Travels in Crete
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Kretan Cult and Customs, Especially in the Classical and Hellenistic Periods: a Religious, Social, and Political Study
i Kretan cult and customs, especially in the Classical and Hellenistic periods: a religious, social, and political study Thesis submitted for degree of MPhil Carolyn Schofield University College London ii Declaration I, Carolyn Schofield, confirm that the work presented in this thesis is my own. Where information has been derived from other sources, I confirm that this has been acknowledged in the thesis. iii Abstract Ancient Krete perceived itself, and was perceived from outside, as rather different from the rest of Greece, particularly with respect to religion, social structure, and laws. The purpose of the thesis is to explore the bases for these perceptions and their accuracy. Krete’s self-perception is examined in the light of the account of Diodoros Siculus (Book 5, 64-80, allegedly based on Kretan sources), backed up by inscriptions and archaeology, while outside perceptions are derived mainly from other literary sources, including, inter alia, Homer, Strabo, Plato and Aristotle, Herodotos and Polybios; in both cases making reference also to the fragments and testimonia of ancient historians of Krete. While the main cult-epithets of Zeus on Krete – Diktaios, associated with pre-Greek inhabitants of eastern Krete, Idatas, associated with Dorian settlers, and Kretagenes, the symbol of the Hellenistic koinon - are almost unique to the island, those of Apollo are not, but there is good reason to believe that both Delphinios and Pythios originated on Krete, and evidence too that the Eleusinian Mysteries and Orphic and Dionysiac rites had much in common with early Kretan practice. The early institutionalization of pederasty, and the abduction of boys described by Ephoros, are unique to Krete, but the latter is distinct from rites of initiation to manhood, which continued later on Krete than elsewhere, and were associated with different gods. -
Education • Ph.D. Candidate in History of Art, University of Crete Supervisor
Afroditi Kouki Research Team Member CV Date of birth: 29 August 1981 Telephone number:+30-6972398607 E-mail: [email protected] Education • Ph.D. Candidate in History of Art, University of Crete Supervisor: Professor Evgenios Matthiopoulos Ph.D. Dissertation (in progress): “The Creation and Organisation of the Production of Folk Art Works: From ‘The Feast in the Zappeion Exhibition Hall’ by the Lyceum Club of Greek Women (1911) to the Professional School of Housekeeping and Handicraft ‘The Greek House’ (1938)” • M.A. in History of Art, University of Crete, 2003-2008 Supervisor: Professor Evgenios Matthiopoulos Grade: “Excellent” (9/10) M.A. Thesis: “The Organisation of the Production of Folk Art Works during the Interwar Period: from the ‘Lyceum Club of Greek Women’ to the ‘Association of Arts and Crafts Workshops’” • B.A. in Archaeology and Art History, University of Crete, 1999-2003 Grade: “Very Good” (Lian Kalos, 7.79/10) Grant • Foundation for Research and Technology-Hellas (FORTH) – Institute for Mediterranean Studies: Participation in the research project “Art criticism in interwar Greece”, 2007-2009 (principal researcher: Professor Evgenios Matthiopoulos) Publication • ‘Folk’ art in the ‘service’ of bourgeois modernization: the proposals of the German architect Hugo Eberhardt for the development of Greek craft industry (1914)”, in Research questions in art history, from the late Middle Ages to the present day, Aris Sarafianos & Panagiotis Ioannou (eds), Athens: Asini Publishing, 2016, p. 329-342 Conference papers • “Proposals -
Performance Evaluation of the 19Th Century Clipper Ship Cutty Sark: a Comparative Study
Performance Evaluation of the 19th Century Clipper Ship Cutty Sark: A Comparative Study C. Tonry1, M. Patel1, C. Bailey1, W. Davies2, J. Harrap2, E. Kentley2, P. Mason2 1University of Greenwich, London, UK 2 Abstract The Cutty Sark, built in 1869 in Dumbarton, is the last intact composite tea clipper ship [1]. One of the last tea clippers built she took part in the tea races back from China. These races caught the public imagination of the day and were widely reported in newspapers [2]. They developed from a desire for 'fresh' tea and the first ship to return with the new season's tea could charge a higher price for the cargo. Clipper ships were built for speed rather than carrying capacity. The hull efficiency of the Cutty Sark and her contemporaries is currently unknown. However, with modern CFD techniques, virtual experiments can be performed to model the fluid flow past the hull and so based on the shear stress and the pressure over the surface of the hull to calculate the resistance. In order to compare the hull against other ships three other ships were selected. The Farquharson, an East Indiaman built in 1820 [3]; the Thermopylae, another composite clipper built in 1868 which famously raced the Cutty Sark in 1872 [1]; and finally the Erasmo a later Italian all-steel construction 4-masted barque built in 1903[4]. Fig. 1 shows images of these ships. As only one of these ships exists today, and she no longer sails, 3D geometries were constructed fromlines plans of the ships hulls. -
Hornblower's Ships
Names of Ships from the Hornblower Books. Introduction Hornblower’s biographer, C S Forester, wrote eleven books covering the most active and dramatic episodes of the life of his subject. In addition, he also wrote a Hornblower “Companion” and the so called three “lost” short stories. There were some years and activities in Hornblower’s life that were not written about before the biographer’s death and therefore not recorded. However, the books and stories that were published describe not only what Hornblower did and thought about his life and career but also mentioned in varying levels of detail the people and the ships that he encountered. Hornblower of course served on many ships but also fought with and against them, captured them, sank them or protected them besides just being aware of them. Of all the ships mentioned, a handful of them would have been highly significant for him. The Indefatigable was the ship on which Midshipman and then Acting Lieutenant Hornblower mostly learnt and developed his skills as a seaman and as a fighting man. This learning continued with his experiences on the Renown as a lieutenant. His first commands, apart from prizes taken, were on the Hotspur and the Atropos. Later as a full captain, he took the Lydia round the Horn to the Pacific coast of South America and his first and only captaincy of a ship of the line was on the Sutherland. He first flew his own flag on the Nonsuch and sailed to the Baltic on her. In later years his ships were smaller as befitted the nature of the tasks that fell to him. -
The Expansion of Christianity: a Gazetteer of Its First Three Centuries
THE EXPANSION OF CHRISTIANITY SUPPLEMENTS TO VIGILIAE CHRISTIANAE Formerly Philosophia Patrum TEXTS AND STUDIES OF EARLY CHRISTIAN LIFE AND LANGUAGE EDITORS J. DEN BOEFT — J. VAN OORT — W.L. PETERSEN D.T. RUNIA — C. SCHOLTEN — J.C.M. VAN WINDEN VOLUME LXIX THE EXPANSION OF CHRISTIANITY A GAZETTEER OF ITS FIRST THREE CENTURIES BY RODERIC L. MULLEN BRILL LEIDEN • BOSTON 2004 This book is printed on acid-free paper. Library of Congress Cataloging-in-Publication Data Mullen, Roderic L. The expansion of Christianity : a gazetteer of its first three centuries / Roderic L. Mullen. p. cm. — (Supplements to Vigiliae Christianae, ISSN 0920-623X ; v. 69) Includes bibliographical references and index. ISBN 90-04-13135-3 (alk. paper) 1. Church history—Primitive and early church, ca. 30-600. I. Title. II. Series. BR165.M96 2003 270.1—dc22 2003065171 ISSN 0920-623X ISBN 90 04 13135 3 © Copyright 2004 by Koninklijke Brill nv, Leiden, The Netherlands All rights reserved. No part of this publication may be reproduced, translated, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without prior written permission from the publisher. Authorization to photocopy items for internal or personal use is granted by Brill provided that the appropriate fees are paid directly to The Copyright Clearance Center, 222 Rosewood Drive, Suite 910 Danvers, MA 01923, USA. Fees are subject to change. printed in the netherlands For Anya This page intentionally left blank CONTENTS Preface ........................................................................................ ix Introduction ................................................................................ 1 PART ONE CHRISTIAN COMMUNITIES IN ASIA BEFORE 325 C.E. Palestine ..................................................................................... -
Numismata Graeca; Greek Coin-Types, Classified For
NUMISMATA GRAECA GREEK COIN-TYPES CLASSIFIED FOR IMMEDIATE IDENTIFICATION PROTAT BROTHERS, PRINTERS, MACON (fRANCb). NUMISMATA GRAEGA GREEK GOIN-TYPES GLASSIFIED FOR IMMEDIATE IDENTIFICATION BY L^" CI flu pl-.M- ALTAR No. ALTAR Metal Xo. Pi.ACi: OBVEnSE Reverse V\t Denom . 1)a Pl.A Ri;it:iii;n(:i; SlZE II Nicaen. AVTKAINETPAIANOC. Large altar ready laid with /E.8 Tra- II un teriaii (]oll Jiilhijni:t. Ileadof Trajan r., laur. wood and havin^' door in 20 jan. p. 247, Xo 8. front; beneath AIOC. Ves- Prusiiis AYTKAilAPIIEBAI EniMAPKOYnAAN. P. I. R. .M. Pontus, etc, pasian, ad IIy])ium. TnOYEinAIIAN KIOYOY APOYAN- 22.5 12 p. 201, No 1. A. D. Billiynia. Headof Altar. nnPOYIIEII- eYHATOY. 200 Vespasian to r., laur. \:i .Aiiiasia. (]ara- 10, \o 31, AYKAIMAYP AAPCeYANTAMACIACM... , , p. Ponliirt. ANTnNINOC-Biislof in ex., eTCH. Altar of 1.2 caila. Caracalla r., laureale two stages. 30 A. n. in Paludamentum and 208 ciiirass. 14 l ariiini. Hust of Pallas r., in hel n A Garlanded altar, yE.5 H. C. R. M. Mysia, p. 1(11, Mijsiu. niet ; borderofdots. 12.5 P I 200 No 74. to Au- gus- tus. 15 Smyrna. TIB€PIOC C€BAC- ZMYPNAICON lonia. TOC- Ilead of Tibe- lePGONYMOC. Altar -ar- .E.65 Tibe- B. M. lonia, p. 268, rius r.,laur. landed. 10 No 263. 16 .\ntioch. BOYAH- Female bust ANTlOXenN- Altar. ^E.7 Babelon,/»^. Wadd., C.nria. r., veiled. 18 p. 116, \o 21.')9. 17 ANTIOXeWN cesAC CYNAPXiA AFAAOY .E.6 Au- ,, ,, No 2165. TOY- Nil^e staiiding. TOY AfAAOY. Altar, 15 gus- tus. -
* Omslag Dutch Ships in Tropical:DEF 18-08-09 13:30 Pagina 1
* omslag Dutch Ships in Tropical:DEF 18-08-09 13:30 Pagina 1 dutch ships in tropical waters robert parthesius The end of the 16th century saw Dutch expansion in Asia, as the Dutch East India Company (the VOC) was fast becoming an Asian power, both political and economic. By 1669, the VOC was the richest private company the world had ever seen. This landmark study looks at perhaps the most important tool in the Company’ trading – its ships. In order to reconstruct the complete shipping activities of the VOC, the author created a unique database of the ships’ movements, including frigates and other, hitherto ignored, smaller vessels. Parthesius’s research into the routes and the types of ships in the service of the VOC proves that it was precisely the wide range of types and sizes of vessels that gave the Company the ability to sail – and continue its profitable trade – the year round. Furthermore, it appears that the VOC commanded at least twice the number of ships than earlier historians have ascertained. Combining the best of maritime and social history, this book will change our understanding of the commercial dynamics of the most successful economic organization of the period. robert parthesius Robert Parthesius is a naval historian and director of the Centre for International Heritage Activities in Leiden. dutch ships in amsterdam tropical waters studies in the dutch golden age The Development of 978 90 5356 517 9 the Dutch East India Company (voc) Amsterdam University Press Shipping Network in Asia www.aup.nl dissertation 1595-1660 Amsterdam University Press Dutch Ships in Tropical Waters Dutch Ships in Tropical Waters The development of the Dutch East India Company (VOC) shipping network in Asia - Robert Parthesius Founded in as part of the Faculty of Humanities of the University of Amsterdam (UvA), the Amsterdam Centre for the Study of the Golden Age (Amsterdams Centrum voor de Studie van de Gouden Eeuw) aims to promote the history and culture of the Dutch Republic during the ‘long’ seventeenth century (c. -
Comparing the Dutch and British Maritime Technologies During the Napoleonic Era (1792–1815)
Technology and Empire: Comparing the Dutch and British Maritime Technologies during the Napoleonic Era (1792–1815) By Ivor Mollema December, 2015 Director of Thesis: Dr. Lynn Harris Major Department: History The two ships, Bato (1806) and Brunswick (1805) wrecked in Simons Bay, South Africa, provide an opportunity to compare British and Dutch maritime technologies during the Napoleonic Era (1792–1815). The former was a Dutch 74-gun ship of the line and the latter a British East Indiaman. Their remains reveal pertinent information about the maritime technologies available to each European power. Industrial capacity and advanced metal working played a significant role in ship construction initiatives of that period, while the dwindling timber supplies forced invention of new technologies. Imperial efforts during the Napoleonic Era relied on naval power. Maritime technologies dictated imperial strategy as ships were deployed to expand or maintain colonial empires. Naval theorists place the strategy into a wider spectrum and the analysis of the material culture complements further understanding of sea power. The study also recommends management options to preserve the archaeological sites for future study and to showcase for heritage tourism. TECHNOLOGY AND EMPIRE: Comparing Dutch and British Maritime Technologies During the Napoleonic Era (1792–1815) Title Page A Thesis Presented To The Faculty of the Department of History East Carolina University In Partial Fulfillment Of the Requirements for the Degree Master of Arts, Program in Maritime Studies by Ivor Mollema December, 2015 © Ivor Mollema, 2015 Copyright Page TECHNOLOGY AND EMPIRE: Comparing Dutch and British Maritime Technologies During the Napoleonic Era (1792–1815) by Ivor Mollema Signature Page APPROVED BY: DIRECTOR OF THESIS: ________________________________________________________ Dr. -
Apollonius Rhodius, the Argonautica
i EB CLASSICA BRAR 1 1 APOLLONIUS RHODIUS ARGONAUTICA Translated by R. C. SEATON mmmmm]mmm\m[mmmm[^[r^\[f^\[r^\i7^\[?^\[?D\[fD\\o] Complete list of Loeb titles can be found at the end of each volume APOLLONIUS Of Rhodes' was a Greek grammarian and epic poet of Alexandria in Egypt and lived late in the 3rd century and early in the 2nd century [ES B.C. While still young he composed his extant epic poem of four books on the story of the Argonauts. When this work failed to win acceptance he went to Rhodes where he not only did well as a rhetorician but also made a success of his epic in a revised form, for which the Rhodians gave him the 'freedom' of their city; hence his surname. On returning to Alexandria he recited his poem again, with applause. In 196 Ptolemy Epiphanes made him the librarian of the Museum (the University) at Alexandria. His Argonautica is one oi the better minor epics, remarkable for originality, powers of observation, sincere feeling, and de- piction of romantic love. His Jason and Medea are natural and interesting, and did much to inspire Virgil (in a very different setting) in the fourth book of the Aeneid. L• ^' % Sb ^" ^ Ak- THE LOEB CLASSICAL LIBRARY EDITED BY li. CAPPS, Ph.D., LL.D. T. E. PAGE, Litt.D. W. II. D. ROUSE, Lirr.D. APOLLONTUS RHODIUS Digitized by tine Internet Arciiive in 2011 witii funding from University of Toronto littp://www.arcliive.org/details/apolloniusrliodiuOOapol APOLLONIUS RHODIUS THE ARGONAUTICA WITH AN ENGLISH TRANSLATION BY 11. -
Pausanias' Description of Greece
BONN'S CLASSICAL LIBRARY. PAUSANIAS' DESCRIPTION OF GREECE. PAUSANIAS' TRANSLATED INTO ENGLISH \VITTI NOTES AXD IXDEX BY ARTHUR RICHARD SHILLETO, M.A., Soiiii'tinie Scholar of Trinity L'olltge, Cambridge. VOLUME IT. " ni <le Fnusnnias cst un homme (jui ne mnnquo ni de bon sens inoins a st-s tlioux." hnniie t'oi. inais i}iii rn>it ou au voudrait croire ( 'HAMTAiiNT. : ftEOROE BELL AND SONS. YOUK STIIKKT. COVKNT (iAKDKX. 188t). CHISWICK PRESS \ C. WHITTINGHAM AND CO., TOOKS COURT, CHANCEKV LANE. fA LC >. iV \Q V.2- CONTEXTS. PAGE Book VII. ACHAIA 1 VIII. ARCADIA .61 IX. BtEOTIA 151 -'19 X. PHOCIS . ERRATA. " " " Volume I. Page 8, line 37, for Atte read Attes." As vii. 17. 2<i. (Catullus' Aft is.) ' " Page 150, line '22, for Auxesias" read Anxesia." A.-> ii. 32. " " Page 165, lines 12, 17, 24, for Philhammon read " Philanimon.'' " " '' Page 191, line 4, for Tamagra read Tanagra." " " Pa ire 215, linu 35, for Ye now enter" read Enter ye now." ' " li I'aijf -J27, line 5, for the Little Iliad read The Little Iliad.'- " " " Page ^S9, line 18, for the Babylonians read Babylon.'' " 7 ' Volume II. Page 61, last line, for earth' read Earth." " Page 1)5, line 9, tor "Can-lira'" read Camirus." ' ; " " v 1'age 1 69, line 1 , for and read for. line 2, for "other kinds of flutes "read "other thites.'' ;< " " Page 201, line 9. for Lacenian read Laeonian." " " " line 10, for Chilon read Cliilo." As iii. 1H. Pago 264, " " ' Page 2G8, Note, for I iad read Iliad." PAUSANIAS. BOOK VII. ACIIAIA. -
A Dictionary of Mythology —
Ex-libris Ernest Rudge 22500629148 CASSELL’S POCKET REFERENCE LIBRARY A Dictionary of Mythology — Cassell’s Pocket Reference Library The first Six Volumes are : English Dictionary Poetical Quotations Proverbs and Maxims Dictionary of Mythology Gazetteer of the British Isles The Pocket Doctor Others are in active preparation In two Bindings—Cloth and Leather A DICTIONARY MYTHOLOGYOF BEING A CONCISE GUIDE TO THE MYTHS OF GREECE AND ROME, BABYLONIA, EGYPT, AMERICA, SCANDINAVIA, & GREAT BRITAIN BY LEWIS SPENCE, M.A. Author of “ The Mythologies of Ancient Mexico and Peru,” etc. i CASSELL AND COMPANY, LTD. London, New York, Toronto and Melbourne 1910 ca') zz-^y . a k. WELLCOME INS77Tint \ LIBRARY Coll. W^iMOmeo Coll. No. _Zv_^ _ii ALL RIGHTS RESERVED INTRODUCTION Our grandfathers regarded the study of mythology as a necessary adjunct to a polite education, without a knowledge of which neither the classical nor the more modem poets could be read with understanding. But it is now recognised that upon mythology and folklore rests the basis of the new science of Comparative Religion. The evolution of religion from mythology has now been made plain. It is a law of evolution that, though the parent types which precede certain forms are doomed to perish, they yet bequeath to their descendants certain of their characteristics ; and although mythology has perished (in the civilised world, at least), it has left an indelible stamp not only upon modem religions, but also upon local and national custom. The work of Fruger, Lang, Immerwahr, and others has revolutionised mythology, and has evolved from the unexplained mass of tales of forty years ago a definite and systematic science. -
An Atlas of Antient [I.E. Ancient] Geography
'V»V\ 'X/'N^X^fX -V JV^V-V JV or A?/rfn!JyJ &EO&!AElcr K T \ ^JSlS LIBRARY OF WELLES LEY COLLEGE PRESENTED BY Ruth Campbell '27 V Digitized by the Internet Archive in 2011 with funding from Boston Library Consortium Member Libraries http://www.archive.org/details/atlasofantientieOObutl AN ATLAS OP ANTIENT GEOGRAPHY BY SAMUEL BUTLER, D.D. AUTHOR OF MODERN AND ANTJENT GEOGRAPHY FOR THE USE OF SCHOOLS. STEREOTYPED BY J. HOWE. PHILADELPHIA: BLANQHARD AND LEA. 1851. G- PREFATORY NOTE INDEX OF DR. BUTLER'S ANTIENT ATLAS. It is to be observed in this Index, which is made for the sake of complete and easy refer- ence to the Maps, that the Latitude and Longitude of Rivers, and names of Countries, are given from the points where their names happen to be written in the Map, and not from any- remarkable point, such as their source or embouchure. The same River, Mountain, or City &c, occurs in different Maps, but is only mentioned once in the Index, except very large Rivers, the names of which are sometimes repeated in the Maps of the different countries to which they belong. The quantity of the places mentioned has been ascertained, as far as was in the Author's power, with great labor, by reference to the actual authorities, either Greek prose writers, (who often, by the help of a long vowel, a diphthong, or even an accent, afford a clue to this,) or to the Greek and Latin poets, without at all trusting to the attempts at marking the quantity in more recent works, experience having shown that they are extremely erroneous.