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Visualizza Il Booklet Del CD in Formato Presentazione Signoretti, a refined polyphonist who con una richiesta di aiuto e preghiera. Il sentito, di una devozione profonda, che Al quinto anno di attività della Cappella praised God and ennobled the liturgies salterio-innario Corali 17.A.166 conservato acquista ancora più efficacia attraverso il Musicale ho pensato fosse giunto il thanks to the Masses and Magnificat he alla Biblioteca Panizzi tramanda, tra i potere espressivo della musica. momento di realizzare questa incisione composed. vari inni, Adsunt festa letitiae per i santi Stefania Roncroffi con il proposito di dare voce ai compositori Being able to give them a voice is a source Crisanto e Daria, e Ista dies eximia per il che, nei secoli scorsi, si sono dedicati alla of great emotion and pride for all of us. patrono Prospero. Tra i canti del repertorio The gregorian chant in Reggio Emilia musica della nostra chiesa cattedrale. Dagli We thank everyone whom, for different gregoriano l’inno si caratterizza per un The Gregorian chant has established anonimi autori che attraverso il linguaggio reasons, have supported this project. testo poetico, una struttura strofica e through the centuries from the Carolingian del canto gregoriano hanno venerato i Primo Iotti un’esecuzione prevalentemente sillabica, period as a vast repertoire of monodic patroni Crisante, Daria e Prospero, fino a tratti che ne favoriscono l’apprendimento songs in Latin, which should have ensured don Aurelio Signoretti, raffinato polifonista, Il canto gregoriano a Reggio Emilia e la memorizzazione. Caratteristiche uniformity of liturgy and music in all different che attraverso le Messe ed i Magnificat Il canto gregoriano si costituì nel corso simili presenta la sequenza, che tuttavia parts of the empire. da lui composti, ha elevato la lode a Dio dei secoli a partire dall’epoca carolingia si configura con strofe musicalmente In fact, within a general standardization, it e nobilitato le liturgie. Poter dar loro voce come un vasto repertorio di canti monodici uguali a coppie, ad eccezione di una con is not uncommon to find a new production è per tutti noi una grande emozione e in lingua latina, che avrebbero dovuto melodia autonoma. In particolare Loculenti of texts and melodies, aimed at making motivo di orgoglio. Ringraziamo tutti coloro garantire uniformità di liturgia e musica nelle personemus, dedicata a san Prospero e particular cults solemn. These cults che, a vario titolo, hanno sostenuto questo diverse parti dell’impero. Di fatto, all’interno contenuta nel codice A1 dell’Archivio della are usually widespread in a specific progetto. di una generale standardizzazione, non è basilica a lui intitolata, mostra un testo di geographical area or religious institution. Primo Iotti infrequente rinvenire una produzione nuova nuova invenzione, ma intonato su una Reggio Emilia also boasts its own di testi e melodie, volta a solennizzare melodia non originale, ricavata dalla nota production, mainly composed between Preface culti peculiari, diffusi in una specifica area sequenza Lauda Sion Salvatorem. Modalità the second half of the 15th century and On the fifth year of activities of the geografica, o in una istituzione religiosa. esecutive del tutto diverse evidenzia invece the beginning of the 16th, linked to a reconstituted Cappella Musicale, I thought Anche Reggio Emilia vanta una produzione l’alleluia, canto melismatico per eccellenza, particular cult of the saints Prospero, it was time to make this recording with the propria, realizzata principalmente tra la ricco di ampie fioriture. O patrone Venerio, Gioconda, Crisanto and Daria. purpose of giving voice to the composers seconda metà del secolo XV e gli inizi reginorum, in onore di san Prospero, è The texts reflect widespread patterns: who, for the past centuries, have dedicated del XVI, legata a un culto particolare per tramandato da una carta pergamenacea by interweaving popular imagination, themselves to the music of our cathedral. i santi Prospero, Venerio, Gioconda, ritrovata da Cesarino Ruini in Archivio di hagiography and historical facts, they From the anonymous authors who, by Crisanto e Daria. I testi riflettono schemi Stato. La produzione di questi canti, che recall the saint’s biography and end with means of the language of the Gregorian diffusi: intrecciando la fantasia popolare, costituiscono una particolarità della liturgia a request for help and prayer. The Corali chant, venerated the patrons Crisante, l’agiografia e i fatti storici, ripercorrono reggiana, rappresenta l’espressione psalterium-innario 17.A.166 housed in the Daria and Prospero, up to don Aurelio la biografia del santo e si concludono tangibile di un culto locale particolarmente Panizzi Library contains, among various 2 3 hymns, Adsunt festa letitiae for the saints thanks to the expressive power of music. aumentandola pochi anni dopo allorché Patta (Venezia 1609). Crisanto and Daria, and Ista dies eximia Stefania Roncroffi gli prescrissero ulteriori incombenze. Il 2 Il vero esordio compositivo di Signoretti for the patron saint Prospero. Among the gennaio 1602 gli ordinarono di «insegnare avvenne tuttavia nel 1615, quando a chants of the Gregorian repertoire the Aurelio Signoretti a cantare alli chierici», poi a settembre lo Venezia vide la luce il suo Primo libro de hymn is characterized by a poetic text, a Nacque venerdì 25 aprile 1567 a Reggio indirizzarono allo studio di uno strumento motetti a due, tre, quattro, cinque, sei e otto strophic structure and a mainly syllabic Emilia. Non è noto il suo iter studiorum, a fiato, ossia «levandogli la carica di voci con il basso per sonar nell’organo. execution; such features facilitate learning verosimilmente declinato in due istituzioni insegnare alli chierici ma con l’obbligo di In realtà il sacerdote era ormai il maggior and memorization. The sequence has afferenti alla cattedrale: la scuola di imparare, et imparato ch’avrà, di sonare il esponente dell’ambiente musicale similar characteristics, however it is divided grammatica e canto per i chierici, e la trombone». reggiano e il compositore ufficiale della into musically-equal strophes in pairs, with cappella musicale, diretta nell’ultimo Avanzando in considerazione e città. Nel maggio del 1619, allorché the exception of one with an autonomous quarto del Cinquecento da illustri maestri prestigio, Signoretti divenne maestro di si volle solennemente traslare una melody. come Bartolomeo Spontoni, Girolamo cappella interinale dal novembre 1603 miracolosa immagine della Madonna In particular, Loculenti personemus, Carli e Orazio Vecchi. Si ha notizia del suo al marzo successivo, nel lasso di tempo all’interno della nuova chiesa dei Servi di dedicated to Prospero and contained in accesso al diaconato nel dicembre 1591: intercorso tra le dimissioni del titolare Maria, l’Anzianato di Reggio, promotore the A1 code of the archives of the Basilica ne deriva che la data dell’ordinazione Giulio Belli e il servizio del subentrante dell’evento, commissionò appunto a named after him, shows a freshly made presbiterale, finora irreperita, vada ascritta Feliciano Caporizzi. Successivamente, in Signoretti un’opera che rappresentasse text, although tuned to a non-original al 1592. Esaminato e giudicato idoneo al concomitanza con la nomina del nuovo il culmine sonoro della traslazione: una melody deriving from the well-known canto dai quattro sacerdoti guardacoro maestro Pompilio Pisanelli nell’agosto sontuosa messa a sette cori e strumenti Lauda Sion Salvatorem sequence. On the della cattedrale di Reggio, il 26 maggio 1604, fu esonerato dalla carica di cantore (oggi dispersa), composta in soli otto other hand, the hallelujah follows different 1593 Signoretti fu autorizzato a cantare le dell’epistola perché richiamato al vertice giorni e diretta dall’autore. Sono datati al patterns of execution, a melismatic song ufficiature quotidiane, nonché a percepire della compagine musicale, sebbene nel 1626 altri suoi lavori dedicati al Capitolo par excellence, rich in embellishments. la spettante retribuzione. Tre anni dopo, ruolo complementare di maestro sostituto. della cattedrale e inclusi in un manoscritto O patrone reginorum, in honor of St. il 16 marzo 1596, risultava cantore della Divenne infine maestro di cappella intitolato Beatae Virginis cantica octo Prospero, has been handed down from a cappella; dal 1597 fu inoltre addetto effettivo a seguito della cessazione di et missae quatuor quaternis vocibus parchment document found by Cesarino all’intonazione solistica dell’epistola Pisanelli, segnatamente dal novembre modulatae (Reggio Emilia, Biblioteca Ruini in the State Archives. The production durante la celebrazione delle messe 1606 al 1631. Panizzi, Musica Sacra 10). of these songs, which constitute a solenni. Nel 1609 il maestro iniziò a farsi un nome Nel manoscritto spettano a Signoretti otto peculiarity of the liturgy of Reggio, Con delibera unanime, compensativa di anche come compositore, con il mottetto Magnificat (uno per ogni tono gregoriano, represents the tangible expression of a prestazioni canore largamente apprezzate, a due voci O altitudo divitiarum sapientiae con versetti a tre o quattro voci in heartfelt local cult, a profound devotion i canonici della cattedrale iniziarono a e un Agnus Dei a cinque, ospitati nei Sacra alternatim e una quinta voce in canone which acquires even more effectiveness raddoppiargli la paga dal 2 gennaio 1598, cantica del benedettino milanese Serafino nei Gloria Patri dei Magnificat I, III, V e VII) 4 5 e tre messe a quattro voci (Loquebantur
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