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The BAM Company in asso c iation with The Center Theatre Group/ Ahmanson Theatre prese nts 'S THE DEVICS DISCIPLE

Featuring (in alphabetical order) Margaret Hamilton Chris SaranCion Carole Shelley

with Earl Boen, Robert Cornthwaite, Luise Heath, Ken Letner, Allan Lurie, John Orchard, Randy Pelish, Betty Ramey, Peggy Rea, Fred Stuthman.

Directed by Sets and Costumes by Carl Toms Lighting by F. Mitchell Dana

Director of the Company Administrative Director of the Company Frank Dunlop Berenice Weiler

BAM Theatre Company Board of Directors: Ame Vennema, Chairman/ , President/ Hartney J. Arthur/ Frank Dunlop/ Rita Hillman/ Berenice Weiler

BAM Theatre Company Productions are made possible in part through a grant from the State Council on the Arts. Brownstones THEY DON'T MAKE 'EM LIKE THAT ANYMORE

Why? Because the painstaking With unique classic shapes and forms from craftsmanship involved in a Brownstone rooftops to stoop railings that speak out, structure is virtually a lost art today. But "I'm one of a kind." With spacious interiors not really lost. You can recapture it in the that offer endless possibilities for creating Brownstones of Brooklyn that exist today. your own particular "dream house." Interested? Then let us give you a little background about the place you can visit to find out everything you want to know about owning a Brownstone. In response to the growing back-to-the­ city movement that began several years ago, community leaders requested Brooklyn Union to provide a facility where people could obtain information they needed about owning and renovating a Brownstone residence. Hence, the Brownstone Information Center, as part of our 1 0-year­ old Cinderella restoration program that has been spurring the rebirth of Brooklyn, was born in 197 5. Itself a restored Brownstone, the center is staffed by community members knowledgeable about current Brownstone availabilities. As a non-profit service, they provide information regarding where and what to look for, how to arrange financing, remodeling techniques, and the positive advantages that make a Brownstone home so conducive to gracious living. So, even if you're just thinking about buying a Brownstone, visit the center for an insight into a rewarding way of life. Start by calling for an appointment today.

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~ Bro::;::"'~~~ion Gas

• Cast for the Devil's Disciple

cast (in order of appearance) BREAKFAST SPECIALS Mrs. Annie Dudgeon Margaret Hamilton COMPLETE LUNCHEONS Essie Luise Heath ·OUR FAMOUS SANDWICHES Christy Dudgeon Randy Pelish FULL COURSE DINNERS Rev. Anthony Anderson Barnard Hughes LATE SUPPER SNACKS Carole Shelley SUNDAY BRUNCH Lawyer Hawkins Fred Stuthman & DINNER Uncle William Dudgeon Allan Lurie Uncle Titus Dudgeon Robert Cornthwaite OPEN DAILY & SUN from 6:30 AM 'til 1:30 AM; Uncle William's Wife Betty Ramey FRI to 3 AM; SAT to 4 AM Uncle Titus' Wife Peggy Rea All Baking Done Richard "Dick" Dudgeon, on Premises The Devil's Disciple Chris Sarandon A Sergeant John Orchard OUR BURGUNDY Major Swindon Earl Boen BANQUET ROOM Available for Private Parties for up to 200 General Burgoyne George Rose Chaplain Brudenell Ken Letner CALL Townspeople, Soldiers: Norman Abrams 852·5257 Timothy Askew Jason Buzas Paul Diaz George McDaniel Robert Rhys Holly Villaire

STANDBYS AND

Standbys and understudies never substitute for listed players unless a specific announcement is made at the time of the performance.

Understudy for Dick Dudgeon, General Burgoyne, Major Swindon , Lawyer Hawkins- George McDaniel; for Judith Anderson, Essie- Holly Villaire; for Anthony Anderson- Ken Letner; for Mrs. Annie Dud ­ geon - Peggy Rea.

At time of printing.

also appearing in The Devil's Disciple

Townspeople, Soldiers: Ron Perkins Rudolph Ranier Rex Stallings

Musicians: Russel Detrick David Levy

Understudy for Christy Dudgeon, Uncle William Dudgeon- Ron Perkins; for Uncle Titus Dudgeon-Rudolph Ranier; for Sergeant-Rex Stallings. Synopsis of Scenes

BAR AND RESTAURANT

Synopsis of Scenes Open Daily The action of the play takes place in Websterbridge, 11: 30 am to 1 : 00 am New Hampshire, in the late autumn of 1777. SUNDA V BRUNCH Eggs Benedict, ACT I Bloody Mary. OJ, Morning. The Dudgeon's Farmhouse. Coffee, $3.50 'HAPPY HOUR' ACT II Monday thru Friday Evening. The Reverend Anderson's House. 5 PM -7 PM All Drinks $1.00 ACT Ill at the Bar Only The Next Day. Inside and Outside the Town Hall. Come to Minsky'·s for fine dining in comfortable surroundings. There will be one fifteen minute intermission after Act II. Now at two convenient locations:

222 Seventh Ave. Park Slope Brooklyn, N.Y. Tel. 499-2311 Shaw Speaks 163 Remsen St. Brooklyn Heights Tel. 643--1444

Why for Puritans? skinned prudery. When my moral sense revolted, as it often did to the very fibres " ... It may seem strange, even monstrous, it was invariably at the nauseous com: that a man should feel a constant attach­ pliances of the theatre with conventional ment to the hideous witches in , virtue ... 'and yet yawn at the prospect of spending another evening in the contemplation of A pretty problem for the manager. a beauteous young leading lady with vo­ He is convinced that plays must depend luptuous contours and longlashed eyes, for their dramatic force on appeals to the painted and dressed to perfection in the sex instinct; and yet he owes it to his own latest fashions. But that is just what hap­ newly conquered social position that pened to me in the theatre ... they shall be perfectly genteel plays, fit for churchgoers. The sex instinct must I found that the whole business of therefore proceed upon genteel assump­ stage sensousness, whether as Lyceum tions ... Shakespeare, musical farce, or sham Ibsen, finally disgusted me, not because I was I have, I think, always been a Puri­ Pharisaical or intolerantly refined, but tan in my attitude towards Art. I am as because I was bored ... fond of fine music and handsome build­ ing as Milton was, or Cromwell, or My disgust was not mere thin- Bunyan; but if I found that they were continued ... Gon/ofa Romanticism I ives' That image of what Damon Runyon's "Big Apple" was y CR.etauranV and ·•vhat Brooklyn Heights should be The best views of Lower Manhattan from our Promenade with its Dionysian seduction to strollleisurely .Or)e restaurant . Henry's End,reflects all that. A wonderful place to share w1th friends. F reshsoups·. entrees sandwiches. and desserts created to sooth and satisfy the wounded palate. tel: 855-4830 famous as ~ UL8-2000 Cocktails. (Oecadant Hour 5 to The Home of the 6 :30pm, weekdays. open daily for lunch and dinner Chocolate Decad All drinks $1 .00.) till V P.M. I ralian and American Cuisine special orders upon request becoming the instruments of a systematic lica of Mrs. Clennam with certain cir­ idolatry of sensuousness, I would hold it cumstantial variations, and perhaps a touch From "Notes to The Devil's Disciple" good statesmanship to blow every cathe­ of the same author's Mrs. Gargery in Great dral in the world to pieces with dynamite, Expectations. In such a home the young " ... General John Burgoyne, who is pre­ organ and all, without the least heed to Puritan finds himself starved of religion, sented in this play for the first time (as the screams of the art critics and cultural which is the most clamorous need of his far as I am aware) on the English stage, is voluptuaries. And when I see that the nature. With all his mother's indomitable not a conventional stage soldier, but as nineteenth century has crowned the selffulness, but with Pity instead of faithful a portrait as it is in the nature of idolatry of Art with the deification of Hatred as his master passion, he pities the stage portraits to be. His objection to pro­ Love, so that every poet is supposed to devil; takes his side; and champions him, fane ~wearing is not borrowed from Mr. have ' pierced to the holy of holies when like a . true Covenanter, against the world. Gilbert's H.M.S. Pinafore: it is taken from he has announced that Love is the Su­ He thus becomes, like all genuinely re­ the Code of Instructions drawn up by him­ preme, or the Enough, or the All, I feel ligous men, a reprobate and an outcast. self for his officers when he introduced that Art was safer in the hands of the Once this is understood, the play becomes Light Horse into the English Army. His most fanatical of Cromwell's major straightfowardly simple. opinion that English soldiers sht>Uld be generals than it will be if ever it gets into The Diabolonian position is new treated as thinking beings was no doubt mine. The pleasures of the senses I can to the playgoer of today, but not as unwelcome to the military authorities sympathize with and share; but the to lovers of serious literature. From Pro­ of his time, when nothing was thought of substitution of sensuous ecstasy for in­ metheus to the Wagnerian Siegfried, some ordering a soldier a thousand lashes, as it tellectual activity and honesty is the very enemy of the gods, unterrified champion will be to those modern victims of the devil. It has already brought us to Flogging of those oppressed by them, has always flagellation neurosis who are so anxious Bills in Parliament, and, by reaction, to towered among the heroes of the loftiest to revive that discredited sport. His mili­ androgynous heroes on the stage; and if poetry. Our newest idol, the Superman, tary reports are very clever as criticisms, the infection spreads until the democratic celebrating the death of godhead, may and are humane and enlightened within attitude becomes thoroughly Romanticist, be younger than the hills; but he is as old certain aristocratic limits, best illustrated the country will become unbearable for as the sheph~rds. Two and a half centuries perhaps by his declaration, which now all realists, Philistine or Platonic. When it ago our greatest English dramatizer of •munds so curious, that he should blus'h comes to that, the brute force of the life, John Bunyan, ended one of his to ask for promotion on any other ground strongminded Bismarckian man of action, stories with the remark that there is a than that of family influence. As a impatient of humbug, will combine with way to hell even from the gates of heaven, parliamentary candidate, Burgoyne took the subtlety and spiritual energy of the and so led us to the equally true propo­ our common expression 'fighting an man of thought whom shams cannot illude sition that there is a way to heaven even election' so very literally that he led his or interest. That combination will be on from the gates of hell. A eentury ago supporters to the poll at Preston in 1768 one side; and Romanticism will be on ·the William Blake was, like Dick Dudgeon, an with a loaded pistol in each hand, and won other. In which event, so much the worse avowed Diabolonian: he called his angels the seat, though he was fined 1000 pounds, for Romanticism, which will come down devils and his devils angels. His devil is a and denounced by Junius, for the pis­ even if it has to drag Democracy down Redeemer. Let those who have praised my tols ... with it. For all institutions have in the originality in conceiving Dick Dudgeon's long run to live by the nature of things, strange religion read Blake's Marriage of Nowadays, it is sufficient to say and not by childish pretendings . . " Heaven and Hell, and I shall be fortunate that Burgoyne was an Imperialist. He if they do not rail at me for plagiarist. sympathized with the colonists; but, But they need not go back to Blake and when they proposed as a remedy the From "On Diabolonian Ethics" Bunyan. Have they not heard the recent disruption of the Empire, he regarded fuss about Nietzche and his Good and that as a step backward in civilization ... " ... Dick Dudgeon, the devil's disciple, Evil Turned Inside Out? Mr. Robert is a Puritan of the Puritans. He is brought Buchanan has actually written a long The reader will have observed that up in a household whe-re the Puritan re­ poem of which the Devil is the merciful the Burgoyne of The Devil's Disciple is a ligion has died, and become, in its cor­ hero, which poem was in my hands man who plays his part in life, and makes before a word of The Devil's Disciple was all its points, in the manner of a born high ruption, an excuse for his mother's master comedian .... " passion of hatred in all its phases of cruelty written. There never was a play more and envy. This corruption has already been certain to be 'written than The Devil's dramatized for us by in Disciple at the end of the nineteenth his picture of the Clennam household in century. The age was visibly pregnant Little Dorrit: Mrs. Dudgeon, being a rep- with it ... "

Theveryfamous restaurant in Brooklyn. BROOKLYN Before curtain at the Brooklyn Academy of Music. The season at t~e Brooklyn Academy of Music is in full swing. HAS IT ALL! Before curtam, let us make you welcome in the style CALL US FOR that's made us a New York tradition for nearly a ~ FREE ASSISTANCE century. Dine by soft gaslight on your choice of more WE'LL HELP YOU LOCATE IT than 100 savory dishes on our menu, each cooked NEW YORK YELLOW PAGES, INC. strictly to order. Then be off to your seats in of ~~ - time.lt's howwecametofame. ~ citypticrne® GAGE&ToLLNEB Brooklyn's Landmark Seafood & Steak House (Est.1879) 675-0900 372 Fulton Street (between Boro Hall and BAM). Open daily except Sunday. 11:30 AM-9:00PM Mon. thru Fri. 4:00 PM-11:00 PM Sat. Call After 10 A.M . Weekdays For reservations call 875-5181. Am ex, Diners, Visa and Mastercharge. Who's Who In The Cast ... Our Maestro is in the Kitchen Margaret Hamilton (Mrs. Annie Dudgeon) Way Home for Hallmark Hall of Fame; and has made more than 70 motion pictures and has numerous guest-starring roles on All in the appeared in scores of stage plays and radio Family, The Bob Show, Cannon, The shows although she is perhaps still best known Sam Sheppard Murder Case, and U.F.O. Incident, for her portrayal of the Witch in the among others. For National Educational T!;!le­ classic film, The Wizard of Oz. While teaching vision, he appeared in Harriet and in Arthur kindergarten and nursery school in Cleveland, Miller's Memory of Mondays. Mr. Hughes' re­ she began working as an active member of the cent television appearances include the specials, Cleveland Playhouse, appearing in more than The Caryl Chessman Story and Tell Me My twenty-five character roles. In New York, her Name, as well· as the television movie, See How Broadway credits encompass seven plays from She Runs, with . Another Language in 1932 to A Little Night Music in 1974, including The Dark Tower, Far­ A maestro is a master of art. And at mer Takes a Wife, and Goldilicks. Off-Broadway George Rose (General Burgoyne) A Tony Cafe Patisserie the art is in the cook­ and in regional , she has appeared in Award Winner, Mr. Rose won the honor in 1976 ing. Each dish is a virtuoso perform­ such productions as Oklahoma!, Showboat, as best actor in a musical for his performance ance. Enjoy our savory, homemade , , The Rivals, The Father; as Alfred P. Doolittle in . Since soups and salads, unusual sandwiches, in Los Angeles, in The American Dream and On his memorable performance as the Common French quiches and our speciality­ Borrowed Time; and in a previous revival of Man in 's , a tempting array of palate pleasing The Devil's Disciple at the American Shake­ Mr. Rose has appeared frequently on the Broad­ crepes. The master confiteurs of speare Theatre. During her forty-four years in way stage. Theatregoers have seen him in Sir Eclair have created pastries which motion pictures, Ms. Hamilton has appeared in 's revival of Much Ado About will surely inspire ah encore (or two such films as Another Language, Farmer Takes Nothing, the , Slow or three!) . Complement the experi­ a Wife, These Three, Nothing Sacred, I'll Take Dance On The Killing Ground, The Royal Hunt ence with expresso or cappuccino: Romance, My Little Chickadee, State of the Of The Sun, , , and the musicals the perfect ending to a memorable Union, The Beautiful Blonde From Bashful Walking Happy and Canterbury Tales. He re­ indulgence. Bend, and Brewster McLeod. On radio, she ap­ ceived a Tony Award nomination for his per­ peared for a total of ·seven years on Doctor's formance opposite Katherine Hepburn in the Minimax is only a few minutes from Wife and The Couple Next Door, as well as on musical Coco and the Drama Desk and Critic's BAM. 174 Montague Street in his­ Lux Radio Theatre and of Awards for his performance opposite toric Brooklyn Heights. Air. Her television roles have included running in My Fat Friend. A product of Mon-Thurs 8am-11pm/Fri-Sat 8am- parts on the series, The Egg and I, Date with the English classical theatre, Mr. Rose spent 12pm/Sun 9am-10pm Judy, Secret Storm,. The Paul Winchell Show, eight years of his career with the famed Royal Ethel and Albert, The Shari Lewis .Show, and Shakespeare Company and the companies of As the World Turns, as well as the part of Cora Sir John Gielgud and . As a junior in the Maxwell House Coffee commercials. member of the Old Vic, he made his first New During the days of "live" television, she made York appearance at the Century Theatre in countless appearances on such programs as the 1946. Two years prior to that, he had been U.S. Steel Hour, Studio One, Frobert Montgom­ noticed by Lord Olivier and Sir Ralph Richard­ ery Presents, Phi/co Playhouse, Playhouse 90, son in a student performance at the Central This Is the Week That Was, and the Hallmark School of Speech and Drama and had been You're Surrounded! Hall of Fame television production of The rewarded with a year's contract with their Devil's Disciple. Most recently, Ms. Hamilton company. His many London successes include appeared in Night Must Fall at Philadelphia The Visit with the Lunts, The Apple Cart with by Boerum Hill and Fort Greene, Theatre in the Park; with the Boston Opera Sir Noel Coward, and with affordable elegance, convenience, Company, in Orpheus in the Underworld; and Dame . He also clowned and danced community, tranquility. Antique The New York Idea and The for his way through two hit revues - Living For zing. Come explore with the Brooklyn Academy of Music Repertory Pleasure and On The Avenue. Mr. Rose has ap­ Company, directed by Frank Dunlop. peared in over thirty motion pictures, including a performance as the Sergeant in the film The Devil's Disciple with , Kirk Doug­ Barnard Hughes (Anthony Anderson) has las, and . His television appear­ appeared most recently at the Academy Festival ances include many of the Hallmark Hall of Theatre of Chicago in Tobacco Road and in the Fame shows, NET's much-praised production Brooklyn Academy of Music's production of of Hogan's Goat, and the CBS-TV series Beacon 102 Hoyt Street, near Atlantic The Three Sisters. His other Broadway stage Hill in which he created the role of the butler, credits include Town; , Mr. Hacker. He also performed a one-man Music 875-5650 with George C. Scott; 's The Good Hall show for CBS called George Rose Enter­ Doctor; Older People; Pericles; Abelard and tains, written by himself. This versatile per­ Heloise; Sheep on the Runway; How Now Dow former is an avid collector of phonograph Jones?; Richard Burton's Hamlet; Advise and records and has himself recorded over a dozen Consent; and A Majority of One. For the New LP's. He has recorded in their entirety several York Shakespeare Festival in Central Park, he novels for the American Foundation for the portrayed Falstaff in The Merry Wives of Wind­ Blind (including a complete Tom Jones that sor and Dogberry in , took five weeks of work and thirty-four discs). repeating the latter role both on Broadway and His adaptations of Lewis Carroll's Alice books on television, winning a Tony Award nomina­ on the C.M.S. label are considered to be the de­ tion, as well as the St. Clair Bayfield Award. finitive recorded versions. Mr. Rose recently re­ Off-Broadway, Mr. Hughes appeared in a num­ turned from Vienna where he played a starring ber of Ibsen productions for David Ross , in­ role in Holocaust, an NBC Big Event, to be cluding A Doll's House and Rosmersholm. seen on television,April16-19. Other Off-Broadway credits include Hogan's Goat, Line, and Teahouse of the August Moon. Mr. Hughes has appeared in numerous motion ChrisSarandon (Richard Dudgeon) received pictures, including Rage, The Hospital, Sisters, an Academy Award nomination for his film Cold Turkey, Pursuit of Happiness, Where's debut as Leon in 's Dog Day Poppa?, Midnight Cowboy, and Oh, God!. Per­ Afternoon. He began his stage career after grad­ haps Mr. Hughes is most familiar to television uating with high honors from West Virginia audiences as star of the CBS series, Doc. His University and getting his M.F.A. in Drama from other television credits include Look Home­ Catholic University in Washington, D.C. He ward, Angel, on the New Playhouse 90; All the joined the resident company of The Long Wharf Theatre and appeared in Indian Wants Company, and the Harvard Repertory Company. Coast productions of at the Bronx and The Lion in Winter. In New York. In addition to his films, Mr. Billion, Lastofthe the Pasadena Playhouse, The Diary of Anne he briefly appeared in The Guiding Light on Good Guys, and Missiles of October, Mr Boen Frank at the Players Ring Theatre, and The television before being cast as Jacob Rothschild has also appeared extensively on television in Maid and the Martian at the Gallery Theatre. in the original Broadway cast of The Rothschilds. such series as Eight is Enough, How the West Mr. Lurie has played feature roles in a number In short succession, he then starred in Candida Was Won, Wonder Woman, Kojak, Hawaii Five­ of motion pictures and such television series as at the Shaw Festival of Canada; as Proteus in D. and Streets of San Francisco. He also ap­ All in the Family; Gibbsville, U.S.A.; Emergen­ 's Broadway version of the musical, peared in the PBS Theatre in America produc­ cy,- ; and The Lawyers. among others. Two Gentlemen of Verona; and as Alceste in tions of Taming of the Shrew and Cyrano de He divides his time between acting and writing, the Misanthrope for the Hartford Stage Com­ Bergerac. In addition to his stage and screen having two original screenplays, The Guilty Shall pany. After appearing in A Grave Undertaking credits, Mr. Boen is frequently called upon to Not Stand and Then There Were Three. to his at Princeton's McCarter Theatre, he once again provide character voice-overs in a wide variety credit. in addition to a number of television turned to films as the music teacher/rapist in of dialects. documentaries, such as Danger Zone, Biography. Lipstick, followed by a starring role in The Sen­ and The Greatest Headlines of the Century. tinel. Last season. Mr. Sarandon returned to the From 1973 through 1976, he was the auctioneer stage in Joseph Papp's world premiere produc­ Robert Cornthwaite (Uncle· Titus Dudgeon) on the popular Auction 3 program. Most recent­ tion of John Guare's Marco Polo Sings a Solo appeared in the CTG/Ahmanson Theatre's pro­ ly Mr. Lurie appeared at the Music Center in and. most recently, he starred in the revival of ductions of The Crucible and . His the CTG/Mark Taper Forum production of 's Broadway at the Berkshire other stage credits include A Majority of One Leander Stillwell and will soon be seen in the Festival in Stockbridge, Massachusetts, which is and Arsenic and Old Lace in St . Louis, UTBU feature motion picture, Harper Valley, PTA. scheduled to be presented next season on Broad ­ in Kansas City. and The Purification at Hous­ way. ton's Alley Theatre, among others. For many years. he worked almost exclusively in motion John Orchard (A Sergeant) was born in Lon­ pictures and appeared in over thirty films, in­ don and performed as a child actor with Henry Carole Shelley won her (Judith Anderson) cluding Tire Thing, Whatever Happened to Baby Baynton's Shakespearean Company and as a first Los Angeles Drama Critics Circle Award Jane? and The Spirit of St. Louis. On television, student actor with the Rock Theatre Company. for her performance in the L.A. production of Mr. Cornthwaite has made literally hu.ndreds of His early stage credits include a tour in Lillian . The following year, appearances, most recently on Laverne and Hellman's Watch On The Rhine and several mu­ she returned to Los Angeles and garnered a sec­ Shirley. He has just returned from ACT in Seat­ sical productions, including Brigadoon; Kiss Me ond LADCC Award in the acclaimed national tle where he played in an extended run of Ab­ Kate; South Pacific; Little Mary Sunshine; tour of The Royal Family. Most recently. she surd Person Singular. Rosemarie; and. as Bill Sykes, in Oliver. In 1966 co-starred with of the Royal he came to the and appeared in Shakespeare Company at the Shaw Festival in Oh, What A .Lovely War. As Actor in Residence the uncut Man and Superman-Don Juan In Luise Heath (Essie) is a native of New York at the U.C. Davis Professional Theatre in 1970. Hell and as Epifania in The Millionairess. Ms. and studied at the of Music. he appeared in the title role of Sergeant Mus­ Shelley made her professional debut at the age Howard University. and with . grave's Dance, and as Potomk in , in Great Cath­ of three and began a successful career on the On the East Coast, she has been seen both as a erine. Most recently. he toured Florida with London stage, including the lead roles in Mary, stage and television actress, as well as a night­ Wilfrid Hyde-White in Not In The Book . Mr. Mary and 's New Cranks. In 1964, club entertainer. She has performed with the Orchard began his extensive film career at the she was brought to America to create the role ; at the Arena Stage , appearing in four Michael Bal­ of Gwendolyn Pigeon in the stage, film and tele­ in Washington, D.C.; and at the Eugene O'Neill con productions. His other motion picture cred­ vision versions of Neil Simon's . Memorial Theatre Center in Connecticut. Among its include Strange Bedfellows, King Rat, The At Stratford. , in 1972, she was ac­ her Broadway and regional theatre credits are Thomas Crown Affair, , The claimed for her performances in As You Like featured roles in The Last Sweet Days of Isaac, Split, The Raid on Rommel/, The Revolution­ It, , and She Stoops to Conquer, sub­ . and 1600Pennsylvania Avenue. ary, Bedknobs and Broomsticks, Gus, and sequently performing in their tour of Europe She also toured as Nell in The Me Nobody Capone. In addition to commercials, he has and Russia. At the American Shakespeare Fes­ Knows. Since coming to Los Angeles, Ms.-Heath made guest appearances on more than 35 tele­ tival in Stratford, Connecticut, she first appeared has appeared as Juno in the Callboard Theatre vision series, including a recurring role on in the title role of Wycherley's The Country production of Ovid's Metamorphoses and will M*A *S*H and a guest-starring appearance on Wife and later in , and soon be seen in a new act. an episode of Baretta. . and Macbeth. At the Goodman Theatre in Chicago. she was nominated for a Jefferson Award for her performance as Nora in A Doll's Ken Letner (Chaplain Brudene/1} was last Randy Pelish (Christy Dudgeon) a native House. Her Broadway credits include starring seen in New York off-Broadway as Yakof in of Arkansas , has made Los Angeles his home roles in The Astrakhan Coat, Loot, Noel Cow­ the American premiere of Our Father by Gorky. since 1972. Prior to that, he studied acting at ard's Sweet Potato, Little Murders, , He recently appeared in A History Of The Illinois State University and performed in sever­ and The Norman Conquests. For her perform­ American Film at the Mark Taper Theatre in al seasons of stock . including roles in Juno and ance in Absurd Person Singular, she received a Los Angeles. Mr. Letner has been seen through­ the Paycock, Anything Goes, The Rivals. and Tony Award nomination. Ms. Shelley has also out the country in repertory productions of The Hostages. among others. L.A. audiences appeared in the film, The Boston Strangler. and such as The Crucible, A Streetcar Named have seen him in Kiss Me Kate at the Megaw has created voice characters in The Aristocats Desire, Cyrano de Bergerac, and Macbeth with Theatre; the 1976 revival of Magnificent Yan­ and Robin Hood for Walt Disney. E.G. Marshall; and in the musicals A Funny kee , with and ; Thing Happened On The Way To The Forum, and . most recently. in· Leander Stillwell at the . and The Fantasticks CTG/Mark Taper Forum. Earl Boen (Major Swindon) has performed with Bill Bixby. For six years he was Associate for four seasons at the American Conservatory Director of the VMT Rep in Richmond . His Theatre in San Francisco, appearing in such most recent directorial credit was The Emperor Betty Ramey (Uncle William's Wife) has diverse productions as Pillars of the Communi­ Jones , starring Earle Hyman. Mr. Letner is also been seen recently on the West Coast in The ty, , Bourgeois Gentleman, , the film critic for San Diego Magazine. Skin of Our Teeth, The Show-Off. and Scandals. Taming of the Shrew, , Equus, You While assistant for two years to Executive Pro­ Can't Take It With You, The Ruling Class, ducer/Director Albert McCleery at the Pasadena Merry Wives of Windsor, and Shay. He also Allan Lurie (Uncle William Dudgeon), was Playhouse, she also appeared in Lady in the appeared for two seasons with the Pittsburgh born in Cincinnati. Ohio, and began acting at Dark and Oliver Hailey's Hey There, Light Man. Playhouse in Plaza Suite, Boys in the Band, Lion the age of 13 on NBC Radio's Father Flanagan's Last fall, she played Beatrice in Norman, Is That in Winter, Man of La Mancha, A Streetcar Boys Town series. He has appeared on numer­ You? at the Barn Dinner Theatre in St. Louis Named Desire. and Anything Goes. Previously. ous network radio shows over the years, i ncl u­ and Mrs. Baker in the St. Louis Plantation Din­ Mr. Boen's stage credits include three seasons ding The Look Magazine Show, Builders of ner Theatre production of Butterflies Are Free. with the Theatre. Minnesota Destiny. and The Life of Riley. He came to During the bicentennial year, she performed in Theatr~ Company. and various productions Hollywood in 1950 and first appeared on the an extensive tour of the West Coast and Hawaii. with the Seattle Repertory Company. the Dart­ local stage in Billy Barnes' musical, Baby Face portraying such notable American ladies as mouth Repertory Company. the Center Opera O'Fiynn. He subsequently appeared in the West Abigail Adams, Lucy Stone, Emma Goldman, adapted by . In Lo-ndon's West designed several other productions at Covent Who's Who End, he directed two Shaw plays, Too True To Garden and did sets for the Welsh National Be Good and Getting Married, as well as Son of Opera's Falstaff, as well as The Barber of Se­ Oblomov. Among his other productions abroad, ville and La Cenerentola for Sadlers Wells. Mr. Mr. Dunlop has directed Pantagleise, Anthony Toms' ballet credits include and Bal­ and Cleopatra, and Pericles for the Belgian Na­ let Imperial for the Royal Ballet at Covent tional Theatre. In 1969, Mr. Dunlop founded Garden, La Reja for Ballet Rambert, and Piece the and is still its director. His pro­ d'Occasion for the Royal Ballet and Festival ductions for the Young Vic have included Sca­ Ballet. Mr. Toms' television credits include and Eleanor Roosevelt in the American Living pino, The Taming of the Shrew, The Comedy The Autumn Garden, Clutterbuck, Nude With History Theatre production of Rebels in Lace. of Errors, Genet's The Maids and Deathwatch, Violin, The Sand Castle, and Twelfth Night. He Her early stage credits include two New York The Alchemist, Bible One (including Joseph has designed costumes for such films as One appearances with Judith Anderson, Come of and the Amazing Technicolor Dreamcoat), Million Years, B. C., When Dinosaurs Ruled the Age at City Center and Tower Beyond Tragedy firench Without Tears, and Much Ado About , Moon Zero Two, and Lost Continent, for ANTA. At the Ernie Pyle Theatre in Japan, Nothing. His American Broadway credits in­ among others. For designing the investiture of she appeared as Antiobe in The Warrior's Hus­ clude .Scapino, . and Habeas the Prince of Wales at Caernarvon Castle, Mr. band. She also toured Egypt in Yes, My Darling Corpus,• Recently, as director of the Brooklyn Toms received the Order of the British Empire. Daughter and played Queen Elizabeth in a Acadtmy of Music Acting Company, Mr. Dun­ European tour of Richard the Third. Immediate­ lop has directed Joseph and the Amazing Tech­ F. Mitchell Dana (Lighting Designer) ly prior to her current engagement, Ms. Ramey nicolor Dreamcoat, The New York Idea, and was seen as Mrs. Higgins in Sebastian West's The Three Sisters. created the lighting for the BAM Theatre Com­ production of My Fair Lady. pany productions of The New York Idea and The Three Sisters, in addition to Joseph and the Carl Toms (Sets and Costumes Designer) Amazing Technicolor Dreamcoat. On Broadway, Peggy Rea (Uncle Titus' Wife) has appeared is one of 's most sought after and crea­ he designed lighting for The Freedom of the City in Center Theatre Group/Ahmanson Theatre tive scenic designers. Trained at the Royal Col­ by Brian Friel and was Associate Designer for productions of A Streetcar Named Desire and lege of Art and the Old Vic Schoof in London, the Broadway productions of A Doll's House Merton of the Movies and at the Mark Taper he has worked extensively in theatre, opera, bal­ and Hedda Gablet, starring , as well Forum in Juno and the Paycock. Born and let, films, and television. As Associate and Head as for the original production of 1776. Among raised in Los Angeles, she appeared in local pro­ of Design for the Young Vic Theatre, London, the over 175 plays and musicals he has designed ductions at Beverly High, UCLA, and the Coro­ Mr. Toms has designed Scapino, Taming of the in the past nine years are 13 shows for the Los net Theatre. Following a two-year national tour Shrew, Macbeth, , The Angeles Music Center at the Ahmanson Theatre, of Streetcar. Ms. Rea appeared on Broadway in Maids, Death Watch, Much Ado About Nothing, the Philharmonic, the Civic Light Opera and Cole Porter's Out of This World and then toured The Soldier's Tale, She Stoops to Conquer, Tom the Mark Taper Forum. He lists 43 productions in the revue, Lend an Ear. She was seen on the Thumb, The Real Inspector Hound, and If for the American Conservatory Theatre in San early I Love Lucy series, Gunsmoke, and Have You're Glad I'll Be Frank. He has also designed Francisco, plus their three-city tour of the Gun-Will Travel. Ms. Rea was also a regular for numerous other theatres in Great Britain. U.S.S.R. His credits include numerous shows performer for six years on .The Red Skelton For the National Theatre in London, he has de­ for such regional theatres as the Kennedy Cen­ Show and, more recently, has guested on All in signed Edward//,· Love's Labour's Lost,.directed ter, McCarter Theatre, Yale Rep, Pittsburgh the Family, Paper Moon, Maude, All's Fair, by Laurence Olivier; and Cyrano de Bergerac, Civic Light Opera, Chicago's Goodman Theatre, Busting Loose, and The Show. directed by . For the Royal Manitoba Theatre Center and the Stratford On­ She has also become familiar to television audi­ Shakespeare Company, he designed Section 9; tario Fe,stival. His career encompasses opera, ences as a commercial spokesperson for Levi­ Sherlock Holmes, for which he won a Tony dance, industrials, T.V. and nightclubs. He Strauss. Her film credits include: The Seven Award and a ; Travesties, also enjoys teaching lighting and has held fac­ Faces of Dr. Lao, Strange Bedfellows, The directed by Peter Wood, which was also seen ulty positions at Yale Drama School and Co­ Learning Tree, Cold Turkey, What's the Matter in the West End, New York, at the Burg Theatre lumbia University and has lectured at Utah State, With Helen?, and Lipstick. in Vienna, and in Washington; and Man and San Francisco State and Southern Methodist Superman at the Malvern Festival and Savoy Universities. Theatre. London. At the Chichester Festival Fred Stuthman (Lawyer Hawkins) appeared Theatre in , he designed The Magistrate, most recently on Broadway as Prof. Moriarty in also seen in the West End; Antony and Cleo­ Center Theatre Group/Ahmanson Theatre the acclaimed production of Sherlock Holmes. patra, starring and John L.A. (Associate Producer) currently under Among his other Broadway and Off-Broadway Clements; The Rivals; Vivat/ Vivat Regina!; the direction of Robert Fryer is in its eleventh credits are The Play's the Thing; the Circle-in­ The Alchemist, starring : season and has presented 43 productions. the Square production of Hot I Baltimore; the Caesar and Cleopatra, starring Sir John Gielgud Among these are More Stately Mansions with Syracuse Stage premiere of Butterfingers Angel; and Anna Calder-Marshall; and Reunion in Vi­ , Night of the Iguana with eleven classic revivals at the Roundabout Thea­ enna. starring Marqaret Leighton and Nioel Richard Chamberlain, with tre; and regional productions of numerous mu­ Patrick. At the Old Vic, he designed The Mer­ , Idiots Delight with ", sicals and straight dramas, including Damn ry Wives of Windsor, starring Maogie Smith; A Streetcar Named Desire with Yankees, Finian's Rainbow, Ubu Roi, The Rain­ A Midsummer Night's Dream; and The Lady and John Voight, Macbeth with Charlton maker, The Big Knife, The Immoralist, Waltz of Camellias, which was taken on world tour Heston and the American Premieres of Neil of the Toreadors, and All the King's Men. In with . Mr. Toms has also designed Simon's California Suite and Chapter Two. The films, Mr. Stuthman has appeared in The Sen­ many West End produ·ctions, including Sleuth, Ahmanson can also boast an important roster tinel; The Reincarnation of Peter Proud; W.W. directed by Clifford Williams and also seen in of directors such as Jose Quintero, Gower and the Dixie Dancekings; Marathon Man; For New York, Paris, Amsterdam, Australia, Athens, Champion. Sir Laurence Olivier. Abe Burrows, Pete's Sake; Heroes; Network; Bad News Bears and at the CTG/ Ahmanson Theatre in Los , , Burt Shevelove, in Breaking Training; Another Man, Another Angeles; Murderer, by Anthony Shaffer; Dear and Sir John Gielgud. Woman; Semi-Tough; as the voice of the camel Love, directed by Peter Wood; A Singular Man; in Raggedy Ann; and as General Omar Bradley Fallen Angels; The Complaisant Lover, directed in McArthur. In addition to more than 25 guest by Sir John Gielgud; New Cranks; Write Me a appearances on television, he has been featured Murder; Girl Friend, starring Margaret Leighton; Berenice Weiler (Administrative Director) recently in Tail-Gunner Joe, The Rockford The Beheading; and The Burglar. He also de­ has worked in all media. She was Managing Pro­ Files, Barnaby Jones, Family, The Lou Grant signed at the Edinburgh Festival: A Winter's ducer of the American Shakespeare Theatre Show, Eight is Enough, One Day at a Time, Tale, Scapino, A Midsummer Night's Dream, for thirteen years and last summer began as Carter Country, Fernwood 2-Night, and Raffer­ The Trojan Women, and The Soldier's Tale. producer of the Smithville Theatre in Smith­ ty. For two years, Mr. Stuthman was also the For the Guthrie Theatre in Minneapolis, he de­ ville, New Jersey, for the American Broadcast­ host of KCOP's Jeepers Creepers series. signed A Midsummer Night's Dream and The ing Companies, Inc. She has also served as As­ Relapse. In the fall of 1976, he designed the sociate Producer of such varied shows for tele­ Broadway production of Habeas Corpus. Mr. vision as Our American Heritage and The Sid Frank Dunlop (Director) was born in Toms has also designed numerous productions Caesar Show. She is currently the Executive Leeds, brought up in Leicestershire, and earned for the Opera, the San Fran­ Director of the University Resident Theatre a degree at University College, London. He then cisco Opera, and the San Diego Opera. Most Association. studied at the Shakespeare Institute and the recently, he designed the sets and costumes for Old Vic School, London, with Michael St. Denis. the New York City Opera productions of The Before founding the Young Vic, Mr Dunlop Marriage of Figaro and The Voice of Ariadne was associate director and administrative direc­ (both seen recently in their Los Angeles tour) tor for the National Theatre and directed five and the San Diego Opera production of The plays at the Old Vic: Brecht's Edward II, Merry Widow. Last May, Mr. Toms designed for Maugham's Home and Beauty, John Spurling's and coordinated the Silver Gala at the MacCrune's Guevara, Webster's The White Devil, in . He has and Carl Zuck mayer's The Captain of Kopenick, BAM Theatre Staff Company Donors

The BAM Theatre Company gratefully ac­ Staff for Devil's Disciple knowledges the faith and backing of the following who helped support its fnaugral season : GENERAL MANAGER BERENICE WEILER Production Stage Manager Barbara-Mae Phillips Benefactors Asst. Stage Manager Norman Abrams ($5,000 and more) Asst. Stage Manager Paul Diaz Alex Hillman Family Foundation Master Carpenter Ernest Sutherland Shirley Prendergast Helena Rubinstein Foundation, Inc. Asst. to Mr. Dana Karol Coeyman Ame Vennema Hairstyles Asst. to Ms. Coeyman Ester Teller Patrons Asst. to General Manager Maureen McDonald ($2,500- 4,999) Credits Janice H. Levin Transart Productions, Inc. Scenery executed by Center Theatre Group Shop- Russell Knight, Foreman; Frank Pera, Scenic Artist. William C. Whitney Foundation Printed Graphics by Bill Brown Associates. Costumes by Center Theatre Group Shop- William Babe, Supervisor; Costume Co.; and Pzazz; Mr. Rose's and Ms. Shelley's Wigs by Paul Huntly. Fabrics by Beverly Hills Silks and Woolens. Special pottery by Roy Hamilton. Properties by u·niversal Contributors Studios; Burbank Studios; 20th Century-Fox Studios; Ellis Mercantile Co .; House of Props, Inc.; Billy ($1 ,000- 2,499) Woolf House of Motion Picture Accessories, Inc.; First Street Furniture Store; and Cinema Mercantile Anthony Anastasio Foundation, Inc. Co., Ltd. Mrlitary Consultant: Colonel G.C. Burch, United States Army. Harold Diamond & Company Henry L. Goldberg Foundation Luci lie Lortel

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In Myra Waldo's Restaurant Guide.for New York Five minutes from B.A.M. by car, taxi, #37 bus. Open noon to 12 AM Sun. thru Thurs. Friday & Sat. noon to 3 AM with music for dancing. Free parking . .__~_~c_9_Rw_Ro_T_L'E_s_:_~_R_~_fi_~_YN_E_T_'l_~_N_f_21_?_6P_4--~-s4-~ ------111 you'« already o~~M~i:~st ~ ~~~val~~~c~~BA~r~ !I~ !~~ke~f~~~ou're not, why not fill out the blank below and hand it to the nearest usher or mail it to BAM from your home. Once you do, we'll send you advance notification I. of BAM events, plus special opportunities to save up to 50% on our top-priced seats. I

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CAST (in order of appearance)

Mrs. Annie Dudgeon Margaret Hamilton Essie Luise Heath Christy Dudgeon Randy Pelish Rev . Anthony Anderson Barnard Hughes Judith Anderson Carole Shelley Lawyer Hawk ins Fred Stuthman Uncle William Dudgeon Allan Lurie Uncle Titus Dudgeon Robert Cornthwaite Uncle William's Wife Betty Ramey Unde Titus' Wife Peggy Rea Richard "Dick" D~Jdgeon The Devil's Disciple Chris Sarandon A Sergeant John Orchard Major Swindon Earl Boen General Burgoyne George Rose Chaplain Brudenell Ken Letner Townspeople, Soldiers Norman Abrams Timothy Askew Jason Buzas Paul Diaz George McDaniel Ron Perkins Rudolf Rainer Robert Rhys Rex Stallings Holly Villaire Musicians Russel Detrick Jay Leslie David Levy

Standbys and Understudies

Standbys and understudies never substitute for listed players unless a specific announcement is made at the time of the performance.

Understudy for Dick Dudgeon, General Burgoyne, Major Swindon, Lawyer Hawkins-George McDaniel; for Judith Anderson, Essie­ Holly Villaire; for Anthony Anderson-Ken Letner; for Mrs. Annie Dudgeon-Peggy Rea; for Christy Dudgeon, Uncle William Dudgeon -Ron Perkins; for Uncle Titus Dudgeon-Rudolf Rainer; for Ser­ geant-Rex Stallings.