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Met Classics: Berlin
Met Classics: Berlin Dear Traveler, Please join Museum Travel Alliance from May 24-30, 2021 on Met Classics: Berlin. Enjoy behind-the-scenes explorations of Berlin's most fascinating museums and art spaces, including Sammlung Boros, a dazzling private collection of contemporary art housed in an above-ground World War II-era bunker. Delight in a curator-led exclusive tour of the Jewish Museum Berlin, Europe's largest museum devoted to Judaism, housed within a zinc-paneled architectural masterpiece designed by Daniel Libeskind to reflect the tensions of German- Jewish identities. We are delighted that this trip will be accompanied by Chris Noey as our lecturer from The Metropolitan Museum of Art. This trip is sponsored by The Metropolitan Museum of Art. We expect this program to fill quickly. Please call the Museum Travel Alliance at (855) 533-0033 or (212) 302-3251 or email [email protected] to reserve a place on this trip. We hope you will join us. Sincerely, Jim Friedlander President MUSEUM TRAVEL ALLIANCE 1040 Avenue of the Americas, 23rd Floor, New York, NY 10018 | 212-302-3251 or 855-533-0033 | Fax 212-344-7493 [email protected] | www.museumtravelalliance.com BBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBB Travel with Met Classics The Met BBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBB -
Virtual Germans
Berlin Program for Advanced German & European Studies Berlin Program Summer Workshop Virtual Germans June 19-20, 2014 Freie Universität Berlin Preliminary Program In her travels through Eastern Europe in the 1990s, the writer Ruth Ellen Gruber noted that non-Jews were embracing, creating, and marketing an idea of Jewishness that had little to do with the Jews who had lived in the region before the Holocaust. Through practices and cultural products, these “virtual Jews” had come in dialog with “their own visions of Jews and Jewish matters, and themselves.” In recent years, the historian Winson Chu has adapted this concept to show the enactment of a “virtually German” culture that serves commercial interests, European reconciliation, and cosmopolitan credentials in Poland today. In 2014, the Berlin Program summer workshop will invite papers that expand upon the idea of “virtual Germans” in a variety of constellations, including Germans and German-speakers who have fashioned new identities for themselves abroad, people living in Germany of diverse backgrounds whose German belonging is contested, as well as constructions of Germanness in the virtual realm of cyberspace and in the classroom. This workshop will pay special attention to the global flow of “Germanness” as well as to its local constructions. By exploring such representations and contestations, we can see how new definitions of Germanness arise and how new inclusions and exclusions are made. Thursday, June 19 9:00-9:15 Arrival & Coffee 9:15-9:30 Opening Remarks & Introduction 9:30-11:00 -
Digital German-Jewish Futures: Experiential Learning, Activism, and Entertainment
German Studies Faculty Publications German Studies 12-15-2020 Digital German-Jewish Futures: Experiential Learning, Activism, and Entertainment. Kerry Wallach Gettysburg College Follow this and additional works at: https://cupola.gettysburg.edu/gerfac Part of the Jewish Studies Commons, Other Film and Media Studies Commons, and the Other German Language and Literature Commons Share feedback about the accessibility of this item. Recommended Citation Wallach, Kerry. “Digital German-Jewish Futures: Experiential Learning, Activism, and Entertainment.” In The Future of the German Jewish Past: Memory and the Question of Antisemitism, edited by Gideon Reuveni and Diana Franklin, 239-51. Purdue: Purdue University Press, 2020. This open access book chapter is brought to you by The Cupola: Scholarship at Gettysburg College. It has been accepted for inclusion by an authorized administrator of The Cupola. For more information, please contact [email protected]. Digital German-Jewish Futures: Experiential Learning, Activism, and Entertainment. Abstract The future of the German-Jewish past is, in a word, digital, and not only in the sense of digital humanities or digital history. Future generations of scholars, students, and the general public will engage with the past online in the same ways—and for many of the same reasons—that they engage with everything else. There needs to be something redeeming, enjoyable, or at least memorable about studying history for people to feel that it is worthwhile. For many, the act of learning about the past serves as a kind of virtual travel, even an escape, to another time and place. Learning about German-Jewish history becomes possible on a regular basis when it is easily accessible through the newest media on computers, cell phones, and other electronic devices. -
Libeskind's Jewish Museum Berlin
Encountering empty architecture: Libeskind’s Jewish Museum Berlin Henrik Reeh Preamble In Art Is Not What You Think It Is, Claire Farago and Donald Preziosi observe how the architecture of contemporary museums inspires active relationships between exhibitions and visitors.1 Referring to the 2006 Denver Art Museum by Daniel Libeskind, they show the potentials germinating in a particular building. When artists and curators are invited to dialog with the spaces of this museum, situations of art-in-architecture may occur which go beyond the ordinary confrontation of exhibitions and spectatorship, works and visitors. Libeskind’s museum is no neutral frame in the modernist tradition of the white cube, but a heterogeneous spatiality. These considerations by Farago and Preziosi recall the encounter with earlier museums by Libeskind. Decisive experiences particularly date back to the year 1999 when his Jewish Museum Berlin was complete as a building, long before being inaugurated as an exhibition hall in 2001. Open to the public for guided tours in the meantime, the empty museum was visited by several hundred thousand people who turned a peripheral frame of future exhibitions into the center of their sensory and mental attention. Yet, the Libeskind building was less an object of contemplation than the occasion for an intense exploration of and in space. Confirming modernity’s close connection between exhibition and architecture, Libeskind’s Jewish Museum Berlin unfolds as a strangely dynamic and fragmented process, the moments of which call for elaboration and reflection. I. Architecture/exhibition Throughout modernity, exhibitions and architecture develop in a remarkably close relationship to one another. -
The Future of the German-Jewish Past: Memory and the Question of Antisemitism
Purdue University Purdue e-Pubs Purdue University Press Books Purdue University Press Fall 12-15-2020 The Future of the German-Jewish Past: Memory and the Question of Antisemitism Gideon Reuveni University of Sussex Diana University Franklin University of Sussex Follow this and additional works at: https://docs.lib.purdue.edu/purduepress_ebooks Part of the Jewish Studies Commons Recommended Citation Reuveni, Gideon, and Diana Franklin, The Future of the German-Jewish Past: Memory and the Question of Antisemitism. (2021). Purdue University Press. (Knowledge Unlatched Open Access Edition.) This document has been made available through Purdue e-Pubs, a service of the Purdue University Libraries. Please contact [email protected] for additional information. THE FUTURE OF THE GERMAN-JEWISH PAST THE FUTURE OF THE GERMAN-JEWISH PAST Memory and the Question of Antisemitism Edited by IDEON EUVENI AND G R DIANA FRANKLIN PURDUE UNIVERSITY PRESS | WEST LAFAYETTE, INDIANA Copyright 2021 by Purdue University. Printed in the United States of America. Cataloging-in-Publication data is on file at the Library of Congress. Paperback ISBN: 978-1-55753-711-9 An electronic version of this book is freely available, thanks to the support of librar- ies working with Knowledge Unlatched. KU is a collaborative initiative designed to make high-quality books Open Access for the public good. The Open Access ISBN for this book is 978-1-61249-703-7. Cover artwork: Painting by Arnold Daghani from What a Nice World, vol. 1, 185. The work is held in the University of Sussex Special Collections at The Keep, Arnold Daghani Collection, SxMs113/2/90. -
Travel with the Metropolitan Museum of Art
BBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBB Travel with Met Classics The Met BBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBB May 9–15, 2022 Berlin with Christopher Noey Lecturer BBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBB Berlin Dear Members and Friends of The Metropolitan Museum of Art, Berlin pulses with creativity and imagination, standing at the forefront of Europe’s art world. Since the fall of the Wall, the German capital’s evolution has been remarkable. Industrial spaces now host an abundance of striking private art galleries, and the city’s landscapes have been redefined by cutting-edge architecture and thought-provoking monuments. I invite you to join me in May 2022 for a five-day, behind-the-scenes immersion into the best Berlin has to offer, from its historic museum collections and lavish Prussian palaces to its elegant opera houses and electrifying contemporary art scene. We will begin with an exploration of the city’s Cold War past, and lunch atop the famous Reichstag. On Museum Island, we -
Schindler's Learning Guide
RIGHTEOUS AMONG THE NATIONS "The universe exists on the merit of the righteous among the nations of the world, and they are privileged to see the Divine Presence." -- The Talmud THE GOOD SAMARITAN And who is my neighbor? And Jesus answering said, A certain man went down from Jerusalem to Jericho, and fell among thieves which stripped him of his raiment, and wounded him, and departed, leaving him half dead. And by chance there came down a certain priest that way: and when he saw him, he passed by on the other side. And likewise a Levite, when he was at the place, came and looked on him, and passed by on the other side. But a certain Samaritan, as he journeyed, came where he was: and when he saw him, he had compassion on him. And went to him, and bound up his wounds, pouring in oil and wine, and set him on his own beast, and brought him to an inn, and took care of him. And on the morrow when he departed, he took out two pence, and gave them to the host, and said unto him, Take care of him; and whatsoever thou spendest more, when I come again, I will repay thee. Which now of these three, thinking thou, was neighbor unto him that fell among the thieves? And he said, He that showed mercy on him. Then said Jesus unto him, Go, and do thou likewise. --St. Luke 10: 30 “He [Schindler] was fortunate to have people in that short fierce era who summoned forth his deeper talents.” --Emilie Schindler Introduction There have been many attempts to tell the story of the Holocaust to the general public in a comprehensible, yet historically accurate manner. -
Jewish Behavior During the Holocaust
VICTIMS’ POLITICS: JEWISH BEHAVIOR DURING THE HOLOCAUST by Evgeny Finkel A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Political Science) at the UNIVERSITY OF WISCONSIN–MADISON 2012 Date of final oral examination: 07/12/12 The dissertation is approved by the following members of the Final Oral Committee: Yoshiko M. Herrera, Associate Professor, Political Science Scott G. Gehlbach, Professor, Political Science Andrew Kydd, Associate Professor, Political Science Nadav G. Shelef, Assistant Professor, Political Science Scott Straus, Professor, International Studies © Copyright by Evgeny Finkel 2012 All Rights Reserved i ACKNOWLEDGMENTS This dissertation could not have been written without the encouragement, support and help of many people to whom I am grateful and feel intellectually, personally, and emotionally indebted. Throughout the whole period of my graduate studies Yoshiko Herrera has been the advisor most comparativists can only dream of. Her endless enthusiasm for this project, razor- sharp comments, constant encouragement to think broadly, theoretically, and not to fear uncharted grounds were exactly what I needed. Nadav Shelef has been extremely generous with his time, support, advice, and encouragement since my first day in graduate school. I always knew that a couple of hours after I sent him a chapter, there would be a detailed, careful, thoughtful, constructive, and critical (when needed) reaction to it waiting in my inbox. This awareness has made the process of writing a dissertation much less frustrating then it could have been. In the future, if I am able to do for my students even a half of what Nadav has done for me, I will consider myself an excellent teacher and mentor. -
Hotels in the Vicinity of the Jewish Museum Berlin
Hotels in the vicinity of the Jewish Museum Berlin 1 Winters Hotel Berlin Mitte am Checkpoint Charlie ....................................... 2 2 Angleterre Hotel ........................................................................................... 6 3 NH Berlin Potsdamer Platz ........................................................................... 9 4 Mercure Hotel & Residenz Checkpoint Charlie ........................................... 13 5 Holiday Inn Express Berlin City Centre ........................................................ 17 6 ibis Berlin City Potsdamer Platz .................................................................. 21 1 1 Winters Hotel Berlin Mitte am Checkpoint Charlie Dieses Hotel in Berlin (Kreuzberg) wurde mit 4 Sternen ausgezeichnet. In der Nähe befindet sich: Mauer-Museum am Checkpoint Charlie. Im Stadtzentrum Dieses Hotel liegt mitten in Berlin. In der direkten Umgebung befinden sich: Jüdisches Museum Berlin und Mauer-Museum am Checkpoint Charlie. In der Umgebung befinden sich außerdem: Brandenburger Tor und Reichstagsgebäude. Hotelbar/Lounge Winters Hotel Berlin Mitte am Checkpoint Charlie hat Folgendes zu bieten: Bar/Lounge, WLAN-Internetzugang (kostenlos), Highspeed-Internetzugang per Kabel (kostenlos) und Unterstützung bei der Tourenplanung/beim Ticketerwerb. Aussicht auf die Stadt Fernseher mit Premium-Satellitenempfang stehen in den Zimmern zur Verfügung. Zur Zimmerausstattung gehören außerdem: Klimaanlagen, hochwertige Bettwaren und Zimmersafe in Laptop-Größe. Preise Ab 75 € pro Nacht Lage -
Holocaust Awareness Week"
2017 HOUSE JOINT RESOLUTION 17-1027 BY REPRESENTATIVE(S) Michaelson Jenet and Sias, Arndt, Becker J., Becker K., Beckman, Benavidez, Bridges, Buck, Buckner, Carver, Catlin, Coleman, Covarrubias, Danielson, Esgar, Everett, Exum, Foote, Garnett, Ginal, Gray, Hamner, Hansen, Herod, Hooton, Humphrey, Jackson, Kennedy, Kraft-Tharp, Landgraf, Lawrence, Lebsock, Lee, Leonard, Liston, Lontine, Lundeen, McKean, McLachlan, Melton, Mitsch Bush, Navarro, Neville P., Nordberg, Pabon, Pettersen, Rankin, Ransom, Rosenthal, Saine, Salazar, Singer, Thurlow, Valdez, Van Winkle, Weissman, Willett, Williams D., Wilson, Winter, Wist, Young, Duran; also SENATOR(S) Crowder and Fenberg, Aguilar, Baumgardner, Cooke, Coram, Court, Donovan, Fields, Garcia, Gardner, Guzman, Hill, Holbert, Jahn, Jones, Kagan, Kefalas, Kerr, Lambert, Lundberg, Marble, Martinez Humenik, Merrifield, Moreno, Neville T., Priola, Scott, Smallwood, Sonnenberg, Tate, Todd, Williams A., Zenzinger, Grantham. CONCERNING THE DECLARATION OF APRIL 23, 2017, THROUGH APRIL 29, 2017, AS "HOLOCAUST AWARENESS WEEK". WHEREAS, Prejudice, bigotry, and racism have been the cause of conflict, war, and mass atrocities throughout human history; and WHEREAS, The Holocaust was the systematic, bureaucratic, state-sponsored persecution and murder of 6 million Jews by the Nazi regime and its collaborators; the Nazis, who came to power in Germany in January 1933, believed that Germans were "racially superior" and that the Jews, deemed "inferior", were an alien threat to the so-called German racial community; and -
M Useum & a Rchitektur
r e r u t u t k c e e t t i i h h c c r r a A & & m m u u e e s s u u m M Felix-Nussbaum-Haus Osnabrück Kunsthalle Bielefeld MAR Ta Herford phæno Wolfsburg Jüdisches Museum Berlin Deutsches Historisches Museum Berlin Museum & Architektur museum & architecture Vorwort/Foreword 4 Felix-Nussbaum-Haus Osnabrück 6 Kunsthalle Bielefeld 10 MAR Ta Herford 14 ph æno Wolfsburg 18 Jüdisches Museum Berlin 24 Deutsches Historisches Museum Berlin 28 Die Architekten/The architects 32 Information 38 Vorwort I Foreword Sechs Museen, fünf Architekten, eine Achse – das ist kurz gefasst die Idee, die dieser Broschüre zugrunde liegt. Auf der Route zwischen Berlin und Six museums, five architects, one axis – in short, this is the idea behind this publication. From Berlin to Osnabrück, stopping in Wolfsburg, Bielefeld Osnabrück mit Zwischenstopps in Wolfsburg, Bielefeld und Herford finden Sie sechs Museen mit ganz unterschiedlicher thematischer Ausrichtung, and Herford along the way, you will discover six museums, each with a different thematic emphasis. Yet they have a significant unifying factor, they are die doch etwas sehr Verbindendes haben: avantgardistische Museumsarchitekturen, die zu den Meilensteinen der Architekturgeschichte gehören. all incorporate avant-garde museum structures – milestones of architectural history. The architectural conception of museum buildings is an interes - Die architektonische Konzeption von Museumsbauten stellt seit jeher eine reizvolle Herausforderung für die großen Architektinnen und Architekten ting challenge for any major architect. You can form your own opinion of the exciting interaction of form, function and content at these different sites. dar. -
National Museums in Germany: Anchoring Competing Communities Peter Aronsson & Emma Bentz
Building National Museums in Europe 1750-2010. Conference proceedings from EuNaMus, European National Museums: Identity Politics, the Uses of the Past and the European Citizen, Bologna 28-30 April 2011. Peter Aronsson & Gabriella Elgenius (eds) EuNaMus Report No 1. Published by Linköping University Electronic Press: http://www.ep.liu.se/ecp_home/index.en.aspx?issue=064 © The Author. National Museums in Germany: Anchoring Competing Communities Peter Aronsson & Emma Bentz Summary From 1760-2010, Germany has been marked by several levels of nation-building as well as many different ideological and territorial projects. This inquiry has focused on processes of long continuity, spanning unification in both the nineteenth and twentieth centuries, adding the most important ruptures and institutional inventions to get a firm-enough basis for conclusions on the institutional role of museums vis-a-vis the state-making process. The most significant periods for the interaction between museums and nation-building can be labelled 1. The struggle, leading to Germany’s unification in 1871, where several regions made their bids through museums. 2. Imperial unity on display from 1871-1914. National museums were stabilizing and universalizing the German Empire in the world. 3. Nazi cultural policy, 1933-1945: Comprehensive museum plans for the Third Reich. 4. GDR (German Democratic Republic) national museums between 1949-1990 were dominated by the ideology of socialist culture. 5. The Federal republic, before and after 1990: inscribing Nazi and GDR as pasts contained within brackets. Germany’s history is marked by the processes of unification meeting dissociative forces resulting in dramatic political shifts and the persistence of a complex federal structure.