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PVB Weekly Market View the Fed a Dovish Or a Hawkish Cut 25 October
Macro Strategy | 25 October 2019 Weekly Market View 1 A Fed rate cut next week, with a dovish tone, is likely to further boost risk appetite, in our view Equities: US Q3 earnings from the financial and technology sectors have beaten forecasts, supporting our bullish view on US equities Bonds: Any decline in Treasury yields after the Fed meeting may be used to add EM USD exposure; EM local currency bonds look attractive The Fed – a dovish or a hawkish cut? FX: GBP, AUD, CAD look attractive as the USD peaks This commentary reflects the views of the Wealth Management Group of Standard Chartered Bank. Important disclosures can be found 1 in the Disclosures Appendix. Standard Chartered Bank weekly market view | 25 October 2019 Contents The Fed – a dovish or a hawkish cut? 1 What does this mean for investors? 4 What are the best opportunities if the USD is peaking? 5 Market performance summary 6 Economic and market calendar 7 Disclosures 8 Chart of the week: Markets pricing in a Fed cut on 31 October Probability of a 25bps Fed rate cut at the 31 October policy meeting based on money market pricing 95 80 65 50 Probability (%) Probability 35 20 Jul-19 Aug-19 Sep-19 Oct-19 October Fed meeting - probability of a cut Source: Bloomberg, Standard Chartered Editorial The Fed – a dovish or a hawkish cut? Global equity markets and commodities extended their rally over the past week amid further signs of progress in US-China trade As the risk rally extends with further signs of progress in US- talks China trade talks, the focus turns towards the Fed meeting on Benchmark market performance w/w* 31 October. -
A Better Death in a Digital Age: Post
Publishing Office Aims and scope Abramis Academic ASK House Communication ethics is a discipline that supports communication Northgate Avenue practitioners by offering tools and analyses for the understanding of Bury St. Edmunds ethical issues. Moreover, the speed of change in the dynamic information Suffolk environment presents new challenges, especially for communication IP32 6BB practitioners. UK Tel: +44 (0)1284 700321 Ethics used to be a specialist subject situated within schools of philosophy. Fax: +44 (0)1284 717889 Today it is viewed as a language and systematic thought process available Email: [email protected] to everyone. It encompasses issues of care and trust, social responsibility and Web: www.abramis.co.uk environmental concern and identifies the values necessary to balance the demands of performance today with responsibilities tomorrow. Copyright All rights reserved. No part For busy professionals, CE is a powerful learning and teaching approach that of this publication may be reproduced in any mate- encourages analysis and engagement with many constituencies, enhancing rial form (including pho- relationships through open-thinking. It can be used to improve organization tocopying or storing it in performance as well as to protect individual well-being. any medium by electronic means, and whether or not transiently or incidentally Submissions to some other use of this Papers should be submitted to the Editor via email. Full details on submission – publication) without the along with detailed notes for authors – are available online in PDF format: written permission of the www.communication-ethics.net copyright owner, except in accordance with the provisions of the Copyright, Subscription Information Designs and Patents Act Each volume contains 4 issues, issued quarterly. -
Pop 2 a Second Packet for Popheads Written by Kevin Kodama Bonuses 1
Pop 2 a second packet for popheads written by Kevin Kodama Bonuses 1. One song from this album says “If they keep telling me where to go / I’ll blow my brains out to the radio”. For ten points each, [10] Name this sophomore album by Lorde. This Grammy-nominated album contains songs like “Perfect Places” and “Green Light”. ANSWER: Melodrama <Easy, 2/2> [10] Melodrama was created with the help of this prolific producer and gated reverb lover. This producer also worked on Norman Fucking Rockwell! with Lana del Rey and folklore with Taylor Swift. ANSWER: Jack Antonoff <Mid, 2/2> [10] This Melodrama track begins with documentary audio that remarks “This is my favorite tape!” and a Phil Collins drum sample. This song draws out the word “generation” after spelling the title phrase. ANSWER: “Loveless” (prompt on “Hard Feelings/Loveless”) <Hard, 2/2> 2. This artist's first solo release was an acid house track called "Dope". For ten points each, [10] Name this Kazakh producer who remixed a certain SAINt JHN song into a 2020 hit. This producer's bass effects are a constant presence in that song, which goes "You know I get too lit when I turn it on". ANSWER: Imanbek <Mid, 1/2> [10] That aforementioned song by SAINt JHN has this title and goes "Never sold a bag but look like Pablo in a photo". This is also the title of the final song in Carly Rae Jepsen's E•MO•TION Side B. ANSWER: "Roses" <Easy, 2/2> [10] After "Roses", Imanbek went on to sign with this producer's label Dharma. -
Little Boots About
LITTLE BOOTS ABOUT Making headlines and chart topping hits since she first emerged in 2008, Little Boots won the respected BBC Sound Of poll and a Brits Critics Choice nomination just a year later. Fusing massive pop hooks onto otherworldly electronic soundscapes it showed a pop star willing to experiment, and her debut album 'Hands' reached the top 5 in the UK album chart and was quickly certified Gold. Her electrifying live show gained a reputation, pushing boundaries with ground breaking instruments and synthesizers such as the Tenori-on and Laser Harp, culminating in memorable live performances at Glastonbury and Coachella to name a few. Freeing herself of the major label machine she went on to found her own label On Repeat Records and independently released various EPs and two more critically acclaimed albums - 2013’s ‘Nocturnes’ and most recently 'Working Girl’, as well as signing and developing up and coming talent. In 2017 she collaborated with the legendary Jean-Michel Jarre and co-wrote the lead single for his latest record, which received a Grammy nomination for Best Electronic Album. As a DJ her ties with the dance culture are deep and long-running. From her first legendary white label release 'Stuck On Repeat’, produced by Joe Goddard, to gracing Mixmag's cover, it's hard to think of another popstar to have garnered anywhere near as much credibility from the dance world's inner-circle. From collaborating with dance royalty Maya Jane Coles, Hercules and Love Affair and Simian Mobile Disco, to her own decorated DJ career, highlights including her live set for Mixmag Lab which has clocked up over 1.4 million views, curating one of Space’s closing We Love party in Ibiza and spinning everywhere from Glastonbury to Valentino’s latest launch at Milan Fashion Week. -
Friday 26 February to Sunday 14 March Festival Director David Gillam Puts Director’S a Dozen Films in the Spotlight Dozen
www.borderlinesfilmfestival.org Friday 26 February to Sunday 14 March www.borderlinesfilmfestival.org Festival Director David Gillam puts Director’s a dozen films in the spotlight Dozen DEPARTURES (12A) p.13 AN EDUCATION (12A) p.14 FISH TANK (15) p.15 KATAlIN VARGA (15) p.19 Fascinating, surprisingly funny, and wise The giddy hopes and fears of adolescence at Pitch-perfect performances all round make This haunting debut plays out like winner of the Oscar for Best Foreign the dawn of the swinging sixties this the best British film of 2009! a cross between a revenge thriller and Language Film 2009 some half-forgotten folk tale ME & ORSON WEllES p.22 A PROPHET (18) p.24 THE ROAD (15) p.25 SERAPHINE (PG) p.27 A wonderful, warm portrait of Welles at the Utterly gripping winner of the Best Film Prize at A brilliant adaptation of Cormac McCarthy’s A wonderful performance by the imposing peak of his powers London Film Festival grabs you from the start great novel about the lengths a father will Yolande Moreau as the maid who was also and never lets go go to protect his son an inspired outsider artist STIll WAlKING (U) p.30 UP IN THE AIR (15) p.33 THE WIND JOURNEYS (15) p.35 WOMAN OF THE DUNES (15) p.36 Precisely observed, profoundly moving Clooney at his glorious comic best in this A real discovery – fantastically beautiful, Stark, haunting, brilliantly cinematic, masterpiece that distills the ebb and flow of thoughtful satire on the American way of extraordinary music – quite unlike anything a true one-of-a-kind that has to be seen family life -
Read Razorcake Issue #36 As a PDF
So Very Unsexy shove—but any more rules than that, and it’s only a matter of time that I thought of this in Gainesville, Florida at The Fest. I was in your brushstrokes of good intentions have you painted into a corner. ZRQGHU 1R ¿JKWV 1R EXOOVKLW *UHDW SHRSOH *UHDW PXVLF $Q Here’s the connection: Too often, the folks who have the most expertly planned, large event. How’d this happen? “expert without actually doing it” advice are the ones who want more I’m not deaf, but I do admit that ninety-eight percent of the time rules enforced because they don’t feel in control of the situation; ZKHQ,KHDU³+H\GXGH\RXVKRXOGBBBBBBBBB ¿OOLQWKHEODQN hell, they may even have the best of intentions. But, ultimately, they with the zine. That’d totally keep it from suckin’,” I’m no longer want to steer from the back seat—yank the wheel—want to have paying attention. I’m picturing this really cute, fuzzy otter and he’s equal time without equal effort. They have the opportunity to walk ÀRDWLQJRQKLVEDFNWU\LQJWRFUDFNRSHQWKLVFODPZLWKDURFN0DQ away from a car you built if they wreck it. ,ORYHWKDWRWWHUJHWWLQJDOO'DUZLQRQWKHVKHOO¿VKORXQJLQJLQWKH ,¶OOOHW\RXLQRQDFRXSOHRIVHFUHWV 5D]RUFDNH¶VQRWEOLQGO\ ocean, being all cute, calm, and concentrated. And by the time the groping along, bumping into things, and somehow a zine ploops out person’s done telling me what I should do—without them offering of heinies every two months. It’s a lot of very tedious, constant work to take up the task they’re suggesting—that little otter’s opened WKDWLVVRYHU\XQVH[\WKDWLW¶VERULQJWRHYHQEULHÀ\PHQWLRQZKDW up that shell; he smiles as he eats. -
Oral History of Gordon Bell
Oral History of Gordon Bell Oral History of Gordon Bell Interviewed by: Gardner Hendrie Corrected by CGB May 9, 2008 Recorded: June 23, 2005 San Francisco, California Interview 1, Transcript 1 CHM Reference number: X3202.2006 © 2005 Computer History Museum CHM Ref: X3202.2006 © 2005 Computer History Museum Page 1 of 171 Oral History of Gordon Bell Gardner Hendrie: We have Gordon Bell with us, who's very graciously agreed to do an oral history interview for the Computer History Museum. Thank you up front, Gordon, for doing that. Gordon Bell: Am happy to. Hendrie: What I would like to start with is maybe you could tell us a little bit about where you were born, your family, what your parents did, how many brothers and sisters you had, just a little background as to sort of where you were during your formative years. Bell: Great. I'm a fan of crediting everything to my parents and environment that I grew up in. I was born in Kirksville, Missouri, on August 19th, 1934. Kirksville was a college town and also a farming community, about 10,000 population, and had the Northeast Missouri State Teacher's College, which has now morphed itself into the Truman University. The town now has about 20,000 people. My father had an electrical contracting business and appliance store and did small appliance repair, and I grew up working at "the shop". My uncle was with him and had the refrigeration part of the business. And so I spent all my formative years at the shop and in that environment. -
Herceptin, INN-Trastuzumab
27 June 2013 EMA/CHMP/751770/2012/corr1 Committee for Medicinal Products for Human Use (CHMP) CHMP assessment report Herceptin International non-proprietary name trastuzumab Procedure No. EMEA/H/C/000278 Note Variation assessment report as adopted by the CHMP with all information of a commercially confidential nature deleted. 7 Westferry Circus ● Canary Wharf ● London E14 4HB ● United Kingdom Telephone +44 (0)20 7418 8400 Facsimile +44 (0)20 7523 7455 E -mail [email protected] Website www.ema.europa.eu An agency of the European Union Product information Name of the medicinal product: Herceptin Applicant: Roche Registration Ltd. 6 Falcon Way Shire Park Welwyn Garden City AL7 1TW United Kingdom Active substance: trastuzumab International Nonproprietary Name/Common Name: trastuzumab Pharmaco-therapeutic group Monoclonal antibodies (ATC Code): (L01XC03) Therapeutic indications: Breast Cancer Metastatic Breast Cancer (MBC) Herceptin is indicated for the treatment of patients with HER2 positive metastatic breast cancer: - as monotherapy for the treatment of those patients who have received at least two chemotherapy regimens for their metastatic disease. Prior chemotherapy must have included at least an anthracycline and a taxane unless patients are unsuitable for these treatments. Hormone receptor positive patients must also have failed hormonal therapy, unless patients are unsuitable for these treatments. - in combination with paclitaxel for the treatment of those patients who have not received chemotherapy for their metastatic disease and for whom an anthracycline is not suitable. - in combination with docetaxel for the treatment of those patients who have not received chemotherapy for their metastatic disease. - in combination with an aromatase inhibitor for the treatment of postmenopausal patients with hormone-receptor positive metastatic breast cancer, not previously treated with trastuzumab. -
Proquest Dissertations
Belinda's Rings by Corinna Chong (B.A. English, B.F.A. Visual Art, University of Calgary, 2007) A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Arts in the Graduate Academic Unit of English, Faculty of Arts Supervisor: John Ball, PhD (English) Examining Board: Edith Snook, PhD (English), Chair Jennifer Andrews, PhD (English) Heather Sears, PhD (Psychology) This thesis is accepted by the Dean of Graduate Studies THE UNIVERSITY OF NEW BRUNSWICK April, 2010 ©Corinna Chong, 2010 Library and Archives Bibliotheque et 1*1 Canada Archives Canada Published Heritage Direction du Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington OttawaONK1A0N4 Ottawa ON K1A 0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-82669-0 Our file Notre r6f6rence ISBN: 978-0-494-82669-0 NOTICE: AVIS: The author has granted a non L'auteur a accorde une licence non exclusive exclusive license allowing Library and permettant a la Bibliotheque et Archives Archives Canada to reproduce, Canada de reproduce, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par rinternet, preter, telecommunication or on the Internet, distribuer et vendre des theses partout dans le loan, distribute and sell theses monde, a des fins commerciales ou autres, sur worldwide, for commercial or non support microforme, papier, electronique et/ou commercial purposes, in microform, autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in this et des droits moraux qui protege cette these. -
Offshore Supply and Support Vessels – World Wide
Offshore Supply and Support Vessels – World Wide DECEMBER 2012 A Westcoasting Product Compiled by Ko Rusman and Herbert Westerwal Jw.rusmangmail.com Herbertwestcoasting.com 1 Fleet List explanatarory notes ABC Maritime AG, Nyon, Switzerland The fleet listings are shown under the operating groups. The vessel listings indicate: Column 1 – Name of vessel. Column 2 – Year of build. Column 3 – Gross tonnage. Column 4 – Deadweight tonnage. Column 5 – Break horsepower. Column 6 – Bollard pull. Column 7 – Vessel type. Niari 1984 290 282 1320 17 U-W Column 8 – FiFi Class. Nyanga 1985 309 274 1320 17 U-W Sardis 2008 1025 800 3800 PSV FiFi 1 Explanation column 7 Vessel types: Smyrna 2008 1025 703 3200 PSV FiFi 1 PSV –Platform Supply Vessel. AHTS –Anchor Handling Tug Supply Vessel. Les Abeilles International, Le Havre, France AHT –Anchor Handling Tug. DS –Diving Support Vessel. DPSV –Diving Support/Platform Supply Vessel. StBy –Safety Standby Vessel. MAIN –Maintenance Vessel. U-W –Utility Workboat. SEIS –Seismic Survey Vessel. RES –Research Vessel. Abeille Bourbon 2005 3200 1811 21740 201 Tug FiFi 2 OILW –Oilwell Stimulation Vessel. Abeille Flandre 1978 1577 1550 12800 172 SalTug MAIN –Maintenance Vessel. Abeille Languedoc 1979 1585 1550 12800 172 SalTug SalTug –Salvage Tug. Abeille Liberte 2005 3249 1813 21740 201 Tug FiFi 2 Abu Dhabi Enterprises., Abu Dhabi, UAE A.D. Pegasus 2005 496 220 3552 45 AHTS Ad Jupiter II 2006 1202 760 4138 50 AHTS Abu Dhabi Petroleum Ports Operating Co., Abu Dhabi, UAE A & E Petrol Nigeria, Ltd., Warri, Nigeria Barracuda -
New Labour and the End of British Social Realism
Has the Fire Burned Out? New Labour and The End of British Social Realism A thesis submitted for the degree of Doctor of Philosophy January 2014 School of Arts, Brunel University Clive James Nwonka Contents Acknowlegements 5 Introduction 7 Chapter One: Beyond The Screen; New Labour, The UK Film Council and the Emergence of BBC Films and FilmFour 13 British Film under the Conservatives The Re-Emergence of Ken Loach 15 The Origins of New Labour and the Third Way 22 The Politics of Culture: New Labour and the Creation of the UK Film Council 31 Culture vs. Commercialism: BBC Films and FilmFour 37 The New Labour Ideology Within British Cinema 47 Changes in Ken Loach’s approach to Social Realism 52 New Interpretations of Social Realism 56 Case Study: This Is England 58 Case Study: Fish Tank 60 Class Representation in British Cinema 64 Summary 68 Chapter Two: Not in the Frame: The Emergence of Black British Political Filmmaking and its Broken Relationship with Social Realism 81 Post War Immigration into the United Kingdom The Beginning of Race Representation in British Cinema 82 Case Study: Pressure 86 Thatcherism and Political Responses to Racial Tension in Britain 1970 - 87 The Greater London Council and the Emergence of Channel Four 92 New Labour and the Language of Diversity 101 The UK Film Council and Diversity Within British Film 106 Case Study: Bullet Boy 110 The Class/Race Nexus in British Film 115 Problematic Approaches to Diversity 119 Summary 126 Conclusion 135 References 143 Filmography 150 Abbreviations/Acronyms 154 Acknowledgements When attempting to arrange interviews, it was my intention to approach the most well-respected and informed individuals that I could find within the British Film industry. -
AUDIO + VIDEO 3/2/10 Audio & Video Releases *Click on the Artist Names to Be Taken Directly to the Sell Sheet
NEW RELEASES WEA.COM ISSUE 04 MARCH 2 + MARCH 9, 2010 LABELS / PARTNERS Atlantic Records Asylum Bad Boy Records Bigger Picture Curb Records Elektra Fueled By Ramen Nonesuch Rhino Records Roadrunner Records Time Life Top Sail Warner Bros. Records Warner Music Latina Word AUDIO + VIDEO 3/2/10 Audio & Video Releases *Click on the Artist Names to be taken directly to the Sell Sheet. Click on the Artist Name in the Order Due Date Sell Sheet to be taken back to the Recap Page Street Date CD- BATTISTELLI, My Paper Heart (Deluxe FER 887968 FRANCESCA Edition) $11.99 3/2/10 2/10/10 CD- Communiqué (180 Gram WB 47770 DIRE STRAITS Vinyl) $26.98 3/2/10 2/10/10 CD- LAT 523550 FEDRO Besos Excesos $9.98 3/2/10 2/10/10 CD- NEK 522710 LITTLE BOOTS Hands $13.99 3/2/10 2/10/10 NEK A-522710 LITTLE BOOTS Hands (Vinyl) $18.98 3/2/10 2/10/10 CD- Sacred Duets: The Exclusive MOA 753183 MAJORS, JEFF Collector's Edition $18.98 3/2/10 2/10/10 CD- WOR 887924 POINT OF GRACE No Changin' Us $13.99 3/2/10 2/10/10 CD- VIN 970016 RIDDLE, JEREMY Prepare The Way (Live) $9.98 3/2/10 2/10/10 CD- REP 522642 SHELTON, BLAKE Hillbilly Bone $0.00 3/2/10 2/10/10 CD- VARIOUS ISA 012074 ARTISTS Gospel City Shout 2010 $11.98 3/2/10 2/10/10 CD- WOR 887999 WOW WOW Worship (Purple) (2CD) $17.98 3/2/10 2/10/10 3/2/10 Late Additions Street Date Order Due Date CD- WB 519657 DERULO, JASON Jason Derulo $9.94 3/2/10 2/10/10 CD- LAT 523737 MARIAJOSE Super 6 Track $6.98 3/2/10 2/10/10 Last Update: 01/20/10 ARTIST: Francesca Battistelli TITLE: My Paper Heart (Deluxe Edition) Label: FER/Fervent Records Config & Selection #: CD 887968 Street Date: 03/02/10 Order Due Date: 02/10/10 WEBSITES: UPC: 080688796822 FrancescaMusic.com Box Count: 30 MySpace Unit Per Set: 1 Compact Disc SRP: $11.99 Alphabetize Under: B For the latest up to date info on this release visit WEA.com.