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PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
Farmers Market Returns To
University of South Carolina Scholar Commons October 2008 10-22-2008 The aiD ly Gamecock, WEDNESDAY, OCTOBER 22, 2008 University of South Carolina, Office oftude S nt Media Follow this and additional works at: https://scholarcommons.sc.edu/gamecock_2008_oct Recommended Citation University of South Carolina, Office of Student Media, "The aiD ly Gamecock, WEDNESDAY, OCTOBER 22, 2008" (2008). October. 8. https://scholarcommons.sc.edu/gamecock_2008_oct/8 This Newspaper is brought to you by the 2008 at Scholar Commons. It has been accepted for inclusion in October by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. The Mix The Mix Women’s rugby “Appaloosa” brings the prepares for its new Western genre back to sesaon. See page 9 the screen. See page 7 dailygamecock.com UNIVERSITY OF SOUTH CAROLINA WEDNESDAY, OCTOBER 22, 2008 VOL. 102, NO. 50 ● SINCE 1908 USC provost chosen fi nalist in GSU quest for president Administrator one of two candidates left Special to THE DAILY GAMECOCK in search to fi ll vacancy USC Provost Mark Becker may be GSU’s next president. Kyle Moores THE DAILY GAMECOCK other institutions including the University of Florida, USC Provost Mark University of Michigan and Becker has been selected as Cornell University. one of two finalists to fill As provost, Becker is the vacancy as president of the chief academic officer Georgia State University. of USC. He oversees the Becker has served as the schools and colleges of the vice president of academic USC-Columbia campus as Christine Galligan / THE DAILY GAMECOCK affairs and the provost at well as the school’s regional USC students and staff members wait outside of Russell House for about 10 mintues after being evacuated Tuesday. -
Q Casino Announces Four Shows from This Summer's Back Waters
Contact: Abby Ferguson | Marketing Manager 563-585-3002 | [email protected] February 28, 2018 - For Immediate Release Q Casino Announces Four Shows From This Summer’s Back Waters Stage Concert Lineup! Dubuque, IA - The Back Waters Stage, Presented by American Trust, returns this summer on Schmitt Island! Q Casino is proud to announce the return of our outdoor summer experience, Back Waters Stage. This summer, both national acts and local favorites will take the stage through community events and Q Casino hosted concerts. All ages are welcome to experience the excitement at this outdoor venue. Community members can expect to enjoy a wide range of concerts from all genres from modern country to rock. The Back Waters Stage will be sponsoring two great community festivals this summer. Kickoff to Summer will be kicking off the summer series with a free show on Friday, May 25. Summer’s Last Blast 19 which is celebrating 19 years of raising money for area charities including FFA, the Boy Scouts, Dubuque County Fairgrounds and Sertoma. Summer’s Last Blast features the area’s best entertainment with free admission on Friday, August 24 and Saturday, August 25. The Back Waters Stage Summer Concert Series starts off with country rappers Colt Ford and Moonshine Bandits on Saturday, June 16. Colt Ford made an appearance in the Q Showroom last March to a sold out crowd. Ford has charted six times on the Hot Country Songs charts and co-wrote “Dirt Road Anthem,” a song later covered by Jason Aldean. On Thursday, August 9, the Back Waters Stage switches gears to modern rock with platinum recording artist, Seether. -
Upcoming Events
Property Patrol...CCTV Monitoring...Facility Protection...Equipment Rental...Fire Watch…. VOLUME 2, ISSUE 7 J U L Y 2 0 1 0 Read Past Issues In 1950, Phoenix had a population of 106,000, and covered an area of just over 17 square miles. Today, it is the 5th or 6th largest city in the country, depending on whom you ask. During the war, people started moving to Phoenix, since it offered work, and it was inland, thus safer from enemy aerial attacks. In 1946, Arizona became a “right to work” state, meaning workers could choose whether they wanted to belong to a union or not. This was a big deal, making it easier for people to find work. 1948 saw Motorola set up in Phoenix, the first of many high tech firms to establish a presence. Manufacturing has become one of the area mainstays, primarily electronics, communications, and aeronautical and defense equipment. Firms such as Intel, Boeing, Honeywell, Microchip, and many others dot the landscape, and provide an enormous boost to the economy. Mining continues to be big business, with over 50% of the country’s copper being produced here. Agriculture is still very important, as are tourism and retirement communities, and real Central Ave. estate development. 1948 Phoenix continues to diversify its economy, knowing it needs its eggs in many baskets. We’ll touch on that next time. This month we are going to highlight one of our most widely used pieces of equipment: bike rack! Though they may just seem like big hunks of metal, they are actually very effective at crowd control, line queuing, and guiding your patrons to the right place. -
Leon Bridges Black Moth Super Rainbow Melvins
POST MALONE ELEANOR FRIEDBERGER LORD HURON MELVINS LEON BRIDGES BEERBONGS & BENTLEYS REBOUND VIDE NOIR PINKUS ABORTION TECHNICIAN GOOD THING REPUBLIC FRENCHKISS RECORDS REPUBLIC IPECAC RECORDINGS COLUMBIA The world changes so fast that I can barely remember In contrast to her lauded 2016 album New View, Vide Noir was written and recorded over a two Featuring both ongoing Melvins’ bass player Steven Good Thing is the highly-anticipated (to put it lightly) life pre-Malone… But here we are – in the Future!!! – and which she arranged and recorded with her touring years span at Lord Huron’s Los Angeles studio and McDonald (Redd Kross, OFF!) and Butthole Surfers’, follow-up to Grammy nominated R&B singer/composer Post Malone is one of world’s unlikeliest hit-makers. band, Rebound was recorded mostly by Friedberger informal clubhouse, Whispering Pines, and was and occasional Melvins’, bottom ender Jeff Pinkus on Leon Bridges’ breakout 2015 debut Coming Home. Beerbongs & Bentleys is not only the raggedy-ass with assistance from producer Clemens Knieper. The mixed by Dave Fridmann (The Flaming Lips/MGMT). bass, Pinkus Abortion Technician is another notable Good Thing Leon’s takes music in a more modern Texas rapper’s newest album, but “a whole project… resulting collection is an entirely new sound for Eleanor, Singer, songwriter and producer Ben Schneider found tweak in the prolific band’s incredible discography. direction while retaining his renowned style. “I loved also a lifestyle” which, according to a recent Rolling exchanging live instrumentation for programmed drums, inspiration wandering restlessly through his adopted “We’ve never had two bass players,” says guitarist / my experience with Coming Home,” says Bridges. -
Shakespearean Actors Display Talents at ND
II III II 11111111111i'" Program Guide Specialty Shows 7 - 9 pm Daily ., Monday: Regressive Thursday: Hlp Hop WI! aRJ Tuesday: Rock-n-Roll/Sports Friday: Reggae Request Line: . Wednesday: Jazz Saturday: Hardcore/ 239-6400 ==============64 Sunday: Metal Punk These are the Voices of the Fighting Irish Monday Tuesday Wednesday Thursday Friday Saturday Sunday Mike BertinI Jason Hoida Mike Schwabe Pat Ninneman John Strieder Kathy Hordlek 7-9 a.m. "Rock Out With "Morning 'We're Brellking "H Hint Of 'Hot Brellkfllst Your Rooster Out" Stiffness" Pllrietllls' Hnesthesia" In No Time Rt RII" ~ ~ John Staunton Mystery D,J, Kristen Moria SullilJan Kelly Boglarsky ~/ffff/h • Sol & Cllrol's 'If I Rsked You To Baumler 'Mllnioclll "Bogue Not V#//ffM 9-11a.m. Spllnk Me, Would You Mudslinging BBO Plulldlse" Say N01 "Un Poco De Sko" Menllqerie' Uogue" 10:00 am - 1 :00 pm Paul Broderick John Dugan Greg Murphy Joson Wins lode Mike Montroy Rebecca Paul Saiz 'Jazun Jetsam's 11-lp.m. "Paul's Power "Nothing Short of "Midday "Bloodshot OSCillating Rudlo "Death By Ciletti Hour (or two)" Total War" Cramps" Karma" Sculpture' Disco" Chris Chris Infante Brad Barnhorst Karen 1-3p.m. Neil Higgins Kristen John Furey Scherzinger "Big Cheese "No LOlJe Lost" Holderer 'Rlldio Schlep Goes Downer" Harknett "Undergromd" Public' Dan langrill Jeff Sepeta Jeff Jotz Mike McMahon Shllwn Nowlerskl Jennifer Hnne Seifert 3-5 p.m. 'Don Lllngrill's "Uoices On The "Orifice Party "Me Rnd Your 'Songs O'Bjorn Rnd "ElJeryday Is Rudio Mood Ring' Fringe" '90" Mom" Fjords' Reiland Like Sundaq" Mark KelJin Brian Geraghty Kathy RleH Nunez Hlyson Naimoli Tom Fellrath "The Urban MCDonou~h • Eluls HilS Left 5-7 p.m. -
Front Line Assembly Vanished Mp3, Flac, Wma
Front Line Assembly Vanished mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic Album: Vanished Country: US Released: 2004 Style: EBM, Industrial MP3 version RAR size: 1870 mb FLAC version RAR size: 1451 mb WMA version RAR size: 1205 mb Rating: 4.6 Votes: 183 Other Formats: AA VOX WMA MP4 RA MOD MMF Tracklist Hide Credits Vanished (Illusions Of Grandeur Mix) 1 7:35 Vocals [Female] – Leah Randi 2 Stürm 6:08 3 Disseminate 7:03 Uncivilized 4 6:45 Vocals [Male], Sampler [Additional Samples] – Jamie Muhoberac Vanished (Re-entry Mix) 5 7:08 Vocals [Female] – Leah Randi Companies, etc. Copyright (c) – Metropolis Records Phonographic Copyright (p) – Metropolis Records Mastered At – Bernie Grundman Mastering Pressed By – Cinram, Olyphant, PA – Z26643 Credits Design [Graphic] – Carylann Loeppky Mastered By – Brian Gardner Mixed By – Greg Reely Photography By – US Department Of Energy Photograph Producer – Bill Leeb, Rhys Fulber Producer [Additional] – Greg Reely Programmed By – Rhys Fulber Notes ©&℗ 2004 Metropolis Records Made in the USA Barcode and Other Identifiers Barcode (Text): 7 82388 03232 2 Matrix / Runout: Z26643 4 MET80323-2 01 M0S1 Mastering SID Code: IFPI L909 Mould SID Code: IFPI 2U4C Other versions Category Artist Title (Format) Label Category Country Year SPV 055-63753 Front Line Vanished (CD, Synthetic SPV 055-63753 Germany 2004 CDS Assembly Maxi) Symphony CDS Front Line Vanished (5xFile, none Metropolis none US 2004 Assembly AAC, EP, 128) Related Music albums to Vanished by Front Line Assembly Various - Percolator Fear Factory - Remanufacture / Cars L'Âme Immortelle - Gezeiten Fear Factory - Remanufacture (Cloning Technology) Front Line Assembly - Prophecy Front Line Assembly - Shifting Through The Lens Front Line Assembly - Millennium Front Line Assembly - Provision Front Line Assembly vs. -
Up-And-Coming Texas Singer Lucky to Be Alive and Still Singing the Blues 21 February 2019
Up-and-coming Texas singer lucky to be alive and still singing the blues 21 February 2019 an itinerant musician. After growing up in a trailer park in South Texas, he spent his 20s riding the rails, sleeping in parks, and performing for spare change in New York City subway cars. By 2016, when Rolling Stone dubbed him one of "10 Artists You Should Know," his work and travel schedule kicked into high gear. "I was living really hard," he said. "I was getting short of breath, and it was scaring me, but I didn't want to talk about it. I'm a pretty stubborn guy, and I didn't want it to be an issue." It did become an issue—but only by chance. Last year, when Crockett sought medical advice for repairing a hernia, he listed WPW on his medical history, prompting the doctor to send him to a Country-blues artist Charley Crockett had heart surgery cardiologist as a precaution for surgery. It was only in January. Photo: Lyza Renee then Crockett learned he also had bicuspid aortic valve stenosis, a disease where, instead of having three aortic flaps that allow the blood to flow, two are fused together. A few years ago, Texas country-blues singer Charley Crockett wrote "How Long Will I Last" An estimated 1.4 percent of the population is born about an uncertain love affair. Little did he know with bicuspid aortic valve stenosis, but Crockett's the song title would also apply to his struggle with condition had progressed to a dangerous point. -
Friday Refrain
Genre Artist Album Americana Jonah Tolchin Clover Lane Angsty Real Friends I Don’t Love You Anymore [Single] Rock Christian Hillsong Worship No Other Name Country Corb Lund Counterfeit Blues Country Jim Lauderdale I'm A Song Dance Mark Force Smoke It EP Electronic Benge Electro-Orgoustic Music a Electronic Diamond Version CI a Electronic Essáy Ocarina a Electronic Khotin Hello World a Electronic Remember Remember Forgetting the Present a Electronic Terror Danjah Bruzin/Hysteria a Electronic The Herbaliser There Were Seven: Remixes a Electronic Zeds Dead Somewhere Else a Electronic Zomby Mush/Spliff Dub (Rustie Remix) a Hard Rock Corrosion of IX Conformity Hard Rock Glitzy Glow Strike The Right Note Hard Rock My Fictions Stranger Songs Instrument Minot Equal/Opposite al Rock Jazz David Sauzay Meeting With Harold Mabern Metal Every Time I Die From Parts Unknown Metal Ra Collateral Damage Metal The Dead Rabbitts Shapeshifter New Age Marcos Ciscar Wisdom of Mountains Noise The Vacant Lots Departure Rock/ Playgroun d of Rock Playgroun Beverly Careers d of Rock Playgroun Dot Hacker How’s Your Process? (Work) d of Rock Playgroun Favored Nations Amazon d of Rock Playgroun Flyying Colours Not Today [Single] d of Rock Playgroun King Friday This Is Supposed To Be Fun d of Rock Playgroun King Midas Sound Lost d of Rock Playgroun King Midas Sound Cool Out d of Rock Playgroun OOIOO Gamel d of Rock Playgroun Spoon Do You [Single] d of Rock Playgroun Turn To Crime Can’t Love d of Rock Playgroun Uumans Flipping Out d of Rock Playgroun Vulkano Live Wild -
The Houston Symphony Takes
Published by The Center for the Performing Arts at The Woodlands April - May 2011 Volume 12, Issue 1 The Houston Symphony Takes Dvorák’s Cello Concerto, “Let the Good Times Roll” with You “Out of This World”! a Classical Masterpiece The Music of Ray Charles April 20 • 7:30 p.m. May 20 • 8 p.m. May 26 • 8 p.m. Three, two, one…lift off! On The Pavilion’s stage, not so far, The Houston Symphony’s performance titled “Let the Good Times Roll” with the Houston Symphony and far away, a symphony orchestra gets ready to launch into Dvorák’s Cello Concerto, under the direction of special guest Ellis Hall May 26 at The Pavilion. Tickets are $15 symphonic space. Buckle up for a visit to the planets and Maestro Hans Graf, comes to The Cynthia Woods for orchestra seating. Free mezzanine and lawn seating are stars at the Houston Symphony’s Out of This World April 20. Mitchell Pavilion May 20, featuring the compos- Michael Krajewski courtesy of Anadarko Petroleum Tickets are $15 for orchestra seating. Mezzanine and lawn er’s impressive final concerto. Tickets are $15 Corporation and Woodforest Robert seating are free. Tickets are not for orchestra seating. Free mezzanine National Bank. Tickets are not Franz required for free seating. Gates and lawn seating are courtesy of required for free seating. Gates open at 5:30 p.m. The Wortham Foundation. Tickets open at 7 p.m. are not required for free seating. Robert Franz leads your voyage Principal Pops Conductor Michael Gates open at 7 p.m. -
Sept. 7-13, 2017
SEPT. 7-13, 2017 FACEBOOK.COM/WHATZUPFTWAYNE • WWW.WHATZUP.COM • FACEBOOK.COM/WHATZUPFTWAYNE GET THE GEAR YOU WANT TODAY! 48MONTHS 0% INTEREST*** ON 140+ TOP BRANDS | SOME RESTRICTIONS APPLY 36MONTHS 0% INTEREST** ON 100+ TOP BRANDS | SOME RESTRICTIONS APPLY WHEN YOU USE THE SWEETWATER CARD. 36/48 EQUAL MONTHLY PAYMENTS REQUIRED. SEE STORE FOR DETAILS. NOW THROUGH OCTOBER 2 5501 US Hwy 30 W • Fort Wayne, IN Music Store Hours: Mon–Thurs 9–9 • Fri 9–8 Sat 9–7 • Sun 11–5 2 ----------------------------------------------------------------------------------- www.whatzup.com ---------------------------------------------------------- September 7, 2017 whatzup Volume 22, Number 6 e’re calling this our Big Fat Middle Waves issue since our cover features the MAIN STAGE: festival, now in its second year, and we’ve got a 16-page guide to all things • A Dancer’s Legacy – SEP 22 & 23 Middle Waves inside. Check out Steve Penhollow’s feature story on page 4, • The Nutcracker – DEC 1 thru 10 Wread the guide cover to cover and on the weekend of Sept. 15-16 keep whatzup.com pulled up on your mobile phone’s web browser. We’ll be posting Middle Waves updates • Coppélia – MAR 23-25 all day long so you’ll always know what’s happening where. • Academy Showcase – MAY 24 If you’ve checked out whatzup.com lately, you’ve probably noticed the news feed. It’s FAMILY SERIES: the home page on mobile phones and one of the four tabs on the PC version, and it THURSDAY, SEPTEMBER 28 allows our whatzup advertisers to talk directly to whatzup.com users. If you’re one of • Frank E. -
May 28, 2021 the Musicrow Weekly Friday, May 28, 2021
May 28, 2021 The MusicRow Weekly Friday, May 28, 2021 MusicRow Announces 33rd Annual SIGN UP HERE (FREE!) MusicRow Awards Dates For 2021 If you were forwarded this newsletter and would like to receive it, sign up here. THIS WEEK’S HEADLINES 2021 MusicRow Awards Dates Americana Honors & Awards Nominees Now in its 33rd year, the 2021 MusicRow Awards, presented by City National Bank, will take place virtually on all MusicRow platforms on Tuesday, Aug. Jon Nite Renews With Sony 10. Music Publishing Nashville The virtual event will feature award presentations for category winners. Black River Publishing, Winners of these categories will be determined by the votes of subscribed Warner Chappell Music Sign members of MusicRow. Josh Kerr Nominees for the MusicRow Awards will be revealed Tuesday, July 6 and Garth Brooks Honored At supported by MusicRow‘s annual “Nominator” publication. Kennedy Center Honors Voting will begin Wednesday, July 7 and run through Friday, July 16 for all MusicRow subscribed members. To become a subscribed member and Terry Hemmings To Be become eligible to vote, sign up here. Inducted Into Alumni Hall Of Fame There are 11 member-voted categories: 1. Producer of the Year Faren Rachels Signs With 2. Label of the Year Combustion Music 3. Talent Agency of the Year 4. Breakthrough Songwriter of the Year Big Machine Music Signs 5. Breakthrough Artist-Writer of the Year Sara Davis 6. Male Songwriter of the Year 7. Female Songwriter of the Year Billboard Music Awards 8. Song of the Year Winners 9. Robert K. Oermann Discovery Artist of the Year 10.