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Uva-DARE (Digital Academic Repository) UvA-DARE (Digital Academic Repository) Red Sonic Trajectories - Popular Music and Youth in China de Kloet, J. Publication date 2001 Link to publication Citation for published version (APA): de Kloet, J. (2001). Red Sonic Trajectories - Popular Music and Youth in China. General rights It is not permitted to download or to forward/distribute the text or part of it without the consent of the author(s) and/or copyright holder(s), other than for strictly personal, individual use, unless the work is under an open content license (like Creative Commons). Disclaimer/Complaints regulations If you believe that digital publication of certain material infringes any of your rights or (privacy) interests, please let the Library know, stating your reasons. In case of a legitimate complaint, the Library will make the material inaccessible and/or remove it from the website. Please Ask the Library: https://uba.uva.nl/en/contact, or a letter to: Library of the University of Amsterdam, Secretariat, Singel 425, 1012 WP Amsterdam, The Netherlands. You will be contacted as soon as possible. UvA-DARE is a service provided by the library of the University of Amsterdam (https://dare.uva.nl) Download date:06 Oct 2021 A, Se. "Review of Underground Baby." Yinyue Ship (Music World), April 1999, 54. ."Review on Zheng Jun "TheThird Eye"." YinxiangShijie (Audio and Video World), vol. I 14, April 1997, 35. Abbas, Ackbar Hong Kong - Culture and the Politics of Disappearance. Hong Kong: Hong Kong University Press, 1997. Abercrombie, Nicholas and Brian Longhurst. Audiences -A Sociological Theory of Performance and Imagination. London: Sage, 1998. Adorno.Theodor W. Einleitung in Die Musiksoziologie - ZwölfTheoretische Vorlesungen. Frankfurt: Suhrkamp Verlag, 1962. Ai, Ning. "Review of CD "The Fly"." Zhongguo Bailaohui (Chinese Broadway), vol. 9, 1997,42. Alasuutari, Pertti. 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"Verhaal Uit Beijing - Jongeren En Rockmuziek in China." Unpublished, 1998. [MA Thesis Leiden University]. Bayton, Mavis. "Women and the Electric Guitar." In Sexing the Groove - Popular Music and Gender, ed. Sheila Whiteley, 37- 49. London: Routledge, 1997. BBC."China Ready For International Cooperation on Copyright" Summary ofWorld Broadcasts - SWB-FE 3204, April 18, |270 ."Copyright Protection Aids Sino-USTrade Cooperation, Seminar Told." Summary ofWorld Broadcasts SMB-FE 3199/G4, April 13, 1998. ."Culture Minister on Piracy of Audio-Visual Products." Summary of World Broadcasts SWB-FE 3777IG4-5, March 1, 2000. ."Party Newspaper Interviews Official on Antipiracy" Summary of World Broadcasts SWB-FE 3853IGI0-I I, May 30, 2000. "Sources Say China Ready to Bring Copyright Laws to International Terms ." Summary ofWorld Broadcasts SWB-FE 3339/GI, September 23, 1998. Becker Howard S. Art Worlds. Berkeley: University of California, 1992. Benjamin, Walter "Theses on the Philosophy of History." In Illuminations, ed. Hannah Arendt, 245-255. 1999 ed. London: Pimlico, 1968. "The Work of Art in the Age of Mechanical Reproduction." In Illuminations, ed. Hannah Arendt, 21 I -244. 1999 ed. London: Pimlico, 1968. Bentoni. "Interview With Loi Qi." Www.8entoni.Com/Deutschstunde/New-Tips/ Ddstip 101 .Html, March 13, 1999. Bettig, RonaldV. Copyrighting Culture -The Political Economy of Intellectual Property. Boulder: Westview Press, 1996. Bhabha, Homi K. The Location of Culture. London: Routledge, 1994. Boomkens, René. $/gn of the Times. Amsterdam: Amsterdam University Press, 2000. Kritische Massa - Over Massa, Moderne Ervaring En Popcultuur. Kennis, Openbare Mening, Politiek eds. Lolle Nauta, Dick Pels and Gerard de Vries. Amsterdam: Van Gennep, 1994. ."Het Nut En De Charme Van Omwegen. Popmuziek En Authenticiteit." Crisis 76 (1999): 9-21. Bourdieu, Pierre. Distinction: A Social Critique of the Judgement ofTaste. 1979; reprint, London: Routledge, 1989. Brace.Tim and Paul Friedlander"Rock and Roll on the New Long March: Popular Music, Cultural Identity, and Political Opposition in the People's Republic of China." In Rockin' the Boat - Mass Music and Mass Movements, ed. Reebee Garofalo, I 15-128. Boston: South End Press, 1992. Butler Judith. Bodies That Matter: On the Discursive Limits of'Sex'. New York Routledge, 1993. Excitable Speech -A Politics of the Performative. New York and London: Routledge, 1997. Caglar Ayse S. "Popular Culture, Marginality and Institutional Incorporation: German-Turkish Rap and Turkish Pop in Berlin." "Globalization and Ethnicity" Conference, 1997. [Conference paper], Carvalho Hester"NietTeVerbieden Ritmes." NRC Handelsblad, 1997, 18 April, 6. Chan,Joseph Man."Media Internationalization in China: Processes and Tensions." Journal of Communication 44, no. 3 (1994): 70-88. Chan (ed.), Stephen. The Practice of Affect Studies in Hong Kong Popular Song Lyrics (Qinggan De Shijian: Xianggang Liuxing GeciYanjin). Hong Kong: Oxford University Press, 1997. Chen, Xiaomei. Occidentalism -ATheory of Counter-Discourse in Post-Mao China. New York: Oxford University Press, 1995. Chen, Zhi Ang."MTV Zai Zhongguo Boran Xingqi". [MTVThrives in China] Renmin Yinyue (People's Music), vol. 4, 1994. China Law."Severe Crackdown on Smuggling and Piracy." China Low.August 2000, 107. Chong.Woei Lin. "Young China's Voice of the 1980s: Rock Star Cui Jian." China Information 6, no. I (1991): 55-74. Chow, Rey. Eth/cs After Idealism - Theory, Culture, Ethnicity, Reading. Bloomington: Indiana University Press, 1998. Primitive Passions - Visuality, Sexuality, Ethnography, and Contemporary Chinese Cinema. Film and Culture, ed. John Belton. New York Columbia university press, 1995. Chow.Yiufai and Jeroen De Kloet "Sounds From the Margin - Beijing's Rock Scene Faces an Uncertain Future." CHIME 10-1 I (1999): 123-129. ."Born on the First of July." 2000. [Conference paper International Crossroads in Cultural Studies Birmingham]. Christianen, Michael."Cycles in Symbol Production? A New Model to Explain Concentration, Diversity and Innovation in the Music Industry." Popular Music 14, no. I (1995): 55-93. Chu.Yiu Wai. Guanghui Suiyue: Xianggang Liuxing Yuedui Zuhe Yanjiu (1984-1990) [Glorious Days: Study in Pop Groups in Hong Kong (1984-1990)]. Hong Kong: IP Publishing, 2000. Xianggang Liuxing Geci Yanjiu [A Study of Pop Lyrics in Hong Kong]. Hong Kong: Joint Publishing Co., 1998. Clark Douglas.'IP Rights Protection Will Improve in China - Eventually." The China Business Review 27, no. 3 (2000): 22- 29. Coates, Norma."(R)Evolution Now? Rock and the Political Potential of Gender" In Sexing the groove - Popular Music and Gender, ed. Sheila Whiteley, 50-64. London: Routledge, 1997. Cohen, Sara."Men Making a Scene - Rock Music and the Production of Gender" In Sexing the Groove - Popular Music and Gender, ed. Sheila Whiteley, 17-36. London: Routledge, 1997. Cohen, Stanley. Folk Devils and Moral Panics:The Creation of the Mods and Rockers. Oxford: Martin Robertson, 1980. Cooper, Caroline. "Rockin' in the Mainland - China's Sonic Uprising." Www. Papermag.Com/ Paperdaily/Paperclips/ OOpaperclips/Chinese Rock/Index. Html, 2000. Dai, Cheng. "Miandui Xinling". [Face the Heart] Zhongguo Yinxiang (China Audio-Visual Monthly), vol. 12, 1995, 22-23. Dai, Jinhua."Imagined Nostalgia." Boundary 2 24, no. 3 (1997): 143-162. ."Present-Ness, the Imagery, and Scenery in the Mirror" Conference Paper Asian Culture At the Crossroads, November 1998, Baptist University Hong Kong. Daisaburo, Hashizume. Cuijian -A Superstar in Turbulent China. JASPM Working Paper Series, ed.Tori Mitsui, no. 7. Tokyo: JASPM, 1997. Dao, Zui. "Wuyue Huainian ZhangJu". [Remember Zhang Ju in May] Dangdai Getan (Modern Music Field), vol 5, issue 41, 1997,27. Davis, Deborah
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