DOCSLIB.ORG

02. the Beach Boys - 'Pet Sounds' (Capitol, 1966) 03

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
02. the Beach Boys - 'Pet Sounds' (Capitol, 1966) 03 01. The Beatles - 'Sgt Pepper's Lonely Hearts Club Band' (Capitol, 1967) 02. The Beach Boys - 'Pet Sounds' (Capitol, 1966) 03. The Beatles - 'Revolver' (Capitol, 1966) 04. Bob Dylan - 'Highway 61 Revisited' (Columbia, 1965) 05. The Beatles - 'Rubber Soul' (Capitol, 1965) 06. Marvin Gaye - 'What's Going On' (Motown, 1971) 07. The Rolling Stones - 'Exile on Main Street' (Virgin, 1972) 08. The Clash - 'London Calling' (Epic, 1980) 09. Bob Dylan - 'Blonde on Blonde' (Columbia, 1966) 10. The Beatles - 'The Beatles (White Album)' (Capitol, 1968) 11. Elvis Presley - 'The Sun Sessions' (RCA, 1976) 12. Miles Davis - 'Kind of Blue' (Columbia/Legacy, 1959) 13. The Velvet Underground - 'The Velvet Undergound and Nico' (MGM/Verve, 1967) 14. The Beatles - 'Abbey Road' (Capitol, 1969) 15. The Jimi Hendrix Experience - 'Are You Experienced?' (MCA, 1967) 16. Bob Dylan - 'Blood on the Tracks' (Columbia, 1975) 17. Nirvana - 'Nevermind' (Geffen, 1991) 18. Bruce Springsteen - 'Born to Run' (Columbia, 1975) 19. Van Morrison - 'Astral Weeks' (Warner, 1968) 20. Michael Jackson - 'Thriller' (Epic, 1982) 21. Chuck Berry - 'The Great Twenty-Eight' (Chess, 1982) 22. John Lennon - 'Plastic Ono Band' (Capitol,1970) 23. Stevie Wonder - 'Innervisions' (Motown, 1973) 24. James Brown - 'Live at the Apollo' (Polygram,1963) 25. Fleetwood Mac - 'Rumours' (Reprise, 1977) 26. U2 - 'The Joshua Tree' (Island, 1987) 27. Robert Johnson - 'King of the Delta Blues Singers' (Columbia, 1961) 28. The Who -'Who’s Next' (MCA, 1971) 29. Led Zeppelin - 'Led Zeppelin' (Atlantic, 1969) 30. Joni Mitchell - 'Blue' (Reprise, 1971) 31. Bob Dylan - 'Bringing It All Back Home' (Columbia,1965) 32. The Rolling Stones - 'Let It Bleed' (Abkco,1969) 33. Ramones - 'Ramones' (Warner/Rhino,1976) 34. The Band - 'Music From Big Pink' (Capitol,1968) 35. David Bowie - 'The Rise and Fall of Ziggy Stardust and the Spiders From Mars' (Virgin,1972) 36. Carole King - 'Tapestry' (Sony, 1971) 37. The Eagles - 'Hotel California' (Elektra/Asylum, 1976) 38. Muddy Waters - 'The Anthology' (Chess/MCA, 2001) 39. The Beatles - 'Please Please Me' (CapitoI, 1963) 40. Love - 'Forever Changes' (Rhino, 1967) 41. The Sex Pistols - 'Never Mind the Bollocks, Here’s the Sex Pistols' (Warner, 1977) 42. The Doors - 'The Doors' (Elektra, 1967) 43. Pink Floyd - 'The Dark Side of the Moon' (EMI, 1973) 44. Patti Smith - 'Horses' (Arista, 1975) 45. The Band - 'The Band' (Capitol, 1969) 46. Bob Marley and the Wailers - 'Legend' (Polygram, 1984) 47. John Coltrane - 'A Love Supreme' (Impulse, 1964) 48. Public Enemy - 'It Takes a Nation of Millions to Hold Us Back' (Def Jam, 1988) 49. The Allman Brothers Band - 'At Fillmore East ' (Mercury, 1971) 50. Little Richard - 'Here’s Little Richard' (Specialty, 1957) 51. Simon and Garfunkel - 'Bridge Over Troubled Water' (Columbia/Legacy, 1970) 52. Al Green - 'Greatest Hits' (Capitol, 1975) 53. Ray Charles - 'The Birth of Soul:The Complete Atlantic R&B' (Atlantic,1991) 54. The Jimi Hendrix Experience - 'Electric Ladyland' (MCA,1968) 55. Elvis Presley - 'Elvis Presley' (RCA,1956) 56. Stevie Wonder - 'Songs in the Key of Life' (Motown/Universal,1976) 57. The Rolling Stones - 'Beggars Banquet' (Abkco,1968) 58. Captain Beefheart and His Magic Band - 'Trout Mask Replica' (Reprise,1969) 59. The Beatles - 'Meet the Beatles' (Capitol,1964) 60. Sly and the Family Stone - 'Greatest Hits' (Epic,1970) 61. Guns N’ Roses - 'Appetite for Destruction' (Geffen,1987) 62. U2 - 'Achtung Baby' (Island,1991) 63. The Rolling Stones - 'Sticky Fingers' (Virgin,1971) 64. Phil Spector - 'Back to Mono (1958-1969)' (Abkco,1991) 65. Van Morrison - 'Moondance' (Warner,1970) 66. Led Zeppelin - 'Led Zeppelin IV' (Atlantic,1971) 67. Billy Joel - 'The Stranger' (Columbia,1977) 68. Michael Jackson - 'Off the Wall' (Epic,1979) 69. Curtis Mayfield - 'Superfly' (Rhino,1972) 70. Led Zeppelin - 'Physical Graffiti' (Atlantic,1975) 71. Neil Young - 'After the Gold Rush' (Warner,1970) 72. Prince and the Revolution - 'Purple Rain' (Warner,1984) 73. AC/DC - 'Back in Black' (Atlantic,1980) 74. Otis Redding - 'Otis Blue' (Atco,1965) 75. Led Zeppelin - 'Led Zeppelin II' (Atlantic,1969) 76. John Lennon - 'Imagine' (Capitol,1971) 77. The Clash - 'The Clash' (Epic,1977) 78. Neil Young - 'Harvest' (Reprise,1972) 79. James Brown - 'Star Time' (Polydor,1991) 80. The Zombies - 'Odessey and Oracle' (Big Beat,1969) 81. Paul Simon - 'Graceland' (Warner,1986) 82. The Jimi Hendrix Experience - 'Axis: Bold As Love' (Reprise,1968) 83. Aretha Franklin - 'I Never Loved a Man the Way I Love You' (Rhino,1967) 84. Aretha Franklin - 'Lady Soul' (Rhino,1968) 85. Bruce Springsteen - 'Born in the USA' (Columbia,1984) 86. The Beatles - 'Let It Be' (Capitol,1970) 87. Pink Floyd - 'The Wall' (Harvest/Capitol,1979) 88. Johnny Cash - 'At Folsom Prison' (Columbia/Legacy,1968) 89. Dusty Springfield - 'Dusty in Memphis' (Rhino,1969) 90. Stevie Wonder - 'Talking Book' (Motown/Universal,1972) 91. Elton John - 'Goodbye Yellow Brick Road' (Universal,1973) 92. Buddy Holly - '20 Golden Greats' (MCA,1978) 93. Prince - 'Sign ‘o’ the Times' (Warner,1987) 94. Miles Davies - 'Bitches Brew' (Columbia/Legacy,1970) 95. Creedence Clearwater Revival - 'Green River' (Fantasy,1969) 96. The Who - 'Tommy' (MCA,1969) 97. Bob Dylan - 'The Freewheelin’ Bob Dylan' (Columbia,1963) 98. Elvis Costello - 'This Year’s Model' (Rhino,1978) 99. Sly and the Family - 'Stone There’s a Riot Goin’ On' (Epic,1971) 100. Frank Sinatra - 'In the Wee Small Hours' (Capitol, 1955) 101. Cream - 'Fresh Cream' (Polygram,1967) 102. John Coltrane - 'Giant Steps' (Atlantic,1960) 103. James Taylor - 'Sweet Baby James' (Warner,1970) 104. Ray Charles - 'Modern Sounds in Country and Western Music' (Rhino,1962) 105. Ramones - 'Rocket to Russia' (Rhino,1977) 106. Sam Cooke - 'Portrait of a Legend 1951-1964' (ABKCO,2003) 107. David Bowie - 'Hunky Dory' (Virgin,1970) 108. The Rolling Stones - 'Aftermath' (ABKCO,1966) 109. The Velvet Underground - 'Loaded' (Warner,1970) 110. Radiohead - 'The Bends' (Capitol,1995) 111. Joni Mitchell - 'Court and Spark' (Elektra / Asylum,1974) 112. Cream - 'Disraeli Gears' (Universal,1967) 113. The Who - 'The Who Sell Out' (MCA,1967) 114. The Rolling Stones - 'Out of Our Heads' (ABKCO,1965) 115. Derek and the Dominos - 'Layla and Other Assorted Love Songs' (Polygram,1970) 116. Etta James - 'At Last!' (MCA,1961) 117. The Byrds - 'Sweetheart of the Rodeo' (Columbia,1968) 118. Sly and the Family Stone - 'Stand!' (Epic,1969) 119. BSO - 'The Harder They Come' (Hip-O,1973) 120. Run-DMC - 'Raising Hell' (Arista,1986) 121. Moby Grape - 'Moby Grape' (San Francisco Sound,1967) 122. Janis Joplin - 'Pearl' (Columbia / Legacy,1971) 123. Bob Marley and The Wailers - 'Catch a Fire' (Island,1973) 124. The Byrds - 'Younger Than Yesterday' (Columbia,1967) 125. The Stooges - 'Raw Power' (Columbia,1973) 126. Talking Heads - 'Remain in Light' (Warner,1980) 127. The Mamas and the Papas - 'If You Can Believe Your Eyes and Ears' (MCA,1966) 128. Television - 'Marquee Moon' (Elektra,1977) 129. Hank Williams - '40 Greatest Hits' (Polydor,1978) 130. Black Sabbath - 'Paranoid' (Warner,1971) 131. BSO - 'Saturday Night Fever' (Polygram,1977) 132. Bruce Springsteen - 'The Wild, the Innocent and the E Street Shuffle' (Columbia,1973) 133. The Notorious BIG - 'Ready to Die' (Bad Boy,1994) 134. Pavement - 'Slanted and Enchanted' (Matador,1992) 135. Elton John - 'Greatest Hits' (Polygram,1974) 136. The Replacements - 'Tim' (Warner,1985) 137. Dr Dre - 'The Chronic' (Death Row,1992) 138. The Meters - 'Rejuvenation' (Sundazed,1974) 139. U2 - 'All that You Can’t Leave Behind' (Universal,2000) 140. Blondie - 'Parallel Lines' (Capitol,1978) 141. BB King - 'Live at the Regal' (Beat Goes On,1965) 143. Dr John - 'Gris-Gris' (Collector’s Choice,1968) 144. NWA - 'Straight Outta Compton' (Priority,1988) 145. Steely Dan - 'Aja' (MCA,1977) 146. Jefferson Airplane - 'Surrealistic Pillow' (RCA,1967) 147. Dreams to Remember - 'Otis Redding' (Rhino,1998) 148. Crosby, Stills, Nash and Young - 'Déjà Vu' (Atlantic,1970) 149. Led Zeppelin - 'Houses of the Holy' (Atlantic,1973) 150. Santana - 'Santana' (Columbia,1969) 151. Bruce Springsteen -'Darkness on the Edge of Town' (Columbia,1978) 152. The B-52’s - 'The B-52’s' (Warner,1979) 153. Howlin’ Wolf - 'Moanin’ in the Moonlight' (Chess,1959) 154. A Tribe Called Quest - 'The Low End Theory' (Jive,1991) 155. The Pretenders - 'Pretenders' (Warner,1980) 156. Beastie Boys - 'Paul’s Boutique' (Capitol,1989) 157. Joy Division - 'Closer' (Warner,1980) 158. Elton John - 'Captain Fantastic and the Brown Dirt Cowboy' (MCA,1975) 159. Kiss - 'Alive' (Universal,1975) 160. T Rex - 'Electric Warrior' (Reprise,1971) 161. Otis Redding - 'The Dock of the Bay' (Atlantic,1968) 162. Radiohead - 'OK Computer' (Capitol,1997) 163. Prince - '1999' (Warner,1982) 164. Linda Ronstadt - 'Heart Like a Wheel' (Capitol, 1974) 165. Marvin Gaye - 'Let’s Get It On' (Motown,1973) 166. Elvis Costello and the Attractions Imperial Bedroom (Columbia,1982) 167. Metallica - 'Master of Puppets' (Elektra,1986) 168. Elvis Costello - 'My Aim Is True' (Columbia,1977) 169. Bob Marley and the Wailers - 'Exodus' (Island,1977) 170. The Who - 'Live at Leeds' (MCA,1970) 171. The Byrds - 'The Notorious Byrd Brothers' (Columbia,1968) 172. Rod Stewart - 'Every Picture Tells a Story' (Mercury,1971) 173. Todd Rundgren - 'Something/ Anything?' (Rhino,1972) 174. Bob Dylan - 'Desire' (Columbia,1976) 175. The Carpenters - 'Close to You' (A&M,1970) 176. Aerosmith - 'Rocks' (Columbia,1976) 177. Funkadelic - 'One Nation Under a Groove' (Warner,1978) 178. The Byrds
Load more

Recommended publications
  • PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
    PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized.
    [Show full text]
  • Z 102 Coltrane, John / Giant Steps Z 443 Cooke, Sam
    500 Rank Album 102 Coltrane, John / Giant Steps 285 Green, Al / I'm Still in Love With You 180 Abba / The Definitive Collection 443 Cooke, Sam / Live at the Harlem Square Club 61 Guns N'Roses / Appetite for Destruction 73 AC/DC / Back in Black 106 Cooke, Sam / Portrait of a Legend 484 Haggard, Merle / Branded Man 199 AC/DC / Highway to Hell 460 Cooper, Alice / Love It to Death 437 Harrison, George / All Things Must Pass 176 Aerosmith / Rocks 482 Costello, Elvis / Armed Forces 405 Harvey, PJ / Rid of Me 228 Aerosmith / Toys in the Attic 166 Costello, Elvis / Imperial Bedroom 435 Harvey, PJ / To Bring You My Love 49 Allman Brothers Band / At Fillmore East 168 Costello, Elvis / My Aim Is True 15 Hendrix, Jimi Experience / Are You Experienced? 152 B-52's / The B-52's 98 Costello, Elvis / This Year's Model 82 Hendrix, Jimi Experience / Axis: Bold as Love 34 Band / Music from Big Pink 112 Cream / Disraeli Gears 54 Hendrix, Jimi Experience / Electric Ladyland 45 Band / The Band 101 Cream / Fresh Cream 389 Henley, Don / The End of the Innocence 2 Beach Boys / Pet Sounds 203 Cream / Wheels of Fire 312 Hill, Lauryn / The Miseducation of Lauryn Hill 380 Beach Boys / Sunflower 265 Creedence Clearwater Revival / Cosmo's Factory 466 Hole / Live Through This 270 Beach Boys / The Beach Boys Today! 95 Creedence Clearwater Revival / Green River 421 Holly, Buddy & the Crickets / The Chirpin' Crickets 217 Beastie Boys / Licensed to Ill 392 Creedence Clearwater Revival / Willy and the Poor Boys 92 Holly, Buddy / 20
    [Show full text]
  • Master's Thesis
    I Know I Am Someone: Michael Jackson, Thriller, and American Identity by Sara Tenenbaum B.A. in American Studies, May 2006, Brandeis University A Thesis submitted to The Faculty of the Columbian College of Arts and Sciences of George Washington University in partial fulfillment of the degree requirements for the degree of Master of Arts May 15, 2011 Thesis Directed by James A. Miller Professor of English and American Studies © Copyright 2011 by Sara Tenenbaum All rights reserved ii Abstract of Thesis "I Know I Am Someone: Michael Jackson, Thriller, and American Identity" This thesis addresses the cultural phenomenon surrounding Michael Jackson's 1982 album Thriller and uses it as a lens through which to view and analyze the development of a distinct American, primarily youth, identity in 1983 and 1984. It is structured using a three-prong approach that first analyzes the sonic work of the music of Thriller, second explores the characteristics of Michaelmania and the youth identity being constructed within the Michael Jackson pop explosion, and third analyzes the backlash from both the white and African American communities against Jackson in that time to illuminate his subversion and danger to the status quo. I argue that Jackson's act of profound crossover during the Thriller era triggered within the American youth an equally profound act of identity formation that transcended racial stratification in America's past and created a foundational part of our contemporary identity that moves slightly beyond America's troubled racial history. Using both the voices of his fans and his critics to tease out the work his person and his music did in the early 1980's, I advocate we keep Jackson and his work foregrounded in our study of popular culture in the late 20th and early 21st centuries, as his pop explosion fundamentally and permanently effected how Americans understand ourselves and our relations with each other.
    [Show full text]
  • Discography of the Mainstream Label
    Discography of the Mainstream Label Mainstream was founded in 1964 by Bob Shad, and in its early history reissued material from Commodore Records and Time Records in addition to some new jazz material. The label released Big Brother & the Holding Company's first material in 1967, as well as The Amboy Dukes' first albums, whose guitarist, Ted Nugent, would become a successful solo artist in the 1970s. Shad died in 1985, and his daughter, Tamara Shad, licensed its back catalogue for reissues. In 1991 it was resurrected in order to reissue much of its holdings on compact disc, and in 1993, it was purchased by Sony subsidiary Legacy Records. 56000/6000 Series 56000 mono, S 6000 stereo - The Commodore Recordings 1939, 1944 - Billy Holiday [1964] Strange Fruit/She’s Funny That Way/Fine and Mellow/Embraceable You/I’ll Get By//Lover Come Back to Me/I Cover the Waterfront/Yesterdays/I Gotta Right to Sing the Blues/I’ll Be Seeing You 56001 mono, S 6001 stereo - Begin the Beguine - Eddie Heywood [1964] Begin the Beguine/Downtown Cafe Boogie/I Can't Believe That You're in Love with Me/Carry Me Back to Old Virginny/Uptown Cafe Boogie/Love Me Or Leave Me/Lover Man/Save Your Sorrow 56002 mono, S 6002 stereo - Influence of Five - Hawkins, Young & Others [1964] Smack/My Ideal/Indiana/These Foolish Things/Memories Of You/I Got Rhythm/Way Down Yonder In New Orleans/Stardust/Sittin' In/Just A Riff 56003 mono, S 6003 stereo - Dixieland-New Orleans - Teagarden, Davison & Others [1964] That’s A- Plenty/Panama/Ugly Chile/Riverboat Shuffle/Royal Garden Blues/Clarinet
    [Show full text]
  • Download This List As PDF Here
    QuadraphonicQuad Multichannel Engineers of 5.1 SACD, DVD-Audio and Blu-Ray Surround Discs JULY 2021 UPDATED 2021-7-16 Engineer Year Artist Title Format Notes 5.1 Production Live… Greetins From The Flow Dishwalla Services, State Abraham, Josh 2003 Staind 14 Shades of Grey DVD-A with Ryan Williams Acquah, Ebby Depeche Mode 101 Live SACD Ahern, Brian 2003 Emmylou Harris Producer’s Cut DVD-A Ainlay, Chuck David Alan David Alan DVD-A Ainlay, Chuck 2005 Dire Straits Brothers In Arms DVD-A DualDisc/SACD Ainlay, Chuck Dire Straits Alchemy Live DVD/BD-V Ainlay, Chuck Everclear So Much for the Afterglow DVD-A Ainlay, Chuck George Strait One Step at a Time DTS CD Ainlay, Chuck George Strait Honkytonkville DVD-A/SACD Ainlay, Chuck 2005 Mark Knopfler Sailing To Philadelphia DVD-A DualDisc Ainlay, Chuck 2005 Mark Knopfler Shangri La DVD-A DualDisc/SACD Ainlay, Chuck Mavericks, The Trampoline DTS CD Ainlay, Chuck Olivia Newton John Back With a Heart DTS CD Ainlay, Chuck Pacific Coast Highway Pacific Coast Highway DTS CD Ainlay, Chuck Peter Frampton Frampton Comes Alive! DVD-A/SACD Ainlay, Chuck Trisha Yearwood Where Your Road Leads DTS CD Ainlay, Chuck Vince Gill High Lonesome Sound DTS CD/DVD-A/SACD Anderson, Jim Donna Byrne Licensed to Thrill SACD Anderson, Jim Jane Ira Bloom Sixteen Sunsets BD-A 2018 Grammy Winner: Anderson, Jim 2018 Jane Ira Bloom Early Americans BD-A Best Surround Album Wild Lines: Improvising on Emily Anderson, Jim 2020 Jane Ira Bloom DSD/DXD Download Dickinson Jazz Ambassadors/Sammy Anderson, Jim The Sammy Sessions BD-A Nestico Masur/Stavanger Symphony Anderson, Jim Kverndokk: Symphonic Dances BD-A Orchestra Anderson, Jim Patricia Barber Modern Cool BD-A SACD/DSD & DXD Anderson, Jim 2020 Patricia Barber Higher with Ulrike Schwarz Download SACD/DSD & DXD Anderson, Jim 2021 Patricia Barber Clique Download Svilvay/Stavanger Symphony Anderson, Jim Mortensen: Symphony Op.
    [Show full text]
  • Produced Byray Manzarek
    PRODUCED BY RAY MANZAREK Originally released April 1980 Originally released May 1981 Originally released July 1982 Originally released September 1983 Frank Gargani Debbie Leavitt Power... Passion... Poetry! Attack the world. Let’s do some damage. What a band. Four monsters of skin. My favorite rockers of the then time. John Doe - Mr. Handsome - of the deep rich voice, the hard, strong jaw, the angular bass stance and the hot/cool lyrics. Their harmonies - some would say Schoenberg - his partner Exene, of the wailing scream in the night, the clear eyed pinning of American failings, the fine words of Diana Bonebrake love and booze and madness in the midnight dawn of Los Angeles. “Johny Hit and Run Paulene...” and he’s got a sterilized hypo filled with a sex-machine drug, and he only has 24 hours to shoot all Paulenes between the legs. So get busy, boy. And he does. Listen to those words! That naughty, naughty Johny. I love ‘em. And Exene’s “The World’s a Mess, it’s in My Kiss.” I just love that crazy combination: World - Mess - Kiss. And Billy Zoom on guitar, or is that at least 3 or 4 guitars. How does he do it? It’s so massive, so sharp, so bright, so fucking LOUD!!! And he is so silver smooth and cool. Effortless fingering, impeccable on the frets. Doesn’t he ever make a mistake? Is he a flesh and blood Valhalla guitar god? Yeahhh! And who is that madman beating the living shit out those drums? Ladies and Gentleman... D.
    [Show full text]
  • The JB's These Are the JB's Mp3, Flac
    The J.B.'s These Are The J.B.'s mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Funk / Soul Album: These Are The J.B.'s Country: US Released: 2015 Style: Funk MP3 version RAR size: 1439 mb FLAC version RAR size: 1361 mb WMA version RAR size: 1960 mb Rating: 4.7 Votes: 880 Other Formats: APE VOX AC3 AA ASF MIDI VQF Tracklist Hide Credits These Are the JB's, Pts. 1 & 2 1 Written-By – Phelps Collins*, Clayton Isiah Gunnels*, Clyde Stubblefield, Darrell Jamison*, 4:45 Frank Clifford Waddy*, John W. Griggs*, Robert McCollough*, William Earl Collins 2 I’ll Ze 10:38 The Grunt, Pts. 1 & 2 Written-By – Phelps Collins*, Clayton Isiah Gunnels*, Clyde Stubblefield, Darrell Jamison*, 3 3:29 Frank Clifford Waddy*, James Brown, John W. Griggs*, Robert McCollough*, William Earl Collins Medley: When You Feel It Grunt If You Can 4 Written-By – Art Neville, Gene Redd*, George Porter Jr.*, James Brown, Jimi Hendrix, 12:57 Joseph Modeliste, Kool & The Gang, Leo Nocentelli Companies, etc. Recorded At – King Studios Recorded At – Starday Studios Phonographic Copyright (p) – Universal Records Copyright (c) – Universal Records Manufactured By – Universal Music Enterprises Credits Bass – William "Bootsy" Collins* Congas – Johnny Griggs Drums – Clyde Stubblefield (tracks: 1, 4 (the latter probably)), Frank "Kash" Waddy* (tracks: 2, 3, 4) Engineer [Original Sessions] – Ron Lenhoff Engineer [Restoration], Remastered By – Dave Cooley Flute, Baritone Saxophone – St. Clair Pinckney* (tracks: 1) Guitar – Phelps "Catfish" Collins* Organ – James Brown (tracks: 2) Piano – Bobby Byrd (tracks: 3) Producer [Original Sessions] – James Brown Reissue Producer – Eothen Alapatt Tenor Saxophone – Robert McCullough* Trumpet – Clayton "Chicken" Gunnels*, Darryl "Hasaan" Jamison* Notes Originally scheduled for release in July 1971 as King SLP 1126.
    [Show full text]
  • Hitmakers-1990-08-03
    1-1 J ISSUE 649 fi(lG(1ST 3, 1990 55.00 an exclusive interview with L _ FOGELa President/CBS SHOW Industries I': 7d -. ~me co C+J 1M s-.0 1111, .. ^^-. f r 1 1 s rl Ji _ imp ii _U1115'11S The first hit single from the forthcoming album ALWAYS. Produced by L.A. Reid and Babyface for Laface, Inc. Management: Guilin Morey Associates .MCA RECORDS t 7990 MCA R,ords. S CUTTING EDGE LEADERSHIP FOR TODAY'S MUSIC RADIO Mainstream Top40 - Crossover Top40 - Rock - Alternative - Clubs/Imports - Retail ALDEN TO HEAD ELEKTRA PROMOTION Rick Alden has been National Marketing Manager, he was named Vice extremely good to me over the years, and I'm excited promoted to Senior Vice President of Top40 Promotion in November of 1987. about channeling my energies into this expanded President of Promotion Before joining ELEKTRA, Alden held positions at position. I'm working with the greatest staff, and we for ELEKTRA Entertain- ATLANTIC Records and RCA Records. are all looking forward to the future." ment, it was announced "After seeing the extraordinary results Rick has Also announced at ELEKTRA, by Vice President of this week by ELEKTRA achieved with Top40 Promotion, it became Urban Marketing and Promotion Doug Daniel, was Senior Vice Presi- increasingly clear that he was the man to head the appointment of Keir Worthy as National Director dent/General Manager Promotion overall," commented Hunt. "Rick's of Rap Promotion and Marketing. Brad Hunt. Alden was approach combines the analytic and the imaginative - Worthy previously served as Southwest/Midwest i previously Senior Vice he sees the big picture and never loses sight of the (See ALDEN page 40) RICK ALDEN President of Top40 details." Promotion, a post he Alden called his promotion "an honor and a was appointed to earlier this year.
    [Show full text]
  • JORDAN This Publication Has Been Produced with the Financial Assistance of the European Union Under the ENI CBC Mediterranean
    ATTRACTIONS, INVENTORY AND MAPPING FOR ADVENTURE TOURISM JORDAN This publication has been produced with the financial assistance of the European Union under the ENI CBC Mediterranean Sea Basin Programme. The contents of this document are the sole responsibility of the Official Chamber of Commerce, Industry, Services and Navigation of Barcelona and can under no circumstances be regarded as reflecting the position of the European Union or the Programme management structures. The European Union is made up of 28 Member States who have decided to gradually link together their know-how, resources and destinies. Together, during a period of enlargement of 50 years, they have built a zone of stability, democracy and sustainable development whilst maintaining cultural diversity, tolerance and individual freedoms. The European Union is committed to sharing its achievements and its values with countries and peoples beyond its borders. The 2014-2020 ENI CBC Mediterranean Sea Basin Programme is a multilateral Cross-Border Cooperation (CBC) initiative funded by the European Neighbourhood Instrument (ENI). The Programme objective is to foster fair, equitable and sustainable economic, social and territorial development, which may advance cross-border integration and valorise participating countries’ territories and values. The following 13 countries participate in the Programme: Cyprus, Egypt, France, Greece, Israel, Italy, Jordan, Lebanon, Malta, Palestine, Portugal, Spain, Tunisia. The Managing Authority (JMA) is the Autonomous Region of Sardinia (Italy). Official Programme languages are Arabic, English and French. For more information, please visit: www.enicbcmed.eu MEDUSA project has a budget of 3.3 million euros, being 2.9 million euros the European Union contribution (90%).
    [Show full text]
  • Soul Top 1000
    UUR 1: 14 april 9 uur JAAP 1000 Isley Brothers It’s Your Thing 999 Jacksons Enjoy Yourself 998 Eric Benet & Faith Evans Georgy Porgy 997 Delfonics Ready Or Not Here I Come 996 Janet Jackson What Have Your Done For Me Lately 995 Michelle David & The Gospel Sessions Love 994 Temptations Ain’t Too Proud To Beg 993 Alain Clark Blow Me Away 992 Patti Labelle & Michael McDonald On My Own 991 King Floyd Groove Me 990 Bill Withers Soul Shadows UUR 2: 14 april 10 uur NON-STOP 989 Michael Kiwanuka & Tom Misch Money 988 Gloria Jones Tainted Love 987 Toni Braxton He Wasn’t Man Enough 986 John Legend & The Roots Our Generation 985 Sister Sledge All American Girls 984 Jamiroquai Alright 983 Carl Carlton She’s A Bad Mama Jama 982 Sharon Jones & The Dap-Kings Better Things 981 Anita Baker You’re My Everything 980 Jon Batiste I Need You 979 Kool & The Gang Let’s Go Dancing 978 Lizz Wright My Heart 977 Bran van 3000 Astounded 976 Johnnie Taylor What About My Love UUR 3: 14 april 11 uur NON-STOP 975 Des’ree You Gotta Be 974 Craig David Fill Me In 973 Linda Lyndell What A Man 972 Giovanca How Does It Feel 971 Alexander O’ Neal Criticize 970 Marcus King Band Homesick 969 Joss Stone Don’t Cha Wanna Ride 1 968 Candi Staton He Called Me Baby 967 Jamiroquai Seven Days In Sunny June 966 D’Angelo Sugar Daddy 965 Bill Withers In The Name Of Love 964 Michael Kiwanuka One More Night 963 India Arie Can I Walk With You UUR 4: 14 april 12 uur NON-STOP 962 Anthony Hamilton Woo 961 Etta James Tell Mama 960 Erykah Badu Apple Tree 959 Stevie Wonder My Cherie Amour 958 DJ Shadow This Time (I’m Gonna Try It My Way) 957 Alicia Keys A Woman’s Worth 956 Billy Ocean Nights (Feel Like Gettin' Down) 955 Aretha Franklin One Step Ahead 954 Will Smith Men In Black 953 Ray Charles Hallelujah I Love Her So 952 John Legend This Time 951 Blu Cantrell Hit' m Up Style 950 Johnny Pate Shaft In Africa 949 Mary J.
    [Show full text]
  • Mtv and Transatlantic Cold War Music Videos
    102 MTV AND TRANSATLANTIC COLD WAR MUSIC VIDEOS WILLIAM M. KNOBLAUCH INTRODUCTION In 1986 Music Television (MTV) premiered “Peace Sells”, the latest video from American metal band Megadeth. In many ways, “Peace Sells” was a standard pro- motional video, full of lip-synching and head-banging. Yet the “Peace Sells” video had political overtones. It featured footage of protestors and police in riot gear; at one point, the camera draws back to reveal a teenager watching “Peace Sells” on MTV. His father enters the room, grabs the remote and exclaims “What is this garbage you’re watching? I want to watch the news.” He changes the channel to footage of U.S. President Ronald Reagan at the 1986 nuclear arms control summit in Reykjavik, Iceland. The son, perturbed, turns to his father, replies “this is the news,” and lips the channel back. Megadeth’s song accelerates, and the video re- turns to riot footage. The song ends by repeatedly asking, “Peace sells, but who’s buying?” It was a prescient question during a 1980s in which Cold War militarism and the nuclear arms race escalated to dangerous new highs.1 In the 1980s, MTV elevated music videos to a new cultural prominence. Of course, most music videos were not political.2 Yet, as “Peace Sells” suggests, dur- ing the 1980s—the decade of Reagan’s “Star Wars” program, the Soviet war in Afghanistan, and a robust nuclear arms race—music videos had the potential to relect political concerns. MTV’s founders, however, were so culturally conserva- tive that many were initially wary of playing African American artists; addition- ally, record labels were hesitant to put their top artists onto this new, risky chan- 1 American President Ronald Reagan had increased peace-time deicit defense spending substantially.
    [Show full text]
  • Chicago Blues Guitar
    McKinley Morganfield (April 4, 1913 – April 30, 1983), known as Muddy WatersWaters, was an American blues musician, generally considered the Father of modern Chicago blues. Blues musicians Big Bill Morganfield and Larry "Mud Morganfield" Williams are his sons. A major inspiration for the British blues explosion in the 1960s, Muddy was ranked #17 in Rolling Stone magazine's list of the 100 Greatest Artists of All Time. Although in his later years Muddy usually said that he was born in Rolling Fork, Mississippi in 1915, he was actually born at Jug's Corner in neighboring Issaquena County, Mississippi in 1913. Recent research has uncovered documentation showing that in the 1930s and 1940s he reported his birth year as 1913 on both his marriage license and musicians' union card. A 1955 interview in the Chicago Defender is the earliest claim of 1915 as his year of birth, which he continued to use in interviews from that point onward. The 1920 census lists him as five years old as of March 6, 1920, suggesting that his birth year may have been 1914. The Social Security Death Index, relying on the Social Security card application submitted after his move to Chicago in the mid '40s, lists him as being born April 4, 1915. His grandmother Della Grant raised him after his mother died shortly after his birth. His fondness for playing in mud earned him the nickname "Muddy" at an early age. He then changed it to "Muddy Water" and finally "Muddy Waters". He started out on harmonica but by age seventeen he was playing the guitar at parties emulating two blues artists who were extremely popular in the south, Son House and Robert Johnson.
    [Show full text]