Heraldry and Related Subjects
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Ing Items Have Been Registered
ACCEPTANCES Page 1 of 37 June 2017 LoAR THE FOLLOWING ITEMS HAVE BEEN REGISTERED: ÆTHELMEARC Alrekr Bergsson. Device. Per saltire gules and sable, in pale two wolf’s heads erased and in fess two sheaves of arrows Or. Brahen Lapidario. Name and device. Argent, a lozenge gules between six French-cut gemstones in profile, two, two and two azure, a base gules. The ’French-cut’ is a variant form of the table cut, a precursor to the modern brilliant cut. It dates to the early 15th Century, according to "Diamond Cuts in Historic Jewelry" by Herbert Tillander. There is a step from period practice for gemstones depicted in profile. Hrólfr á Fjárfelli. Device. Argent estencely sable, an ash tree proper issuant from a mountain sable. Isabel Johnston. Device. Per saltire sable and purpure, a saltire argent and overall a winged spur leathered Or. Lisabetta Rossi. Name and device. Per fess vert and chevronelly vert and Or, on a fess Or three apples gules, in chief a bee Or. Nice early 15th century Florentine name! Símon á Fjárfelli. Device. Azure, a drakkar argent and a mountain Or, a chief argent. AN TIR Akornebir, Canton of. Badge for Populace. (Fieldless) A squirrel gules maintaining a stringless hunting horn argent garnished Or. An Tir, Kingdom of. Order name Order of Lions Mane. Submitted as Order of the Lion’s Mane, we found no evidence for a lion’s mane as an independent heraldic charge. We therefore changed the name to Order of _ Lions Mane to follow the pattern of Saint’s Name + Object of Veneration. -
Two Blind Men Describe “Bloody Good
Frame — a re-enactment of the assassination of John F. Kennedy. Twenty-two seconds of footage of the as- sassination, taken in Dallas in 1963 by Abra- ham Zapruda, was sold to Life magazine on the night of the shooting for $150,000. Life published stills from the film shortly after- wards. (Later, the Zapruda family would be paid $10 million by the US government for rights to the film). Stills were also re- produced in the Warren Commission Report of September 1964. The Warren Commis- sion also used the film as the basis for a se- ries of reconstructions that served as part of their investigation. The film itself was not broadcast until 1975. Perhaps more than any other, this moving image defined the turbu- lence of the 1960s for a wide American public during the 1970s. Don Delillo’s 1997 novel Underground cap- tures the sense of this moment in a fictional TIME account of one of the film’s first public, or semi-public, viewings in the summer of 1974. CAPTCHA’D The scene takes place in an apartment with television sets in every room. In each room a video of the same piece of footage plays, FOR GLOBAL with a slight delay. Delillo writes: “The event was rare and GOOD? strange. It was the screening of a bootleg copy of an eight-millimeter home movie that ran for twenty seconds. A little over twenty PALO ALTO — In 2002, Stanford Univer- seconds probably. The footage was known as sity launched a “community reading project” the Zapruda film and almost no one outside called Discovering Dickens, making Dickens’s the government had seen it. -
Ballistic Protective Properties of Material Representative of English Civil War Buff-Coats and Clothing
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by UWE Bristol Research Repository International Journal of Legal Medicine (2020) 134:1949–1956 https://doi.org/10.1007/s00414-020-02378-x ORIGINAL ARTICLE Ballistic protective properties of material representative of English civil war buff-coats and clothing Brian May1 & Richard Critchley1 & Debra Carr1,2 & Alan Peare1 & Keith Dowen3 Received: 19 March 2020 /Accepted: 15 July 2020 / Published online: 21 July 2020 # The Author(s) 2020 Abstract One type of clothing system used in the English Civil War, more common amongst cavalrymen than infantrymen, was the linen shirt, wool waistcoat and buff-coat. Ballistic testing was conducted to estimate the velocity at which 50% of 12-bore lead spherical projectiles (V50) would be expected to perforate this clothing system when mounted on gelatine (a tissue simulant used in wound ballistic studies). An estimated six-shot V50 for the clothing system was calculated as 102 m/s. The distance at which the projectile would have decelerated from the muzzle of the weapon to this velocity in free flight was triple the recognised effective range of weapons of the era suggesting that the clothing system would provide limited protection for the wearer. The estimated V50 was also compared with recorded bounce-and-roll data; this suggested that the clothing system could provide some protection to the wearer from ricochets. Finally, potential wounding behind the clothing system was investigated; the results compared favourably with seventeenth century medical writings. Keywords Leather . Linen . Wool . Behind armour blunt trauma . -
The European Bronze Age Sword……………………………………………….21
48-JLS-0069 The Virtual Armory Interactive Qualifying Project Proposal Submitted to the Faculty of the WORCESTER POLYTECHNIC INSTITUTE in partial fulfillment of the requirements for graduation by _____________________________ ____________________________ Patrick Feeney Jennifer Baulier _____________________________ Ian Fite February 18th 2013 Professor Jeffrey L. Forgeng. Major Advisor Keywords: Higgins Armory, Arms and Armor, QR Code 1 Abstract This project explored the potential of QR technology to provide interactive experiences at museums. The team developed content for selected objects at the Higgins Armory Museum. QR codes installed next to these artifacts allow visitors to access a variety of minigames and fact pages using their mobile devices. Facts for the object are selected randomly from a pool, making the experience different each time the code is scanned, and the pool adapts based on artifacts visited, personalizing the experience. 2 Contents Contents........................................................................................................................... 3 Figures..............................................................................................................................6 Introduction ……………………………………………......................................................... 9 Double Edged Swords In Europe………………………………………………………...21 The European Bronze Age Sword……………………………………………….21 Ancient edged weapons prior to the Bronze Age………………………..21 Uses of European Bronze Age swords, general trends, and common innovations -
Weapon Group Feats for Pathfinder: Class: Weapon Group Proficiencies
Weapon Group Feats for Pathfinder: Class: Weapon Group Proficiencies at 1st Level: Alchemist Basic weapons, Natural, Crossbows, any other 1 Barbarian Basic weapons, Natural, any other 4 Bard Basic weapons, Natural, any other 3 Cavalier Basic weapons, Natural, Spears, any other 3 Cleric Basic weapons, Natural, deity’s weapon group, any other 2(3 groups if not following a deity) Druid Basic weapons, Natural, druid weapons, any other 1 Fighter Basic weapons, Natural, any other 5 Gunslinger Basic weapons, Natural, firearms, any other 3 Monk Basic weapons, and all monk weapons Inquisitor Basic weapons, Natural, deity’s weapon group, Bows or Crossbows, any other 3 (4 groups if not following a deity) Magus Basic weapons, Natural, any other 4 Oracle Basic weapons, Natural, any other 1 (+3 if taking Skill at Arms) Paladin/AntiPaladin Basic weapons, Natural, any other 4 Ranger Basic weapons, Natural, any other 4 Rogue Basic weapons, Natural, any other 3 Sorcerer Basic weapons, Natural, spears, crossbows , any other 1 Summoner Basic weapons, Natural, spears, crossbows , any other 1 Witch Basic weapons, Natural, spears, crossbows , any other 1 Wizard Basic weapons, Natural, spears, crossbows This system doesn’t change Racial Weapon Familiarity. Weapon Group Name: Weapons In Group: Axes bardiche, battleaxe, dwarven waraxe, greataxe, handaxe, heavy pick, hooked axe, knuckle axe, light pick, mattock, orc double axe, pata, and throwing axe Basic club, dagger, quarterstaff, and sling Blades, Heavy bastard sword, chakram, double chicken saber, double -
Pinjarra Park Printable Form Guide
FREE printable form guides from www.punters.com.au Pinjarra Park Tuesday 25th April 2017 Race 1 PINJARRA RSL MAIDEN 1600m 1:09 pm Race 2 SOUND TELEGRAPH HANDICAP 1500m 1:44 pm Race 3 AURORA LANDSCAPING MAIDEN 1200m 2:19 pm Race 4 PINJARRA REAL ESTATE MAIDEN 1200m 2:54 pm Race 5 WORK CLOBBER MANDURAH MAIDEN 1000m 3:29 pm Race 6 SIGN STRATEGY HANDICAP 1000m 4:04 pm Race 7 WAROONA RURAL SERVICES HANDICAP 2000m 4:34 pm Race 8 RENEW IPL HANDICAP 1300m 5:10 pm Produced for free by Punters.com.au, thanks to William Hill Punters.com.au is your ultimate racing website. Social networking, free form guides, odds comparison, betting deals, the latest news, photos and a revolutionary tipping system allowing punters to buy and sell their horse racing tips. Visit www.punters.com.au for more information. © 2017 Punters Paradise Pty Ltd. If you're reading this copyright notice you're probably thinking of printing lots of copies. Go for it. Give a copy to your mates, your mum and some strangers at the TAB. We want people to have our free form guides. Just don't sell them, alter, change or reproduce parts of this form guide as it's strictly prohibited. While Punters.com.au takes all care in the preparation of information we accept no responsibility nor warrants the accuracy of the information displayed. © 2017 Racing Australia Pty Ltd (RA) (and other parties working with it). Racing materials, including fields, form and results are subject to copyright which is owned by RA and other parties working with it. -
A Brief History of Greek Helmets
Jesse Obert A Brief History of Greek Helmets Author: Jesse Obert Source: AncientPlanet Online Journal Vol. 2 (2012), 48 – 59 Published by: Ioannis Georgopoulos Available at: http://issuu.com/ancientplanet/docs/ancientplanet_vol.2 1 Jesse Obert A Brief History of Greek Helmets Warfare is a constantly changing aspect of human interaction. In Ancient Greece, an emphasis on camaraderie and communal reliance developed the concept of unit cohesion and specialization. Ultimately, Greece would become the birthplace of Western Military thought. The maturation of this mentality can be traced through the stylistic and technological progression of military helmets. Experimentations with helmet design illuminate the limitations and intricacies of warfare as it was developed in the ancient world. Though the development of any technology is nonlinear, studying the evolution of stylistic designs reveals how the unique style of combat in Greece changed war. The history of the Greek helmet began in the 17th century BCE, when the Mycenaean Empire controlled Greece. At the time, the Boar’s Tusk Helmet was popular throughout the region. This conically shaped helmet consisted of alternating levels of boars’ tusks in a style and design that may have originated in Western Europe (Snodgrass 19). The tusks were sewn into a felt or leather cap which served as the base of the helmet. In all reality, the boar’s tusks would have shattered after a single blow, but were an improvement over leather or even felt (Everson 10-11). Additionally, the laces holding the tusks in place would have been exposed and vulnerable, so leather strands were probably tied between the alternating tusks in order to protect the laces (Everson 7). -
Sample Elementary Exam Paper 1
THE HERALDRY SOCIETY EXAMINATIONS BOARD ELEMENTARY EXAMINATION SPECIMEN PAPER 1 THREE HOURS ALLOWED INSTRUCTIONS TO CANDIDATES All questions carry equal marks Answer ALL THREE questions in Part A, and answer TWO of the three questions in Part B. A proportion of marks not exceeding 10% will be awarded for presentation of answers, in particular respecting legibility of writing and the clarity (not artistry) of illustrations. Part A 1. BLAZON the ten shields drawn and tricked on the attached sheet. 2.i DRAW and TRICK the following three shields -- a) Sable, on a Chevron between three griffins’ heads erased Or as many estoiles Gules. b) Argent, three spearheads in fess Gules, a chief Azure. c) Or crusilly Azure, a chevron counter-compony Argent and Sable. 2.ii DRAW and HATCH the following two examples -- d) Per saltire nebuly Ermine and Azure, five annulets in cross Or. e) Or two bendlets sinister Vert between in chief a lion’s face Azure and in base a fleur-de-lis Gules. THE HERALDRY SOCIETY EXAMINATIONS BOARD ELEMENTARY EXAMINATION SPECIMEN PAPER 1 (continued) 3. DRAW IN COLOUR the full achievement of Peter 6th Baron Carrington of Upton K.G. : -- Arms: Or, a chevron cotised between three demi-griffins the two in chief respectant Sable. Crest: An elephant’s head erased Or, eared Gules, charged on the neck with three fleurs-de-lis two and one Azure Supporters: Two griffins wings elevated Sable, the dexter charged with three fleurs-de-lis palewise Or, the sinister with three trefoils slipped palewise of the last Motto: TENAX IN FIDE PART B -- Answer only TWO of the following three questions (4, 5, 6) 4. -
A Roman Frontier Post and Its People
CHAPTER IX Dress and Armour As we gather together the relics brought to light from the abandoned wells and rubbish-pits at Newstead, the figure of the Roman soldier inevitably rises before us. It is a figure rendered familiar by the great monuments which commemorate Imperial triumphs, and by the portrait-reliefs which once stood above the graves of centurions, cavalry soldiers, or standard-bearers recalling to the passers-by the likeness of the dead. It is to such memorials, and to the scanty finds of weapons and armour which have been preserved to our time, that we owe most of the knowledge we possess regarding the arms and equipment of the army of the Empire. The columns and the triumphal arches furnish us with a series of pictures of the soldier in action. The victories of Trajan over the Dacians are sculptured on the column which he had set up in Rome in A.D. 104. The triumphs of Marcus Aurelius over the Marcomanni are unfolded in the reliefs decorating the huge pillar that gives its name to the Piazza Colonna. We follow each stage in the campaigns, the army making roads, building bridges, constructing forts, attacking and attacked. Many details are given which help us to realise vividly the scenes commemorated. No doubt in such sculptures, executed, as they were, in Rome, the artists drew their inspiration to some extent from older Hellenic models, and there thus enters into the treatment a somewhat conventional element. The grave stones of the legionaries or auxiliaries, on the other hand, are probably more exact in details. -
Heraldic Terms
HERALDIC TERMS The following terms, and their definitions, are used in heraldry. Some terms and practices were used in period real-world heraldry only. Some terms and practices are used in modern real-world heraldry only. Other terms and practices are used in SCA heraldry only. Most are used in both real-world and SCA heraldry. All are presented here as an aid to heraldic research and education. A LA CUISSE, A LA QUISE - at the thigh ABAISED, ABAISSÉ, ABASED - a charge or element depicted lower than its normal position ABATEMENTS - marks of disgrace placed on the shield of an offender of the law. There are extreme few records of such being employed, and then only noted in rolls. (As who would display their device if it had an abatement on it?) ABISME - a minor charge in the center of the shield drawn smaller than usual ABOUTÉ - end to end ABOVE - an ambiguous term which should be avoided in blazon. Generally, two charges one of which is above the other on the field can be blazoned better as "in pale an X and a Y" or "an A and in chief a B". See atop, ensigned. ABYSS - a minor charge in the center of the shield drawn smaller than usual ACCOLLÉ - (1) two shields side-by-side, sometimes united by their bottom tips overlapping or being connected to each other by their sides; (2) an animal with a crown, collar or other item around its neck; (3) keys, weapons or other implements placed saltirewise behind the shield in a heraldic display. -
Magical Clothing Fo R Discerning Adventurers
Magical Clothing fo r Discerning Adventurers Anja Svare Sample file Introduction Table of Contents I really like making magic items. General Clothing 3 Now, there’s nothing wrong with how 5e presents the majority of magic items. But the tend to get a little stale. Potions are all essentially the same, scrolls don’t really have much interest Outerwear 6 other than what spell they contain, you’ve got a few interesting things that aren’t weapons or armor, but that’s about it. Most of those will either break a game because of their power, or Headwear 12 they should require a massive quest of campaign-level, world- spanning heroics to obtain. There just aren’t a lot of items that everyday adventurers want, Footwear 14 that won’t break the bank so to speak, and are things that are actually useful. Everybody wears clothes (I don’t want to think about nude D&D), and everybody loves magic items for their Accessories 16 character.. Combining the two seemed like a good idea, but I didn’t want Special Orders 20 to go with just pants, shirts, etc. I scoured the internet for medieval period clothing, and narrowed down a list of items that were common across a wide range of times and places throughout Europe during the Middle Ages. Now, I did come Glossary 22 across some interesting clothing items that fell outside that range or geography, and a few are included here. None of the items presented here are gender specific. I intentionally left any mention of that out of each item. -
The Terminology of Armor in Old French
1 A 1 e n-MlS|^^^PP?; The Terminology Of Amor In Old French. THE TERMINOLOGY OF ARMOR IN OLD FRENCH BY OTHO WILLIAM ALLEN A. B. University of Illinois, 1915 THESIS Submitted in Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS IN ROMANCE LANGUAGES IN THE GRADUATE SCHOOL OF THE UNIVERSITY OF ILLINOIS 1916 UNIVERSITY OF ILLINOIS THE GRADUATE SCHOOL CO oo ]J1^J % I 9 I ^ I HEREBY RECOMMEND THAT THE THESIS PREPARED UNDER MY SUPER- VISION BY WtMc^j I^M^. „ ENTITLED ^h... *If?&3!£^^^ ^1 ^^Sh^o-^/ o>h, "^Y^t^C^/ BE ACCEPTED AS FULFILLING THIS PART OF THE REQUIREMENTS FOR THE DEGREE OF. hu^Ur /] CUjfo In Charge of Thesis 1 Head of Department Recommendation concurred in :* Committee on Final Examination* Required for doctor's degree but not for master's. .343139 LHUC CONTENTS Bibliography i Introduction 1 Glossary 8 Corrigenda — 79 Digitized by the Internet Archive in 2014 http://archive.org/details/terminologyofarmOOalle i BIBLIOGRAPHY I. Descriptive Works on Armor: Boeheim, Wendelin. Handbuch der Waffenkunde. Leipzig, 1890, Quicherat, J, Histoire du costume en France, Paris, 1875* Schultz, Alwin. Das hofische Leben zur Zeit der Minnesinger. Two volumes. Leipzig, 1889. Demmin, August. Die Kriegswaffen in ihren geschicht lichen Ent wicklungen von den altesten Zeiten bis auf die Gegenwart. Vierte Auflage. Leipzig, 1893. Ffoulkes, Charles. Armour and Weapons. Oxford, 1909. Gautier, Leon. La Chevalerie. Viollet-le-Duc • Dictionnaire raisonne' du mobilier frangais. Six volumes. Paris, 1874. Volumes V and VI. Ashdown, Charles Henry. Arms and Armour. New York. Ffoulkes, Charles. The Armourer and his Craft.