4/08/2016 Table1 Page 7 Author Title Class/N Acc No 1933
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
Fabric Story: India- Fabrics and Embroideries
Humber Fashion Institute Fabric Story: India- Fabrics and Embroideries FMPC 505 01 Nilofer Timol 10/18/2013 Contents Humber Fashion Institute ....................................................................................................................................................... 0 Fabric Story: India- Fabrics and Embroideries ........................................................................................................................ 0 FMPC 505 01 ........................................................................................................................................................................... 0 Table of Figures ....................................................................................................................................................................... 2 India: Fabrics and Embroideries .............................................................................................................................................. 3 Introduction ........................................................................................................................................................................ 3 The Fabric Story ...................................................................................................................................................................... 6 Fashion Theme ............................................................................................................................................................... -
September 2Nd Fondafair.Com
22019019 Pride of American Agriculture August 28th – September 2nd FondaFair.com • Oil Changes • On The Farm Service • Car & Truck Accessories • Construction Site Tire Services • Custom Wheels • Goodyear National • Tire Repair Accounts • New & Used Tires • Multi-Line Dealer • Truck Tire Services 518-673-5399 THETIRESHOP.BIZ OPEN MON.-SAT. 8am-6pm 155 Erie Blvd., Canajoharie, NY Montgomery County Agricultural Society Montgomery County Agricultural Society, Inc. Scholarship Program The Montgomery County Agricultural Society offers an annual scholarship program which is available to high school students who are residents of Montgomery or Fulton County and who plan to attend college in pursuit of a degree. Purpose: To provide financial assistance to those high school students who have been active exhibitors in the Montgomery County Agricultural Society (aka Fonda Fair) and who intend to pursue a degree. Awards: Up to two (2) $250.00 scholarships will be awarded for 2020. Eligibility: Applicants must be in his/her senior year of high school in Montgomery or Fulton County, New York and planning to pursue a degree at an accredited institution of higher learning. Deadline: Students must submit his/her complete application by April 1, 2020. Applications are available at www.fondafair.com. Page 1 Montgomery County Agricultural Society----Premium Listing IMPORTANT - Please Read The Fair Premium Book and other relevant documents are now available on-line. You can fine the entire premium book by going to: www.fondafair.com Entries are to be made with the Secretary’s office Second Saturday, and the following Monday, Tuesday & Wednesday of August Saturday, August 10, 2019 9 A.M. -
Catalogue of the Famous Blackborne Museum Collection of Laces
'hladchorvS' The Famous Blackbome Collection The American Art Galleries Madison Square South New York j J ( o # I -legislation. BLACKB ORNE LA CE SALE. Metropolitan Museum Anxious to Acquire Rare Collection. ' The sale of laces by order of Vitail Benguiat at the American Art Galleries began j-esterday afternoon with low prices ranging from .$2 up. The sale will be continued to-day and to-morrow, when the famous Blackborne collection mil be sold, the entire 600 odd pieces In one lot. This collection, which was be- gun by the father of Arthur Blackborne In IS-W and ^ contmued by the son, shows the course of lace making for over 4(Xi ye^rs. It is valued at from .?40,fX)0 to $oO,0()0. It is a museum collection, and the Metropolitan Art Museum of this city would like to acciuire it, but hasnt the funds available. ' " With the addition of these laces the Metropolitan would probably have the finest collection of laces in the world," said the museum's lace authority, who has been studying the Blackborne laces since the collection opened, yesterday. " and there would be enough of much of it for the Washington and" Boston Mu- seums as well as our own. We have now a collection of lace that is probablv pqual to that of any in the world, "though other museums have better examples of some pieces than we have." Yesterday's sale brought SI. .350. ' ""• « mmov ON FREE VIEW AT THE AMERICAN ART GALLERIES MADISON SQUARE SOUTH, NEW YORK FROM SATURDAY, DECEMBER FIFTH UNTIL THE DATE OF SALE, INCLUSIVE THE FAMOUS ARTHUR BLACKBORNE COLLECTION TO BE SOLD ON THURSDAY, FRIDAY AND SATURDAY AFTERNOONS December 10th, 11th and 12th BEGINNING EACH AFTERNOON AT 2.30 o'CLOCK CATALOGUE OF THE FAMOUS BLACKBORNE Museum Collection of Laces BEAUTIFUL OLD TEXTILES HISTORICAL COSTUMES ANTIQUE JEWELRY AND FANS EXTRAORDINARY REGAL LACES RICH EMBROIDERIES ECCLESIASTICAL VESTMENTS AND OTHER INTERESTING OBJECTS OWNED BY AND TO BE SOLD BY ORDER OF MR. -
August 2021.Indd
Search Press Ltd August 2021 The Complete Book of patchwork, Quilting & Appliqué by Linda Seward www.searchpress.com/trade SEARCH PRESS LIMITED The world’s finest art and craft books ADVANCE INFORMATION Drawing - A Complete Guide: Nature Giovanni Civardi Publication 31st August 2021 Price £12.99 ISBN 9781782218807 Format Paperback 218 x 152 mm Extent 400 pages Illustrations 960 Black & white illustrations Publisher Search Press Classification Drawing & sketching BIC CODE/S AFF, WFA SALES REGIONS WORLD Key Selling Points Giovanni Civardi is a best-selling author and artist who has sold over 600,000 books worldwide No-nonsense advice on the key skills for drawing nature – from understanding perspective to capturing light and shade Subjects include favourites such as country scenes, flowers, fruit, animals and more Perfect book for both beginner and experienced artists looking for an inspirational yet informative introduction to drawing natural subjects This guide is bind-up of seven books from Search Press’s successful Art of Drawing series: Drawing Techniques; Understanding Perspective; Drawing Scenery; Drawing Light & Shade; Flowers, Fruit & Vegetables; Drawing Pets; and Wild Animals. Description Learn to draw the natural world with this inspiring and accessible guide by master-artist Giovanni Civardi. Beginning with the key drawing methods and essential materials you’ll need to start your artistic journey, along with advice on drawing perspective as well as light and shade, learn to sketch country scenes, fruit, vegetables, animals and more. Throughout you’ll find hundreds of helpful and practical illustrations, along with stunning examples of Civardi’s work that exemplify his favourite techniques for capturing the natural world. -
Lace and Design 22Nd International Lace Festival Lepoglava 2018
22nd International Lace Festival Lepoglava 2018. Under the High Auspices of the Croatian President Mrs Kolinda Grabar Kitarović Lace and Design Under the Auspices of: The Croatian Ministry of Culture, The Croatian Ministry of Tourism, The Croatian Ministry of Agriculture, The Croatian Commission for UNESCO, The Croatian Tourist Board, Varaždin County and the Town of Lepoglava. Partner Country: the Italian Republic 2018 Day of European Heritage in Lepoglava FESTIVAL EXHIBITION PROGRAMME - EVERY DAY IzložbeExhibitions su otvorene are openza posjetitelje to visitors tijekom on all festivalskihFestival days dana petak:Friday: 10.00 10 AM – -21.00 9 PM sati subota:Saturday: 10.00 10 AM – 22.00 - 10 PM sati nedjelja:Sunday: 10.00 10 AM – 18.00 - 6 PM sati Ticket prices for all the Exhibition spaces: HRK 15.00 (free for children under 7 years of age) The Organiser reserves the right to amend the programme Future Museum Premises (adjacent to the Pauline Monastery) Croatian Lace Exhibitions: The Benedictine Monasteries of St. John the Baptist and St. Anthony the Great of Hvar, St. Margaret of Pag, ‘Pekljica’ Society from Primošten, Slovenian Cultural Society ‘Triglav’ Lace Section of Split, ‘Nada Mance’ Handicrafts, Čakovec, ‘Motifs from Sikirevcy’ Society of Sikirevci, Emina Baričević’s tatting lace (Križevci), ‘Ključ’ Cultural and Artistic Society of Trg near Ozalj, Šarčević Ilija Family Farm of Sikirevci, St. Mary’s Lace Society from Sveta Marija, ‘Frane Budak’ Society of Pag, Ivančica Cipurić’s tatting lace (the Cardinals’ Valley - Krašić), ‘Se zmisliš… Lepoglavska sjećanja’ (‘Do you Remember… Memories of Lepoglava’), An Exhibition of Lace from the Uhrin Family Collection, and An Exhibition of Festival Publications. -
The Bayeux Tapestry
The Bayeux Tapestry The Bayeux Tapestry A Critically Annotated Bibliography John F. Szabo Nicholas E. Kuefler ROWMAN & LITTLEFIELD Lanham • Boulder • New York • London Published by Rowman & Littlefield A wholly owned subsidiary of The Rowman & Littlefield Publishing Group, Inc. 4501 Forbes Boulevard, Suite 200, Lanham, Maryland 20706 www.rowman.com Unit A, Whitacre Mews, 26-34 Stannary Street, London SE11 4AB Copyright © 2015 by John F. Szabo and Nicholas E. Kuefler All rights reserved. No part of this book may be reproduced in any form or by any electronic or mechanical means, including information storage and retrieval systems, without written permission from the publisher, except by a reviewer who may quote passages in a review. British Library Cataloguing in Publication Information Available Library of Congress Cataloging-in-Publication Data Szabo, John F., 1968– The Bayeux Tapestry : a critically annotated bibliography / John F. Szabo, Nicholas E. Kuefler. pages cm Includes bibliographical references and index. ISBN 978-1-4422-5155-7 (cloth : alk. paper) – ISBN 978-1-4422-5156-4 (ebook) 1. Bayeux tapestry–Bibliography. 2. Great Britain–History–William I, 1066–1087– Bibliography. 3. Hastings, Battle of, England, 1066, in art–Bibliography. I. Kuefler, Nicholas E. II. Title. Z7914.T3S93 2015 [NK3049.B3] 016.74644’204330942–dc23 2015005537 ™ The paper used in this publication meets the minimum requirements of American National Standard for Information Sciences—Permanence of Paper for Printed Library Materials, ANSI/NISO Z39.48-1992. Printed -
Bachelor of Khadi Production & Design Syllabus 2016-17
RASHTRASANT TUKADOJI MAHARAJ NAGPUR UNIVERSITY, NAGPUR (Established by Government of Central Provinces Education Department by Notification st No. 513 dated the 1 of August, 1923 & presently a State University governed by Maharashtra Universities Act, 1994) FACULTY OF HOME SCIENCE DIRECTION NO. 68 OF 2016 DIRECTION GOVERNING THE EXAMINATION LEADING TO THE DEGREE OF BACHELOR OF KHADI PRODUCTION & DESIGN (THREE YEARS DEGREE COURSE – SEMESTER PATTERN (Issued under section 14(8) of the Maharashtra University Act 1994) Whereas the Maharashtra Universities act No. XXXV of 1994 has come into force with effect nd from 22 July, 1994 and was amended from time to time. AND WHEREAS, the University Grants Commission, New Delhi vide letter No.D.O.No.F- st 2/2008/(XI Plan), dated 31 January 2008 regarding new initiatives under the XI Plan – Academic reforms in the University has suggested for improving quality of higher education and to initiate the academic reform at the earliest, AND Whereas the Task Force in Textile and Clothing in the Faculty of Home Science at its meeting held on 25.08.2016, have recommended for starting of semester pattern and prepared the syllabus and scheme of examination for Bachelor of Khadi Production and Design, commensurate with the governing guidelines. AND Whereas the Coordinator, Faculty of Home Science concurred with the recommendations of the Task Force in Textile and Clothing in the Faculty of Home science vide her observations dated 25.08.2016, AND Whereas, the new draft direction and scheme of examination as per semester pattern is to be implemented from the academic session 2016-2017 for Bachelor of Khadi Production and Design which is to be regulated by this direction and as such there is no existence and framing of an ordinance for the above examination, AND WHEREAS the Hon’ble Vice-Chancellor has accepted the syllabus along with draft direction on the behalf of Academic Council on 7-10-2016 under section 14(7) of Maharashtra University Act 1994. -
Fifteenth Century Literary Culture with Particular
FIFTEENTH CENTURY LITERARY CULTURE WITH PARTICULAR* REFERENCE TO THE PATTERNS OF PATRONAGE, **FOCUSSING ON THE PATRONAGE OF THE STAFFORD FAMILY DURING THE FIFTEENTH CENTURY Elizabeth Ann Urquhart Submitted for the Degree of Ph.!)., September, 1985. Department of English Language, University of Sheffield. .1 ''CONTENTS page SUMMARY ACKNOWLEDGEMENTS ill INTRODUCTION 1 CHAPTER 1 The Stafford Family 1066-1521 12 CHAPTER 2 How the Staffords could Afford Patronage 34 CHAPTER 3 The PrIce of Patronage 46 CHAPTER 4 The Staffords 1 Ownership of Books: (a) The Nature of the Evidence 56 (b) The Scope of the Survey 64 (c) Survey of the Staffords' Book Ownership, c. 1372-1521 66 (d) Survey of the Bourgchiers' Book Ownership, c. 1420-1523 209 CHAPTER 5 Considerations Arising from the Study of Stafford and Bourgchier Books 235 CHAPTER 6 A Brief Discussion of Book Ownership and Patronage Patterns amongst some of the Staffords' and Bourgchiers' Contemporaries 252 CONCLUSION A Piece in the Jigsaw 293 APPENDIX Duke Edward's Purchases of Printed Books and Manuscripts: Books Mentioned in some Surviving Accounts. 302 NOTES 306 TABLES 367 BIBLIOGRAPHY 379 FIFTEENTR CENTURY LITERARY CULTURE WITH PARTICULAR REFERENCE TO THE PATTERNS OF PATRONAGE, FOCUSSING ON THE PATRONAGE OF THE STAFFORD FAMILY DURING THE FIFTEENTH CENTURY. Elizabeth Ann Urquhart. Submitted for the Degree of Ph.D., September, 1985. Department of English Language, University of Sheffield. SUMMARY The aim of this study is to investigate the nature of the r61e played by literary patronage in fostering fifteenth century English literature. The topic is approached by means of a detailed exam- ination of the books and patronage of the Stafford family. -
THE SLOW HANDS LAB the Slow Hands’ Lab
THE SLOW HANDS LAB The Slow Hands’ Lab A Thesis Project by Jiayi Dong Class of 2019 MFA, Design for Social Innovation School of Visual Arts Thesis Advisor Archie Lee Coates IV TABLE OF CONTENT TABLE OF CONTENT INTRODUCTION 3 DESIGN PROCESS 9 INTERVENTION 31 LEARNINGS 45 LOOKING FORWARD 47 ACKNOWLEDGEMENT 49 INTRODUCTION Suzhou embroidery (Su embroidery for short) was originated in Suzhou, China and later on spread to the neighboring areas such as Nantong and Wuxi in Jiangsu province. These areas, locat- THE HISTORY ed in the lower reach of Youngest River, have been famous for their high quality silk produc- OF SU EMBROIDERY ART tions for centuries. The fertile soil, mild tempera- ture, and booming production of silk fabric and thread naturally nourished the burgeoning and flourishing of Suzhou embroidery. According to "Shuo Yuan", written by Liu Xiang during the Western Han Dynasty (206 BC - 24 AD), the country of Wu (current Suzhou area) has started to use embroidery to decorate garments over 2,000 years ago. As described in the book of "Secret Treasures of Qing," the Suzhou embroi- ders in Song Dynasty (960-1279) used "needles that could be as thin as the hair. During the Ming Dynasty (1368-1644), Suzhou has become a thriving center for silk industries and handicrafts. Artists in Wu area, represented by Tang Yin (Bohu) and Shen Zhou, helped the further development of Suzhou embroidery. Embroiders reproduced their paintings using needles. These works were so vivid and elegant as to be called "paintings by needle" or "unmatch- able even by the nature." Since then, Suzhou embroidery evolved a style of its own in needle- work, color plan and pattern. -
RSN Annual Review 2018-2019 View
RSN Annual Review 2018-2019 1 Mission The RSN’s mission is to teach, practise and promote the techniques of hand embroidery, in both historical and contemporary contexts, to keep the art of hand embroidery alive. Vision The RSN’s vision is to be the best school of hand embroidery in the world: a school which celebrates tradition and inspires the new, through its teachers, students, programmes and projects. An organisation that is recognised for its embroidery knowledge and reference resources as much as its teaching. Values The RSN’s core values, which underpin everything we do, are Quality, Tradition and Innovation. Aware of where we have come from, but always looking to the future in new ways and always operating at a high level of performance. Public Benefit The RSN believes that it is important to engage with the Court: Animals in Embroidery and The Embroidered public and does this in a number of ways. During 2018- Home both of which brought in a wide range of visitors 19 these have included: including WIs, Embroiderers’ Guilds, U3A, special interest groups, Arts Society groups and individual * Working with an increasing number of museum visitors from all over the world. partners including, new for this year, the D-Day Story * The CE has lectured nationally and internationally on Museum in Portsmouth which displays the Overlord the RSN’s history, the work of its Studio and especially Embroidery, made by the RSN in the late 1960s-early the work of its students including at Winterthur in the 1970s, and the Victoria and Albert Museum. -
The Wonderful World of Brazilian Embroidery
The Wonderful World of Brazilian Embroidery And Why You May Want to Know More The number one thing you should know is that if you know how to do surface embroidery, you already know how to do Brazilian Embroidery! Stitched by a Novice Brazilian Embroider Copyright BDEIG 2015 Brazilian Embroidery started in Brazil (but I bet you knew that) in the 1960’s Copyright BDEIG 2015 By the early 1990’s, B.E. was being done on all continents except Antartica. B.E. is recognized internationally as a unique type of embroidery. Copyright BDEIG 2015 It is the threads that make Brazilian Embroidery unique. B.E. threads are z-twist Rayon threads. These threads have a vibrancy and luster not found in other types of embroidery threads. Z-Twist S-Twist Copyright BDEIG 2015 These beautiful threads are not stranded, but come in different weights and textures. They are usually ‘straightened’ before being used. The Z-Twist only matters on three stitches – the Stem Stitch, the Outline Stitch, and the Bullion Stitch Copyright BDEIG 2015 Because it is washable, B.E. is great on clothing. Copyright BDEIG 2015 Individual designs can become quilt blocks. Copyright BDEIG 2015 B. E. is a great embellishment for Crazy Quilts . Copyright BDEIG 2015 . .or B.E. can be the primary theme of a Crazy Quilt Copyright BDEIG 2015 B.E. pieces can be Elegant . Copyright BDEIG 2015 . or B.E. Copyrightcan BDEIG be 2015 Whimsical Often the design subject is floral in nature . Copyright BDEIG 2015 . However food is also a favorite subject . Copyright BDEIG 2015 . -
186 C Ambuter the Open Canvas 286 Anchor
186 C Ambuter The Open Canvas 286 Anchor Book of Stitches Crewel Stitches & Patterns 214 Anchor Crewel Stitches & Patterns 259 Anne Andrew Embroidery Skills – Smocking** 241 Lis Arthur Kathleen Whyte Embroiderer 350 D J Ashby Stumpwork 195 Ashley/Woolsey Creative Embroidery Techniques – Colour through Gold 332 N Askari/R Crill Colours of the Indus 404 Rhoda L Auld Mola – Ideas for Creative Applique 97 Banbury & Dewar Making Embroidered Bags & Purses 278 Banbury & Dewar How to design – Banners 282 Beadworkers Guild Introduction to Beadwork Earrings 283 Beadworkers Guild Introduction to Beadwork Bracelets 340 Margaret Beal Fusing Fabric 1 Jan Beaney Stitch Images ** 33 Jan Beaney The Art of the Needle 36 Jan Beaney Stitch Images II ** 88 Jan Beaney Design into Stitch ** 163 Jan Beaney Inspirations ** 353 Beaney/Littlejohn A Tale of Two Stitches 358 Beaney/Littlejohn A Sketch in Time – Book 12 359 Beaney/Littlejohn A sketch in Time – Book 12 360 Beaney/Littlejohn No Stone Unturned – Book 13 361 Beaney/Littlejohn Connections – Book 14 362 Beaney/Littlejohn Over the Line – Book 16 363 Beaney/Littlejohn Grids to Stitch – Book 17 364 Beaney/Littlejohn Seductive Surfaces – Book 18 365 Beaney/Littlejohn Red – Book 19 366 Beaney/Littlejohn Embellish & Enrich – Book 20 368 Beaney/Littlejohn Trees as a Theme – Book 7 380 Beaney/Littlejohn Location, Location, Book 21 381 Beaney/Littlejohn Seeing Double – Book 22 382 Beaney/Littlejohn Fragile Fabrics – Book 23 ** 383 Beaney/Littlejohn Constructions – Book 24 262 Beaney/Littlejohn New Dimensions 263