For a short time i will seJ the best $1 Clock plicity will smooth out your troubles elsewhere in this paper for the I'lora Online (Mktanw, able, logical and convincing to possession of a cousignment Come and talk it over and we will gladly convenience of the other lO'.M) Crank iJaptdHj I I spi'jiker. of liquor which is not marked to 1 made for 63c each. These clocks are made 'Time—1:15, 1:11, 1:1(1. give you picture pointers that will help you people of the (list rict who did not Turn out and give him a hear- his real name. by one of the best manufacturer., of alarm clocks FIO.IMOH ALL. ing on this greatest of problems. The Pray bill ulso imposes a get good results. hear it. 0 I»iirl»y Allerton (John The Liiiuor Traffic. flue of JJoOt) upon the railroad ' r! and this sale is a chance to get one cheap- Mohl, Crand KapldM 1 :• 2 I I PRICES FROM $1.00 UP MIhh (ireatheart I I rank express company it it fails to We also have the "Big Ben and "Little Ben" 0 Fuller. Crand Kaptdni 1112 2| kuep a record open to inspecrion ; on Brownies and Kodaks and Premos. ANOTHER RIG DA!Mikad o (L. Anaway, of officers of the law, which must and "Alternating' styles of alnrm clocks On Lake <)dewna) 2 2 1 :i show the names of the consignor; S Koyal Ideal I W. Ik'aver, these we are not allowed to cut prices. Of "Clean Races" at Recrea- Lowelh I:: I I and the consignee of the liquor, j •nine—LOT;1,. Losl,. ltdti',. l:(»7, I:'•(!. CONGREGATIONAL and also the marking on the See our window. A. D. Oliver Ti tion Park August 7.
Recommended publications
  • Tje WESTFIELD LEADER • Mo Tor* Serving Westfield Since 1890 JO3 00 C O LSPS 6I02Q .NINETY-EK-'S G ..I, NO
    TjE WESTFIELD LEADER • mo tor* Serving Westfield Since 1890 JO3 00 c o LSPS 6I02Q .NINETY-EK-'S g ..I, NO. 39 Saond Oui Pouw Paid WESTFIELD, NEW JERSEY, THURSDAY, APRIL 21, 1988 Published g •1 W«ir*id. H.J. Every Thursday 24 Pages—30 Cents O > ... i of Education Straw Poll Boarder Situations Emerge Support Proposed Expense Cuts At Zoning Board Meeting J! A straw poll .e >>y tin Board council actions, Board President school Principals, Samuel Hazetl Three applications dealing issued. The appeal of Walter and Susan of Education a. is 1 uesday night Susan Pepper congratulated all and Eugene Voll, Dr. Smith with boarders and other unique Richard Knapp, one of the Brand, owners of 204-206 Lenox regular meeting supported pro- who had worked on trimming the outlined a plan for the team occupancy situations in West- three applicants testified that he Ave., faced boarder-related dif- posed budget alterations current- budget. "The town should be pro- teaching that would buffer the field, came before the Board of felt the re-zoning of the house to ficulties with their application for ly being considered by the Town ud," she said, "that both the sixth graders' entry to the middle Adjustment at Monday evening's two-family would upgrade the permission to use a three story Council. Council is required to council and the board are work- school. meeting. present status of the home. He building as what the board reduce the 1968-89 school budget ing together for the benefit of Rather than have this group in testified that he or one of the described as a "residential town and schools." The carried over appeal of as a result of its defeat in the the established departmentalized Simcox, Knapp and Kaczmarek, other owners would occupy the hotel." April 5 election.
    [Show full text]
  • 7015 B Program P.Indd
    From the Queen to the Chief Executive: May 4–6 Hong Kong Films 2007 10 Years After the Handover 香港電影縱橫﹕ 展與談 1 I am absolutely thrilled to welcome you to our fi rst Hong Kong fi lm Schedule at a glance festival, From the Queen to the Chief Executive: Hong Kong Films Ten Years After the Handover. This important event fi rst and foremost celebrates the friday, may 4 2:30 pm–4:15 pm achievements of Hong Kong fi lm and its impact on a new and ever- Banana Bruises; Royal Ontario Museum changing global culture. From the Queen to the Chief Executive also provides Dumplings Theatre, 100 Queen’s Park a forum to contemplate developments on Hong Kong since its historic 4:15 pm–5:15 pm 6:15 pm–7:15 pm return to China in 1997. Film is a lens through which to understand the Horror Panel VIP Reception dynamics of a changing society and the world around it. Film provides 5:15 pm–6:30 pm Royal Ontario Museum – an important platform, a medium, for telling peoples’ stories. In this Dinner Break Glass Room on the respect, fi lm is both critical and celebratory, it challenges and re- 4th Floor 6:30 pm–8:35 pm affi rms. Its impact is political, social, economic, cultural and often Venues 7:00 pm Eastbound; Welcome leaves legacies of historical import. Doors Open Lost in Time to the First 7:30 pm–7:40 pm 8:35 pm–9:00 pm The Asian Institute is an inter-disciplinary home to scholars working iiX iiX iiX iiX Break Waddg Waddg Welcoming Remarks University on Asia, comprising leading scholars in the humanities and social VkZcjZgY YZdch]^gZea 7:40 pm–9:30 pm 9:00 pm–11:00 pm sciences.
    [Show full text]
  • 3. 10 SHANTY Mencari Cinta Sejati (4:05) 4
    Disc Bola 1. Judika Sakura (4:12) 2. Firman Esok Kan Masih Ada (3:43) 3. 10 SHANTY Mencari Cinta Sejati (4:05) 4. 14 J ROCK Topeng Sahabat (4:53) 5. Tata AFI Junior feat Rio Febrian There's A Hero (3:26) 6. DSDS Cry On My Shoulder (3:55) 7. Glenn Pengakuan Lelaki Ft.pazto (3:35) 8. Glenn Kisah Romantis (4:23) 9. Guo Mei Mei Lao Shu Ai Da Mi Lao Shu Ai Da Mi (Original Version) (4:31) 10. Indonesian Idol Cinta (4:30) 11. Ismi Azis Kasih (4:25) 12. Jikustik Samudra Mengering (4:24) 13. Keane Somewhere Only We Know (3:57) 14. Once Dealova (4:25) 15. Peterpan Menunggu Pagi [Ost. Alexandria] (3:01) 16. PeterPan Tak Bisakah (3:33) 17. Peterpan soundtrack album menunggu pagi (3:02) 18. Plus One Last Flight Out (3:56) 19. S Club 7 Have You Ever (3:19) 20. Seurieus Band Apanya Dong (4:08) 21. Iwan Fals Selamat Malam, Selamat Tidur Sayang (5:00) 22. 5566 Wo Nan Guo (4:54) 23. Aaron Kwok Wo Shi Bu Shi Gai An Jing De Zou Kai (3:57) 24. Abba Chiquitita (5:26) 25. Abba Dancing Queen (3:50) 26. Abba Fernando (4:11) 27. Ace Of Base The Sign (3:09) 28. Alanis Morissette Uninvited (4:36) 29. Alejandro Sanz & The Corrs Me Iré (The Hardest Day) (4:26) 30. Andy Lau Lian Xi (4:24) 31. Anggun Look Into Yourself (4:06) 32. Anggun Still Reminds Me (3:50) 33. Anggun Want You to Want Me (3:14) 34.
    [Show full text]
  • Cantopop Songs of All Time!
    THE GREATEST CANTOPOP SONGS OF ALL TIME! Forty years ago, Hong Kong saw the birth of Cantopop, a style of music which would become one of the city’s most iconic cultural offerings. To mark its 40th anniversary, Arthur Tam looks back over the history of the equally loved and derided genre – and explores its evolution and importance through its most beloved songs, one year at a time… 30 timeout.com.hk The early years The Fatal Irony <<啼笑姻緣>> Sandra Lang (仙杜拉) In 1974, during the boom of HK media, 1975 a theme song to a popular drama, << The Fatal Irony <<啼笑姻緣>>, would change everything. It became a massive hit, arguably becoming the 獅 first ever Cantopop song, and starting 子 the procession of not only theme tunes 山 1974 to every TV drama, but a new music 下 genre itself. It retains a resemblance >> to traditional Chinese harmonies and melodies, but enters a new world of pop. bit.ly/fatalirony1974 The first Cantopop songstress Sandra Lang The Chinese-American singer of arguably the first ever Cantopop hit, Fatal Irony <<啼笑姻緣>>, reflects on that song, four decades on… “It was great to have had Cantopop then or else the Cantonese language would have died. I was very Sam Hui (許冠傑) lucky to have Fatal Irony <<啼笑姻緣>>. It was a The Genius and the Idiot Featuring in the titular movie, which was gift from God. No one had ever done a song like this popularised due to its slapstick humour, before and it became popular because people are good listeners. I never claimed that Fatal Irony was the first Cantopop song, but that’s this song features a strong British rock just what people keep telling me.
    [Show full text]
  • A Study of Hong Kong Popular Music Ho Wai Chung Hong Kong B
    Paper Number: 7 January 2003 Between Globalisation and Localisation: A Study of Hong Kong Popular Music Ho Wai Chung Hong Kong Baptist University The author welcome comments from readers. Contact details: Ho Wai Chung, Department of Music & Fine Arts, Hong kong Baptist University Email: [email protected] David C. Lam Institute for East-West Studies (LEWI) Hong Kong Baptist University (HKBU) LEWI Working Paper Series is an endeavour of David C. Lam Institute for East-West Studies (LEWI), a consortium with 28 member universities, to foster dialogue among scholars in the field of East-West studies. Globalisation has multiplied and accelerated inter-cultural, inter-ethnic, and inter-religious encounters, intentionally or not. In a world where time and place are increasingly compressed and interaction between East and West grows in density, numbers, and spread, East-West studies has gained a renewed mandate. LEWI’s Working Paper Series provides a forum for the speedy and informal exchange of ideas, as scholars and academic institutions attempt to grapple with issues of an inter-cultural and global nature. Circulation of this series is free of charge. Comments should be addressed directly to authors. Abstracts of papers can be downloaded from the LEWI web page at http://www.hkbu.edu.hk/~lewi/publications.html. Manuscript Submission: Scholars in East-West studies at member universities who are interested in submitting a paper for publication should send an article manuscript, preferably in a Word file via e-mail, as well as a submission form (available online) to the Series Secretary at the address below. The preferred type is Times New Roman, not less than 11 point.
    [Show full text]
  • Cass Phang: the Complete Profile Created on 19/04/2002 1:32 PM, Updated on 16/02/2012 03:56:00
    Cass Phang: The Complete Profile Created on 19/04/2002 1:32 PM, Updated on 16/02/2012 03:56:00 Cass Phang Personal Information Chinese Name Ling, Phang (彭羚) Original Name Caspina Ying Ying, Phang (彭映盈) Family Origin Panyu, Guangdong, China Date of Birth 2nd February 1969 Horoscope Aquarius Hong Kong Place of Birth Height 160cm Married with Jan Hoi Fung, Lamb (林海峰) in September 1998 First daughter, Jae Wing, Lamb (林泳), was born on 14th February 2000 Family Status Second daughter, Cloe Ching, Lamb (林清) was born on 28th July 2004 Father, Mother and Elder Brother emigrated to Toronto (Canada) in early 90s Languages Chinese (Cantonese), Chinese (Mandarin), English, novice Japanese High School in Australia Education Munsang College, Hong Kong Sony Music (1998 - 2002) Recording Companies EMI (1993-1998) Rock In Records (1990-1993) Personal Albums and Songs Cass joined Rock-In Records as a singer and published her first December 1990 (Cantonese) album - With Love Cantonese Album – Somewhere In Time (愛過痛過亦願等) Single I’ll Wait Regardless I Was Hurt (愛過痛過亦願等) was the second highest radio airplay rating of the Commercial Radio FM903 channel, and was one of the Top 20 Ultimate Songs in the Commercial Radio Ultimate Song Chart Show Presentation. The August 1991 song also stayed at the No. 1 position of Malaysia Redifussion 988 Pop chart for 10 consecutive weeks. Single Old Homestead (故居) was the first song composed by Cass herself. Champion song: I’ll Wait Regardless I Was Hurt (愛過痛過亦願等) Cantonese Album – As If It’s My First Love (彷彿是初戀) April 1992 Gold Album (over 25,000 sales) Brought to you by PhangLing.com.
    [Show full text]
  • Hong Kong Cantopop
    Hong Kong Cantopop A Concise History Yiu-Wai Chu Hong Kong University Press The University of Hong Kong Pokfulam Road Hong Kong www.hkupress.org © 2017 Hong Kong University Press ISBN 978-988-8390-57-1 (Hardback) ISBN 978-988-8390-58-8 (Paperback) All rights reserved. No portion of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, recording, or any information storage or retrieval system, without prior permission in writing from the publisher. British Library Cataloguing-in-Publication Data A catalogue record for this book is available from the British Library. 10 9 8 7 6 5 4 3 2 1 Printed and bound by Hang Tai Printing Co., Ltd. in Hong Kong, China Contents Acknowledgments viii A Note on Romanization x Chapter One Introduction 1 Chapter Two Days of Being Marginalized: The 1950s to the Early 1970s 21 Chapter Three The Rise of Cantopop: The Mid- to Late 1970s 40 Chapter Four An Age of Glory: The 1980s 69 Chapter Five The Best of Times, the Worst of Times: The 1990s 105 Chapter Six After the Fall: The New Millennium 145 Chapter Seven Epilogue: Cantopop in the Age of China 184 Appendix Chronology of Major Events 197 Selected Bibliography 218 Index 226 1 Introduction “Every generation has its own voice,” claimed James Wong 黃霑, the late god- father of Cantopop, in his doctoral thesis on the development of Cantopop.1 The English term “Cantopop”—Cantonese popular songs—did not come into existence until the 1970s, when Billboard correspondent Hans Ebert used it “to describe the locally produced popular music in Hong Kong” in 1978.2 Per James Wong’s remark—which was adapted from the well-known saying of the Qing dynasty master of Chinese culture, Wang Guowei 王國維: “Every dynasty has its own representative form of literature”3 —Cantopop is a musical form from and the voice of contemporary Hong Kong.
    [Show full text]
  • The Malady Lingers On: the Abject and Contemporary Asian Horror Cinema. by Daniel Stephen Hey Submitted in Partial Fulfilment Of
    The Malady Lingers On: The Abject and Contemporary Asian Horror Cinema. by Daniel Stephen Hey Submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy University of Salford School of Arts and Media 2018 Table of Contents List of Figures ........................................................................................................................ v Acknowledgements ............................................................................................................. vii Abstract .............................................................................................................................. viii Section 1: Introduction, Literature Reviews, Methodology .................................................. 1 Chapter I: Introduction .......................................................................................................... 2 1.1 Starting Point ............................................................................................................... 2 1.2 Kristeva: Philosophy, Politics, Post-structuralism, Psychoanalysis ............................ 3 1.3 Brief Introduction to Contemporary Asian Horror Cinema ........................................ 5 1.4 Combining the Two Elements: A Dialogue of Film and Theory ................................ 6 1.5 Structure of the Thesis ................................................................................................. 7 Chapter II: Julia Kristeva and the Abject .............................................................................
    [Show full text]
  • Uva-DARE (Digital Academic Repository)
    UvA-DARE (Digital Academic Repository) Red Sonic Trajectories - Popular Music and Youth in China de Kloet, J. Publication date 2001 Link to publication Citation for published version (APA): de Kloet, J. (2001). Red Sonic Trajectories - Popular Music and Youth in China. General rights It is not permitted to download or to forward/distribute the text or part of it without the consent of the author(s) and/or copyright holder(s), other than for strictly personal, individual use, unless the work is under an open content license (like Creative Commons). Disclaimer/Complaints regulations If you believe that digital publication of certain material infringes any of your rights or (privacy) interests, please let the Library know, stating your reasons. In case of a legitimate complaint, the Library will make the material inaccessible and/or remove it from the website. Please Ask the Library: https://uba.uva.nl/en/contact, or a letter to: Library of the University of Amsterdam, Secretariat, Singel 425, 1012 WP Amsterdam, The Netherlands. You will be contacted as soon as possible. UvA-DARE is a service provided by the library of the University of Amsterdam (https://dare.uva.nl) Download date:09 Oct 2021 CHFPTÖ? uSUBALTER N SOUNDS ~ soc-iÊ++Êl3S o-f— s/c_e./sicre. - „/ome voices are remarkably absent from the arguably fragmented world of rock in China. All the bands described in the previous chapter are located in Beijing; some of the singers moved from their hometown to the capital of rock to pursue their career in music. Releases from places outside Beijing are relatively rare; bands from, for instance, Shanghai are not taken seriously by the rock scenes in Beijing.
    [Show full text]
  • House Programme
    ಋᖚ୺ he Hong Kong Arts Festival is a prominent ࠗຝ̯ܰ Tarts event in the cultural calendar of Hong Δʥԓʪਂ Kong and the Asia Pacific region. Proudly ؿʼʝଞ stepping into its 33rd year, the Festival ಳም continues its vigorous pursuit of innovativeסԑe ɃɍɊɍ՚ development; the presentation of new works αc˚ፒዀ and the provision of quality arts. ೸ٻ࿚ᆅʘুұ௚ณcɺᒾ˞၀ ࠷ؿຝ͌ȹณᜮଠϦ͌e In terms of the number and diversity of programmes, the 2005 Festival is one of the ʌαᖚ୺ຝʑࢀҡᔔఒΛۜcஃ largest festivals to date, offering a wide variety ᅡɾɣዃαӢӮcݯࣵʑ̔΃Ρ of inspiring art, music and cultural ੓Ԟਝ჌Ίࡼၤ̯Δ၀ߜᐰϳᖚ programmes by prestigious international ࠭Ͳؿ൚ɓ࿫ˮc๫ผ˥ࠗಋ஛ artists and leading local talents. I am sure that ਝ჌ʼʝ஭ผࠛ૚ቤɈe the Festival will further enhance Hong Kong’s status as an international cultural metropolis. ΈϽᖚ୺ࡼ਄ၤܰωଞٴᔑϊᚭ ఻d I extend our warmest welcome to all؀ผcԎूࣵʑ̔ᜮଠʶ̈́ သጙϤᓊe participating artists and wish all local and overseas members of the audience a most enjoyable time. ւٽܧϷਂܧࠗಋऋПϷ TUNG Chee Hwa Chief Executive Hong Kong Special Administrative Region ˚࢐ᘆᖽ Message from the Chairman .਄ၤ଱ɍɊɍ։ࠗಋᖚ୺ warmly welcome you to the 33rd Arts Festivalٴ ᚭ ຝc஛ܰࠗಋʼʝވʥԓʪΔ IAs a premier event in the Hong Kong cultural ؿࠇ߬ʼʝଞԑcමၙਝ჌՗ԓʪ calendar as well as the Asia Pacific region, theਂ ᖚ୺၀ߜc˞ʥ̯Δ௚෮ݗึؿᖚ Festival presents the finest international andਂ ୺ɮАّe regional artists in an intense series of concerts and performances, as well as showcases the creativity ̯Ɂটʶ෰ᑢ஦༦੖ᅥʥʼʝԑ৻ອ of artistic talent in Hong Kong. c˞ʥࠗಋᑩ৛֚ܧ༅Х҈ࠨؿࠗಋ ԭɣ˚߬༅Хዀ࿚c Appreciation and thanks are due to our mainټপਥڌผ෯ഁ ˢࠨΛαԞྦྷࠗಋᖚ୺ຝؿྐྵషʻ subventing organisations – the Hong Kong ܛc҈ࠨ૯ߎᑢ҃e Government, through the Leisure and Cultural Services Department, and the Hong Kong Jockey ϊ̔cࠗಋᖚ୺ຝྦྷֺτᖳХዀ࿚d Club Charities Trust.
    [Show full text]
  • Weekend Journal Asia-Good Morning, Golf
    GOLF SPECIAL 18 ¡ M`d 10 0vd} Lv} L`tcjtf 0vtdt `pvtd jt 3 ¡ 5`hjvt e}vt ve hd 6vvc bp` 8ddp ` hvwwjt 19 ¡ 8j Aj 4 ¡ 5vvc 1}jtm Cv}tjtfª -b}d =v`t Mhd 1jhI Vietnam6vpe wakes up to the sport 0hdt `tc M`jwdj h}ddbw bhjbmdt hd} cj}dbv} 5 ¡ 5vvc 1}jtm 13 -f` .pj 20 ¡ Mjqd Gee Mhd bvbm`jp bvttc}q 8v v ` l5v}d¤ 14 6`cfd ev} fvped} 0p`jb`p 6 ¡ 0vppdbjtf qjb jt 15 M}jj`I M `tc J 3` }jcd} .`tfmvm 0hjtdd `tc bp`jb`p -}aj}`fd w}jbd bhdbm qjb jt .djkjtf `} dhjajjvt jt 8vtf ?vtf c`tbd jt Lh`tfh`j hd`d} jt Ljtf`wv}d hd Gqvtc v} -j` 8 ¡ 0j T`pm S. Karene Witcher Editor Hhtvq Hdth Jessica Yu News graphics director David Chan Art director Mary E. Kissel Taste page editor email [email protected] Cover: Dalat Palace Golf Club (talbotimages.com) This page (left to right): a Chang Jiang 750 bike ? x {t (Yiqi Motorcycle); Ocean Dunes Golf Club; M83 T-AA LMK33M =GOKE-A -L;-+ Joan Chen (Ismael Roldan) 5`hjvt Pumps that are (truly) comfortable . 0h}jjt` .jtmpd eet hurt? ports with two of the These days, stylish pairs. For compari- shoes come in two son, I also tried in- heights: flat and tower- serting arch sup- ing. Fashion magazines ports and toe 5and stores are showcasing more pads into some flashy high heels than ever—and of my own heels. sometimes adding on platforms There was a clear Stuart that we once thought only Elton winner for comfort married with Weitzman John would wear.
    [Show full text]
  • A Study of Hong Kong Popular Music Author(S): Wai-Chung Ho Reviewed Work(S): Source: Popular Music, Vol
    Between Globalisation and Localisation: A Study of Hong Kong Popular Music Author(s): Wai-Chung Ho Reviewed work(s): Source: Popular Music, Vol. 22, No. 2 (May, 2003), pp. 143-157 Published by: Cambridge University Press Stable URL: http://www.jstor.org/stable/3877607 . Accessed: 24/04/2012 22:40 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Cambridge University Press is collaborating with JSTOR to digitize, preserve and extend access to Popular Music. http://www.jstor.org Popular Music (2003) Volume 22/2 Copyright ? 2003 Cambridge Umversity Press, pp 143-157 DOI 10 1017/S026114300300309X Printed in the United Kingdom Between globalisationand localisation: a study of Hong Kong popular music WAI-CHUNG HO Abstract Popularmusic in Hong Kongis the productionof a multi-faceteddynamic of internationaland local factors.Although there has beenmuch attention to its growthfrom differentperspectives, there has beenno single study that systematicallyaddresses the complicatedinterplay of the two interrelated processesof globalisationand localisationthat lie behindits development.The main aim of this paper is to explorehow socialcircumstances mediate musical communication among Hong Kongpopular artistsand audiences,and contributeto its growingsense of culturalidentity - how localityemerges in the contextof a globalculture and howglobal facts takelocal form.
    [Show full text]