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Cpo 555 057–2 Booklet.Indd 1 15.01.2020 10:45:20 Florian Leopold Gassmann
Florian Gassmann Ah, ingrato amor Opera Arias Ania Vegry NDR RADIOPHILHARMONIE David Stern cpo 555 057–2 Booklet.indd 1 15.01.2020 10:45:20 Florian Leopold Gassmann cpo 555 057–2 Booklet.indd 2 15.01.2020 10:45:21 Florian Leopold Gassmann (1729–1774) Opera Arias 1 Involarmi, from: Achille in Sciro (Pietro Metastasio) 4'40 2 Se in campo armato, from: Catone in Utica (Pietro Metastasio) 3'26 3 Dovea svenarti allora, from: Catone in Utica (Pietro Metastasio) 2'58 4 Per darvi alcun pegno, from: Catone in Utica (Pietro Metastasio) 5'30 5 Ah, ingrato, amor, from: Achille in Sciro (Pietro Metastasio) 7'39 6 Nessuno consola un povero core, from: L’egiziana bzw. La Zingara 3'39 (Franceso Ronzi) 7 Ah, che son fuor di me, from: L’amore artigiano (Carlo Goldoni) 2'14 8 Che vuoi dir con questi palpiti, from: L’amore artigiano (Carlo Goldoni) 4'53 9 Come mi sprezza ancora (unknown) 2'50 10 Cogli amanti, from: Le serve rivali (Pietro Chiari) 3'33 11 Barbara e non rammenti, from: L’opera seria (Ranieri de‘ Calzabigi) 5'29 12 Delfin che al laccio infido, from: L’opera seria (Ranieri de‘ Calzabigi 4'01 cpo 555 057–2 Booklet.indd 3 15.01.2020 10:45:21 13 Dove son, from: L’opera seria (Ranieri de‘ Calzabigi) 4'36 14 Pallid´ombra, from: L’opera seria (Ranieri de‘ Calzabigi) 6'01 15 Saprei costante e ardita, from: L’opera seria (Ranieri de‘ Calzabigi) 3'20 T.T.: 64'59 Ania Vegry, Soprano NDR RADIOPHILHARMONIE David Stern cpo 555 057–2 Booklet.indd 4 15.01.2020 10:45:21 Ania Vegry (© Simon Pauly) cpo 555 057–2 Booklet.indd 5 15.01.2020 10:45:21 Florian Leopold -
永遠懷念林克昌大師 in Memory of Maestro Lim Kek-Tjiang (1928-2017)
j5w42-mozart-cover-v1.pdf 1 15/6/2017 4:13 PM C M Y CM MY CY CMY K fazi20151101-16 170x247mm op (2).pdf 1 19/6/2017 11:26 AM C M Y CM MY CY CMY K 永遠懷念林克昌大師 In MeMory of Maestro LIM KeK-tjIang (1928-2017) 香港管弦樂團的首任音樂總監林克昌大 The Hong Kong Philharmonic Society wishes to express its 師於2017年6月15日在墨爾本與世長 deepest condolences to the family of Maestro Lim Kek-tjiang, 辭,香港管弦協會致以深切哀悼。 who passed away peacefully on 15 June 2017 in Melbourne. 林大師1928年生於印尼的一個華裔家 Born into an Indonesian-Chinese family in 1928, Maestro Lim 庭,於 阿 姆 斯 特 丹 和 巴 黎 學 習 小 提 had trained as a violinist in Amsterdam and Paris. He was the 琴;1969年起出任香港管弦樂團的首席 HK Phil’s Principal Conductor from 1969 until early 1974, and 指揮,直至港樂1974年職業化後擔任港 was the HK Phil’s first Music Director after its establishment 樂 首位音 樂 總 監。 as a professional orchestra in 1974. 香港管弦協會董事局主席劉元生先生感 Y.S. Liu, the Chairman of the Board of Governors of the 謝林克昌大師的遠見和努力,為樂團發 Hong Kong Philharmonic Society, acknowledges his gratitude 展 下重要基石。首席第二小提琴范丁 to Maestro Lim’s vision and hardwork which helped turn the 奠 是1974年樂師團隊中唯一仍留任的成 HK Phil into what it is today. Fan Ting, our Principal Second 員,他憶述恩師對他的啟蒙:「記得港樂 Violin and the only remaining member from the 1974 roster, 於1974年職業化後第一個音樂會中演奏 recalls how “at the first concert in 1974 after the orchestra 柴可夫斯基第五交響曲,林大師曾要求所 launched into its professional era, Maestro Lim asked all string 有弦樂樂師背譜,對樂師的要求非常嚴 players to memorise the score to Tchaikovsky’s Symphony 格。因 為 有 林 克 昌 大 師 的 不 懈 堅 持,帶 no. -
Bach Academy Bruges
Tue 15 Jan – Sun 20 Jan 2019 BACH ACADEMY BRUGES Heaven on earth © Rune Guneriussen Rune © Dear music lover Festival summary TUE 15 JAN 2019 SAT 19 JAN 2019 SUN 20 JAN 2019 20.00 Chamber music hall 11.00 and 14.00 11.00 Chamber music hall In this New Year’s month, I’m Idiosyncratic OLV-van-Blindekenskapel Sponte Sua exceptionally happy to welcome you homage to Bach Catalina Vicens Bach, Hotteterre & once again to the Bach Academy, Lecture-performance (Ammer)Bach on organ Telemann in Bruges’ Concertgebouw! For me by ECCE p. 10 p. 18 starting the year with some light- p. 4 hearted comedy and a dip into Cole 14.00 Concert hall 14.30 Concert hall Porter’s Great American Songbook WED 16 JAN 2019 Hildebrandt Consort & Ensemble Marsyas was both a delightful challenge and a WORLD PREMIERE Ignace Bossuyt Heavenly dialogues fascinating discovery. But returning Bach Close-up (in Dutch) COMMISSIONED BY CONCERTGEBOUW p. 19 to Bach and delving into his inner p. 11 world, which I do two or three times a 20.30 KAAP | De Werf 16.30 Chamber music hall season, is always a balm for the soul Ernst Reijseger & 16.30 Chamber music hall © Michiel Hendryckx Cecilia Bernardini and an immense musical pleasure. Erik Bosgraaf Andreas Brantelid Biber. Rosary Sonatas We all know that Bach’s heaven Bach from both sides Bach. Cello Suites p. 21 did not lie on earth, but his art did Berlin’s performance on Saturday evening i.c.w. KAAP p. 12 make that much-sung yearning for of Bach’s concertos for three and four 19.15 Chamber music hall the hereafter almost superfluous. -
“A Child's World”
San Jose Wind Symphony presents “A Child’s World” Dr. Edward C. Harris, conductor Walter M. Mayes, narrator Peter Morris, trumpet Sunday, May 11, 2014, 3:00 p.m. McAfee Performing Arts Center, Saratoga, California ROSSANO GALANTE A Childhood Remembered LEROY ANDERSON A Trumpeter’s Lullaby (ARR. PHILIP J. LANG) Peter Morris, trumpet CLAUDE DEBUSSY Suite: The Children’s Corner Serenade for the Doll The Little Shepherd Golliwogg’s Cake Walk SCOTT WATSON Aesop’s Fables The Hare and the Tortoise The Boy Who Cried Wolf The Dog and the Bone The Wolf and His Shadow Walter M. Mayes, narrator ERIC WHITACRE The Seal Lullaby Percy Aldridge Grainger Children’s March (REV. FRANK ERICKSON) I N T E R M I S S I O N FRANK TICHELI Joy Revisited RYAN FRALEY A Child’s Garden of Verses Butterfl y’s Ball Wynken, Blynken, and Nod Summer Sun ENGELBERT HUMPERDINCK Prayer and Dream Pantomime (TRANS. JOSEPH E. MADDY) ARR. JOHN MOSS Disney at the Oscars DAVIDE DELLE CESE Little English Girl ABOUT THE ARTISTS After an extensive national search in 2002, DR. EDWARD C. HARRIS was appointed the conductor and artistic director for the San Jose Wind Symphony, only the second conductor in the group’s 56-year history. Dr. Harris currently serves as the Director of Bands at San José State University. Born and educated in Santa Monica, Dr. Harris received his Bachelor of Music degree in music education and Master of Arts degree in clarinet performance from San Francisco State University. He received his Doctor of Arts degree in conducting and clarinet performance from the University of Northern Colorado, where he studied under Eugene Corporon. -
Educating Musicians for a Lifetime of Learning Edited by Michael Hannan
Educating Musicians for a Lifetime of Learning Proceedings of the 17th International Seminar of the Commission for the Education of the Professional Musician (CEPROM), International Society for Music Education (ISME) edited by Michael Hannan Spilamberto, Italy July 15-18, 2008 The full papers of these proceedings have been peer reviewed by a panel of international experts. Publisher: International Society of Music Education (ISME) PO Box 909, Nedlands, 6909, Western Australia, Australia Editor: Michael Hannan ISBN: 978-0-9804560-3-5 Published: 2008 Contents i Editorial Michael Hannan 1 Identity as a catalyst for success Dawn Bennett 5 The artist as academic: Arts practice as a site of knowledge Diana Blom, David Wright, and Dawn Bennett 10 ‘Music isn’t one island’: The balance between depth and breadth for music students in higher education Rosie Burt-Perkins and Don Lebler 15 Prior learning of conservatoire students: A western classical perspective Gemma Carey and Don Lebler 21 The pedagogy of interpretation Glen Carruthers 26 Teaching music theory using blogging: Embracing the world of Web 2.0 Eddy K. M. Chong 32 On the Music Education System Of Music Middle School Affiliated to Shanghai Conservatory Yu Danhong 38 Renaming the rose: a sweet future offered for professional music training John Drummond 42 Teaching the intangible Kirsty Guster 47 How to design Optimal Educational Experience in order to awaken the spark of creativity in music students Rozalina Gutman 57 Adults as learners in the field of education: a pedagogical challenge -
Dvořák in America
College of Fine Arts presents Dvořák in America UNLV Symphony Orchestra Taras Krysa, Music Director and Conductor PROGRAM Suite in A Major, Opus 98, B. 184 (“American”) Antonín Dvořák Allegretto (1841–1904) Andante Allegro Maria Kolesnyk, piano Commentary by Joseph Horowitz Suite in A Major, Opus 98, B. 190 (“American”) Antonín Dvořák I. Andante con moto (1841–1904) II. Allegro III. Moderato (alla polacca) IV. Andante V. Allegro Visual presentation by Peter Bogdanoff INTERMISSION Porgy and Bess Concert Suite George Gershwin arr. Robert Russell Bennett Summertime (1898–1937) A Woman is a Sometime Thing My Man’s Gone Now I Got Plenty o’ Nuttin’ Bess, You is My Woman Now It Ain’t Necessarily So O Lawd, I’m on My Way Karin Hochman, soprano Kevin Deas, bass-baritone You are invited to stay for a post-concert discussion with the artists and Dean Nancy J. Uscher. Sunday, April 7, 2019 3:00 p.m. Artemus W. Ham Concert Hall Performing Arts Center University of Nevada, Las Vegas PROGRAM NOTES Of the two works on today’s program, Gershwin’s Porgy and Bess is famous. Dvořák’s American Suite remains virtually unknown. And yet both are products of Dvorak’s 1892 prophecy that “Negro melodies” would foster a great “school of American music.” In nineteenth century classical music, the composer as tourist is a familiar phenomenon. Italy was a favorite destination. Mendelssohn, Berlioz, Liszt, and Tchaikovsky, among others, composed famous keyboard and symphonic works keying on gondolas and the Italian Alps, Giotto and Michelangelo. But Tchaikovsky’s Capriccio Italien, with its Roman carnival, still sounds like Tchaikovsky. -
Information to Users
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back o f the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6” x 9” black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. UMI A Bell & Howell Information Company 300 North Zed) Road, Ann Arbor MI 48106-1346 USA 313/761-4700 800/521-0600 SEA PICTURES. Op.37 BY SIR EDWARD ELGAR: A COMPREHENSIVE GUIDE FOR STUDY AND PERFORMANCE D.M.A. DOCUMENT Presented in partial Fulfillment of the Requirements for the Degree Doctor of Musical Arts in the Graduate School o f The Ohio State University by Lynnette Borman, B.M.E., M.M. -
Pression and Stance Against Oppression Are Reasons Why I Chose Him As an Artistic Partner." – Marilyn Manson
72 minutes, color, HDCam and ProRes, Stereo, 16:9, 2011 FIRST RUN FEATURES The Film Center Building 630 Ninth Ave. #1213, New York, NY 10036 (212) 243-0600 / [email protected] www.firstrunfeatures.com Synopsis Gottfried Helnwein and the Dreaming Child is a feature documentary about the world famous Austrian artist, Gottfried Helnwein, and his contentious role as Production Designer for a never before seen opera in Tel Aviv, Israel in 2010. A violent production, The Child Dreams was written by Israel’s most famous playwright, that late Hanoch Levin, and portrays the hopes and dreams of children in search of freedom and peace. For Helnwein, the child has always been the symbol of innocence and innocence betrayed, and this motif runs through much of his work. Helnwein grew up in Vienna in the post-WWII era, and he was greatly affected by the feeling that something unbelievably terrible had happened in Austria. But the Holocaust was not spoken of or even acknowledged by the Viennese, a criminal silence that continues to haunt Helwein. The conflict Helnwein encounters in Israel emerges from his unyielding desire to maintain the original idea of Levin’s work. Levin specifically states in his libretto that the opera requires a small child who would portray the dreaming child throughout the opera. However, the Israeli Opera’s creative team casts a woman to play the child. This and several other disagreements escalate into an unsettling dispute featuring a Viennese artist raging against Israeli production staff, a dispute captured intimately in this compelling documentary. A scene from the opera The Child Dreams About Gottfried Helnwein Gottfried Helnwein was born in Vienna, Austria. -
Jordan Legaspi - Poems
Poetry Series Jordan Legaspi - poems - Publication Date: 2008 Publisher: Poemhunter.com - The World's Poetry Archive Jordan Legaspi(24 July 1978) Most of the time I am with my self, reading, writing, and most of all watching people in their movement(s) . Lighting candle is my expression of my in-tense feelings; as it was penned in my poetry. The different phase of the moon is important to me as my every day journey is; before I will enter the door of death- the shadow of life cast from the cosmic reality of the unknown. Originally I was from the countryside of the Eastern part of Mindanao, Philippines- the birth place of no very important people of the country's history and that of the whole mankind. However, there are some truth behind the tribe's name 'Mandaya' or in the English translation 'the first origin'(according to the first catholic priest missionary who studied the origin of the first people settled in the region) : significant as it was/use to be, in their ancient belief- the belief system embedded in their culture and tradition. Together with the different rituals of different incantations portrays wisdom beyond age, but slowly confronted by the demand of 'civilization' and its 'modernity' become less important to my people. The countryside's experience shaped and molded me into a potent character in the spiritual world. Indeed, this made me to travel just to seek and meet other forces that I know searching their place where to belong. Jordan Legaspi, is not my real name, in fact this is just one of the names associated to me: M_2859; Redluck-the jester's poet or the jester's poet are among those names I claim. -
February 2007 Wind Ensemble Program
Program Program Notes (2) Third Suite (1966) Robert Jager (b. 1939) Lee Davis High School The “Third Suite” was written for Mr. Leo Imperial, director of the Granby High School Band of Norfolk, Virginia, and is dedicated to him and his very fine organization. The Suite received its first The Thunderer (1889) John Philip Sousa, arr. Sparke performance by them in December 1965 from manuscript. The Suite is a tuneful work for band, yet it has built into it certain elements which provide a Variations on a Korean Folk Song (1965) John Barnes Chance challenge for the players and conductor. In the first movement, for example, the steady feel and rhythm of a march are somewhat distorted by measures of unequal time values. In the “Waltz”, the same kind of distortion of time occurs as in the previous movement, but now it is the familiar ¾ which receives the Afta-Stuba! (2000) Mark Ford treatment. The form of the “Rondo” is ABACABA. The movement opens with a five chord Peter Soroka, Becky Farley, and Josh Pidco, Marimba Soloists introduction in the full band. A solo cornet states the “A” theme, followed by a mood shift to minor for the “B” theme. The “C” theme introduced by the piccolos. After a loud timpani crash, the final “A” is heard “Presto.” This builds to a climatic finale based on the five notes of the introduction. Third Suite (1966) Robert Jager I. March Fantasy Variations on a Theme by Niccolo Paganini (1989) II. Waltz James Barnes (b. 1949) III. Rondo Niccolo Paganini (1782 - 1840) was one of the greatest virtuoso violinists of all time; he also was University of Virginia a noted composer.